Results by title

Across the world, politics is lurching to the right, ethnic nationalism is on the rise, and people are furious. Beyond Populism critically examines the new destructive projects of resentment that have surfaced in the political spaces opened by neoliberalism’s failures, particularly since the financial collapse of 2008. It contextualizes the recent history of the Global North—notably Brexit and the Trump election—among wider comparative politics, with chapters on India, Colombia, Eastern Europe, the Philippines, Ethiopia, and other parts of the globe marked by populist insurgencies.

The essays collected here explore how global, regional, national, and local structures of power produce angry politics. They go beyond conventional academic debates about populism to explore the different kinds of anger that shape politics today and to make legible the multiplicity of forces, antagonisms, conflicts, and emergent political forms that mark the present. By examining the politics of anger, Beyond Populism also considers what is needed to transform anger from a reactionary to an emancipatory force.

A CHOICE Outstanding Academic Title, 2019

Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps—based primarily in cultural or literary studies—that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other—or, more frequently, do not talk to each other or even acknowledge each other’s work.

Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators—including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware—Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics.