Edited by Jessica I. Elfenbein, Thomas L. Hollowak and Elizabeth M. Nix
Temple University Press, 2011
In 1968, Baltimore was home to a variety of ethnic, religious, and racial communities that, like those in other American cities, were confronting a quickly declining industrial base. In April of that year, disturbances broke the urban landscape along lines of race and class.
This book offers chapters on events leading up to the turmoil, the riots, and the aftermath as well as four rigorously edited and annotated oral histories of members of the Baltimore community. The combination of new scholarship and first-person accounts provides a comprehensive case study of this period of civil unrest four decades later.
This engaging, broad-based public history lays bare the diverse experiences of 1968 and their effects, emphasizing the role of specific human actions. By reflecting on the stories and analysis presented in this anthology, readers may feel empowered to pursue informed, responsible civic action of their own.
Baltimore '68 is the book component of a larger public history project, "Baltimore '68 Riots: Riots and Rebirth." The project's companion website (http://archives.ubalt.edu/bsr/index.html ) offers many more oral histories plus photos, art, and links to archival sources. The book and the website together make up an invaluable teaching resource on cities, social unrest, and racial politics in the 1960s. The project was the corecipient of the 2009 Outstanding Public History Project Award from the National Council on Public History.
By Chad Richardson and Michael J. Pisani
University of Texas Press, 2017
A classic account of life on the Texas-Mexico border, Batos, Bolillos, Pochos, and Pelados offers the fullest portrait currently available of the people of the South Texas/Northern Mexico borderlands. First published in 1999, the book is now extensively revised and updated throughout to cover developments since 2000, including undocumented immigration, the drug wars, race relations, growing social inequality, and the socioeconomic gap between Latinos and the rest of American society—issues of vital and continuing national importance.
An outgrowth of the Borderlife Research Project conducted at the University of Texas Rio Grande Valley, Batos, Bolillos, Pochos, and Pelados uses the voices of several hundred Valley residents, collected by embedded student researchers and backed by the findings of sociological surveys, to describe the lives of migrant farmworkers, colonia residents, undocumented domestic servants, maquiladora workers, and Mexican street children. Likewise, it explores social, racial, and ethnic relations in South Texas among groups such as Latinos, Mexican immigrants, wealthy Mexican visitors, Anglo residents or tourists, and Asian and African American residents of South Texas. With this firsthand material and an explanatory focus that utilizes and applies social-science theoretical concepts, the book thoroughly addresses the future composition and integration of Latinos into the society and culture of the United States.
David W. Daily
University of Arizona Press, 2004
Jacqueline Houtman
QuakerPress, 2014
Rebecca J. Kinney
University of Minnesota Press, 2016
According to popular media and scholarship, Detroit, the once-vibrant city that crumbled with the departure of the auto industry, is where dreams can be reborn. It is a place that, like America itself, is gritty and determined. It has faced the worst kind of adversity, and supposedly now it’s back. But what does this narrative of “new Detroit” leave out? Beautiful Wasteland reveals that the contemporary story of Detroit’s rebirth is an upcycled version of the American Dream, which has long imagined access to work, home, and upward mobility as race-neutral projects. They’re not. As Rebecca J. Kinney shows, the narratives of Detroit’s rise, decline, and potential to rise again are deeply steeped in material and ideological investments in whiteness.
By remapping the narratives of contemporary Detroit through an extension of America’s frontier mythology, Kinney analyzes a cross-section of twentieth and twenty-first century cultural locations—an Internet forum, ruin photography, advertising, documentary film, and print and online media. She illuminates how the stories we tell about Detroit as a frontier of possibility enable the erasure of white privilege and systemic racism. By situating Detroit as a “beautiful wasteland,” both desirable and distressed, this shows how the narrative of ruin and possibility form a mutually constituted relationship: the city is possible precisely because of its perceived ruin.
Beautiful Wasteland tackles the key questions about the future of postindustrial America. As cities around the country reckon with their own postindustrial landscapes, Rebecca Kinney cautions that development that elides considerations of race and class will only continue to replicate uneven access to the city for the poor, working class, and people of color.
