496 books match the query 'Jewish' and 22 start with b

cover of Baghdadi Judeo-Arabic: An Introductory Text

Baghdadi Judeo-Arabic

An Introductory Text

Assaf Bar-Moshe

University College London, 2024

A one-of-a-kind textbook teaching Baghdadi Judeo-Arabic.

This textbook is dedicated to spoken Baghdadi Judeo-Arabic—the native tongue spoken by the Jews of Baghdad and other towns of Southern Iraq—and is designed to guide beginners to an advanced level of speaking. It focuses on common expressions, introduces Baghdad’s historic Jewish culture, and guides readers through sample texts, key vocabulary, grammar points, and exercises, as well as particular topics, such as greetings, family, shopping, and cuisine.
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cover of Bait

Bait

David Albahari

Northwestern University Press, 2001

In self-exile in Canada after the collapse of Yugoslavia and his mother's death, the narrator of Bait is listening to a series of tapes he recorded of his mother years before. As her story is told, he reflects on her life and their relationship, attempting to come to terms with his Jewishness and his own new life in a foreign culture.
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cover of Banker, Traitor, Scapegoat, Spy?: The Troublesome Case of Sir Edgar Speyer

Banker, Traitor, Scapegoat, Spy?

The Troublesome Case of Sir Edgar Speyer

Antony Lentin

Haus Publishing, 2013

Sir Edgar Speyer was a conspicuous figure in the financial, cultural, social and political life of Edwardian London. Head of the syndicate which financed the construction of the deep "tube lines" and "King of the Underground", he was also a connoisseur and active patron of the arts who rescued the "Prom" from collapse, enhanced the nation's musical and artistic life at his own expense and directed the funding of Captain Scott's Antarctic expeditions. Speyer and his wife, the concert violinist, Leonora Speyer lived in fabulously magnificent style. Early in the early summer of 1914 they stood at the peak of their success and celebrity in London society. Within weeks, on the outbreak of war, they became pariahs, objects of suspicion and aversion. Despite having been a naturalised British citizen for over 20 years and an ubiquitous public benefactor, Speyer found himself ostracised by society and mercilessly harried by the Northcliffe press. Under the Aliens Act of 1918, Speyer was summoned in 1921 before a judicial enquiry which found him guilty of disloyalty and disaffection and of communicating and trading with the enemy. He was stripped of his citizenship and membership of the Privy Council. Pilloried by The Times as a traitor, Speyer vehemently denied the charges, but he never returned to England thereafter and never forgot his ordeal.
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cover of Becoming Israeli: National Ideals and Everyday Life in the 1950s

Becoming Israeli

National Ideals and Everyday Life in the 1950s

Anat Helman

Brandeis University Press, 2014

With a light touch and many wonderful illustrations, historian Anat Helman investigates "life on the ground" in Israel during the first years of statehood. She looks at how citizens--natives of the land, longtime immigrants, and newcomers--coped with the state's efforts to turn an incredibly diverse group of people into a homogenous whole. She investigates the efforts to make Hebrew the lingua franca of Israel, the uses of humor, and the effects of a constant military presence, along with such familiar aspects of daily life as communal dining on the kibbutz, the nightmare of trying to board a bus, and moviegoing as a form of escapism. In the process Helman shows how ordinary people adapted to the standards and rules of the political and cultural elites and negotiated the chaos of early statehood.
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cover of Belonging and Betrayal: How Jews Made the Art World Modern

Belonging and Betrayal

How Jews Made the Art World Modern

Charles Dellheim

Brandeis University Press, 2021

The story of dealers of Old Masters, champions of modern art, and victims of Nazi plunder.
 
Since the late 1990s, the fate of Nazi-stolen art has become a cause célèbre. In Belonging and Betrayal, Charles Dellheim turns this story on its head by revealing how certain Jewish outsiders came to acquire so many old and modern masterpieces in the first place—and what this reveals about Jews, art, and modernity. This book tells the epic story of the fortunes and misfortunes of a small number of eminent art dealers and collectors who, against the odds, played a pivotal role in the migration of works of art from Europe to the United States and in the triumph of modern art.

