501 books match the query 'South' and 23 start with b

cover of Back Home: Journeys through Mobile

Back Home

Journeys through Mobile

Roy Hoffman

University of Alabama Press, 2007

After twenty years in New York City, a prize-winning writer takes a "long look back" at his hometown of Mobile, Alabama.

In Back Home: Journeys through Mobile, Roy Hoffman tells stories—through essays, feature articles, and memoir—of one of the South's oldest and most colorful port cities. Many of the pieces here grew out of Hoffman's work as Writer-in-Residence for his hometown newspaper, the Mobile Register, a position he took after working in New York City for twenty years as a journalist, fiction writer, book critic, teacher, and speech writer. Other pieces were first published in the New York Times, Southern Living, Preservation, and other publications. Together, this collection comprises a long, second look at the Mobile of Hoffman's childhood and the city it has since become.

Like a photo album, Back Home presents close-up portraits of everyday places and ordinary people. There are meditations on downtown Mobile, where Hoffman's grandparents arrived as immigrants a century ago; the waterfront where longshoremen labor and shrimpers work their nets; the back roads leading to obscure but intriguing destinations. Hoffman records local people telling their own tales of race relations, sports, agriculture, and Mardi Gras celebrations. Fishermen, baseball players, bakers, authors, political figures--a strikingly diverse population walks across the stage of Back Home.

Throughout, Hoffman is concerned with stories and their enduring nature. As he writes, "When buildings are leveled, when land is developed, when money is spent, when our loved ones pass on, when we take our places a little farther back every year on the historical time-line, what we have still are stories."

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cover of Bactria: The History of a Forgotten Empire

Bactria

The History of a Forgotten Empire

Hugh George Rawlinson

Westholme Publishing, 2013

An Important Account of the Greek State That Ruled the Hindu Kush for Centuries in the Wake of Alexander the Great
“If through the Bactrian Empire European ideas were transmitted to the Far East, through that and similar channels Asiatic ideas found their way to Europe.”—Intellectual Development of Europe
Following the Macedonian invasion of Persian in the fourth century B.C., an independent Greek-ruled empire emerged over an area encompassing modern Afghanistan, eastern Iran, and northern Pakistan. This ancient empire, called Bactria, is recorded in texts, both Asian and European, as well as through coins, inscriptions, and architectural remnants. Bactria served as a contact point between Europe, South Asia, and the Far East for more than two hundred years before disappearing under the pressure of a resurgent Persia to the west and Indian states to the east. In Bactria: The History of a Forgotten Empire, historian Hugh G. Rawlinson begins with the early history of Bactria and its subjugation by Persia, and then describes the conquest of Iran by Alexander the Great and the establishment of an independent Bactria ruled by Greeks. The Bactrians adopted Buddhism early on and helped establish the religion throughout the area. The author then follows the history of the empire through its rulers, including Menander, until Greek rule was extinguished around 135 B.C. Finally, the author discusses the effects of Greek occupation on the region. Based on meticulous research in ancient texts from Greece, Persia, and India, and using material evidence of the time, this history, which won the Hare University Prize at Cambridge in 1909, remains relevant today, providing a fascinating portrait of a little-known connection between East and West.
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cover of Becoming Imperial Citizens: Indians in the Late-Victorian Empire

Becoming Imperial Citizens

Indians in the Late-Victorian Empire

Sukanya Banerjee

Duke University Press, 2010

In this remarkable account of imperial citizenship, Sukanya Banerjee investigates the ways that Indians formulated notions of citizenship in the British Empire from the late nineteenth century through the early twentieth. Tracing the affective, thematic, and imaginative tropes that underwrote Indian claims to formal equality prior to decolonization, she emphasizes the extralegal life of citizenship: the modes of self-representation it generates even before it is codified and the political claims it triggers because it is deferred. Banerjee theorizes modes of citizenship decoupled from the rights-conferring nation-state; in so doing, she provides a new frame for understanding the colonial subject, who is usually excluded from critical discussions of citizenship.