Tiffany M. Gill
University of Illinois Press, 2010
Looking through the lens of black business history, Beauty Shop Politics shows how black beauticians in the Jim Crow era parlayed their economic independence and access to a public community space into platforms for activism. Tiffany M. Gill argues that the beauty industry played a crucial role in the creation of the modern black female identity and that the seemingly frivolous space of a beauty salon actually has stimulated social, political, and economic change.
From the founding of the National Negro Business League in 1900 and onward, African Americans have embraced the entrepreneurial spirit by starting their own businesses, but black women's forays into the business world were overshadowed by those of black men. With a broad scope that encompasses the role of gossip in salons, ethnic beauty products, and the social meanings of African American hair textures, Gill shows how African American beauty entrepreneurs built and sustained a vibrant culture of activism in beauty salons and schools. Enhanced by lucid portrayals of black beauticians and drawing on archival research and oral histories, Beauty Shop Politics conveys the everyday operations and rich culture of black beauty salons as well as their role in building community.
Simone C. Drake
The Ohio State University Press, 2026
Magnus Course
University of Illinois Press, 2011
Philip Kasinitz
Russell Sage Foundation, 2004
Sharon Hartman Strom
University of Illinois Press, 2025
Melanie S. Morrison
Duke University Press, 2025
Glenn Feldman
University of Alabama Press, 2004
Details the ferment in civil rights that took place across the South before the momentous Brown vs. Board of Education decision in 1954
This collection refutes the notion that the movement began with the Supreme Court decision, and suggests, rather, that the movement originated in the 1930s and earlier, spurred by the Great Depression and, later, World War II—events that would radically shape the course of politics in the South and the nation into the next century.
This work explores the growth of the movement through its various manifestations—the activities of politicians, civil rights leaders, religious figures, labor unionists, and grass-roots activists—throughout the 1940s and 1950s. It discusses the critical leadership roles played by women and offers a new perspective on the relationship between the NAACP and the Communist Party.
Before Brown shows clearly that, as the drive toward racial equality advanced and national political attitudes shifted, the validity of white supremacy came increasingly into question. Institutionalized racism in the South had always offered white citizens material advantages by preserving their economic superiority and making them feel part of a privileged class. When these rewards were threatened by the civil rights movement, a white backlash occurred.
By Gary M. Lavergne
University of Texas Press, 2010
Winner, Coral Horton Tullis Memorial Prize for Best Book on Texas History, Texas State Historical Association, 2010
Carr P. Collins Award, Texas Institute of Letters, 2011
On February 26, 1946, an African American from Houston applied for admission to the University of Texas School of Law. Although he met all of the school's academic qualifications, Heman Marion Sweatt was denied admission because he was black. He challenged the university's decision in court, and the resulting case, Sweatt v. Painter, went to the U.S. Supreme Court, which ruled in Sweatt's favor. The Sweatt case paved the way for the landmark Brown v. Board of Education of Topeka rulings that finally opened the doors to higher education for all African Americans and desegregated public education in the United States.
In this engrossing, well-researched book, Gary M. Lavergne tells the fascinating story of Heman Sweatt's struggle for justice and how it became a milestone for the civil rights movement. He reveals that Sweatt was a central player in a master plan conceived by the National Association for the Advancement of Colored People (NAACP) for ending racial segregation in the United States. Lavergne masterfully describes how the NAACP used the Sweatt case to practically invalidate the "separate but equal" doctrine that had undergirded segregated education for decades. He also shows how the Sweatt case advanced the career of Thurgood Marshall, whose advocacy of Sweatt taught him valuable lessons that he used to win the Brown v. Board of Education case in 1954 and ultimately led to his becoming the first black Associate Justice of the Supreme Court.
Jodi Skipper
University of Iowa Press, 2022
Barbara J. Little
University of Alabama Press, 2023
Introduces an analytic model for how archaeologists can work toward social justice
In this time of Black Lives Matter, the demands of NAGPRA, and climate crises, the field of American archaeology needs a radical transformation. It has been largely a white, male, privileged domain that replicates an entrenched patriarchal, colonial, and capitalist system. In Bending Archaeology toward Social Justice, Barbara J. Little explores the concepts and actions required for such a change, looking to peace studies, anthropology, sociology, social justice activism, and the achievements of community-based archaeology for helpful approaches in keeping with the UN Sustainable Development Goals. She introduces an analytic model that uses the strengths of archaeology to destabilize violence and build peace.
