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This fascinating compendium explains the most unusual, obscure, and curious words and expressions from vintage blues music. Utilizing both documentary evidence and invaluable interviews with a number of now-deceased musicians from the 1920s and '30s, blues scholar Stephen Calt unravels the nuances of more than twelve hundred idioms and proper or place names found on oft-overlooked "race records" recorded between 1923 and 1949. From "aggravatin' papa" to "yas-yas-yas" and everything in between, this truly unique, racy, and compelling resource decodes a neglected speech for general readers and researchers alike, offering invaluable information about black language and American slang.

The Battle of Kosovo cycle of heroic ballads is generally considered the finest work of Serbian folk poetry. Commemorating the Serbian Empire’s defeat at the hands of the Turks in the late fourteenth century, these poems and fragments have been known for centuries in Eastern Europe. With the appearance of the collections of Serbian folk poems by Vuk Stefanovic Karasdzic, the brilliance of the poetry in the Kosovo and related cycles of ballads was affirmed by poets and critics as deeply influential as Goethe, Jacob Brimm, Adam Mickiewicz, and Alexander Pushkin. Although translations into English have been attempted before, few of them, as Charles Simic notes in his preface, have been persuasive until now. Simic compares the movement of the verse in these translations to the “variable foot” effect of William Carlos Williams’s later poetry, and argues that John Matthias “grasps the poetic strategies of the anonymous Serbian poet as well as Pound did those of Chinese poetry.”

First published in 1987, the translation of the Battle of Kosovo is now reprinted both because of its intrinsic merits and because the recent crisis in Kosovo itself compels the entire world to understand the nature of the ancient conflicts and passions that fuel it. Although Matthias and Simic have elected to retain their original preface and introduction, Christopher Merrill, a scholar of the region and author of Only the Nails Remain, has contributed a brief afterword explaining the importance of this poetry in the context of NATO’s first military action ever against a sovereign nation.

A study of beard motifs in medieval German poetry.
 
Beards make frequent appearances in medieval German poetry—as esteemed markers of majestic wisdom or as hilarious props for undignified manhandling. In Beards and Texts, Sebastian Coxon traces this preeminent symbol of masculinity through four major poetic traditions across the twelfth and sixteenth centuries—Pfaffe Konrad’s Rolandslied, Wolfram von Eschenbach’s Willehalm, ‘Sangspruchdichtung’, and Heinrich Wittenwiler’s Ring. By attending to this hairy trope, Beards and Texts sheds new light on the construction of both poetic form and masculinity in the Middle Ages.
 

Many know that the removal and relocation of Indigenous peoples from traditional lands is a part of the United States’ colonial past, but few know that—in an expansive corner of northeastern Arizona—the saga continues. The 1974 Settlement Act officially divided a reservation established almost a century earlier between the Diné (Navajo) and the Hopi, and legally granted the contested land to the Hopi. To date, the U.S. government has relocated between 12,000 and 14,000 Diné from Hopi Partitioned Lands, and the Diné—both there and elsewhere—continue to live with the legacy of this relocation.

Bitter Water presents the narratives of four Diné women who have resisted removal but who have watched as their communities and lifeways have changed dramatically. The book, based on 25 hours of filmed personal testimony, features the women’s candid discussions of their efforts to carry on a traditional way of life in a contemporary world that includes relocation and partitioned lands; encroaching Western values and culture; and devastating mineral extraction and development in the Black Mesa region of Arizona. Though their accounts are framed by insightful writings by both Benally and Diné historian Jennifer Nez Denetdale, Benally lets the stories of the four women elders speak for themselves.

Scholars, media, and other outsiders have all told their versions of this story, but this is the first book that centers on the stories of women who have lived it—in their own words in Navajo as well as the English translation. The result is a living history of a contested cultural landscape and the unique worldview of women determined to maintain their traditions and lifeways, which are so intimately connected to the land. This book is more than a collection of stories, poetry, and prose. It is a chronicle of resistance as spoken from the hearts of those who have lived it.