Results by title

An illustrated edition of Billy Budd featuring woodcuts by celebrated artist Barry Moser.
 
This edition of Billy Budd, Sailor presents Herman Melville’s iconic tale of the high seas alongside illustrations by renowned artist, publisher, and printmaker Barry Moser.
 
Throughout his fifty-year career, Moser has illustrated more than three hundred books ranging from novels to children’s stories to the Bible. Through his Pennyroyal Press, Moser designs and prints fine-press, illustrated, and occasionally oversized books in very limited editions, which are beloved by collectors and bibliophiles. To coincide with the centenary of the novella’s posthumous publication, Moser created sixteen original woodcuts illustrating the scenes and characters of Billy Budd, Sailor, and this trade edition now makes these exquisite illustrations accessible to a wide audience.

This illustrated edition adapts the text of the critical edition of the novella prepared for the Melville Electronic Library by John Bryant, Wyn Kelley, and Christopher Ohge.

"I love the native race with a tender love, and so I have observed its customs closely, enchanted by their simplicity, and, as well, the abjection into which this race is plunged by small-town despots, who, while their names may change, never fail to live up to the epithet of tyrants. They are no other than, in general, the priests, governors, caciques, and mayors." So wrote Clorinda Matto de Turner in Aves sin nido, the first major Spanish American novel to protest the plight of native peoples.

First published in 1889, Birds without a Nest drew fiery protests for its unsparing expose of small town officials, judicial authorities, and priests who oppressed the native peoples of Peru. Matto de Turner was excommunicated by the Catholic Church and burned in effigy. Yet her novel was strongly influential; indeed, Peruvian President Andres Avelino Caceres credited it with stimulating him to pursue needed reforms.

In 1904, the novel was published in a bowdlerized English translation with a modified ending. This edition restores the original ending and the translator's omissions. It will be important reading for all students of the indigenous cultures of South America.

Not since Don DeLillo and George Saunders has a writer caught the humor and irreverent seriousness of our time like Barkan has through his protagonist Paul Berger, a flawed hero whose so-called fate drives him toward enlightenment just as surely as it propels him to destruction. Berger is stunned when he receives an ominous palm reading from a savvy guru at a health retreat in Iowa, of all places. And now it seems the prophecy is coming true. His fiancée, who is about to leave him, is shot at a historic reenactment of the Revolutionary War in Concord. One of his brothers, an astronaut, dies on 9/11 in the Pentagon. And his more famous brother, a lawyer and politician, kidnaps him in a media campaign to win an election. But is Paul’s life really controlled by fate? Or is the prophecy a lie he has latched onto ever since his band went under, leaving him almost famous yet unknown—a teacher at a community college, struggling to keep his job?

Blind Speed is a wildly entertaining exploration of intersecting lives in which what happens is never solely by chance or choice. Barkan has built a uniquely American satirical novel, a thoroughly twisted journey of discovery that pops and fires from its first shot in Concord to its last rifle blast, which echoes across the heartland. With global warming, 9/11, government and corporate deceit, and ecoterrorism, the novel dives into epic ideas, capturing America in all its dangerous myths.

A story of first love across cities spanning the decade that transformed the internet

In the halls of an elite East Coast high school, Arjun and Payal fall in love as the world begins to tilt toward the digital. Over the next eight years, their trajectories diverge as sharply as the fractured internet itself. Payal ascends to the dizzying, dopamine-fueled heights of New York’s influencer economy, finding fame on Boost, a looping video app that is as rewarding as it is demanding. Meanwhile, in a cavernous office in Chicago, Arjun, a musician whose dreams have quieted, now cleans up the same platform’s debris, moderating the internet’s darkest videos. When a brutal act of political violence against a beloved musician goes viral, this rip in reality forces the pair to confront the motivations of the platforms they inhabit. A sharp exploration of creative ambition and the multifarious nature of identity, this is a story of love in the time of infinite scroll and a look at what we sacrifice to be seen.

2026 IPPY Awards Gold Medal Winner, Visionary/New Age Fiction

Blue Basin Island is the final resting spot of formerly enslaved Africans whose souls have flown from Earth—not to heaven or purgatory but toward freedom and a new life. Lucille, the island’s seamstress, takes two forms. She lives among the inhabitants in human form and, along with the evil-repelling blue of the houses, her divine form protects people from the violence of the their former lives. Yet, even there, outside of time, the souls are not totally insulated from the world in which they were enslaved. Each time a Black person anywhere is harmed, a piece of Blue Basin disintegrates: an earthquake leaves hundreds of thousands dead, and bricks crumble on the island; when police kill a Black child asleep in her bed, the blue paint on homes throughout the island drips and then runs from the walls. Lucille must hold the island together, but she struggles to juggle the responsibility of ensuring everyone’s safety while also seeking and losing her own private love. Grounding the story in African folklore and dipping into the rich literary tradition around African people with the power of flight, Zoë Gadegbeku visualizes the destination at the end of the flight and the new life that awaits them.

