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A study of transnational identity, migration, and state loyalties told through the social and political history of Iran’s Khuzestan province.

In 1980, Saddam Hussein’s Ba‘athist forces invaded Khuzestan, one of the oldest and richest provinces in Iran, triggering the Iran-Iraq War. Shaherzad Ahmadi’s Bordering on War examines the social history of Khuzestan and sheds light on how border dwellers, provincial leaders, and migrants in the region shaped Iran and Iraq's history before, during, and after the war.

Drawing from a rich collection of Persian- and Arabic-language archival sources—rarely used by western scholars due to restrictions in Iran—Ahmadi’s research focuses on Arab Iranians and argues that Iranian border dwellers and migrants formed local, non-national loyalties, thereby eschewing bureaucratic pressures to confine loyalties to a single nation-state. The transnational character and ethnically diverse composition of Khuzestan, especially in the oil-rich towns on the southwestern border, led many, including Iraq’s Ba‘ath Party, to question the national belonging of Arab Iranians. Bordering on War contributes to a wider discussion about the ability of individuals and communities to exert agency through migration, trade, education, and other activities.

During a wedding celebration, Jamil, the sole heir of a rich landowner, meets Naji, who sells hay for a living. The novel follows the boys’ escape from their village in the hopes of finding a place where they can be together freely. Even as their love evolves, their strong connection remains, which helps see them through the upheavals of the Islamic Revolution and the Iran–Iraq War. 

In Boys of Love, Ghazi Rabihavi offers both a universal story about the ups and downs of all relationships and a clear-eyed portrait of same-sex desire in Iran, where homosexuality remains punishable by death. Banned in Iran, the novel was initially published in Farsi in the UK, then translated into French and shortlisted for the Prix Médicis étranger. Rabihavi avoids both lasciviousness and exoticism in depicting a deep love between male characters living through the Iranian Cultural Revolution. Ultimately, this story challenges preconceived notions about marginalized communities in the Middle East.