8642 books match the query '20th century' and 437 start with b

cover of Bauhaus Culture: From Weimar To The Cold War

Bauhaus Culture

From Weimar To The Cold War

Kathleen James-Chakraborty

University of Minnesota Press, 2006

Offering the first comprehensive training in the visual arts grounded in abstraction, the Bauhaus was the site of a dazzling range of influential experiments in painting, architecture, photography, industrial design, and even artistic education itself. Three-quarters of a century later, the “look” of the new remains indebted to the Bauhaus and its equation of technology with modernism. Central to discussions of the relationships between art, industrialization, and politics in the twentieth century, much of the school’s later impact was derived in part from its status as one of the foremost cultural symbols of Germany’s first democracy and its public reputation as a “cathedral of socialism.”

In this book, editor Kathleen James-Chakraborty and seven other scholars analyze the accomplishments and dispel the myths of the Bauhaus, placing it firmly in a historical context from before the formation of the Weimar Republic through Nazi ascendancy and World War II into the cold war. Together, they investigate its professors’ and students’ interactions with mass culture; establish the complexity of its relationship with Wilhelmine, Nazi, and postwar German politics; and challenge the claim that its architects greatly influenced American architecture in the 1930s.

Their most explosive conclusions address the degree to which some aspects of Bauhaus design continued to flourish during the Third Reich before becoming one of the cold war’s most enduring emblems of artistic freedom. In doing so, Bauhaus Culture calls into question the degree to which this influential school should continue to symbolize an uncomplicated relationship between art, modern technology, and progressive politics.

Contributors: Greg Castillo, Juliet Koss, Rose-Carol Washton Long, John V. Maciuika, Wallis Miller, Winifried Nerdinger, Frederic J. Schwartz.

Kathleen James-Chakraborty is associate professor of architecture at the University of California, Berkeley, and author of German Architecture for a Mass Audience and Erich Mendelsohn and the Architecture of German Modernism.
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cover of Bayard Rustin and the Civil Rights Movement

Bayard Rustin and the Civil Rights Movement

Levine, Daniel

Rutgers University Press, 1999

Best known as the man who organized the Great March on Washington in 1963, Bayard Rustin was a vital force in the civil rights movement from the 1940s through the 1980s.  Rustins's activism embraced the wide range of crucial issues of his time: communism, international pacifism, and race relations.

Rustin's long activist career began with his association with A. Phillip Randolph of the Brotherhood of Sleeping Car Porters.  Then, as a member of A. J. Muste's Fellowship of Reconciliation, he participated in the "Journey of Reconciliation" (an early version of the "Freedom Rides" of 1961).  He was a close associate of Martin Luther King in Montgomery and Atlanta and rose to prominence as organizer of the 1963 March on Washington.  Rustin played a key role in applying nonviolent direct action to American race relations while rejecting the separatism of movements like Black Power in the 1960s, even at the risk of his being marginalized by the younger generation of civil rights activists.  In his later years he tried to hold the civil rights coalition together and to fight for the economic changes he thought were necessary to decrease racism.

Daniel Levine has written the first scholarly biography that examines Rustin's public as well as private persona in light of his struggles as a gay black man and as an activist who followed his own principles and convictions.  The result is a rich portrait of a complex, indomitable advocate for justice in American society.
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cover of Bayard Rustin: The Invisible Activist

Bayard Rustin

The Invisible Activist

Jacqueline Houtman

QuakerPress, 2014

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cover of Be Not Afraid: A Southern Journey Through Law, Liberty, and Civil Rights

Be Not Afraid

A Southern Journey Through Law, Liberty, and Civil Rights

Jack Drake

University of Alabama Press, 2026

A civil rights attorney’s unflinching memoir about the fight against segregation and systemic racism through landmark legal battles in Alabama

Be Not Afraid: A Southern Journey Through Law, Liberty, and Civil Rights is a timely and unflinching memoir from civil rights attorney Jack Drake, who has spent decades on the front lines of Alabama’s legal battles for racial justice. Raised in a segregated community in Gardendale, Alabama, Drake came of age during the civil rights movement and became a pivotal figure in cases that reshaped the state’s legal and moral landscape.

Drake helped reform Alabama’s grossly inadequate mental health system and supported voting rights efforts throughout Alabama. His career underscores the crucial role private attorneys and grassroots advocates played in enforcing civil rights laws long after their passage.

Through vivid recollections of courtroom battles, civil rights alliances, and personal transformation, Be Not Afraid offers an intimate view into the persistence and courage required to challenge systemic injustice. At a time when debates over equity and democracy remain pressing, Drake’s story is both a powerful reflection on the past and a call to action for the present. It speaks to the enduring importance of legal advocacy and community solidarity in the fight for a more just society, making it essential reading for those engaged in civil rights history, law, or social change.

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cover of Bearden's Odyssey: Poets Respond to the Art of Romare Bearden

Bearden's Odyssey

Poets Respond to the Art of Romare Bearden

Edited by Kwame Dawes and Matthew Shenoda, Foreword by Derek Walcott

Northwestern University Press, 2017

Borrowing from Romare Bearden’s aesthetic palette and inspired by his Odysseus series, Bearden’s Odyssey gathers, for the first time, poems from thirty-five of the most revered African diaspora poets in the United States. Poetic echoes come forth in themes of inspiration with historical intersections of one of the greatest visual artists of the twentieth century.
 
The award-winning editors, Kwame Dawes and Matthew Shenoda, assemble an esteemed literary congregation, with original poems by Chris Abani, Rita Dove, Lyrae Van Clief-Stefanon, Ed Roberson, Aracelis Girmay, Yusef Komunyakaa, and more. With a powerful foreword by Nobel laureate Derek Walcott and stunning visual reproductions of select Bearden masterpieces, this anthology fuses art and literature, standing as a testament to Romare Bearden’s power and influence in the contemporary artistic world.
 

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cover of Bearing Witness: Memories of Arkansas Slavery

Bearing Witness

Memories of Arkansas Slavery

George E. Lankford

University of Arkansas Press, 2006

The first edition of Bearing Witness brought together for the first time 176 slave narratives from the state of Arkansas. Now, this new edition adds ten previously undiscovered accounts. No one knew the truths of slavery better than the slaves themselves, but no one consulted them until the 1930s. Then, recognizing that this generation of unique witnesses would soon be lost to history, the Works Progress Administration's Federal Writers' Project acted to interview as many former slaves as possible. In a continuation of the project's interest in the life histories of ordinary people, writers interviewed over two thousand former slaves, more than a third of them in Arkansas. These oral histories were first published in the 1970s in a thirty-nine-volume series organized by state, and they transformed America's understanding of slavery. They have offered crucial evidence on a variety of other topics as well: the Civil War, Reconstruction, agricultural practices, everyday life, and oral history itself. But some former Arkansas slaves were interviewed in Texas, Oklahoma, and other states, so their narratives were published in those other collections. And more than half of the testimonies in the Arkansas volume were interviews with people who had moved to Arkansas after freedom. Folklorist George Lankford combed all of the state collections for the testimonies properly belonging to Arkansas and deleted from this state's collection the testimony of later migrants
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cover of Bearing the Bad News: Contemporary American Literature and Culture