Beautifully written and compellingly told, this story spans both sides of the Atlantic from the late nineteenth century to the present. It is set against the backdrop of critical transformations, among them the gradual opening of European high culture, the ambiguities of Jewish acculturation, the massive sell-off of aristocratic family art collections, the emergence of different schools of modern art, the cultural impact of World War I, and the Nazi war against the Jews.
 

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cover of Ben Hecht's Theatre of Jewish Protest

Ben Hecht's Theatre of Jewish Protest

Garrett Eisler

Rutgers University Press, 2025

Ben Hecht is most remembered as a famous Hollywood screenwriter and Broadway playwright, but only recently has his extensive Jewish activism during the Holocaust and its aftermath received scholarly attention. Unlike other, more expansive Hecht biographies, this book focuses in depth on his Jewish political theatre, drawing on extensive archival research of four dramas: We Will Never Die (1943), A Jewish Fairy Tale (1944), A Flag Is Born (1946), and The Terrorist (1947). Garrett Eisler's readings of these little-known (and out of print) texts reclaim them as pivotal to the history of Jewish American drama, being among the first works of U.S. theatre to address the Holocaust. The full texts of all four works are republished here for the first time, along with production details and full performance histories.

Hecht introduced a new heroic Jewish identity to the American stage, one that challenged popular stereotypes of villainy or weakness. This powerful and (still) controversial body of work stands as a striking testament to the power of theatre to rise to the moment. The book also features a supporting cast of famous collaborators on these projects, including Paul Muni, Edward G. Robinson, John Garfield, Moss Hart, Kurt Weill, and a young Marlon Brando. In their use of the stage to aggressively engage with history as it was happening, the story of Hecht and his colleagues is a compelling case of artists who made a difference.
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cover of Between Home and Homeland: Youth Aliyah from Nazi Germany

Between Home and Homeland

Youth Aliyah from Nazi Germany

Brian Amkraut

University of Alabama Press, 2006

 Between Home and Homeland is a fascinating account of young German Jews who immigrated to Palestine during the 1930s in the Youth Aliya movement.

As Hitler consolidated power, Jews and their allies in Germany began efforts to leave the country. Among them was the organization, Youth Aliyah. Based on abundant archival sources and a thorough use of secondary literature, Brian Amkraut details the story of the organization from its origins through its alliances and antagonisms with other Jewish organizations, and the challenges that vexed its efforts from every side, perhaps the greatest being sheer human naiveté ("surely things will get better").

Amkraut also discusses the identity dilemma for Jews who grew up feeling German, and then had to alter their self-image in the face of growing discrimination. He highlights the internal disagreements of Jewish agencies who wrestled with myriad problems. The author explores how German Jews were ideologically heterogeneous, and details how different groups coped with increasing antagonism in a variety of ways.

To this day, Youth Aliyah is considered by Israelis as a major contributor to the foundation of a Jewish presence leading to the modern state of Israel. Between Home and Homeland is an essential account of an important episode in the history of the Holocaust and the founding of the Isreali state.
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cover of Between Two Homelands: Argentine Migration to and from Israel

Between Two Homelands

Argentine Migration to and from Israel

Adrián Krupnik

University of Alabama Press, 2024

Examines the experiences of thousands of Jewish Argentines who migrated to and from Israel

Emigration from Israel to other parts of the world has not yet received significant scholarly attention, as the subject is a sensitive one in Israeli society. Zionist ideology has long compelled Israelis to approach emigration from Israel through a biased lens. The Hebrew words aliyah and yerida, which mean, respectively, “ascent” and “descent,” are often used to refer to immigration and emigration. These ideological terms, which are charged with religious meaning, are heavily loaded with praise for immigrants and scorn for emigrants. Yet, thousands of Jews from all over the world have lived between two homelands, as the Israeli-Argentine case demonstrates. This study challenges the formerly dominant Zionist narrative that presents immigration to Israel as unique and emigration as a disgrace, shedding light on issues of immigrant identities, belonging, and expectations.

Covering the better part of the twentieth century and extending into the twenty-first, Adrián Krupnik bases his study both on interviews and on archival documents in English, Spanish, and Hebrew to give voice to Argentine migrants to and from Israel. The pursuit of two often irreconcilable ways of living—peace and economic prosperity—repeatedly vexed migrants moving in either direction. Many Jewish-Argentine migrants between 1980 and 2006 lost everything and became the “new poor” in both countries. Protracted recessions and incessant political crises in Argentina continued to drive migrants in one direction, only to arrive in an Israel submerged in the violence of multiple intifadas.

