195 books match the query 'Homes and haunts' and 9 start with b

cover of Bad Colonists: The South Seas Letters of Vernon Lee Walker and Louis Becke

Bad Colonists

The South Seas Letters of Vernon Lee Walker and Louis Becke

Nicholas Thomas and Richard Eves

Duke University Press, 1999

In Bad Colonists Nicholas Thomas and Richard Eves provide a window into the fantasies and realities of colonial life by presenting separate sets of letters by two late-nineteenth-century British colonists of the South Pacific: Vernon Lee Walker and Louis Becke. Thomas and Eves frame the letters—addressed mostly to the colonists’ mothers—with commentary that explores colonial degeneration in the South Pacific. Using critical anthropology and theories of history-making to view the letter as artifact and autobiography, they examine the process whereby men and women unraveled in the hot, violent, uncivil colonial milieu.
An obscure colonial trader, Walker wrote to his mother in England from Australia, the New Hebrides (now Vanuatu), and New Caledonia—and also from ships in between those places—during the 1870s and 1880s. Becke was a trader, too, but he was also a successful author of popular fiction that drew on his experiences in the Pacific. Written from Micronesia in the early 1880s, Becke’s letters are like Walker’s in that they report one setback after another. Both collections vividly evoke the day-to-day experiences of ordinary late-nineteenth-century colonists and open up new questions concerning the making and writing of selves on the colonial periphery.
Exposing insecurities in an epoch normally regarded as one of imperial triumph, Bad Colonists will appeal to students and scholars of anthropology, colonial history, cultural studies, and Pacific history and culture.
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cover of Bay Boy: Stories of a Childhood in Point Clear, Alabama

Bay Boy

Stories of a Childhood in Point Clear, Alabama

Watt Key, Illustrations by Murray Key

University of Alabama Press, 2019

A charming, humorous, and colorful coming-of-age memoir

Bay Boy is a collection of essays by award-winning young adult author Watt Key, chronicling his boyhood in Point Clear, Alabama. During his childhood, Point Clear was not the tony enclave of today with  its spas, art galleries, and multimillion dollar waterfront properties.  Rather, it was a sleepy resort community, practically deserted in the winter, with a considerable population of working-class residents.
As Key notes in his introduction, “Life in Point Clear is really about being  outside. . . . I have never found a place so perfectly suited to exercise  a young boy’s imagination.” Key and his brother filled their days  collecting driftwood to make forts, scooting around the bay in a sturdy  Stauter boat, and making art and writing stories when it rained.

In a tone that is simple and direct, punctuated by truly hilarious  moments. Key writes about Gulf Coast traditions including Mardi Gras, shrimping, fishing, dove hunting, jubilees, camping out, and bracing for hurricanes. These stories are full of colorful characters— Nasty Bill Dickson, a curmudgeonly tow-truck driver; I’llNeeda, a middle-aged homeless woman encamped in a shack across the road; and the Ghost of Zundel’s Wharf, “the restless soul of a long-dead construction worker.” The stories are illustrated by charming and evocative artwork by the author’s brother Murray Key.
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cover of Behind the Wall: An American in East Germany, 1988-89

Behind the Wall

An American in East Germany, 1988-89

Paul Gleye

Southern Illinois University Press, 1991

Standing in long lines in the shops, coaxing clean laundry from an outdated washing machine, traveling despite unpredictable train schedules, and being without hot water, fruit, and vegetables through the gray winter months failed to dull Paul Gleye’s perceptions during the year he lived in Weimar, East Germany. Day by day Gleye documented his varied observations and experiences, unaware that they would prove a unique record of what would soon be an extinct society.

Gleye was in East Germany as a Fulbright lecturer. Living beyond the capital city of East Berlin and traveling and conversing freely, Gleye gained access to people and places that had been almost completely closed to Americans and other Westerners for decades.

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cover of Between Grass And Sky: Where I Live And Work

Between Grass And Sky

Where I Live And Work

Linda M. Hasselstrom

University of Nevada Press, 2005

An important collection of personal essays from one of the most widely published American environmental writers addresses the effects of ranching on the environment. Acclaimed nature writer Linda M. Hasselstrom sees herself as a rancher who writes—a definition that shapes the tone and content of her writing. Now owner of the South Dakota cattle ranch where she grew up, Hasselstrom lives in intimate contact with the natural world. "Nature is to me both home and office. Nature is my boss, manager of the branch office—or ranch office—where I toil to convert native grass into meat. . . . If I want to keep my job as well as my home, I pay attention not only to Nature's orders, but to her moods and whims." She writes knowingly of the rancher's toil and of the intelligence and dignity of the wild and domesticated creatures that share the prairie grassland she calls home. As one who knows and loves the land, Hasselstrom appreciates the concerns of environmental activists and understands that responsible ranchers can play a role in nurturing a healthy rural ecosystem. Rich in detail, humor, and pathos, these essays offer wry commentary on the scope of human folly and the even greater human potential for community and empathy. "Only people who live in the country," she writes, "could form a relationship with nature so intimate that they feel concern for one lonely duck. People who live in cities . . . only glimpse nature from high windows or speeding vehicles. Even wilderness lovers who probe deeply are only passing through. We who live on the land truly live within the land, each of our lives only one among the other inhabitants of the place." These are essays to read with wonder and delight, to relish and ponder. Available in hardcover and paperback.