Interpreting autobiography, fiction, election speeches, economic analyses, parliamentary documents, and government correspondence, Banerjee foregrounds the narrative logic sustaining the unprecedented claims to citizenship advanced by racialized colonial subjects. She focuses on the writings of figures such as Dadabhai Naoroji, known as the first Asian to be elected to the British Parliament; Surendranath Banerjea, among the earliest Indians admitted into the Indian Civil Service; Cornelia Sorabji, the first woman to study law in Oxford and the first woman lawyer in India; and Mohandas K. Gandhi, who lived in South Africa for nearly twenty-one years prior to his involvement in Indian nationalist politics. In her analysis of the unexpected registers through which they carved out a language of formal equality, Banerjee draws extensively from discussions in both late-colonial India and Victorian Britain on political economy, indentured labor, female professionalism, and bureaucratic modernity. Signaling the centrality of these discussions to the formulations of citizenship, Becoming Imperial Citizens discloses a vibrant transnational space of political action and subjecthood, and it sheds new light on the complex mutations of the category of citizenship.

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cover of Beneath the Surface: A Transnational History of Skin Lighteners

Beneath the Surface

A Transnational History of Skin Lighteners

Lynn M. Thomas

Duke University Press, 2020

For more than a century, skin lighteners have been a ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation as well as by consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.
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cover of Bengal in Global Concept History: Culturalism in the Age of Capital

Bengal in Global Concept History

Culturalism in the Age of Capital

Andrew Sartori

University of Chicago Press, 2008

Today people all over the globe invoke the concept of culture to make sense of their world, their social interactions, and themselves. But how did the culture concept become so ubiquitous? In this ambitious study, Andrew Sartori closely examines the history of political and intellectual life in nineteenth- and twentieth-century Bengal to show how the concept can take on a life of its own in different contexts.
            Sartori weaves the narrative of Bengal’s embrace of culturalism into a worldwide history of the concept, from its origins in eighteenth-century Germany, through its adoption in England in the early 1800s, to its appearance in distinct local guises across the non-Western world. The impetus for the concept’s dissemination was capitalism, Sartori argues, as its spread across the globe initiated the need to celebrate the local and the communal. Therefore, Sartori concludes, the use of the culture concept in non-Western sites was driven not by slavish imitation of colonizing powers, but by the same problems that repeatedly followed the advance of modern capitalism. This remarkable interdisciplinary study will be of significant interest to historians and anthropologists, as well as scholars of South Asia and colonialism.
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cover of Bengali Women

Bengali Women

Manisha Roy

University of Chicago Press, 1992

Drawing on personal experiences and interviews with others, Roy explores the frustrations and rewards in the lives of Hindu Bengali women in upper and upper-middle class families in India. Roy traces the psychological dimensions of these women as they play their specific roles, including daughter, wife, mother, and sister-in-law.

In a new Afterword, Roy discusses changes in Bengali society and culture over the last two decades which have direct bearings on women's lives: divorce and the breakup of the joint family, education, increasing Westernization via television and women's magazines, and the erosion of traditional religious practices.
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cover of Between Colonialism and Diaspora: Sikh Cultural Formations in an Imperial World

Between Colonialism and Diaspora

Sikh Cultural Formations in an Imperial World

Tony Ballantyne

Duke University Press, 2006

Bringing South Asian and British imperial history together with recent scholarship on transnationalism and postcolonialism, Tony Ballantyne offers a bold reevaluation of constructions of Sikh identity from the late eighteenth century through the early twenty-first. Ballantyne considers Sikh communities and experiences in Punjab, the rest of South Asia, the United Kingdom, and other parts of the world. He charts the shifting, complex, and frequently competing visions of Sikh identity that have been produced in response to the momentous social changes wrought by colonialism and diaspora. In the process, he argues that Sikh studies must expand its scope to take into account not only how Sikhism is figured in religious and political texts but also on the battlefields of Asia and Europe, in the streets of Singapore and Southall, and in the nightclubs of New Delhi and Newcastle.

Constructing an expansive historical archive, Ballantyne draws on film, sculpture, fiction, and Web sites, as well as private papers, government records, journalism, and travel narratives. He proceeds from a critique of recent historiography on the development of Sikhism to an analysis of how Sikh identity changed over the course of the long nineteenth century. Ballantyne goes on to offer a reading of the contested interpretations of the life of Dalip Singh, the last Maharaja of Punjab. He concludes with an exploration of bhangra, a traditional form of Punjabi dance that diasporic artists have transformed into a globally popular music style. Much of bhangra’s recent evolution stems from encounters of the Sikh and Afro-Caribbean communities, particularly in the United Kingdom. Ballantyne contends that such cross-cultural encounters are central in defining Sikh identity both in Punjab and the diaspora.