As Little explains, the Diachronic Transformational Action model and the peace/violence triad of interconnected personal, cultural, and structural domains of power can help disrupt the injustice of all forms of violence. Diachronic connects the past to the present to understand how power worked in the past and works now. Transformational influences power now by disrupting the stability of the violence triad. Action refers to collaborative work to diagnose power relations and transform toward social justice.
Using this framework, Little confronts the country’s founding and myth of liberty and justice for all, as well as the American Dream. She also examines whiteness, antiracism, privilege, and intergenerational trauma, and offers white archaeologists concepts to grapple with their own racialized identities and to consider how to relinquish white supremacy. Archaeological case studies examine cultural violence and violent direct actions against women, Indigenous peoples, African Americans, and Japanese Americans, while archaeologies of poverty, precarity, and labor are used to show how archaeologists have helped expose the roots of these injustices. Because climate justice is integral to social justice, Little showcases insights that archaeology can bring to bear on the climate crisis and how lessons from the past can inform direct actions today. Finally, Little invites archaeologists to embrace inquiry and imagination so that they can both imagine and achieve the positive peace of social justice.
Lynn M. Thomas
Duke University Press, 2020
Cherisse Jones-Branch
University of Arkansas Press, 2021
The first major study to consider Black women’s activism in rural Arkansas, Better Living by Their Own Bootstraps foregrounds activists’ quest to improve Black communities through language and foodways as well as politics and community organizing. In reexamining these efforts, Cherisse Jones-Branch lifts many important figures out of obscurity, positioning them squarely within Arkansas’s agrarian history.
The Black women activists highlighted here include home demonstration agents employed by the Arkansas Agricultural Cooperative Extension Service and Jeanes Supervising Industrial Teachers, all of whom possessed an acute understanding of the difficulties that African Americans faced in rural spaces. Examining these activists through a historical lens, Jones-Branch reveals how educated, middle-class Black women worked with their less-educated rural sisters to create all-female spaces where they confronted economic, educational, public health, political, and theological concerns free from white regulation and interference.
Centered on the period between 1914 and 1965, Better Living by Their Own Bootstraps brings long-overdue attention to an important chapter in Arkansas history, spotlighting a group of Black women activists who uplifted their communities while subverting the formidable structures of white supremacy.
Stefanie Hunt-Kennedy
University of Illinois Press, 2020
Stefanie Hunt-Kennedy provides a three-pronged analysis of disability in the context of Atlantic slavery. First, she examines the connections of enslavement and representations of disability and the parallel development of English anti-black racism. From there, she moves from realms of representation to reality in order to illuminate the physical, emotional, and psychological impairments inflicted by slavery and endured by the enslaved. Finally, she looks at slave law as a system of enforced disablement.
Audacious and powerful, Between Fitness and Death is a groundbreaking journey into the entwined histories of racism and ableism.
Lisa Brock
Temple University Press, 1998
Edited by David Barry Gaspar and Darlene Clark Hine
University of Illinois Press, 2004
Shona N. Jackson
Duke University Press, 2024
Fredrick C. Harris
Russell Sage Foundation, 2013
John A. Kirk
University of Arkansas Press, 2007

Edited by Wendy F. Katkin, Ned Landsman, and Andrea Tyree
University of Illinois Press, 1998
Carole Emberton
University of Chicago Press, 2013
Michael T. Maly
Temple University Press, 2005
David W. Blight
University of Massachusetts Press, 2002
Gregory J. Kaliss
University of Illinois Press, 2023
Kimberly Chabot Davis
University of Illinois Press, 2014
Don Hayner
Northwestern University Press, 2020
Binga is the definitive full-length biography of Jesse Binga, the first black banker in Chicago. Born into a large family in Detroit, Binga arrived in Chicago in 1892 in his late twenties with virtually nothing. Through his wits and resourcefulness, he rose to wealth and influence as a real estate broker, and in 1908 he founded the Binga Bank, the first black-owned bank in the city. But his achievements were followed by an equally notable downfall. Binga recounts this gripping story about race, history, politics, and finance.
