247 books match the query 'South Africa' and 12 start with b

cover of BIRTHMARK

BIRTHMARK

CLINGMAN STEPHEN

University of Massachusetts Press, 0

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cover of Beneath the Surface: A Transnational History of Skin Lighteners

Beneath the Surface

A Transnational History of Skin Lighteners

Lynn M. Thomas

Duke University Press, 2020

For more than a century, skin lighteners have been a ubiquitous feature of global popular culture—embraced by consumers even as they were fiercely opposed by medical professionals, consumer health advocates, and antiracist thinkers and activists. In Beneath the Surface, Lynn M. Thomas constructs a transnational history of skin lighteners in South Africa and beyond. Analyzing a wide range of archival, popular culture, and oral history sources, Thomas traces the changing meanings of skin color from precolonial times to the postcolonial present. From indigenous skin-brightening practices and the rapid spread of lighteners in South African consumer culture during the 1940s and 1950s to the growth of a billion-dollar global lightener industry, Thomas shows how the use of skin lighteners and experiences of skin color have been shaped by slavery, colonialism, and segregation as well as by consumer capitalism, visual media, notions of beauty, and protest politics. In teasing out lighteners’ layered history, Thomas theorizes skin as a site for antiracist struggle and lighteners as a technology of visibility that both challenges and entrenches racial and gender hierarchies.
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cover of Beyond the Miracle: Inside the New South Africa

Beyond the Miracle

Inside the New South Africa

Allister Sparks

University of Chicago Press, 2003

In Beyond the Miracle, a distinguished South African journalist provides a wide-ranging and unflinching account of the first nine years of democratic government in South Africa. Covering both the new regime's proud achievements and its disappointing failures, Allister Sparks looks to South Africa's future, asking whether it can overcome its history and current global trends to create a truly nonracial, multicultural, and multiparty democracy.

Sparks sees South Africa as facing many of the same challenges as the rest of the world, especially a widening gap between rich and poor, exacerbated by the forces of globalization. While the transition government has done much to establish democracy and racial equality in a short time, as well as bring basic services such as clean water to millions who did not have them before, many blacks feel it has not done enough to redress the continuing imbalance of wealth in the country. Many whites, meanwhile, feel disempowered and confused about what role they have to play as a racial minority in a country they used to rule and regard as theirs by divine right. Sparks also covers other burning issues, such as the HIV/AIDS epidemic, high crime rates, the diamond wars, the Congo conflict, and the Zimbabwean land crisis.

Writing vividly and often quite movingly, Sparks draws on his decades of journalistic experience and his recent insider access to key figures in the liberation government to take stock of where South Africa has been, where it's going, and why the rest of the world should not turn away from this country where the First and Third Worlds meet. As Sparks persuasively argues, the success of Mandela's vision of a peaceful "rainbow nation" is crucial not just for the salvation of Africa, but also for the world.

“Sparks, a grandfather of South African journalism, has fired one of the first volleys in the 10-year assessment. . . . It is an even-handed work, almost encyclopedic in its breadth. Sparks traverses all the important political terrain.”—Mail & Guardian 

“It is as good a guide to the new South Africa as any.”—Economist

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cover of Birthmark

Birthmark

Stephen Clingman

University of Massachusetts Press, 2016

When Stephen Clingman was two, he underwent an operation to remove a birthmark under his right eye. The operation failed, and the birthmark returned, but in somewhat altered form. In this captivating book, Clingman takes the fact of that mark—its appearance, disappearance, and return—as a guiding motif of memory.

Not only was the operation unsuccessful, it affected his vision, and his eyes came to see differently from each other. Birthmark explores the questions raised by living with divided vision in a divided world—the world of South Africa under apartheid, where every view was governed by the markings of birth, the accidents of color, race, and skin. But what were the effects on the mind? Clingman's book engages a number of questions. How, in such circumstances, can we come to a deeper kind of vision? How can we achieve wholeness and acceptance? How can we find our place in the midst of turmoil and change?

In a beguiling narrative set on three continents, this is a story that is personal, painful, comic, and ultimately uplifting: a book not so much of the coming of age but the coming of perspective.
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cover of Black Cultural Life in South Africa: Reception, Apartheid, and Ethics

Black Cultural Life in South Africa

Reception, Apartheid, and Ethics

Lily Saint

University of Michigan Press, 2018

Under apartheid, black South Africans experienced severe material and social disadvantages occasioned by the government’s policies, and they had limited time for entertainment. Still, they closely engaged with an array of textual and visual cultures in ways that shaped their responses to this period of ethical crisis. Marshaling forms of historical evidence that include passbooks, memoirs, American “B” movies, literary and genre fiction, magazines, and photocomics, Black Cultural Life in South Africa considers the importance of popular genres and audiences in the relationship between ethical consciousness and aesthetic engagement.

This study provocatively posits that states of oppression, including colonial and postcolonial rule, can elicit ethical responses to imaginative identification through encounters with popular culture, and it asks whether and how they carry over into ethical action. Its consideration of how globalized popular culture “travels” not just in material form, but also through the circuits of the imaginary, opens a new window for exploring the ethical and liberatory stakes of popular culture. Each chapter focuses on a separate genre, yet the overall interdisciplinary approach to the study of genre and argument for an expansion of ethical theory that draws on texts beyond the Western canon speak to growing concerns about studying genres and disciplines in isolation. Freed from oversimplified treatments of popular forms—common to cultural studies and ethical theory alike—this book demonstrates that people can do things with mass culture that reinvigorate ethical life.

Lily Saint’s new volume will interest Africanists across the humanities and the social sciences, and scholars of Anglophone literary, globalization, and cultural studies; race; ethical theories and philosophies; film studies; book history and material cultures; and the burgeoning field of comics and graphic novels.
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cover of Black Lawyers, White Courts: The Soul of South African Law

Black Lawyers, White Courts

The Soul of South African Law

Kenneth S. Broun

Ohio University Press, 2000

In the struggle against apartheid, one often overlooked group of crusaders was the coterie of black lawyers who overcame the Byzantine system that the government established oftentimes explicitly to block the paths of its black citizens from achieving justice.

Now, in their own voices, we have the narratives of many of those lawyers as recounted in a series of oral interviews. Black Lawyers, White Courts is their story and the anti-apartheid story that has before now gone untold.

Professor Kenneth Broun conducted interviews with twenty-seven black South African lawyers. They were asked to tell about their lives, including their family backgrounds, education, careers, and their visions for the future. In many instances they also discussed their years in prison or exile, or under house arrest. Most told of both education and careers interrupted because of the ongoing struggle.

The story of the professional achievements of black lawyers in South Africa—indeed their very survival—provides an example of the triumph of individuals and, ultimately, of the law. Black Lawyers, White Courts is about South Africa, and about black professionals in that country, but the lessons its protagonists teach extend far beyond circumstances, geography, or race.

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cover of Black Soldiers of the Queen: The Natal Native Contingent in the Anglo-Zulu War

Black Soldiers of the Queen

The Natal Native Contingent in the Anglo-Zulu War

P. S. Thompson

University of Alabama Press, 2006

Africans who fought alongside the British against the Zulu king

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cover of Black Undertow

Black Undertow

Hugo ka Canham

Duke University Press, 2026

Meditative and theoretical, Black Undertow reorients the thinking of blackness away from the Atlantic to the African shorelines of the Indian Ocean, places where queerness and black life frequently brush up against one another. Hugo ka Canham listens for what he names the buzz of the undertow, the traces of African ancestors who linger in water, sand, coastal forts, corals, ritual practices, and unruly imaginations along the shore. In tracking these elusive figures, he develops an approach that honors a queer right to opacity. Canham reconstitutes the siloed disciplinarity that imagines African studies, Black studies, Queer African studies, and Queer studies as necessarily different. When read as coconstitutive instead, Canham demonstrates that they better allow for explicating local life, history, poetics, and theory. In so doing, he forges methods of studying black life that think beyond the limits of traditional, textual archives.
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cover of Body Problems: What Intersex Priest Sally Gross Teaches Us About Embodiment, Justice, and Belonging

Body Problems

What Intersex Priest Sally Gross Teaches Us About Embodiment, Justice, and Belonging

