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110 books match the query 'Romanticism' and 4 start with b

cover of Becoming Mikhail Lermontov: The Ironies of Romantic Individualism in Nicholas I's Russia

Becoming Mikhail Lermontov

The Ironies of Romantic Individualism in Nicholas I's Russia

David Powelstock

Northwestern University Press, 2011

Mikhail Lermontov (1814-1841) is one of Russia's most prominent poets--and one of its most puzzling. In this radically new interpretation, David Powelstock reveals how the seeming contradictions in Lermontov's life and works can be understood as manifestations of a coherent worldview.

By bringing to light Lermontov's operative version of Romantic individualism, Powelstock is able to make sense of the poet's relationship to "romantic irony," his highly modern concept of the reader (both real, and implied in the text), and his vexed passion for his predecessor Alexander Pushkin--a relationship that is almost always treated sentimentally, but is here given its true competitive edge. Furthermore, Powelstock offers the most persuasive account ever given of Lermontov's exceptionally odd treatment of, and success with, women--both in real life and in fiction--and of his cruel overlapping of these two planes.

Clarifying what has remained perplexing for so long, and correcting what has been misinterpreted, Powelstock's work illuminates Lermontov's views of dignity, death, love, nature, society, and ethics--and, finally, gives us an intellectual biography that is deeper and more subtle than any written before.
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cover of Berlioz and His Century: An Introduction to the Age of Romanticism

Berlioz and His Century

An Introduction to the Age of Romanticism

Jacques Barzun

University of Chicago Press, 1982

In this abridgment of his monumental study, Berlioz and the Romantic Century, Jacques Barzun recounts the events and extraordinary achievements of the great composer's life against the background of the romantic era. As the author eloquently demonstrates, Berloiz was an archetype whose destiny was the story of an age, the incarnation of an artistic style and a historical spirit. "In order to understand the nineteenth century, it is essential to understand Berlioz," notes W. H. Auden, "and in order to understand Berlioz, it is essential to read Professor Barzun."
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cover of British Romanticism and Prison Reform

British Romanticism and Prison Reform

Jonas Cope

Bucknell University Press, 2025

In eighteenth-century Britain, criminals were routinely whipped, branded, hanged, or transported to America. Only in the last quarter of the century—with the War of American Independence and legal and sociopolitical challenges to capital punishment—did the criminal justice system change, resulting in the reformed prison, or penitentiary, meant to educate, rehabilitate, and spiritualize even hardened felons. This volume is the first to explore the relationship between historical penal reform and Romantic-era literary texts by luminaries such as Godwin, Keats, Byron, and Austen. The works examined here treat incarceration as ambiguous: prison walls oppress and reinforce the arbitrary power of legal structures but can also heighten meditation, intensify the imagination, and awaken the conscience. Jonas Cope skillfully traces the important ideological work these texts attempt: to reconcile a culture devoted to freedom with the birth of the modern prison system that presents punishment as a form of rehabilitation.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
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cover of Building Romanticism: Literature and Architecture in Nineteenth-Century Britain

Building Romanticism

Literature and Architecture in Nineteenth-Century Britain

Nicole Reynolds

University of Michigan Press, 2010

Building Romanticism sets the literary culture of Romantic Britain within the context of the period’s architectural productions in order to recover a relationship between these arts that, though deeply valued by writers and architects of the day, has been neglected by modern scholars in both fields. Toward this goal, Nicole Reynolds explores the centrality of architecture and architectural tropes to Romanticism’s dramatic reconceptualization of the individual subject and of the world that subject inhabits.Focusing on the correspondence between the period’s built environments and its literary pursuits, Building Romanticism argues that at this turbulent moment in British history a number of politically charged and aesthetically resonant architectural spaces, both real and imagined, negotiated intense anxieties about shifting notions of gender and sexuality, increased class mobility, the individual’s uncertain place in history, challenges to the British national character and to the project of nation building, and the very form and function of art itself. By tracing the reception of Romantic topoi—rhetorical and literal common places—through the nineteenth century, this book explores how Victorians remodeled Romanticism, its ideological preoccupations and cultural artifacts, according to their own era's social agendas.
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