Bearing the Bad News

Contemporary American Literature and Culture

Sanford Pinsker

University of Iowa Press, 1990

For a number of years Sanford Pinsker has been one of our most incisive and spirited observers of contemporary American literature. His books have been widely and enthusiastically reviewed and his essays have appeared regularly in such intellectual quarterlies as the Georgia Review, the Virginia Quarterly Review, and the Gettysburg Review.
Now Pinsker focuses on the current American world of letters in this volume of essays to explore what literary culture in America was and what it too often has become, the ways in which cultural politics shapes our sense of contemporary values, and how the resources of American humor and the work of our best writers can help us maintain our equilibrium in “what can only be described as a bad cultural patch.”
The eleven essays in this insightful volume take on such subjects as the decline and fall of "formative reading"; the difficulties of identifying themes that unify American literature; the cultural value of such humorists as Robert Benchley, Lenny Bruce, and Woody Allen; versions of cultural politics—from the rise of the neoconservatives to the steady course held by social critics such as Irving Howe; and the place of the college novel in American literature. Pinsker concludes with some sobering thoughts about the current state of American intellectuals.
Ultimately, Bearing the Bad News reaffirms certain principles that have come under powerful attack during the last few decades—for example, that literature is a human and humanistic enterprise, one which speaks both to individual moral value and to our larger cultural health. It reflects Pinsker's commitment to the clarity and significance of the literary essay and his belief that what we read, and what we say about what we read, matters deeply.
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cover of Beast

Beast

Benjamin B. Lindsey

University Press of Colorado, 2009

Judge Benjamin Barr Lindsey’s exposé of big business’s influence on Colorado and Denver politics, a best seller when it was originally published in 1911, is now back in print. The Beast reveals the plight of working-class Denver citizens—in particular those Denver youths who ended up in Lindsey’s court day after day. These encounters led him to create the juvenile court, one of the first courts in the country set up to deal specifically with young delinquents. In addition, Lindsey exposes the darker side of many well-known figures in Colorado history, including Mayor Robert W. Speer, Governor Henry Augustus Buchtel, Will Evans, and many others. When first published, The Beast was considered every bit the equal Upton Sinclair’s The Jungle and sold over 500,000 copies. More than just a fascinating slice of Denver history, this book—and Lindsey’s court— offered widespread social change in the United States.
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cover of Beautiful Bottom, Beautiful Shame: Where "Black" Meets "Queer"

Beautiful Bottom, Beautiful Shame

Where "Black" Meets "Queer"

Kathryn Bond Stockton

Duke University Press, 2006

Shame, Kathryn Bond Stockton argues in Beautiful Bottom, Beautiful Shame, has often been a meeting place for the signs “black” and “queer” and for black and queer people—overlapping groups who have been publicly marked as degraded and debased. But when and why have certain forms of shame been embraced by blacks and queers? How does debasement foster attractions? How is it used for aesthetic delight? What does it offer for projects of sorrow and ways of creative historical knowing? How and why is it central to camp?

Stockton engages the domains of African American studies, queer theory, psychoanalysis, film theory, photography, semiotics, and gender studies. She brings together thinkers rarely, if ever, read together in a single study—James Baldwin, Radclyffe Hall, Jean Genet, Toni Morrison, Robert Mapplethorpe, Eldridge Cleaver, Todd Haynes, Norman Mailer, Leslie Feinberg, David Fincher, and Quentin Tarantino—and reads them with and against major theorists, including Georges Bataille, Sigmund Freud, Eve Kosofsky Sedgwick, Jacques Lacan, Roland Barthes, and Leo Bersani. Stockton asserts that there is no clear, mirrored relation between the terms “black” and “queer”; rather, seemingly definitive associations attached to each are often taken up or crossed through by the other. Stockton explores dramatic switchpoints between these terms: the stigmatized “skin” of some queers’ clothes, the description of blacks as an “economic bottom,” the visual force of interracial homosexual rape, the complicated logic of so-called same-sex miscegenation, and the ways in which a famous depiction of slavery (namely, Morrison’s Beloved) seems bound up with depictions of AIDS. All of the thinkers Stockton considers scrutinize the social nature of shame as they examine the structures that make debasements possible, bearable, pleasurable, and creative, even in their darkness.

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cover of Beautiful Democracy: Aesthetics and Anarchy in a Global Era

Beautiful Democracy

Aesthetics and Anarchy in a Global Era

Russ Castronovo

University of Chicago Press, 2007

The photographer and reformer Jacob Riis once wrote, “I have seen an armful of daisies keep the peace of a block better than a policeman and his club.” Riis was not alone in his belief that beauty could tame urban chaos, but are aesthetic experiences always a social good? Could aesthetics also inspire violent crime, working-class unrest, and racial murder? To answer these questions, Russ Castronovo turns to those who debated claims that art could democratize culture—civic reformers, anarchists, novelists, civil rights activists, and college professors—to reveal that beauty provides unexpected occasions for radical, even revolutionary, political thinking.

Beautiful Democracy explores the intersection of beauty and violence by examining university lectures and course materials on aesthetics from a century ago along with riots, acts of domestic terrorism, magic lantern exhibitions, and other public spectacles. Philosophical aesthetics, realist novels, urban photography, and black periodicals, Castronovo argues, inspired and instigated all sorts of collective social endeavors, from the progressive nature of tenement reform to the horrors of lynching. Discussing Jane Addams, W.E.B. Du Bois, Charlie Chaplin, William Dean Howells, and Riis as aesthetic theorists in the company of Kant and Schiller, Beautiful Democracy ultimately suggests that the distance separating academic thinking and popular wisdom about social transformation is narrower than we generally suppose.
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cover of Beautiful Losers: Essays on the Failure of American Conservatism

Beautiful Losers

Essays on the Failure of American Conservatism

Samuel Francis

University of Missouri Press, 1994

The 1992 presidential election campaign showed just how deep were the divisions within the Republican party.  In Beautiful Losers, Samuel Francis argues that the victory of the Democratic party marks not only the end of the Reagan-Bush era, but the failure of the American conservatism.

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cover of Beautiful Terrible Ruins: Detroit and the Anxiety of Decline

Beautiful Terrible Ruins

Detroit and the Anxiety of Decline

Apel, Dora

Rutgers University Press, 2015

Once the manufacturing powerhouse of the nation, Detroit has become emblematic of failing cities everywhere—the paradigmatic city of ruins—and the epicenter of an explosive growth in images of urban decay. In Beautiful Terrible Ruins, art historian Dora Apel explores a wide array of these images, ranging from photography, advertising, and television, to documentaries, video games, and zombie and disaster films.  
 
Apel shows how Detroit has become pivotal to an expanding network of ruin imagery, imagery ultimately driven by a pervasive and growing cultural pessimism, a loss of faith in progress, and a deepening fear that worse times are coming. The images of Detroit’s decay speak to the overarching anxieties of our era: increasing poverty, declining wages and social services, inadequate health care, unemployment, homelessness, and ecological disaster—in short, the failure of capitalism. Apel reveals how, through the aesthetic distancing of representation, the haunted beauty and fascination of ruin imagery, embodied by Detroit’s abandoned downtown skyscrapers, empty urban spaces, decaying factories, and derelict neighborhoods help us to cope with our fears. But Apel warns that these images, while pleasurable, have little explanatory power, lulling us into seeing Detroit’s deterioration as either inevitable or the city’s own fault, and absolving the real agents of decline—corporate disinvestment and globalization. Beautiful Terrible Ruins helps us understand the ways that the pleasure and the horror of urban decay hold us in thrall. 
 