M. Wolff

Duke University Press, 2025

In Body Problems, M. Wolff offers groundbreaking insight into Sally Gross, a South African intersex priest and activist whose body was continuously policed and politicized. Gross’s role in founding Intersex South Africa and her involvement with the African National Congress are celebrated in the Apartheid Museum, but the complex dimensions of her life—from her Jewish heritage to her Christian priesthood and Buddhist practices—remain largely unexplored. Wolff illuminates these lesser-known aspects of Gross’s spirituality and theorizes her resistance to the regulation of intersexuality. The book urges readers to rethink bodies and belonging, particularly as they relate to formations of gender and religion. Wolff presents Gross’s life as a guide for discerning our commitments to social justice and responsible relations. Body Problems is a timely and expansive contribution to ongoing discourses on the medical, religious, and political construction of bodies.
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cover of Boycotts, Buses, and Passes: Black Women's Resistance in the U.S. South and South Africa

Boycotts, Buses, and Passes

Black Women's Resistance in the U.S. South and South Africa

Pamela E. Brooks

University of Massachusetts Press, 2008

In the mid-1950s, as many developing nations sought independence from colonial rule, black women in the American South and in South Africa launched parallel campaigns to end racial injustice within their respective communities. Just as the dignified obstinacy of Mrs. Rosa Parks sparked the Montgomery bus boycott in 1955, the 20,000 South African women who marched in Pretoria a year later to protest the pass laws signaled a new wave of resistance to the system of apartheid. In both places women who had previously been consigned to subordinate roles brought fresh leadership to the struggle for political freedom and social equality. 

In this book, Pamela E. Brooks tells their story, documenting the extraordinary achievements of otherwise ordinary women. In comparing the experiences of black women activists in two different parts of the African diaspora, Brooks draws heavily on oral histories that provide clear, and often painful, insight into their backgrounds, their motives, their hopes, and their fears. We learn how black women from all walks of life—domestic and factory workers, householders, teachers, union organizers, churchwomen, clubwomen, rural and urban dwellers alike—had to overcome their class differences and work through the often difficult gender relations within their families and communities. Yet eventually they came together to forge their own political organizations, such as the Women's Political Council and the Federation of South African Women, or joined orga-nizations of women and men, such as the Montgomery Improvement Association and the African National Congress, to advance the common agenda of black liberation.By tracing the dual rise of political consciousness and activism among the black women of the U.S. South and South Africa, Brooks not only illuminates patterns that have long been overlooked but places that shared history within the context of a larger global struggle to bring an end to the vestiges of European colonialism.

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cover of Bringing the Empire Home: Race, Class, and Gender in Britain and Colonial South Africa

Bringing the Empire Home

Race, Class, and Gender in Britain and Colonial South Africa

Zine Magubane

University of Chicago Press, 2003

How did South Africans become black? How did the idea of blackness influence conceptions of disadvantaged groups in England such as women and the poor, and vice versa?

Bringing the Empire Home tracks colonial images of blackness from South Africa to England and back again to answer questions such as these. Before the mid-1800s, black Africans were considered savage to the extent that their plight mirrored England's internal Others—women, the poor, and the Irish. By the 1900s, England's minority groups were being defined in relation to stereotypes of black South Africans. These stereotypes, in turn, were used to justify both new capitalist class and gender hierarchies in England and the subhuman treatment of blacks in South Africa. Bearing this in mind, Zine Magubane considers how marginalized groups in both countries responded to these racialized representations.

Revealing the often overlooked links among ideologies of race, class, and gender, Bringing the Empire Home demonstrates how much black Africans taught the English about what it meant to be white, poor, or female.
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cover of Bulletproof: Afterlives of Anticolonial Prophecy in South Africa and Beyond

Bulletproof

Afterlives of Anticolonial Prophecy in South Africa and Beyond

Jennifer Wenzel

University of Chicago Press, 2009

In 1856 and 1857, in response to a prophet’s command, the Xhosa people of southern Africa killed their cattle and ceased planting crops; the resulting famine cost tens of thousands of lives. Much like other millenarian, anticolonial movements—such as the Ghost Dance in North America and the Birsa Munda uprising in India—these actions were meant to transform the world and liberate the Xhosa from oppression. Despite the movement’s momentous failure to achieve that goal, the event has continued to exert a powerful pull on the South African imagination ever since. It is these afterlives of the prophecy that Jennifer Wenzel explores in Bulletproof.

Wenzel examines literary and historical texts to show how writers have manipulated images and ideas associated with the cattle killing—harvest, sacrifice, rebirth, devastation—to speak to their contemporary predicaments. Widening her lens, Wenzel also looks at how past failure can both inspire and constrain movements for justice in the present, and her brilliant insights into the cultural implications of prophecy will fascinate readers across a wide variety of disciplines.

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