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cover of Big Wonderful: Notes from Wyoming

Big Wonderful

Notes from Wyoming

Kevin Holdsworth

University Press of Colorado, 2006

In this unconventional memoir, Kevin Holdsworth vividly portrays life in remote, unpredictable country and ruminates on the guts - or foolishness - it takes to put down roots and raise a family in a merciless environment.

Growing up in Utah, Holdsworth couldn't wait to move away. Once ensconced on the East Coast, however, he found himself writing westerns and dreaming of the mountains he'd skied and climbed. Fed up with city life, he moved to a small Wyoming town.

In Big Wonderful, he writes of a mountaineering companion's death, the difficult birth of his son, and his father's terminal illness - encounters with mortality that sharpened his ideas about risk, care, and commitment. He puts a new spin on mountaineering literature, telling wild tales from his reunion with the mountains but also relating the surprising willpower it took to turn back from risks he would have taken before he became a father. He found he needed courage to protect and engage deeply with his family, his community, and the wild places he loves.

Holdsworth's essays and poems are rich with anecdotes, characters, and vivid images. Readers will feel as if they themselves watched a bear destroy an entire expedition's food, walked with his great-great-grandmother along the icy Mormon Trail, and tried to plant a garden in Wyoming's infamous wind.

Readers who love the outdoors will enjoy this funny and touching take on settling down and adventuring in the West's most isolated country.
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cover of Blue Song: St. Louis in the Life and Work of Tennessee Williams

Blue Song

St. Louis in the Life and Work of Tennessee Williams

Henry I. Schvey

University of Missouri Press, 2022

In 2011, the centennial of Tennessee Williams’s birth, events were held around the world honoring America’s greatest playwright. There were festivals, conferences, and exhibitions held in places closely associated with Williams’s life and career—New Orleans held major celebrations, as did New York, Key West, and Provincetown. But absolutely nothing was done to celebrate Williams’s life and extraordinary literary and theatrical career in the place that he lived in longest, and called home longer than any other—St. Louis, Missouri.

The question of this paradox lies at the heart of this book, an attempt not so much to correct the record about Williams’s well-chronicled dislike of the city, but rather to reveal how the city was absolutely indispensable to his formation and development both as a person and artist. Unlike the prevailing scholarly narrative that suggests that Williams discovered himself artistically and sexually in the deep South and New Orleans, Blue Song reveals that Williams remained emotionally tethered to St. Louis for a host of reasons for the rest of his life.
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cover of Brigham Young's Homes

Brigham Young's Homes

Colleen K. Whitley

Utah State University Press, 2003

This collection surveys the many houses, residences, farms, and properties of Brigham Young, leader of the Mormon pioneers, first territorial governor of Utah, and second president of the Church of Jesus Christ of Latter-day Saints. The authors discuss, in addition to the buildings themselves, what went on within their walls, looking especially at the lives of Young's plural wives and their children. Their emphasis is on Young's residences as homes, not just structures. The text is heavily illustrated with photos, drawings and maps.
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cover of Building Taliesin: Frank Lloyd Wright’s Home of Love and Loss

Building Taliesin

Frank Lloyd Wright’s Home of Love and Loss

Ron McCrea

Wisconsin Historical Society Press, 2012

Through letters, memoirs, contemporary documents, and a stunning assemblage of photographs - many of which have never before been published - author Ron McCrea tells the fascinating story of the building of Frank Lloyd Wright's Taliesin, which would be the architect's principal residence for the rest of his life. Photos taken by Wright's associates show rare views of Taliesin under construction and illustrate Wright's own recollections of the first summer there and the craftsmen who worked on the site.
 
The book also brings to life Wright’s "kindred spirit," "she for whom Taliesin had first taken form," Mamah Borthwick. Wright and Borthwick had each abandoned their families to be together, causing a scandal that reverberated far beyond Wright's beloved Wisconsin valley. The shocking murder and fire that took place at Taliesin in August 1914 brought this first phase of life at Taliesin to a tragic end.
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cover of Building a Better Nest: Living Lightly at Home and in the World

Building a Better Nest

Living Lightly at Home and in the World

Evelyn Searle Hess

Oregon State University Press, 2015

For fifteen years, Evelyn Hess and her husband David lived in a tent and trailer, without electricity or running water, on twenty acres of wild land in the foothills of the Oregon Coast Range. When they decided to build a house – a real house at last – they knew it would have to respect the lessons of simple living that they learned in their camping life. They knew they could not do it alone. Building a Better Nest chronicles their adventures as they begin to construct a house of their own, seeking a model for sustainable living not just in their home, but beyond its walls.

What does it mean to build a better nest? Better for whom? Is it better for the individual or family? The planet? Green building and sustainable design are popular buzzwords, but to Hess, sustainable building is not a simple matter of buying and installing the latest recycled flooring products. It is also about cooperative work: working together in employment, in research, in activism, and in life. Hess is concerned with her local watershed, but also with the widening income gap, disappearing species, and peak resources. She actively works to reduce overconsumption and waste. For Hess, these problems are both philosophical and practical.

As Hess and her husband age, the questions of how to live responsibly arise with greater frequency and urgency. With unfailing wit and humor, she looks for answers in such places as neuroscience, Buddhism, and her ancestral legacy. Building a Better Nest will appeal to anyone with an interest in sustainable building, off-grid living, or alternative communities. The questions it asks about the way we live are earnest and important, from an author whose voice is steeped in wisdom and gratitude.
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