 
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cover of Beautiful War: Studies in a Dreadful Fascination

Beautiful War

Studies in a Dreadful Fascination

Philip D. Beidler

University of Alabama Press, 2016

A probing and holistic meditation on the key question: Why do we continue to make art, and thus beauty, out of war?

Beautiful War: Studies in a Dreadful Fascination
is a wide-ranging exploration of armed conflict as depicted in art that illustrates the constant presence of war in our everyday lives. Philip D. Beidler investigates the unending assimilation and pervasive presence of the idea of war in popular culture, the impulses behind the making of art out of war, and the unending and debatably aimless trajectories of war itself.
 
Beidler’s critical scope spans from Shakespeare’s plays, through the Victorian battle paintings of Lady Butler, into the post-World War I writings of F. Scott Fitzgerald and Virginia Woolf, and up to twenty-first-century films such as The Hurt Locker and Extremely Loud and Incredibly Close. As these works of art have become ubiquitous in contemporary culture, the many faces of war clearly spill over into our art and media, and Beidler argues that these portrayals in turn shift the perception of war from a savage truth to a concept.
 
Beautiful War argues that the representation of war in the arts has always been, and continues to be, an incredibly powerful force. Incorporating painting, music, photography, literature, and film, Beidler traces a disturbing but fundamental truth: that war has always provided an aesthetic inspiration while serving ends as various and complex as ideological or geopolitical history, public memory, and mass entertainment.

Beautiful War is a bold and vivid account of the role of war and military conflict as a subject of art that offers much of value to literary and cultural critics, historians, veterans, students of art history and communication studies, and those interested in expanding their understanding of art and media’s influence on contemporary values and memories of the past.
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cover of Beauty Shop Politics: African American Women's Activism in the Beauty Industry

Beauty Shop Politics

African American Women's Activism in the Beauty Industry

Tiffany M. Gill

University of Illinois Press, 2010

Looking through the lens of black business history, Beauty Shop Politics shows how black beauticians in the Jim Crow era parlayed their economic independence and access to a public community space into platforms for activism. Tiffany M. Gill argues that the beauty industry played a crucial role in the creation of the modern black female identity and that the seemingly frivolous space of a beauty salon actually has stimulated social, political, and economic change.

From the founding of the National Negro Business League in 1900 and onward, African Americans have embraced the entrepreneurial spirit by starting their own businesses, but black women's forays into the business world were overshadowed by those of black men. With a broad scope that encompasses the role of gossip in salons, ethnic beauty products, and the social meanings of African American hair textures, Gill shows how African American beauty entrepreneurs built and sustained a vibrant culture of activism in beauty salons and schools. Enhanced by lucid portrayals of black beauticians and drawing on archival research and oral histories, Beauty Shop Politics conveys the everyday operations and rich culture of black beauty salons as well as their role in building community.

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cover of Beauvoir and Her Sisters: The Politics of Women's Bodies in France

Beauvoir and Her Sisters

The Politics of Women's Bodies in France

Sandra Reineke

University of Illinois Press, 2011

Beauvoir and Her Sisters investigates how women's experiences, as represented in print culture, led to a political identity of an "imagined sisterhood" through which political activism developed and thrived in postwar France. Through the lens of women's political and popular writings, Sandra Reineke presents a unique interpretation of feminist and intellectual discourse on citizenship, identity, and reproductive rights.
 
Drawing on feminist writings by Simone de Beauvoir, feminist reviews from the women's liberation movement, and cultural reproductions from French women's fashion and beauty magazines, Reineke illustrates how print media created new spaces for political and social ideas. This sustained study extends from 1944, when women received the right to vote in France, to 1993, when the French government outlawed anti-abortion activities. Touching on the relationship between consumer culture and feminist practice, Reineke's analysis of a selection of women's writings underlines how these texts challenged traditional gender models and ideals.
 
In revealing that women collectively used texts to challenge the state to redress its abortion laws, Reineke renders the act of writing as a form of political action and highlights the act of reading as an essential but often overlooked space in which marginalized women could exercise dissent and create solidarity.
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cover of Becoming Belafonte: Black Artist, Public Radical

Becoming Belafonte

Black Artist, Public Radical

By Judith E. Smith

University of Texas Press, 2014

A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power.

In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study of this multitalented artist. She sets Belafonte’s compelling story within a history of American race relations, black theater and film history, McCarthy-era hysteria, and the challenges of introducing multifaceted black culture in a moment of expanding media possibilities and constrained political expression. Smith traces Belafonte’s roots in the radical politics of the 1940s, his careful negotiation of the complex challenges of the Cold War 1950s, and his full flowering as a civil rights advocate and internationally acclaimed performer in the 1960s. In Smith’s account, Belafonte emerges as a relentless activist, a questing intellectual, and a tireless organizer. From his first national successes as a singer of Calypso-inflected songs to the dedication he brought to producing challenging material on television and film regardless of its commercial potential, Belafonte stands as a singular figure in American cultural history—a performer who never shied away from the dangerous crossroads where art and politics meet.

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cover of Becoming Entitled: Relief, Unemployment, and Reform during the Great Depression

Becoming Entitled

Relief, Unemployment, and Reform during the Great Depression

Abigail Trollinger

Temple University Press, 2020

In the 1930s, the unemployed were organizing. Jobless workers felt they were “entitled" to a new kind of government protection—the protection from undeserved unemployment and the financial straits that such unemployment created. They wanted dignified forms of relief (including work relief) during the Depression, and unemployment insurance after.

Becoming Entitled artfully chronicles the emergence of this worker entitlement and the people who cultivated it. Abigail Trollinger focuses largely on Chicago after the Progressive Era, where the settlement house and labor movements both flourished. She shows how reformers joined workers and relief officials to redeem the unemployed and secure government-funded social insurance for them. Becoming Entitled also offers a critical reappraisal of New Deal social and economic changes, suggesting that the transformations of the 1930s came from reformers in the “middle,” who helped establish a limited form of entitlement for workers.

Ultimately, Trollinger highlights the achievements made by reformers working on city- and nation-wide issues. She captures the moment when some people shed the stigma that came with unemployment and demanded that the government do the same.

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cover of Becoming Israeli: National Ideals and Everyday Life in the 1950s

Becoming Israeli

National Ideals and Everyday Life in the 1950s

Anat Helman

Brandeis University Press, 2014

With a light touch and many wonderful illustrations, historian Anat Helman investigates "life on the ground" in Israel during the first years of statehood. She looks at how citizens--natives of the land, longtime immigrants, and newcomers--coped with the state's efforts to turn an incredibly diverse group of people into a homogenous whole. She investigates the efforts to make Hebrew the lingua franca of Israel, the uses of humor, and the effects of a constant military presence, along with such familiar aspects of daily life as communal dining on the kibbutz, the nightmare of trying to board a bus, and moviegoing as a form of escapism. In the process Helman shows how ordinary people adapted to the standards and rules of the political and cultural elites and negotiated the chaos of early statehood.
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cover of Becoming Julia de Burgos: The Making of a Puerto Rican Icon

Becoming Julia de Burgos

The Making of a Puerto Rican Icon

Vanessa Perez Rosario

University of Illinois Press, 2014

While it is rare for a poet to become a cultural icon, Julia de Burgos has evoked feelings of bonding and identification in Puerto Ricans and Latinos in the United States for over half a century.
 