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cover of Beverley Ditsie's Fearless Speech: A Dialogue on the Pitfalls of Queer Struggle

Beverley Ditsie's Fearless Speech

A Dialogue on the Pitfalls of Queer Struggle

Sharad Chari with Beverley Palesa Ditsie

Temple University Press, 2027

Beverley Palesa Ditsie is a key South African Black lesbian activist, part of a world of queer activism during South Africa’s decade of transition from apartheid, when sexuality was crucial to recircuiting post-apartheid power and possibility. Part of the Gay and Lesbian Organization of the Witwatersrand (GLOW) which organized the continent’s first Pride March, she has stood steadfastly for Black lesbian self-determination and African queer representation.

Beverley Ditsie’s Fearless Speech enters this recent history of sexuality politics through an activist and a critical theorist in conversation. This book bends an account of Ditsie’s life and work in the critique of racial and sexual capitalism. Grounded in South Africa, the conversation is cut through with radical queer, materialist, and feminist critique in an internationalist frame.

Through this dialogic form, Beverley Ditsie emerges alongside other figures of fearless speech willing to stand for Black and African queer liberation, yet aware of pitfalls in these struggles that point to work that remains to be done. Beverley Ditsie’s Fearless Speech is a cautionary tale of hope for radical change in a world of deepening injustice and political homophobia.

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cover of Beyond Belief: India and the Politics of Postcolonial Nationalism

Beyond Belief

India and the Politics of Postcolonial Nationalism

Srirupa Roy

Duke University Press, 2007

Beyond Belief is a bold rethinking of the formation and consolidation of nation-state ideologies. Analyzing India during the first two decades following its foundation as a sovereign nation-state in 1947, Srirupa Roy explores how nationalists are turned into nationals, subjects into citizens, and the colonial state into a sovereign nation-state. Roy argues that the postcolonial nation-state is consolidated not, as many have asserted, by efforts to imagine a shared cultural community, but rather by the production of a recognizable and authoritative identity for the state. This project—of making the state the entity identified as the nation’s authoritative representative—emphasizes the natural cultural diversity of the nation and upholds the state as the sole unifier or manager of the “naturally” fragmented nation; the state is unified through diversity.

Roy considers several different ways that identification with the Indian nation-state was produced and consolidated during the 1950s and 1960s. She looks at how the Films Division of India, a state-owned documentary and newsreel production agency, allowed national audiences to “see the state”; how the “unity in diversity” formation of nationhood was reinforced in commemorations of India’s annual Republic Day; and how the government produced a policy discourse claiming that scientific development was the ultimate national need and the most pressing priority for the state to address. She also analyzes the fate of the steel towns—industrial townships built to house the workers of nationalized steel plants—which were upheld as the exemplary national spaces of the new India. By prioritizing the role of actual manifestations of and encounters with the state, Roy moves beyond theories of nationalism and state formation based on collective belief.

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cover of Beyond Partition: Gender, Violence and Representation in Postcolonial India

Beyond Partition

Gender, Violence and Representation in Postcolonial India

Deepti Misri

University of Illinois Press, 2014

Communal violence, ethnonationalist insurgencies, terrorism, and state violence have marred the Indian natio- state since its inception. These phenomena frequently intersect with prevailing forms of gendered violence complicated by caste, religion, regional identity, and class within communities.

Deepti Misri shows how Partition began a history of politicized animosity associated with the differing ideas of ""India"" held by communities and in regions on one hand, and by the political-military Indian state on the other. She moves beyond that formative national event, however, in order to examine other forms of gendered violence in the postcolonial life of the nation, including custodial rape, public stripping, deturbanning, and enforced disappearances. Assembling literary, historiographic, performative, and visual representations of gendered violence against women and men, Misri establishes that cultural expressions do not just follow violence but determine its very contours, and interrogates the gendered scripts underwriting the violence originating in the contested visions of what ""India"" means.

Ambitious and ranging across disciplines, Beyond Partition offers both an overview of and nuanced new perspectives on the ways caste, identity, and class complicate representations of violence, and how such representations shape our understandings of both violence and India.

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cover of Beyond Shangri-La: America and Tibet's Move into the Twenty-First Century

Beyond Shangri-La

America and Tibet's Move into the Twenty-First Century

John Kenneth Knaus

Duke University Press, 2012

Beyond Shangri-La chronicles relations between the Tibetans and the United States since 1908, when a Dalai Lama first met with U.S. representatives. What was initially a distant alliance became more intimate and entangled in the late 1950s, when the Tibetan people launched an armed resistance movement against the Chinese occupiers. The Tibetans fought to oust the Chinese and to maintain the presence of the current Dalai Lama and his direction of their country. In 1958, John Kenneth Knaus volunteered to serve in a major CIA program to support the Tibetans. For the next seven years, as an operations officer working from India, from Colorado, and from Washington, D.C., he cooperated with the Tibetan rebels as they utilized American assistance to contest Chinese domination and to attain international recognition as an independent entity.