In our own era, one that will see unprecedented global migration patterns based on similar economic and political—and environmental—upheavals, Between Two Homelands serves as an important and informative cautionary tale of the personal, social, and economic stakes at play in an utterly unsettled globalized landscape.
 

 

 


 
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cover of Between Two Homelands: Letters across the Borders of Nazi Germany

Between Two Homelands

Letters across the Borders of Nazi Germany

Edited by Hedda Kalshoven

University of Illinois Press, 2014

In 1920, at the age of thirteen, Irmgard Gebensleben first traveled from Germany to The Netherlands on a "war-children transport." She would later marry a Dutch man and live and raise her family there while keeping close to her German family and friends through the frequent exchange of letters. Yet during this period geography was not all that separated them. Increasing divergence in political opinions and eventual war between their countries meant letters contained not only family news but personal perspectives on the individual, local, and national choices that would result in the most destructive war in history. 

This important collection, first assembled by Irmgard Gebensleben's daughter Hedda Kalshoven, gives voice to ordinary Germans in the Weimar Republic and the Third Reich and in the occupied Netherlands. The correspondence between Irmgard, her friends, and four generations of her family delve into their most intimate and candid thoughts and feelings about the rise of National Socialism. The responses to the German invasion and occupation of the Netherlands expose the deeply divided loyalties of the family and reveal their attempts to bridge them. Of particular value to historians, the letters evoke the writers' beliefs and their understanding of the events happening around them.

This first English translation of Ik denk zoveel aan jullie:  Een briefwisseling tussen Nederland en Duitsland 1920-1949, has been edited, abridged, and annotated by Peter Fritzsche with the assent and collaboration of Hedda Kalshoven. After the book's original publication the diary of Irmgard's brother and loyal Wehrmacht soldier, Eberhard, was discovered and edited by Hedda Kalshoven. Fritzsche has drawn on this important additional source in his preface.

 
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cover of Birthmark

Birthmark

Stephen Clingman

University of Massachusetts Press, 2016

When Stephen Clingman was two, he underwent an operation to remove a birthmark under his right eye. The operation failed, and the birthmark returned, but in somewhat altered form. In this captivating book, Clingman takes the fact of that mark—its appearance, disappearance, and return—as a guiding motif of memory.

Not only was the operation unsuccessful, it affected his vision, and his eyes came to see differently from each other. Birthmark explores the questions raised by living with divided vision in a divided world—the world of South Africa under apartheid, where every view was governed by the markings of birth, the accidents of color, race, and skin. But what were the effects on the mind? Clingman's book engages a number of questions. How, in such circumstances, can we come to a deeper kind of vision? How can we achieve wholeness and acceptance? How can we find our place in the midst of turmoil and change?

In a beguiling narrative set on three continents, this is a story that is personal, painful, comic, and ultimately uplifting: a book not so much of the coming of age but the coming of perspective.
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cover of Black, Jewish, and Interracial: It’s Not the Color of Your Skin, but the Race of Your Kin, and Other Myths of Identity

Black, Jewish, and Interracial

It’s Not the Color of Your Skin, but the Race of Your Kin, and Other Myths of Identity

Katya Gibel Azoulay

Duke University Press, 1997

How do adult children of interracial parents—where one parent is Jewish and one is Black—think about personal identity? This question is at the heart of Katya Gibel Azoulay’s Black, Jewish, and Interracial. Motivated by her own experience as the child of a Jewish mother and Jamaican father, Gibel Azoulay blends historical, theoretical, and personal perspectives to explore the possibilities and meanings that arise when Black and Jewish identities merge. As she asks what it means to be Black, Jewish, and interracial, Gibel Azoulay challenges deeply ingrained assumptions about identity and moves toward a consideration of complementary racial identities.
Beginning with an examination of the concept of identity as it figures in philosophical and political thought, Gibel Azoulay moves on to consider and compare the politics and traditions of the Black and Jewish experience in America. Her inquiry draws together such diverse subjects as Plessy v. Ferguson, the Leo Frank case, "passing," intermarriage, civil rights, and anti-Semitism. The paradoxical presence of being both Black and Jewish, she argues, leads questions of identity, identity politics, and diversity in a new direction as it challenges distinct notions of whiteness and blackness. Rising above familiar notions of identity crisis and cultural confrontation, she offers new insights into the discourse of race and multiculturalism as she suggests that identity can be a more encompassing concept than is usually thought. Gibel Azoulay adds her own personal history and interviews with eight other Black and Jewish individuals to reveal various ways in which interracial identities are being lived, experienced, and understood in contemporary America.
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cover of Blessings for the Table - Birkon L'Shabbat