The Black Belt, where Binga’s bank was located, was a segregated neighborhood on Chicago’s South Side—a burgeoning city within a city—and its growth can be traced through the arc of Binga’s career. He preached and embodied an American gospel of self-help and accrued wealth while expanding housing options and business opportunities for blacks. Devout Roman Catholics, he and his wife Eudora supported church activities and various cultural and artistic organizations; their annual Christmas party was the Black Belt’s social event of the year. But Binga’s success came at the price of a vicious backlash. After he moved his family into a white neighborhood in 1917, their house was bombed multiple times, his offices were attacked twice, and he became a lightning rod for the worst race riots in Chicago history, which took place in 1919. Binga persevered, but, starting with the stock market crash of October 1929, a string of reversals cost him his bank, his property, and his fortune.
A quintessentially Chicago story, Binga tells the history of racial change in one of the most segregated cities in America and how an extraordinary man stood as a symbol of hope in a community isolated by racial animosity.
Daniel Widener
Duke University Press, 2010
Along with the politicization of black culture, Widener explores the rise of a distinctive regional Black Arts Movement. Originating in the efforts of wartime cultural activists, the movement was rooted in the black working class and characterized by struggles for artistic autonomy and improved living and working conditions for local black artists. As new ideas concerning art, racial identity, and the institutional position of African American artists emerged, dozens of new collectives appeared, from the Watts Writers Workshop, to the Inner City Cultural Center, to the New Art Jazz Ensemble. Spread across generations of artists, the Black Arts Movement in Southern California was more than the artistic affiliate of the local civil-rights or black-power efforts: it was a social movement itself. Illuminating the fundamental connections between expressive culture and political struggle, Black Arts West is a major contribution to the histories of Los Angeles, black radicalism, and avant-garde art.
Maureen Elgersman Lee
University of New Hampshire Press, 2005
Blacks have lived and worked in Maine as early as the seventeenth century, but historically have constituted less than one percent of Maine's population. Probably for this reason, books on Blacks in New England have largely ignored the experience of African American Mainers. Black Bangor is the first major published study of a Black community in Maine.
This tightly woven case study examines the African American community in Bangor during its heyday, 1880–1950, the period that saw an unprecedented migration of Blacks to that city. Blacks migrated to Bangor not just from other New England states, but from the Caribbean and Canadian Maritime Provinces as well, creating a heterogeneous community with roots in two hemispheres. Constituting an “ultraminority” in Bangor (according to the census, Blacks never numbered more than 300 souls during this period), this diverse community nonetheless came together to establish an impressive range of institutions, including local chapters of the NAACP and Odd Fellows, as well as of Mothers and Junior Mothers Clubs. Concentrated in an area known as the Parker Street neighborhood, Black women in Bangor became domestics and cooks, caterers and beauticians, clerks and stenographers. Men worked as loggers, teamsters, porters, chefs, and barbers; a few owned businesses.
Organized thematically, with sections on migration, labor, daily life, and community, Black Bangor's topics include not just migration patterns, work, and religious and cultural organizations, but also African American homes, furniture, clothing, and foodways. Elgersman Lee also examines race relations and depictions of Blacks in the local media, and draws comparisons between the experiences of Bangor's African American population and those of Blacks in other New England cities.
This fascinating and exhaustive study will appeal to anyone from Maine, as well as those interested in African American history and the rich texture of the region's cultural life.
Michael J. Beary
University of Illinois Press, 2001
America’s first Black bishop and his struggle to rebuild the African American presence inside the Episcopal Church
In 1918, the Right Reverend Edward T. Demby took up the reins as Suffragan (assistant) Bishop for Colored Work in Arkansas and the Province of the Southwest, an area encompassing Arkansas, Texas, Kansas, Oklahoma, Missouri, and New Mexico. Set within the context of a series of experiments in black leadership conducted by the Episcopal Diocese of Arkansas in the early decades of the twentieth century, Demby's tenure in a segregated ministry illuminates the larger American experience of segregation disguised as a social good.
Intent on demonstrating the industry and self-reliance of black Episcopalians to the church at large, Demby set about securing black priests for the diocese, baptizing and confirming communicants, and building schools and other institutions of community service. A gifted leader and a committed Episcopalian, Demby recognized that black service institutions, such as schools, hospitals, and orphanages, would be the means to draw African Americans back to the Episcopal Church, which they had abandoned in droves after emancipation as the church of their former masters.
