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At the core of this nuanced book is the question that ecocritics have been debating for decades: what is the relationship between aesthetics and activism, between art and community? By using a pastoral lens to examine ten fictional narratives that chronicle the dialogue between human culture and nonhuman nature on the Great Plains, Matthew Cella explores literary treatments of a succession of abrupt cultural transitions from the Euroamerican conquest of the “Indian wilderness” in the nineteenth century to the Buffalo Commons phenomenon in the twentieth. By charting the shifting meaning of land use and biocultural change in the region, he posits this bad land—the arid West—as a crucible for the development of the human imagination.

 Each chapter deals closely with two novels that chronicle the same crisis within the Plains community. Cella highlights, for example, how Willa Cather reconciles her persistent romanticism with a growing disillusionment about the future of rural Nebraska, how Tillie Olsen and Frederick Manfred approach the tragedy of the Dust Bowl with strikingly similar visions, and how Annie Proulx and Thomas King use the return of the buffalo as the centerpiece of a revised mythology of the Plains as a palimpsest defined by layers of change and response. By illuminating these fictional quests for wholeness on the Great Plains, Cella leads us to understand the intricate interdependency of people and the places they inhabit.

 Cella uses the term “pastoralism” in its broadest sense to mean a mode of thinking that probes the relationship between nature and culture: a discourse concerned with human engagement—material and nonmaterial—with the nonhuman community. In all ten novels discussed in this book, pastoral experience—the encounter with the Beautiful—leads to a renewed understanding of the integral connection between human and nonhuman communities. Propelling this tradition of bad land pastoralism are an underlying faith in the beauty of wholeness that comes from inhabiting a continuously changing biocultural landscape and a recognition of the inevitability of change. The power of story and language to shape the direction of that change gives literary pastoralism the potential to support an alternative series of ideals based not on escape but on stewardship: community, continuity, and commitment.

The power of religion to preserve individual and group identity is perhaps nowhere more evident than among Native American peoples. In Becoming and Remaining a People, Howard Harrod shows how the oral traditions and ritual practices of Northern Plains Indians developed, how they were transformed at critical points in their history, and how they provided them with crucial means of establishing and maintaining their respective identities.

This book offers a bold new interpretation of anthropological studies, demonstrating how religious traditions and ritual processes became sources of group and individual identity for many people. Harrod reconstructs the long religious development of two village peoples, the Mandans and the Hidatsas, describing how their oral traditions enabled them to reinterpret their experiences as circumstances changed. He then shows how these and other groups on the Northern Plains remained distinct peoples in the face of increased interactions with Euro-Americans, other Indians,.and the new religion of Christianity.

Harrod proposes that other interpretations of culture change may fail to come to terms with the role that religion plays in motivating both cultural conservatism and social change. For Northern Plains peoples, religion was at the heart of social identity and thus resisted change, but religion was also the source of creative reinterpretation, which produced culture change. Viewed from within the group, such change often seemed natural and was understood as an elaboration of traditions having roots in a deeper shared past. In addition to demonstrating religious continuity and change among the Mandans and the Hidatsas, he also describes instances of religious and social transformation among the peoples who became the Crows and the Cheyennes.

Becoming and Remaining a People adopts a challenging analytical approach that draws on the author's creative interpretations of rituals and oral traditions. By enabling us to understand the relation of religion both to the construction of social identity and to the interpretation of social change, it reveals the richness, depth, and cultural complexity of both past Native American people and their contemporary successors.

A series of essays, written by Plains scholars of diverse research interests and backgrounds, that apply postprocessual approaches to the solution of current problems in Plains archaeology

Postprocessual archaeology is seen as a potential vehicle for integrating culture-historical, processual, and postmodernist approaches to solve specific archaeological problems.

The contributors address specific interpretive problems in all the major regions of the North American Plains, investigate different Plains societies (including hunter-gatherers and farmers and their associated archaeological records), and examine the political content of archaeology in such fields as gender studies and cultural resource management. They avoid a programmatic adherence to a single paradigm, arguing instead that a mature archaeology will use different theories, methods, and techniques to solve specific empirical problems. By avoiding excessive infatuation with the correct scientific method, this volume addresses questions that have often been categorized as beyond archaeological investigations.

Winner, 2024 Stubbendieck Great Plains Distinguished Book Prize “A fascinating search for personal and cultural identity.” —Kirkus Thomas C. Gannon’s Birding While Indian spans more than fifty years of childhood walks and adult road trips to deliver, via a compendium of birds recorded and revered, the author’s life as a part-Lakota inhabitant of the Great Plains. Great Horned Owl, Sandhill Crane, Dickcissel: such species form a kind of rosary, a corrective to the rosaries that evoke Gannon’s traumatic time in an Indian boarding school in South Dakota, his mother’s devastation at racist bullying from coworkers, and the violent erasure colonialism demanded of the people and other animals indigenous to the United States. Birding has always been Gannon’s escape and solace. He later found similar solace in literature, particularly by Native authors. He draws on both throughout this expansive, hilarious, and humane memoir. An acerbic observer—of birds, the environment, the aftershocks of history, and human nature—Gannon navigates his obsession with the ostensibly objective avocation of birding and his own mixed-blood subjectivity, searching for that elusive Snowy Owl and his own identity. The result is a rich reflection not only on one man’s life but on the transformative power of building a deeper relationship with the natural world.