Since the late 1950s, the rugged resolve of the Dalai Lama and his people and the growing respect for their efforts to free their homeland from Chinese occupation have made Tibet's political and cultural status a pressing issue in international affairs. So has the realization by nations, including the United States, that their geopolitical interests would best be served by the defeat of the Chinese and the achievement of Tibetan self-determination. Beyond Shangri-La provides unique insight into the efforts of the U.S. government and committed U.S. citizens to support a free Tibet.

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cover of Beyond the Miracle: Inside the New South Africa

Beyond the Miracle

Inside the New South Africa

Allister Sparks

University of Chicago Press, 2003

In Beyond the Miracle, a distinguished South African journalist provides a wide-ranging and unflinching account of the first nine years of democratic government in South Africa. Covering both the new regime's proud achievements and its disappointing failures, Allister Sparks looks to South Africa's future, asking whether it can overcome its history and current global trends to create a truly nonracial, multicultural, and multiparty democracy.

Sparks sees South Africa as facing many of the same challenges as the rest of the world, especially a widening gap between rich and poor, exacerbated by the forces of globalization. While the transition government has done much to establish democracy and racial equality in a short time, as well as bring basic services such as clean water to millions who did not have them before, many blacks feel it has not done enough to redress the continuing imbalance of wealth in the country. Many whites, meanwhile, feel disempowered and confused about what role they have to play as a racial minority in a country they used to rule and regard as theirs by divine right. Sparks also covers other burning issues, such as the HIV/AIDS epidemic, high crime rates, the diamond wars, the Congo conflict, and the Zimbabwean land crisis.

Writing vividly and often quite movingly, Sparks draws on his decades of journalistic experience and his recent insider access to key figures in the liberation government to take stock of where South Africa has been, where it's going, and why the rest of the world should not turn away from this country where the First and Third Worlds meet. As Sparks persuasively argues, the success of Mandela's vision of a peaceful "rainbow nation" is crucial not just for the salvation of Africa, but also for the world.

“Sparks, a grandfather of South African journalism, has fired one of the first volleys in the 10-year assessment. . . . It is an even-handed work, almost encyclopedic in its breadth. Sparks traverses all the important political terrain.”—Mail & Guardian 

“It is as good a guide to the new South Africa as any.”—Economist

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cover of Black Cultural Life in South Africa: Reception, Apartheid, and Ethics

Black Cultural Life in South Africa

Reception, Apartheid, and Ethics

Lily Saint

University of Michigan Press, 2018

Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement.

This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture “travels” not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms—common to cultural studies and ethical theory alike—this book demonstrates that people can do things with mass culture that reinvigorate ethical life.

Lily Saint’s new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.
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cover of Black Lawyers, White Courts: The Soul of South African Law

Black Lawyers, White Courts

The Soul of South African Law

Kenneth S. Broun

Ohio University Press, 2000

In the struggle against apartheid, one often overlooked group of crusaders was the coterie of black lawyers who overcame the Byzantine system that the government established oftentimes explicitly to block the paths of its black citizens from achieving justice.

Now, in their own voices, we have the narratives of many of those lawyers as recounted in a series of oral interviews. Black Lawyers, White Courts is their story and the anti-apartheid story that has before now gone untold.

Professor Kenneth Broun conducted interviews with twenty-seven black South African lawyers. They were asked to tell about their lives, including their family backgrounds, education, careers, and their visions for the future. In many instances they also discussed their years in prison or exile, or under house arrest. Most told of both education and careers interrupted because of the ongoing struggle.

The story of the professional achievements of black lawyers in South Africa—indeed their very survival—provides an example of the triumph of individuals and, ultimately, of the law. Black Lawyers, White Courts is about South Africa, and about black professionals in that country, but the lessons its protagonists teach extend far beyond circumstances, geography, or race.

