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Bad Aboriginal Art is the extraordinary account of Eric Michaels’ period of residence and work with the Warlpiri Aborigines of western Central Australia, where he studied the impact of television on remote Aboriginal communities.

Sharp, exact, and unrelentingly honest, Michaels records with an extraordinary combination of distance and immersion the intervention of technology into a remote Aboriginal community and that community’s forays into the technology of broadcasting. Michaels’s analyses in Bad Aboriginal Art will disrupt and redirect current debates surrounding the theory and practice of anthropology, ethnography, film and video making, communications policy, and media studies - no less than his work has already disrupted and redirected the cultural technologies of both the Warlpiri and Australian technocrats.

In many American cities, individual athletes, professional teams, and university sports are integral to the cities’ sporting identities. Berlin, in contrast, features no single hallmark sport, team, or annual event. Five political regimes, wartime destruction, and four decades of division instead fostered ever-changing teams, allegiances, and venues. Yet, the desire to play and watch sport continued unabated across these political watersheds. Berlin Sports: Spectacle, Recreation, and Media in Germany’s Metropolis explores the history of sport in Berlin from the late nineteenth- to the early twenty-first centuries against the backdrop of the city’s sharp political shifts, diverse populations, and status as a major metropolis with both regional and global resonance.
 
This book begins with a long-distance equestrian race in the 1890s and continues with the role of media in spectacle, celebrity, urban life, and gender from the 1890s to the 1920s.It then turns to grassroots sport participation and spectatorship as well as sport diplomacy at the elite international level during the postwar period and the years of German division. Next, it explores recreational sport associations within the context of immigration and youth counterculture. It concludes with the 2015 European Maccabi Games, an international Jewish sports festival through which Berlin sought to grapple with the infamous 1936 Olympics and showcase Berlin as a cosmopolitan and multicultural city. Taken together, the book’s scholarly essays on all of these sporting endeavors reveal the rich and varied sporting culture in Berlin and yield fresh insights into spectacle, recreation, and media in the city.