For more than twenty years, hamstrung by white apathy, lack of funds, jurisdictional ambiguity, and the Great Depression, Demby doggedly tried to establish the credibility of a ministry that was as ill-conceived as it was well intended. Michael J. Beary skillfully narrates the shifting alliances within the Episcopal Church and shows how race was but one aspect of a more elemental struggle for power. He demonstrates how Demby's steadiness of purpose and non-confrontational manner gathered allies on both sides of the color line and how, ultimately, his judgment and the weight of his experience carried the church past its segregationist experiment.
Lorraine Elena Roses
University of Massachusetts Press, 2017
In the 1920s and 1930s Boston became a rich and distinctive site of African American artistic production, unfolding at the same time as the Harlem Renaissance and encompassing literature, theater, music, and visual art. Owing to the ephemeral nature of much of this work, many of the era's primary sources have been lost.
In this book, Lorraine Elena Roses employs archival sources and personal interviews to recover this artistic output, examining the work of celebrated figures such as Dorothy West, Helene Johnson, Meta Warrick Fuller, and Allan Rohan Crite, as well as lesser-known artists including Eugene Gordon, Ralf Coleman, Gertrude “Toki” Schalk, and Alvira Hazzard. Black Bostonians and the Politics of Culture, 1920–1940 demonstrates how this creative community militated against the color line not solely through powerful acts of civil disobedience but also by way of a strong repertoire of artistic projects.

Edited by Houston A. Baker, Jr., Manthia Diawara, and Ruth H. Lindeborg
University of Chicago Press, 1996
Christopher Robert Reed
University of Missouri Press, 2005
Robert J. Turpin
University of Illinois Press, 2024
Eye-opening and long overdue, Black Cyclists uses race, technology, and mobility to explore a forgotten chapter in cycling history.
Edited by Darlene Clark Hine, Trica Danielle Keaton, and Stephen Small
University of Illinois Press, 2009
The presence of Blacks in a number of European societies has drawn increasing interest from scholars, policymakers, and the general public. This interdisciplinary and multi-disciplinary collection penetrates the multifaceted Black presence in Europe, and, in so doing, complicates the notions of race, belonging, desire, and identities assumed and presumed in revealing portraits of Black experiences in a European context. In focusing on contemporary intellectual currents and themes, the contributors theorize and re-imagine a range of historical and contemporary issues related to the broader questions of blackness, diaspora, hegemony, transnationalism, and "Black Europe" itself as lived and perceived realities.
Contributors are Allison Blakely, Jacqueline Nassy Brown, Tina Campt, Fred Constant, Alessandra Di Maio, Philomena Essed, Terri Francis, Barnor Hesse, Darlene Clark Hine, Dienke Hondius, Eileen Julien, Trica Danielle Keaton, Kwame Nimako, Tiffany Ruby Patterson, T. Denean Sharpley-Whiting, Stephen Small, Tyler Stovall, Alexander G. Weheliye, Gloria Wekker, and Michelle M. Wright.
Trica Danielle Keaton, T. Denean Sharpley-Whiting and Tyler Stovall, eds.
Duke University Press, 2012
John Dittmer
University of Illinois Press, 1977
Nazera Sadiq Wright
University of Illinois Press, 2016
Dominique C. Hill
Vanderbilt University Press, 2025
Biko Mandela Gray
Duke University Press, 2022
Jared Ross Hardesty
University of Massachusetts Press, 2019
E. U. Essien-Udom
University of Chicago Press, 1995
Graham Russell Gao Hodges
Rutgers University Press, 2019

Peter Fryer
Pluto Press, 1988
Peter Fryer
Pluto Press, 2021

Peter Fryer
Pluto Press, 2021
'Fantastic … the most important book on Black British history’ - Akala
Black People in the British Empire is a challenge to the official version of British history. It tells the story of Britain's exploitation and oppression of its subject peoples in its colonies, and in particular the people of Africa, Asia and Australasia
Peter Fryer reveals how the ideology of racism was used as justification for acquiring and expanding the Empire; how the British Industrial Revolution developed out of profits from the slave trade; and how the colonies were deliberately de-industrialised to create a market for British manufacturers.
In describing the frequency and the scale of revolts by subject peoples against slavery and foreign domination - and the brutality used in crushing them - Peter Fryer exposes the true history of colonialism, and restores to Black people their central role in Britain's past.
Mary Pattillo
University of Chicago Press, 2013