Blessings for the Table - Birkon L'Shabbat

Rabbi Elyse D. Frishman

Central Conference of American Rabbis, 1997

An essential book for families and groups. This attractive 34-page pamphlet contains prayers and blessings for Kabbalat Shabbat, Birkat HaMazon, and Havdalah, as well as a song section and inserts for the holidays. Adapted from On the Doorposts of Your House by Chaim Stern.
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cover of Blood Libel: The Ritual Murder Accusation at the Limit of Jewish History

Blood Libel

The Ritual Murder Accusation at the Limit of Jewish History

Hannah R. Johnson

University of Michigan Press, 2012

The ritual murder accusation is one of a series of myths that fall under the label blood libel, and describes the medieval legend that Jews require Christian blood for obscure religious purposes and are capable of committing murder to obtain it. This malicious myth continues to have an explosive afterlife in the public sphere, where Sarah Palin's 2011 gaffe is only the latest reminder of its power to excite controversy. Blood Libel is the first book-length study to analyze the recent historiography of the ritual murder accusation and to consider these debates in the context of intellectual and cultural history as well as methodology. Hannah R. Johnson articulates how ethics shapes methodological decisions in the study of the accusation and how questions about methodology, in turn, pose ethical problems of interpretation and understanding. Examining recent debates over the scholarship of historians such as Gavin Langmuir, Israel Yuval, and Ariel Toaff, Johnson argues that these discussions highlight an ongoing paradigm shift that seeks to reimagine questions of responsibility by deliberately refraining from a discourse of moral judgment and blame in favor of an emphasis on historical contingencies and hostile intergroup dynamics.

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cover of Boat of Letters

Boat of Letters

Eve Grubin

Four Way Books, 2025


In her much anticipated second full-length collection of poems, Eve Grubin conjures an "inky swamp, wild and warm, / where leaves hang down like muted lamps." Grubin navigates wild waters in a "boat of letters" she constructs, with poems narrating a daughter in mourning for her mother in adulthood's half-light; a wife in the middle of life's existential marathon; a mother raising two children in the terrifying present; an American living in London; a Jewish woman following religious tradition in what can feel like a faithless world. Grubin shapes language and silences into a bridge that holds us between longing and understanding, between effort and the holy ground of that unattainable destination. "The Poetics of Reticence" describes hovering above the waters where "there is no vessel; there are no oars," just the "sounds of a boat creaking," a material contradiction in the hushed void. "Silence is praise: words cannot touch glory," Grubin writes, but she also demonstrates what wonders our speech makes possible. In one poem, the narrator looks back at her wedding and considers how little she knew about marriage, and thinking in the context of her husband's area of expertise, palaeography, she reflects, "I didn't know that when two graphemes join / in a single glyph there is potential for stylistic re-imaginings, / for inventive, elegant variations." All is preordained, she seems to say, while paradoxically, we re-imagine and invent. And even as we create our future, we embrace the beauty of all that we cannot know: "Yesterday, we talked about the shade / of a certain blue mentioned in the Torah. / Was it the blue of our son's lips after a bath? // Or the blue of redemption? // Or the dark blue of the sky / the night we walked across the sands, the seas all around us."
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cover of Bohemia's Jews and Their Nineteenth Century: Texts, Contexts, Reassessments

Bohemia's Jews and Their Nineteenth Century

Texts, Contexts, Reassessments

Jindrich Toman

Karolinum Press, 2023

Bohemian Jewish culture and literature during the underexamined 1820s to 1880s.