In the first book-length study written in English, Vanessa Pérez-Rosario examines poet and political activist Julia de Burgos's development as a writer, her experience of migration, and her legacy in New York City, the poet's home after 1940. Pérez-Rosario situates Julia de Burgos as part of a transitional generation that helps to bridge the historical divide between Puerto Rican nationalist writers of the 1930s and the Nuyorican writers of the 1970s. Becoming Julia de Burgos departs from the prevailing emphasis on the poet and intellectual as a nationalist writer to focus on her contributions to New York Latino/a literary and visual culture. It moves beyond the standard tragedy-centered narratives of de Burgos's life to place her within a nuanced historical understanding of Puerto Rico's peoples and culture to consider more carefully the complex history of the island and the diaspora. Pérez-Rosario unravels the cultural and political dynamics at work when contemporary Latina/o writers and artists in New York revise, reinvent, and riff off of Julia de Burgos as they imagine new possibilities for themselves and their communities.
 
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cover of Becoming Laura Ingalls Wilder: The Woman behind the Legend

Becoming Laura Ingalls Wilder

The Woman behind the Legend

John E. Miller

University of Missouri Press, 2005

Although generations of readers of the Little House books are familiar with Laura Ingalls Wilder’s early life up through her first years of marriage to Almanzo Wilder, few know about her adult years. Going beyond previous studies, Becoming Laura Ingalls Wilder focuses upon Wilder’s years in Missouri from 1894 to 1957. Utilizing her unpublished autobiography, letters, newspaper stories, and other documentary evidence, John E. Miller fills the gaps in Wilder’s autobiographical novels and describes her sixty-three years of living in Mansfield, Missouri. As a result, the process of personal development that culminated in Wilder’s writing of the novels that secured her reputation as one of America’s most popular children’s authors becomes evident.
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cover of Becoming Lesbian: A Queer History of Modern France

Becoming Lesbian

A Queer History of Modern France

Tamara Chaplin

University of Chicago Press, 2024

A landmark analysis of how a marginalized subculture used modern media to transform public attitudes toward sexual desire.
 
In Becoming Lesbian, historian Tamara Chaplin argues that the history of female same-sex intimacy is central to understanding the struggle to control the public sphere. This monumental study draws on undiscovered sources culled from cabaret culture, sexology, police files, radio, TV, photography, the Minitel (an early form of internet), and private letters, as well as over one hundred interviews filmed by the author. Becoming Lesbian demonstrates how women of diverse classes and races came to define themselves as lesbian and used public spaces and public media to exert claims on the world around them in ways that made possible new forms of gendered and sexual citizenship. Chaplin begins in the sapphic cabarets of interwar Paris. These venues, she shows, exploited female same-sex desire for profit while simultaneously launching an incipient queer female counterpublic. Refuting claims that World War II destroyed this female world, Chaplin reveals instead how prewar sapphic subcultures flourished in the postwar period, laying crucial groundwork for the politicization of lesbian identity into the twenty-first century.
 
Becoming Lesbian is filled with colorful vignettes about female cabaret owners, singers, TV personalities, writers, and activists, all brought to life to make larger points about rights, belonging, and citizenship. As a history of lesbianism, this book represents a major contribution to modern French history, queer studies, and genealogies of the media and its publics.
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cover of Becoming Philadelphia: How an Old American City Made Itself New Again

Becoming Philadelphia

How an Old American City Made Itself New Again

Inga Saffron

Rutgers University Press, 2020

Once dismissed as a rusting industrial has-been—the “Next Detroit”—Philadelphia has enjoyed an astonishing comeback in the 21st century. Over the past two decades, Inga Saffron has served as the premier chronicler of the city’s physical transformation as it emerged from a half century of decline. Through her Pulitzer Prize-winning columns on architecture and urbanism in the Philadelphia Inquirer, she has tracked the city’s revival on a weekly basis.

Becoming Philadelphia collects the best of Saffron’s work, plus a new introduction reflecting on the stunning changes the city has undergone. A fearless crusader who is also a seasoned reporter, Saffron ranges beyond the usual boundaries of architectural criticism to explore how big money and politics intersect with design, profoundly shaping our everyday experience of city life. Even as she celebrates Philadelphia’s resurgence, she considers how it finds itself grappling with the problems of success: gentrification, poverty, privatization, and the unequal distribution of public services.

What emerges in these 80 pieces is a remarkable narrative of a remarkable time. The proverbial first draft of history, these columns tell the story of how a great city shape-shifted before our very eyes.
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cover of Becoming Pynchon: Genetic Narratology and V.

Becoming Pynchon

Genetic Narratology and V.

Luc Herman and John M. Krafft

The Ohio State University Press, 2023

The 1963 publication of Thomas Pynchon’s V. changed the landscape of American fiction. Becoming Pynchon: Genetic Narratology and V. offers a detailed examination of the dramatic transformations that took place as Pynchon’s foundational novel went from typescript to published work. Luc Herman and John M. Krafft develop and deploy a rich theory of genetic narratology to examine the performance of genre in the novel. Pushing back against the current dominance of cognitive narratology, they discuss focalization, character construction, and evocation of consciousness as clues to Pynchon’s developing narratology of historical fiction. Their theoretical interventions offer an important and timely corrective to the field of narratology with a method that brings the author back into the analytical frame. 

Herman and Krafft use as their guide the typescript of V. that surfaced in 2001, when it was acquired by the Harry Ransom Humanities Research Center, as well as Pynchon’s editorial correspondence with Corlies Smith, his first editor at J. B. Lippincott. Becoming Pynchon assembles a comprehensive and unequaled picture of Pynchon’s writing process that will appeal both to Pynchonians and to postmodernism scholars more broadly. 

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cover of Becoming Ray Bradbury

Becoming Ray Bradbury

Jonathan R. Eller

University of Illinois Press, 2013

Becoming Ray Bradbury chronicles the making of an iconic American writer by exploring Ray Bradbury's childhood and early years of his long life in fiction, film, television, radio, and theater. Jonathan R. Eller measures the impact of the authors, artists, illustrators, and filmmakers who stimulated Bradbury's imagination throughout his first three decades. Unprecedented access to Bradbury's personal papers and other private collections provides insight into his emerging talent through his unpublished correspondence, his rare but often insightful notes on writing, and his interactions with those who mentored him during those early years.

Beginning with his childhood in Waukegan, Illinois, and Los Angeles, this biography follows Bradbury's development from avid reader to maturing author, making a living writing for the genre pulps and mainstream magazines. Eller illuminates the sources of Bradbury's growing interest in the human mind, the human condition, and the ambiguities of life and death--themes that became increasingly apparent in his early fiction. Bradbury's correspondence documents his frustrating encounters with the major trade publishing houses and his earliest unpublished reflections on the nature of authorship. Eller traces the sources of Bradbury's very conscious decisions, following the sudden success of The Martian Chronicles and The Illustrated Man, to voice controversial political statements in his fiction. Eller also elucidates the complex creative motivations that yielded Fahrenheit 451.

Becoming Ray Bradbury reveals Bradbury's emotional world as it matured through his explorations of cinema and art, his interactions with agents and editors, his reading discoveries, and the invaluable reading suggestions of older writers. These largely unexplored elements of his life pave the way to a deeper understanding of his more public achievements, providing a biography of the mind, the story of Bradbury's self-education and the emerging sense of authorship at the heart of his boundless creativity.

