169 books match the query 'Shakespeare, William' and 4 start with b

cover of Backwards & Forwards: A Technical Manual for Reading Plays

Backwards & Forwards

A Technical Manual for Reading Plays

David Ball. Forewords by Michael Langham and Joseph Haj

Southern Illinois University Press, 1983

The best-selling script analysis book for thirty-five years

Considered an essential text since its publication thirty-five years ago, this guide for students and practitioners of both theater and literature complements, rather than contradicts or repeats, traditional methods of literary analysis of scripts.

Ball developed his method during his work as literary director at the Guthrie Theater, building his guide on the crafts playwrights of every period and style use to make their plays stageworthy. The text is full of tools for students and practitioners to use as they investigate plot, character, theme, exposition, imagery, conflict, theatricality, and the other crucial parts of the superstructure of a play. Also included are guides for discovering what the playwright considers a play’ s most important elements, thus permitting interpretation based on the foundation of the play rather than its details.

Using Shakespeare’s Hamlet as illustration, Ball assures a familiar base for clarifying script-reading techniques as well as exemplifying the kinds of misinterpretation readers can fall prey to by ignoring the craft of the playwright. Of immense utility to those who want to put plays on the stage (actors, directors, designers, production specialists) Backwards & Forwards is also a fine playwriting manual because the structures it describes are the primary tools of the playwright.
 

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cover of Blood Relations: Christian and Jew in The Merchant of Venice

Blood Relations

Christian and Jew in The Merchant of Venice

Janet Adelman

University of Chicago Press, 2008

In Blood Relations, Janet Adelman confronts her resistance to The Merchant of Venice as both a critic and a Jew. With her distinctive psychological acumen, she argues that Shakespeare’s play frames the uneasy relationship between Christian and Jew specifically in familial terms in order to recapitulate the vexed familial relationship between Christianity and Judaism.

Adelman locates the promise—or threat—of Jewish conversion as a particular site of tension in the play. Drawing on a variety of cultural materials, she demonstrates that, despite the triumph of its Christians, The Merchant of Venice reflects Christian anxiety and guilt about its simultaneous dependence on and disavowal of Judaism. In this startling psycho-theological analysis, both the insistence that Shylock’s daughter Jessica remain racially bound to her father after her conversion and the depiction of Shylock as a bloody-minded monster are understood as antidotes to Christian uneasiness about a Judaism it can neither own nor disown.

In taking seriously the religious discourse of The Merchant of Venice, Adelman offers in Blood Relations an indispensable book on the play and on the fascinating question of Jews and Judaism in Renaissance England and beyond.
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cover of Bold Conscience: Luther to Shakespeare to Milton

Bold Conscience

Luther to Shakespeare to Milton

Joshua R. Held

University of Alabama Press, 2023

Traces how conscience—inner moral conviction—came to shape public life, fueling martyrdom, free speech, and political revolts

Bold Conscience: Luther to Shakespeare to Milton is a sweeping, original study of how conscience became one of the most powerful ideas in early modern England. Tracing the emergence of what Joshua R. Held calls the “bold conscience,” the book shows how inner moral conviction moved from the realm of private guilt to public action, fueling debates about authority, obedience, free speech, and resistance. By placing conscience at the center of literary, religious, and political conflict, Bold Conscience reveals a vital intellectual throughline linking the Reformation to the birth of modern ideas of liberty and toleration.

The book unfolds chronologically, beginning with Martin Luther and Henry VIII and moving through Shakespeare’s Hamlet and Henry VIII, John Donne’s court sermons, and John Milton’s polemical and poetic works, including Areopagitica and Paradise Lost. Each chapter combines close literary reading with historical and theological analysis, showing how conscience operates across genres—drama, sermon, pamphlet, and epic poetry. Joshua R. Held is a distinguished scholar of early modern literature whose work bridges literary criticism, intellectual history, and religious studies, bringing clarity and narrative energy to complex debates.

Bold Conscience will appeal to scholars and students of early modern literature, Shakespeare, Milton, and Reformation history, as well as readers interested in the origins of religious freedom and political dissent. It will also engage anyone concerned with how moral conviction shapes public life then and now.

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cover of Broken Nuptials in Shakespeare's Plays

Broken Nuptials in Shakespeare's Plays

Carol Thomas Neely

University of Illinois Press, 1993

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