This book on Jewish culture and literature focuses on the “quiet” decades of the nineteenth century, a scarcely written-about period of time in Bohemian Jewish history. Using a myriad of sources, including travelers’ accounts, poems, essays, short stories, guides, and newspaper articles, the volume explores Jewish expression, Jewish-Czech relations, and the changing attitudes toward Jews between the 1820s and 1880s. It offers close readings of writers like Karel Havlíćek Borovský, Ján Kollár, Siegfried Kapper, and Jan Neruda, as well as lesser-known authors and sources. Combining skillful sustained analysis, judicious argumentation, and elegant writing, the book is a truly enriching reading experience.
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cover of Books Like Sapphires: From the Library of Congress Judaica Collection

Books Like Sapphires

From the Library of Congress Judaica Collection

Ann Brener

Brandeis University Press, 2024

Illustrated highlights from the Judaica Collection of the Library of Congress.
 
Books Like Sapphires showcases a wide range of Hebraic treasures from the storied collection at the Library of Congress, many of them for the first time. Tracing the history of Judaica collecting in the twentieth-century United States, the book illuminates varied works, telling their stories alongside vibrant color images. These include a unique manuscript about a betrothal scandal in Renaissance Crete, an illustrated Esther Scroll, a poem from 1477 celebrating the new technology of printing, amusing rhymed couplets in sixteenth-century Padua, and the Washington Haggadah. This book also tells the story of the patrons and collectors, first among them Jacob Schiff, as well as archivists and curators, who made the storied Judaica archive at the Library of Congress the precious resource that it is today.
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cover of Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination

Borrowed Voices

Writing and Racial Ventriloquism in the Jewish American Imagination

Glaser, Jennifer

Rutgers University Press, 2016

In the decades following World War II, many American Jews sought to downplay their difference, as a means of assimilating into Middle America. Yet a significant minority, including many prominent Jewish writers and intellectuals, clung to their ethnic difference, using it to register dissent with the status quo and act as spokespeople for non-white America. 
 
In this provocative book, Jennifer Glaser examines how racial ventriloquism became a hallmark of Jewish-American fiction, as Jewish writers asserted that their own ethnicity enabled them to speak for other minorities. Rather than simply condemning this racial ventriloquism as a form of cultural appropriation or commending it as an act of empathic imagination, Borrowed Voices offers a nuanced analysis of the technique, judiciously assessing both its limitations and its potential benefits.  Glaser considers how the practice of racial ventriloquism has changed over time, examining the books of many well-known writers, including Bernard Malamud, Cynthia Ozick, Philip Roth, Michael Chabon, Saul Bellow, and many others.  
 
Bringing Jewish studies into conversation with critical race theory, Glaser also opens up a dialogue between Jewish-American literature and other forms of media, including films, magazines, and graphic novels. Moreover, she demonstrates how Jewish-American fiction can help us understand the larger anxieties about ethnic identity, authenticity, and authorial voice that emerged in the wake of the civil rights movement.
 
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cover of Bridging Three Worlds: Hungarian-Jewish Americans, 1848-1914

Bridging Three Worlds

Hungarian-Jewish Americans, 1848-1914

Robert Perlman

University of Massachusetts Press, 1991

Between 1848 and 1914, approximately 100,000 Jews emigrated from Hungary to the United States. They came in two waves. The first group, catalyzed by the 1848 revolutions against the Austrian monarchy, consisted mainly of political dissidents and well educated, cosmopolitan, middle-class Jews seeking greater personal, religious, and political freedoms in the New World. The second and much larger group, which began to arrive around 1880, consisted primarily of unskilled laborers and lower-middle-class artisans and tradespeople, beckoned to America by the promise of vast economic opportunity.  

In the abundant literature on Jewish immigration to the United States, virtually nothing has been written specifically about the Hungarian-Jewish experience, which differed in many respects from that of other Jewish national groups. Bridging Three Worlds offers such a chronicle, relating the immigrants’ history from their political and cultural roots in the Old Country to their acculturation as citizens in a newly adopted land. Based on primary archival materials, oral histories, and secondary sources, the book is also informed by the author’s own experiences as an American of Hungarian-Jewish origins. 