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cover of Becoming Refugee American: The Politics of Rescue in Little Saigon

Becoming Refugee American

The Politics of Rescue in Little Saigon

Phuong Nguyen

University of Illinois Press, 2017

Vietnamese refugees fleeing the fall of South Vietnam faced a paradox. The same guilt-ridden America that only reluctantly accepted them expected, and rewarded, expressions of gratitude for their rescue. Meanwhile, their status as refugees—as opposed to willing immigrants—profoundly influenced their cultural identity.

Phuong Tran Nguyen examines the phenomenon of refugee nationalism among Vietnamese Americans in Southern California. Here, the residents of Little Saigon keep alive nostalgia for the old regime and, by extension, their claim to a lost statehood. Their refugee nationalism is less a refusal to assimilate than a mode of becoming, in essence, a distinct group of refugee Americans. Nguyen examines the factors that encouraged them to adopt this identity. His analysis also moves beyond the familiar rescue narrative to chart the intimate yet contentious relationship these Vietnamese Americans have with their adopted homeland. Nguyen sets their plight within the context of the Cold War, an era when Americans sought to atone for broken promises but also saw themselves as providing a sanctuary for people everywhere fleeing communism.

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cover of Becoming Reinaldo Arenas: Family, Sexuality, and The Cuban Revolution

Becoming Reinaldo Arenas

Family, Sexuality, and The Cuban Revolution

Jorge Olivares

Duke University Press, 2013

Becoming Reinaldo Arenas explores the life and work of the Cuban writer Reinaldo Arenas (1943–1990), who emerged on the Latin American cultural scene in the 1960s and quickly achieved literary fame. Yet as a political dissident and an openly gay man, Arenas also experienced discrimination and persecution; he produced much of his work amid political controversy and precarious living conditions. In 1980, having survived ostracism and incarceration in Cuba, he arrived in the United States during the Mariel boatlift. Ten years later, after struggling with poverty and AIDS in New York, Arenas committed suicide.

Through insightful close readings of a selection of Arenas's works, including unpublished manuscripts and correspondence, Olivares examines the writer's personal, political, and artistic trajectory, focusing on his portrayals of family, sexuality, exile, and nostalgia. He documents Arenas's critical engagement with cultural and political developments in revolutionary Cuba and investigates the ways in which Arenas challenged literary and national norms. Olivares's analysis shows how Arenas drew on his life experiences to offer revealing perspectives on the Cuban Revolution, the struggles of Cuban exiles, and the politics of sexuality.


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cover of Becoming Rwandan: Education, Reconciliation, and the Making of a Post-Genocide Citizen

Becoming Rwandan

Education, Reconciliation, and the Making of a Post-Genocide Citizen

S. Garnett Russell

Rutgers University Press, 2020

In the aftermath of the genocide, the Rwandan government has attempted to use the education system in order to sustain peace and shape a new generation of Rwandans. Their hope is to create a generation focused on a unified and patriotic future rather than the ethnically divisive past. Yet, the government’s efforts to manipulate global models around citizenship, human rights, and reconciliation to serve its national goals have had mixed results, with new tensions emerging across social groups. Becoming Rwandan argues that although the Rwandan government utilizes global discourses in national policy documents, the way in which teachers and students engage with these global models distorts the intention of the government, resulting in unintended consequences and undermining a sustainable peace.
[more]
cover of Becoming a Nazi Town: Culture and Politics in Göttingen between the World Wars

Becoming a Nazi Town

Culture and Politics in Göttingen between the World Wars

David Imhoof

University of Michigan Press, 2013

Becoming a Nazi Townreveals the ways in which ordinary Germans changed their cultural lives and their politics from the mid-1920s to the mid-1930s. Casting the origins of Nazism in a new light, David Imhoof charts the process by which Weimar and Nazi culture flowed into each other. He analyzes this dramatic transition by looking closely at three examples of everyday cultural life in the mid-sized German city of Göttingen: sharpshooting, an opera festival, and cinema.

Imhoof draws on individual and community experiences over a series of interwar periods to highlight and connect shifts in culture, politics, and everyday life. He demonstrates how Nazi leaders crafted cultural policies based in part on homegrown cultural practices of the 1920s and argues that overdrawn distinctions between “Weimar” and “Nazi” culture did not always conform to most Germans’ daily lives. Further, Imhoof presents experiences in Göttingen as a reflection of the common reality of many German towns beyond the capital city of Berlin.

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cover of Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell

Becoming a Poet

Elizabeth Bishop with Marianne Moore and Robert Lowell

David Kalstone

University of Michigan Press, 2001

Becoming a Poet traces the evolution of Elizabeth Bishop's poetic career through her friendships with other poets, notably Marianne Moore and Robert Lowell. Published in 1989 following critic David Kalstone's death, with the help of a number of his friends and colleagues, it was greeted with uniformly enthusiastic praise. Hailed at that time as "one of the most sensitive appreciations of Elizabeth Bishop's genius ever composed" and "a first-rate piece of criticism" and "a masterpiece of understanding about friendship and about poetry," it has been largely unavailable in recent years.
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cover of Becoming the Tupamaros: Solidarity and Transnational Revolutionaries in Uruguay and the United States

Becoming the Tupamaros

Solidarity and Transnational Revolutionaries in Uruguay and the United States

Lindsey Churchill

Vanderbilt University Press, 2013

In Becoming the Tupamaros, Lindsey Churchill explores an alternative narrative of US-Latin American relations by challenging long-held assumptions about the nature of revolutionary movements like the Uruguayan Tupamaros group. A violent and innovative organization, the Tupamaros demonstrated that Latin American guerrilla groups during the Cold War did more than take sides in a battle of Soviet and US ideologies. Rather, they digested information and techniques without discrimination, creating a homegrown and unique form of revolution.


Churchill examines the relationship between state repression and revolutionary resistance, the transnational connections between the Uruguayan Tupamaro revolutionaries and leftist groups in the US, and issues of gender and sexuality within these movements. Angela Davis and Eldridge Cleaver, for example, became symbols of resistance in both the United States and Uruguay. and while much of the Uruguayan left and many other revolutionary groups in Latin America focused on motherhood as inspiring women's politics, the Tupamaros disdained traditional constructions of femininity for female combatants. Ultimately, Becoming the Tupamaros revises our understanding of what makes a Movement truly revolutionary.

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cover of Beer and Revolution: The German Anarchist Movement in New York City, 1880-1914

Beer and Revolution

The German Anarchist Movement in New York City, 1880-1914

Tom Goyens

University of Illinois Press, 2007

Understanding an infamous political movement's grounding in festivity and defiance

Beer and Revolution examines the rollicking life and times of German immigrant anarchists in New York City from 1880 to 1914. Offering a new approach to an often misunderstood political movement, Tom Goyens puts a human face on anarchism and reveals a dedication less to bombs than to beer halls and saloons where political meetings, public lectures, discussion circles, fundraising events, and theater groups were held.

Goyens brings to life the fascinating relationship between social space and politics by examining how the intersection of political ideals, entertainment, and social activism embodied anarchism not as an abstract idea, but as a chosen lifestyle for thousands of women and men. He shows how anarchist social gatherings were themselves events of defiance and resistance that aimed at establishing anarchism as an alternative lifestyle through the combination of German working-class conviviality and a dedication to the principle that coercive authority was not only unnecessary, but actually damaging to full and free human development as well. Goyens also explores the broader circumstances in both the United States and Germany that served as catalysts for the emergence of anarchism in urban America and how anarchist activism was hampered by police surveillance, ethnic insularity, and a widening gulf between the anarchists' message and the majority of American workers.