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cover of Black Property Owners in the South, 1790-1915

Black Property Owners in the South, 1790-1915

Loren Schweninger

University of Illinois Press, 1990

Property ownership has been a traditional means for African Americans to gain recognition and enter the mainstream of American life. This landmark study documents this significant, but often overlooked, aspect of the black experience from the late eighteenth century to World War I.
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cover of Black Soldiers of the Queen: The Natal Native Contingent in the Anglo-Zulu War

Black Soldiers of the Queen

The Natal Native Contingent in the Anglo-Zulu War

P. S. Thompson

University of Alabama Press, 2006

Africans who fought alongside the British against the Zulu king

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cover of Bombay Brokers

Bombay Brokers

Lisa Björkman, editor

Duke University Press, 2021

A political party worker who produces crowds for electoral rallies. A “prison specialist” who serves other people’s prison sentences in exchange for a large fee. An engineer who is able to secure otherwise impossible building permits. These and other dealmakers—whose behind-the-scenes expertise and labor are often invisible—have an intrinsic role in the city's functioning and can be indispensable for navigating everyday life in Bombay, one of the world’s most complex, dynamic, and populous cities. Bombay Brokers collects profiles of thirty-six such “brokers.” Written by anthropologists, artists, city planners, and activists, these character sketches bring into relief the paradox that these brokers’ knowledge and labor are simultaneously invisible yet essential for Bombay’s functioning. Their centrality reveals the global-scale paradoxes and gaps that these brokers mediate and bridge. In this way, Bombay Brokers prompts a reconsideration of what counts as legitimate and valuable knowledge and labor while offering insight into changing structures of power in Bombay and around the globe.

Contributors. Anjali Arondekar, Sarthak Bagchi, Tobias Baitsch, Sangeeta Banerji, Srimati Basu, Tarini Bedi, Amita Bhide, Lisa Björkman, Uday Chandra, Simon Chauchard, Ka-Kin Cheuk, Michael Collins, Daisy Deomampo, Maura Finkelstein, Ajay Gandhi, Rupali Gupte, Kathryn C. Hardy, Lalitha Kamath, Prasad Khanolkar, Bhushan Korgaonkar, Ratoola Kundu, Ken Kuroda, Annelies Kusters, Lisa Mitchell, Shailaja Paik, Gautam Pemmaraju, Lubaina Rangwala, Llerena Guiu Searle, Atreyee Sen, Prasad Shetty, Rohan Shivkumar, Edward Simpson, David Strohl, Rachel Sturman, R. Swaminathan, Aneri Taskar, Yaffa Truelove, Sahana Udupa, Lalit Vachani, Leilah Vevaina
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cover of Bonds of the Dead: Temples, Burial, and the Transformation of Contemporary Japanese Buddhism

Bonds of the Dead

Temples, Burial, and the Transformation of Contemporary Japanese Buddhism

Mark Michael Rowe

University of Chicago Press, 2011

Despite popular images of priests seeking enlightenment in snow-covered mountain temples, the central concern of Japanese Buddhism is death. For that reason, Japanese Buddhism’s social and economic base has long been in mortuary services—a base now threatened by public debate over the status, treatment, and location of the dead. Bonds of the Dead explores the crisis brought on by this debate and investigates what changing burial forms reveal about the ways temple Buddhism is perceived and propagated in contemporary Japan.

Mark Rowe offers a crucial account of how religious, political, social, and economic forces in the twentieth century led to the emergence of new funerary practices in Japan and how, as a result, the care of the dead has become the most fundamental challenge to the continued existence of Japanese temple Buddhism. Far from marking the death of Buddhism in Japan, Rowe argues, funerary Buddhism reveals the tradition at its most vibrant. Combining ethnographic research with doctrinal considerations, this is a fascinating book for anyone interested in Japanese society and religion.
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cover of Boundaries of the Text: Epic Performances in South and Southeast Asia

Boundaries of the Text

Epic Performances in South and Southeast Asia

Joyce Burkhalter Flueckiger and Laurie Sears, Editors

University of Michigan Press, 1991

When the Mahabharata and Ramayana are performed in South and Southeast Asia, audiences may witness a variety of styles. A single performer may deliver a two-hour recitation, women may meet in informal singing groups, shaddow puppets may host an all-night play, or professional theaters may put on productions lasting thirty nights. Performances often celebrate ritual passages: births, deaths, marriages, and religious observances. The stories live and are transmitted through performance; their characters are well known and well loved.
Yet written versions of the Mahabharata and Ramayana have existed in both South and Southeast Asia for hundreds of years. Rarely have these texts been intended for private reading. What is the relationship between written text and oral performance? What do performers and audiences mean when they identify something as “Ramayana” or “Mahabharata”? How do they conceive of texts? What are the boundaries of the texts?
By analyzing specific performance traditions, Boundaries of the Text addresses questions of what happens to written texts when they are preformed and how performance traditions are affected when they interact with written texts. The dynamics of this interaction are of particular interest in South and Southeast Asia where oral performance and written traditions share a long, interwoven history. The contributors to Boundaries of the Text show the difficulty of maintaining sharp distinctions between oral and written patterns, as the traditions they consider defy a unidirectional movement from oral to written. The boundaries of epic traditions are in a state of flux, contracting or expanding as South and Southeast Asian societies respond to increasing access to modern education, print technology, and electronic media.
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cover of Bringing the Empire Home: Race, Class, and Gender in Britain and Colonial South Africa