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cover of Broken Promises, Broken Dreams: Stories of Jewish and Palestinian Trauma and Resilience

Broken Promises, Broken Dreams

Stories of Jewish and Palestinian Trauma and Resilience

Alice Rothchild

Pluto Press, 2010

The tragedies of the conflict between Israelis and Palestinians are never far from the pages of the mainstream press. Yet it is rare to hear about the reality of life on the ground -- and it is rarer still when these voices belong to women.

This book records the journey of a Jewish American physician travelling and working within Israel and the Occupied Territories. Alice Rothchild grew up in a family grounded by the traumas of the Holocaust and passionately devoted to Israel. This book recounts her experiences as she grapples with the reality of life in Israel and the hardships of Palestinians living in the West Bank and Gaza.

The new edition includes a new preface, two chapters on Israeli dissent and a chapter which explores the impact of a Palestinian home demolition and the work of Israeli soldiers and Palestinian fighters who have joined together to form Combatants for Peace.

Ultimately, the book raises troubling questions regarding US policy and the mainstream Jewish community's insistence on giving unquestioning support to all Israeli policy.

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cover of Brother Mine: The Correspondence of Jean Toomer and Waldo Frank

Brother Mine

The Correspondence of Jean Toomer and Waldo Frank

Edited by Kathleen Pfeiffer

University of Illinois Press, 2010

The friendship of Jean Toomer and Waldo Frank was one of the most emotionally intense, racially complicated, and aesthetically significant relationships in the history of American literary modernism. Waldo Frank was an established white writer who advised and assisted the younger African American Jean Toomer as he pursued a literary career. They met in 1920, began corresponding regularly in 1922, and were estranged by the end of 1923, the same year that Toomer published his ambitiously modernist debut novel, Cane.

While individual letters between Frank and Toomer have been published separately on occasion, they have always been presented out of context. This volume presents for the first time their entire correspondence in chronological order, comprising 121 letters ranging from 200 to 800 words each. Kathleen Pfeiffer annotates and introduces the letters, framing the correspondence and explaining the literary and historical allusions in the letters themselves.

Reading like an epistolary novel, Brother Mine captures the sheer emotional force of the story that unfolds in these letters: two men discover an extraordinary friendship, and their intellectual and emotional intimacy takes shape before our eyes. This unprecedented collection preserves the raw honesty of their exchanges, together with the developing drama of their ambition, their disappointments, their assessment of their world, and ultimately, the betrayal that ended the friendship.

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cover of Brothers and Strangers: The East European Jew in German and German Jewish Consciousness, 1800–1923

Brothers and Strangers

The East European Jew in German and German Jewish Consciousness, 1800–1923

Steven E. Aschheim

University of Wisconsin Press, 1983

Brothers and Strangers traces the history of German Jewish attitudes, policies, and stereotypical images toward Eastern European Jews, demonstrating the ways in which the historic rupture between Eastern and Western Jewry developed as a function of modernism and its imperatives. By the 1880s, most German Jews had inherited and used such negative images to symbolize rejection of their own ghetto past and to emphasize the contrast between modern “enlightened” Jewry and its “half-Asian” counterpart. Moreover, stereotypes of the ghetto and the Eastern Jew figured prominently in the growth and disposition of German anti-Semitism. Not everyone shared these negative preconceptions, however, and over the years a competing post-liberal image emerged of the Ostjude as cultural hero. Brothers and Strangers examines the genesis, development, and consequences of these changing forces in their often complex cultural, political, and intellectual contexts.

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cover of Business Of Jews In Louisiana, 1840–1875

Business Of Jews In Louisiana, 1840–1875

Elliot Ashkenazi

University of Alabama Press, 1988

Goes beyond institutional history to concentrate on commercial and social matters

The author’s findings imply that Jewish immigrants to the South in the first half of the 19th century came from particular locales with similar social, economic, and religious backgrounds, and they chose to live in the South because of those traditions. The experience of Jews with commercial capitalism, rather than landowning, in agricultural societies, gave the Jews of Louisiana a comparable niche in America, and they participated in the commercial aspects of a regional economy based on agricultural production. Commercial and family connections with other Jewish groups facilitated their development into a settled community. In growth and decline, Jewish communities in Louisiana and elsewhere became permanent features of the landscape and influenced, and were influenced, by the areas in which they lived.

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