[more]
cover of Before Before: A Story of Discovery and Loss in Sierra Leone

Before Before

A Story of Discovery and Loss in Sierra Leone

Betsy Small

University of Michigan Press, 2025

2025 Foreword INDIES Finalist for Political and Social Sciences

  • 2026 Nautilus Silver Book Award in World Cultures' Transformational Growth & Development

Sierra Leone is often sensationalized as a place of extreme violence and suffering—of blood diamonds, child soldiers, war amputations, and Ebola and now the highly addictive drug Kush. Before Before captures daily life in a different country, one Betsy Small first encountered as a Peace Corps worker between 1984–1987, and then rediscovered when she returned decades later with her daughter. Living in Tokpombu, a remote community of forty rice-farming families, the author faced struggles that changed her forever and witnessed the growing tensions in this rainforest village—between the young and old, between the traditions of oral history and honoring the ancestors valued by the elders and the siren call of the illicit diamond mines faced by the youth. 
 
Before Before offers a rare portrait of everyday people, with particular focus on the lives of women and girls, before the brutal war of 1991 tore the country apart. Through Small’s account of immersion in another world as she witnessed injustice and was welcomed as a friend, readers are invited to explore the shared ground of our humanity.

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cover of Before Brown: Civil Rights and White Backlash in the Modern South

Before Brown

Civil Rights and White Backlash in the Modern South

Glenn Feldman

University of Alabama Press, 2004

Details the ferment in civil rights that took place across the South before the momentous Brown vs. Board of Education decision in 1954

This collection refutes the notion that the movement began with the Supreme Court decision, and suggests, rather, that the movement originated in the 1930s and earlier, spurred by the Great Depression and, later, World War II—events that would radically shape the course of politics in the South and the nation into the next century.

This work explores the growth of the movement through its various manifestations—the activities of politicians, civil rights leaders, religious figures, labor unionists, and grass-roots activists—throughout the 1940s and 1950s. It discusses the critical leadership roles played by women and offers a new perspective on the relationship between the NAACP and the Communist Party.

Before Brown shows clearly that, as the drive toward racial equality advanced and national political attitudes shifted, the validity of white supremacy came increasingly into question. Institutionalized racism in the South had always offered white citizens material advantages by preserving their economic superiority and making them feel part of a privileged class. When these rewards were threatened by the civil rights movement, a white backlash occurred.

[more]
cover of Before Brown: Heman Marion Sweatt, Thurgood Marshall, and the Long Road to Justice

Before Brown

Heman Marion Sweatt, Thurgood Marshall, and the Long Road to Justice

By Gary M. Lavergne

University of Texas Press, 2010

Winner, Coral Horton Tullis Memorial Prize for Best Book on Texas History, Texas State Historical Association, 2010
Carr P. Collins Award, Texas Institute of Letters, 2011

On February 26, 1946, an African American from Houston applied for admission to the University of Texas School of Law. Although he met all of the school's academic qualifications, Heman Marion Sweatt was denied admission because he was black. He challenged the university's decision in court, and the resulting case, Sweatt v. Painter, went to the U.S. Supreme Court, which ruled in Sweatt's favor. The Sweatt case paved the way for the landmark Brown v. Board of Education of Topeka rulings that finally opened the doors to higher education for all African Americans and desegregated public education in the United States.

In this engrossing, well-researched book, Gary M. Lavergne tells the fascinating story of Heman Sweatt's struggle for justice and how it became a milestone for the civil rights movement. He reveals that Sweatt was a central player in a master plan conceived by the National Association for the Advancement of Colored People (NAACP) for ending racial segregation in the United States. Lavergne masterfully describes how the NAACP used the Sweatt case to practically invalidate the "separate but equal" doctrine that had undergirded segregated education for decades. He also shows how the Sweatt case advanced the career of Thurgood Marshall, whose advocacy of Sweatt taught him valuable lessons that he used to win the Brown v. Board of Education case in 1954 and ultimately led to his becoming the first black Associate Justice of the Supreme Court.

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cover of Before Crips: Fussin', Cussin', and Discussin' among South Los Angeles Juvenile Gangs

Before Crips

Fussin', Cussin', and Discussin' among South Los Angeles Juvenile Gangs

John C. Quicker and Akil S. Batani-Khalfani

Temple University Press, 2022

This groundbreaking book opens the door on the missing record of South Los Angeles juvenile gangs. It is the result of the unique friendship that developed between John Quicker and Akil Batani-Khalfani, aka Bird, who collaborated to show how structural marginality transformed hang-out street groups of non-White juveniles into gangs, paving the way for the rise of the infamous Crips and Bloods. Before Crips uses a macro historical analysis to sort through political and economic factors to explain the nature of gang creation.

The authors mine a critical archive, using direct interviews with original gang members as well as theory and literature reviews, to contextualize gang life and gang formation. They discuss (and fuss and cuss about) topics ranging from the criminal economy and conceptions of masculinity to racial and gendered politics and views of violence. Their insider/outsider approach not only illuminates gang values and organization, but what they did and why, and how they grew in a backdrop of inequality and police brutality that came to a head with the 1965 Watts Rebellion.

Providing an essential understanding of early South Los Angeles gang life, Before Crips explains what has remained constant, what has changed, and the roots of the violence that continues.

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cover of Before Cultures: The Ethnographic Imagination in American Literature, 1865-1920

Before Cultures

The Ethnographic Imagination in American Literature, 1865-1920

Brad Evans

University of Chicago Press, 2005

The term culture in its anthropological sense did not enter the American lexicon with force until after 1910—more than a century after Herder began to use it in Germany and another thirty years after E. B. Tylor and Franz Boas made it the object of anthropological attention. Before Cultures explores this delay in the development of the culture concept and its relation to the description of difference in late nineteenth-century America.

In this work, Brad Evans weaves together the histories of American literature and anthropology. His study brings alive not only the regionalist and ethnographic fiction of the time but also revives a range of neglected materials, including the Zuni sketchbooks of anthropologist Frank Hamilton Cushing; popular magazines such as Century Illustrated Monthly, which published Cushing's articles alongside Henry James's; the debate between Joel Chandler Harris, author/collector of the Uncle Remus folktales, and John Wesley Powell, perhaps the most important American anthropologist of the time; and Du Bois's polemics against the culture concept as it was being developed in the early twentieth century.
Written with clarity and grace, Before Cultures will be of value to students of American literature, history, and anthropology alike.
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cover of Before March Madness: The Wars for the Soul of College Basketball

Before March Madness

The Wars for the Soul of College Basketball

Kurt Edward Kemper

University of Illinois Press, 2020

Big money NCAA basketball had its origins in a many-sided conflict of visions and agendas. On one side stood large schools focused on a commercialized game that privileged wins and profits. Opposing them was a tenuous alliance of liberal arts colleges, historically black colleges, and regional state universities, and the competing interests of the NAIA, each with distinct interests of their own.

Kurt Edward Kemper tells the dramatic story of the clashes that shook college basketball at mid-century—and how the repercussions continue to influence college sports to the present day. Taking readers inside the competing factions, he details why historically black colleges and regional schools came to embrace commercialization. As he shows, the NCAA's strategy of co-opting its opponents gave each group just enough just enough to play along—while the victory of the big-time athletics model handed the organization the power to seize control of college sports.