Bringing the Empire Home

Race, Class, and Gender in Britain and Colonial South Africa

Zine Magubane

University of Chicago Press, 2003

How did South Africans become black? How did the idea of blackness influence conceptions of disadvantaged groups in England such as women and the poor, and vice versa?

Bringing the Empire Home tracks colonial images of blackness from South Africa to England and back again to answer questions such as these. Before the mid-1800s, black Africans were considered savage to the extent that their plight mirrored England's internal Others—women, the poor, and the Irish. By the 1900s, England's minority groups were being defined in relation to stereotypes of black South Africans. These stereotypes, in turn, were used to justify both new capitalist class and gender hierarchies in England and the subhuman treatment of blacks in South Africa. Bearing this in mind, Zine Magubane considers how marginalized groups in both countries responded to these racialized representations.

Revealing the often overlooked links among ideologies of race, class, and gender, Bringing the Empire Home demonstrates how much black Africans taught the English about what it meant to be white, poor, or female.
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cover of Brown Skins, White Coats: Race Science in India, 1920–66

Brown Skins, White Coats

Race Science in India, 1920–66

Projit Bihari Mukharji

University of Chicago Press, 2022

A unique narrative structure brings the history of race science in mid-twentieth-century India to vivid life.

There has been a recent explosion in studies of race science in the twentieth and twenty-first centuries, but most have focused either on Europe or on North America and Australia. In this stirring history, Projit Bihari Mukharji illustrates how India appropriated and repurposed race science to its own ends and argues that these appropriations need to be understood within the national and regional contexts of postcolonial nation-making—not merely as footnotes to a Western history of “normal science.”
 
The book comprises seven factual chapters operating at distinct levels—conceptual, practical, and cosmological—and eight fictive interchapters, a series of epistolary exchanges between the Bengali author Hemendrakumar Ray (1888–1963) and the protagonist of his dystopian science fiction novel about race, race science, racial improvement, and dehumanization. In this way, Mukharji fills out the historical moment in which the factual narrative unfolded, vividly revealing its moral, affective, political, and intellectual fissures.
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cover of Building Histories: The Archival and Affective Lives of Five Monuments in Modern Delhi

Building Histories

The Archival and Affective Lives of Five Monuments in Modern Delhi

Mrinalini Rajagopalan

University of Chicago Press, 2016

Building Histories offers innovative accounts of five medieval monuments in Delhi—the Red Fort, Rasul Numa Dargah, Jama Masjid, Purana Qila, and the Qutb complex—tracing their modern lives from the nineteenth century into the twentieth.

Mrinalini Rajagopalan argues that the modern construction of the history of these monuments entailed the careful selection, manipulation, and regulation of the past by both the colonial and later postcolonial states. Although framed as objective “archival” truths, these histories were meant to erase or marginalize the powerful and persistent affective appropriations of the monuments by groups who often existed outside the center of power. By analyzing these archival and affective histories together, Rajagopalan works to redefine the historic monument—far from a symbol of a specific past, the monument is shown in Building Histories to be a culturally mutable object with multiple stories to tell.
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cover of Butterflies & Barbarians: Swiss Missionaries and Systems of Knowledge in South-East Africa

Butterflies & Barbarians

Swiss Missionaries and Systems of Knowledge in South-East Africa

Patrick Harries

Ohio University Press, 2007

Swiss missionaries played a primary and little-known role in explaining Africa to the literate world in the late nineteenth and early twentieth centuries. This book emphasizes how these European intellectuals, brought to the deep rural areas of southern Africa by their vocation, formulated and ordered knowledge about the continent.

Central to this group was Junod, who became a pioneering collector in the fields of entomology and botany. He would later examine African society with the methodology, theories, and confidence of the natural sciences. On the way he came to depend on the skills of African observers and collectors. Out of this work emerged, in three stages between 1898 and 1927, an influential classic in the field of South African anthropology, Life of a South African Tribe.
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