An innovative history of an overlooked era, Before March Madness looks at how promises, power, and money laid the groundwork for an American sports institution.

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cover of Before Porn Was Legal: The Erotica Empire of Beate Uhse

Before Porn Was Legal

The Erotica Empire of Beate Uhse

Elizabeth Heineman

University of Chicago Press, 2011

Struggling to survive in post­–World War II Germany, Beate Uhse (1919–2001)—a former Luftwaffe pilot, war widow, and young mother—turned to selling goods on the black market. A self-penned guide to the rhythm method found eager buyers and started Uhse on her path to becoming the world’s largest erotica entrepreneur. Battling restrictive legislation, powerful churches, and conservative social mores, she built a mail-order business in the 1950s that sold condoms, sex aids, self-help books, and more. The following decades brought the world’s first erotica shop, the legalization of pornography, the expansion of her business into eastern Germany, and web-based commerce.

Uhse was only one of many erotica entrepreneurs who played a role in the social and sexual revolution accompanying Germany’s transition from Nazism to liberal democracy. Tracing the activities of entrepreneurs, customers, government officials, and citizen-activists, Before Porn Was Legal brings to light the profound social, legal, and cultural changes that attended the growth of the erotica sector. Heineman’s innovative readings of governmental and industry records, oral histories, and the erotica industry’s products uncover the roots of today’s sexual marketplace and reveal the indelible ways in which sexual expression and consumption have become intertwined.

[more]
cover of Before They Could Vote: American Women's Autobiographical Writing, 1819–1919

Before They Could Vote

American Women's Autobiographical Writing, 1819–1919

Edited by Sidonie A. Smith and Julia Watson

University of Wisconsin Press, 2006

The life narratives in this collection are by ethnically diverse women of energy and ambition—some well known, some forgotten over generations—who confronted barriers of gender, class, race, and sexual difference as they pursued or adapted to adventurous new lives in a rapidly changing America. The engaging selections—from captivity narratives to letters, manifestos, criminal confessions, and childhood sketches—span a hundred years in which women increasingly asserted themselves publicly. Some rose to positions of prominence as writers, activists, and artists; some sought education or wrote to support themselves and their families; some transgressed social norms in search of new possibilities. Each woman's story is strikingly individual, yet the brief narratives in this anthology collectively chart bold new visions of women's agency.

"This rich new anthology sets in motion an inter-textual conversation of remarkable vitality that will change the ways we understand gender, class, ethnicity, culture, and nation in nineteenth-century America."—Susanna Egan, author of Mirror-Talk

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cover of Before the Storm: A Year in the Pribilof Islands, 1941-1942

Before the Storm

A Year in the Pribilof Islands, 1941-1942

Fredericka Martin

University of Alaska Press, 2010

From June of 1941 through the following summer, Fredericka Martin lived with her husband, Dr. Samuel Berenberg, on remote St. Paul Island in Alaska. During that time, Martin delved into the complex history of the Unangan people, and Before the Storm draws from her personal accounts of that year and her research to present a fascinating portrait of a time and a people facing radical change. A government-ordered evacuation of all Aleuts from the island in the face of World War II, which Martin recounts in her journal, proved but the first step in a long struggle by native peoples to gain independence, and, as editor Raymond L. Hudson explains, Martin came to play a significant role in the effort.

[more]
cover of Begin Where You Are: The Colorado Poets Laureate Anthology

Begin Where You Are

The Colorado Poets Laureate Anthology

Turner Wyatt

University Press of Colorado, 2025

Begin Where You Are: The Colorado Poets Laureate Anthology is a book of firsts. It is the first ever US state poet laureate anthology. It is the first poetry collection featuring all ten Colorado poets laureate (the second oldest state poet laureateship, established in 1919). And it is the first place readers can discover unpublished poems by Andrea Gibson—bestselling author and one of the most influential spoken word artists of our generation.
This book contains celebrated works from Thomas Hornsby Ferril and others, alongside never-before-published pieces from Bobby LeFebre, Joseph Hutchison, David Mason, and Mary Crow. Contemporary poets offer perspectives on how serving as Colorado poet laureate shaped their writing and worlds.
Spearheaded by award-winning social entrepreneur Turner Wyatt, this book is a movement with a mission: A portion of the proceeds will fund poetry programming in underserved Colorado schools, libraries, and rural areas, making each purchase an investment in expanding access to this essential art form.

Featured poets: Andrea Gibson, Bobby LeFebre, Joseph Hutchison, David Mason, Mary Crow, Thomas Hornsby Ferril, Milford E. Shields, Margaret Clyde Robertson, Nellie Burget Miller, Alice Polk Hill
 
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cover of Beginner's Luck: Dispatches from the Klamath Mountains

Beginner's Luck

Dispatches from the Klamath Mountains

Malcolm Terence

Oregon State University Press, 2018

In the late 1960s, Malcolm Terence left his job as a reporter for the Los Angeles Times to look for adventure and may have found more than he bargained for. The era had triggered unprecedented social and political changes in America, tectonic shifts that challenged war and the social order that oppressed people along lines of class, gender, and race. One branch was a back-to-the-land movement, and Terence, who had just traveled for a year managing a rock band, strayed into Black Bear Ranch, a commune just starting in a remote corner of the Klamath Mountains near the California-Oregon border.

Black Bear Ranch still exists, but many of its early residents eventually returned to urban civilization. A few, Terence among them, stayed on in neighboring river towns. Some tried logging, others gold mining, and some tried growing marijuana, all with mixed success. The local mining and timber communities had a checkered opinion of their new hippie neighbors, as did the Native tribes, but it was the kind of place where people helped each other out, even if they didn’t always agree.

When wildfires grew large, Terence and other veterans of the commune joined the fire crews run by the US Forest Service. In between, the Black Bear expats built homesteads, planted gardens, delivered babies, and raised their children. They gradually overcame the skepticism of the locals and joined them in political battles against the use of herbicides in the forest and the Forest Service’s campaign to close all the mining claims. As in the best of organizing efforts, the organizers learned as much as they led.

Beginner’s Luck will appeal to anyone who experienced life on a commune in the 1960s–1970s or who wants to learn about this chapter in modern American history. Terence offers insight into environmental activism and the long history of conflict between resource exploitation and Native American rights without lecturing or pontificating. With wit, humor, and humility, his anecdotal essays chronicle a time and place where disparate people came together to form an unlikely community.

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cover of Beginning the Quest: Law and Politics in the Early Work of Eric Voegelin

Beginning the Quest

Law and Politics in the Early Work of Eric Voegelin

Barry Cooper

University of Missouri Press, 2009

Beginning the Quest by Barry Cooper provides an analysis of the legal and political writings of Eric Voegelin during the 1920s and 1930s. The subject matter of his analyses during this time period was quite distinct from the focus of his concerns thirty years later.

It has often been noted that Voegelin was a pupil of Hans Kelsen, the author of the postwar Austrian constitution and one of the great legal minds of the twentieth century. The significance of the fact that Voegelin began his academic life as a legal scholar has not, however, been emphasized, though his background provides a strong contrast with that of his contemporaries Leo Strauss and Hannah Arendt.

Beginning the Quest opens with Voegelin’s efforts, following the trauma of defeat in World War I, at understanding the relation of law and the study of law (Staatslehre) to what he then called “sociohistorical reality.” Much of this writing consisted of methodological analysis and criticism centered chiefly on the status of neo-Kantian philosophy as the basis for what we now call the social sciences. Voegelin wished to push the scientific understanding of sociohistorical reality beyond the scope afforded by German social science.

Cooper discusses Voegelin’s first systematic effort to bring together the principles of philosophical anthropology (including philosophy of history) with his understanding of comparative social science and a theory of law more comprehensive than Kelsen’s. In developing his argument, Voegelin discovered the centrality of what he called “political ideas.”

Cooper also deals with Voegelin’s The Authoritarian State (1936), which argues that Austria was more an administrative unit than a body politic. It was, to say the least, a startling analysis, but one that reappeared in later writings as well, especially in The New Science of Politics.

As a final point, Cooper deals with the concept of “political religions” that Voegelin developed in the 1938 book of that name. Just as the Austrians were groping toward the formation of a body politic, so too were the Germans. Instead of the authoritarian state being the form that the German “political people” attained, it was, as Voegelin showed in his race books, quite different. Voegelin developed the term political religion to describe the animating core of the National Socialist regime. The formation of this concept reveals that Voegelin had moved from a focus on the legal structure of a polity to its spiritual order—in the example of Nazi Germany, an unquestionably “Satanic” order.

Cooper concludes that just as the great crisis of Voegelin’s youth—World War I and its aftermath—led him to question the received premises of the Staatslehre tradition in which he was schooled, so did the crisis resulting in World War II lead him to develop ever-more-comprehensive accounts of the disorder and political convulsions of the day. The “quest” of the title of this study continued until Voegelin’s death.
[more]
cover of Beginning to See the Light: Sex, Hope, and Rock-and-Roll

Beginning to See the Light

Sex, Hope, and Rock-and-Roll

Ellen Willis

University of Minnesota Press, 2012

From the New Yorker’s inimitable first pop music critic comes this pioneering collection of essays by a conscientious writer whose political realm is both radical and rational, and whose prime preoccupations are with rock ’n’ roll, sexuality, and above all, freedom. Here Ellen Willis assuredly captures the thrill of music, the disdain of authoritarian culture, and the rebellious spirit of the ’60s and ’70s.

[more]
cover of Behind Closed Doors: IRBs and the Making of Ethical Research

Behind Closed Doors

IRBs and the Making of Ethical Research

Laura Stark

University of Chicago Press, 2011

Although the subject of federally mandated Institutional Review Boards (IRBs) has been extensively debated, we actually do not know much about what takes place when they convene. The story of how IRBs work today is a story about their past as well as their present, and Behind Closed Doors is the first book to meld firsthand observations of IRB meetings with the history of how rules for the treatment of human subjects were formalized in the United States in the decades after World War II.
 
Drawing on extensive archival sources, Laura Stark reconstructs the daily lives of scientists, lawyers, administrators, and research subjects working—and “warring”—on the campus of the National Institutes of Health, where they first wrote the rules for the treatment of human subjects. Stark argues that the model of group deliberation that gradually crystallized during this period reflected contemporary legal and medical conceptions of what it meant to be human, what political rights human subjects deserved, and which stakeholders were best suited to decide. She then explains how the historical contingencies that shaped rules for the treatment of human subjects in the postwar era guide decision making today—within hospitals, universities, health departments, and other institutions in the United States and across the globe. Meticulously researched and gracefully argued, Behind Closed Doors will be essential reading for sociologists and historians of science and medicine, as well as policy makers and IRB administrators.
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cover of Behind the Angel of History: The "Angelus Novus" and Its Interleaf

Behind the Angel of History

The "Angelus Novus" and Its Interleaf

Annie Bourneuf

University of Chicago Press, 2022

The story of artist R. H. Quaytman’s discovery of an engraving hidden behind a famous artwork by Paul Klee.
 
This book begins with artist R. H. Quaytman uncovering something startling about a picture by Paul Klee. Pasted beneath Klee’s 1920 Angelus Novus—famous for its role in the writings of its first owner, Walter Benjamin—Quaytman found that Klee had interleaved a nineteenth-century engraving of Martin Luther, leaving just enough visible to provoke questions.
 
Behind the Angel of History reveals why this hidden face matters, delving into the intertwined artistic, political, and theological issues consuming Germany in the wake of the Great War. With the Angelus Novus, Klee responded to a growing call for a new religious art. For Benjamin, Klee’s Angelus became bound up with the prospect of meaningful dialogue among religions in Germany.
 
Reflecting on Klee’s, Benjamin’s, and Quaytman’s strategies of superimposing conflicting images, Annie Bourneuf reveals new dimensions of complexity in this iconic work and the writing it inspired.
 
[more]
cover of Behind the Bamboo Hedge: The Impact of the Homeland Politics in the Parisian Vietnamese Community

Behind the Bamboo Hedge

The Impact of the Homeland Politics in the Parisian Vietnamese Community

Gisele L. Bousquet

University of Michigan Press, 1991

Studies the critical role homeland politics plays in Vietnamese immigrants' assimilation into the host society
[more]
cover of Behind the Gas Mask: The U.S. Chemical Warfare Service in War and Peace

Behind the Gas Mask

The U.S. Chemical Warfare Service in War and Peace

Thomas Faith

University of Illinois Press, 2014

In Behind the Gas Mask, Thomas Faith offers an institutional history of the Chemical Warfare Service, the department tasked with improving the Army's ability to use and defend against chemical weapons during and after World War One. Taking the CWS's story from the trenches to peacetime, he explores how the CWS's work on chemical warfare continued through the 1920s despite deep opposition to the weapons in both military and civilian circles.
 
As Faith shows, the believers in chemical weapons staffing the CWS allied with supporters in the military, government, and private industry to lobby to add chemical warfare to the country's permanent arsenal. Their argument: poison gas represented an advanced and even humane tool in modern war, while its applications for pest control and crowd control made a chemical capacity relevant in peacetime. But conflict with those aligned against chemical warfare forced the CWS to fight for its institutional life--and ultimately led to the U.S. military's rejection of battlefield chemical weapons.
[more]
cover of Behind the Lines: War Resistance Poetry on the American Home Front since 1941

Behind the Lines

War Resistance Poetry on the American Home Front since 1941

Philip Metres

University of Iowa Press, 2007

Whether Thersites in Homer’s Iliad, Wilfred Owen in “Dulce et Decorum Est,” or Allen Ginsberg in “Wichita Vortex Sutra,” poets have long given solitary voice against the brutality of war. The hasty cancellation of the 2003 White House symposium “Poetry and the American Voice” in the face of protests by Sam Hamill and other invited guests against the coming “shock and awe” campaign in Iraq reminded us that poetry and poets still have the power to challenge the powerful.
    Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war and how it can be represented. As such, he explores a largely neglected area of scholarship: the poet’s relationship to dissenting political movements and the nation.
    In his elegant study, Metres examines the ways in which war resistance is registered not only in terms of its content but also at the level of the lyric. He proposes that protest poetry constitutes a subgenre that—by virtue of its preoccupation with politics, history, and trauma—probes the limits of American lyric poetry. Thus, war resistance poetry—and the role of what Shelley calls unacknowledged legislators—is a crucial, though largely unexamined, body of writing that stands at the center of dissident political movements.
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