A mystery linking Manhattan circa 1991 to eastern Afghanistan in 2012, Blue Hours tells of a life-changing friendship between two memorable heroines. When we first meet Mim, she is a recent college graduate who has disavowed her lower middle class roots to befriend Kyra, a dancer and daughter of privilege, until calamity causes their estrangement. Twenty years later, Kyra has gone missing from her NGO’s headquarters in Jalalabad, and Mim—now a recluse in rural New England—embarks on a journey to find her. In its nuance, originality, and moral complexity, Blue Hours becomes an unexpected page-turner.

A fierce, unapologetic eye captures the universal quest for connection in post-communist Eastern Europe.

Emotionally neglected by her immature, promiscuous mother and forced to care for her cantankerous dying grandmother, twelve-year-old Jarka is left to fend for herself in the social vacuum of a post-communist concrete jungle in Bratislava. She spends her days roaming the streets and daydreaming in the only place she feels truly safe: a small garden inherited from her grandfather. One day, stopping at a suburban railway station, she impulsively abducts twin babies.

Teetering on the edge of disaster, Jarka struggles to care for the children, and in the process, begins to discover herself. Boat Number Five—which was adapted into an award-winning Slovak film—brilliantly captures the ache and emptiness of a fractured society.

    Hailed for his humor and passion, the internationally acclaimed performance artist Tim Miller has delighted, shocked, and emboldened audiences all over the world. Body Blows gathers six of Miller’s best-known performances that chart the sexual, spiritual, and political topography of his identity as a gay man: Some Golden States, Stretch Marks, My Queer Body, Naked Breath, Fruit Cocktail, and Glory Box. In Body Blows, Tim Miller leaps from the stage to the page, as each performance script is illustrated with striking photographs and accompanied by Miller’s notes and comment.
    This book explores the tangible body blows—taken and given—of Miller’s life and times as explored in his performances: the queer-basher’s blow, the sweet blowing breath of a lover, the below-the-belt blow of HIV/AIDS, the psychic blows from a society that disrespects the humanity of lesbian and gay relationships. Miller’s performances are full of the put-up-your-dukes and stand-your-ground of such day-to-day blows that make up being gay in America

Anthony Powell’s universally acclaimed epic A Dance to the Music of Time offers a matchless panorama of twentieth-century London. Now, for the first time in decades, readers in the United States can read the books of Dance as they were originally published—as twelve individual novels—but with a twenty-first-century twist: they’re available only as e-books.

The tenth volume, Books Do Furnish a Room (1971), finds Nick Jenkins and his circle beginning to re-establish their lives and careers in the wake of the war. Nick dives into work on a study of Robert Burton; Widmerpool grapples with the increasingly difficult and cruel Pamela Flitton—now his wife; and we are introduced to the series’ next great character, the dissolute Bohemian novelist X. Trapnel, a man who exudes in equal measure mystery, talent, and an air of self-destruction.

"Anthony Powell is the best living English novelist by far. His admirers are addicts, let us face it, held in thrall by a magician."--Chicago Tribune

"A book which creates a world and explores it in depth, which ponders changing relationships and values, which creates brilliantly living and diverse characters and then watches them grow and change in their milieu. . . . Powell's world is as large and as complex as Proust's."--Elizabeth Janeway, New York Times

"One of the most important works of fiction since the Second World War. . . . The novel looked, as it began, something like a comedy of manners; then, for a while, like a tragedy of manners; now like a vastly entertaining, deeply melancholy, yet somehow courageous statement about human experience."--Naomi Bliven, New Yorker

“The most brilliant and penetrating novelist we have.”--Kingsley Amis

The best-known work by acclaimed Cuban poet Ángel Escobar

Ángel Escobar’s Breach of Trust / Abuso de confianza is known by many as the most devastating book of his poetic generation. It is his first to be offered to an English-speaking audience. Merging personal and collective meditations, these twenty-three poems perform an indictment of violence. Escobar’s poetry delineates lacerations etched on bodies and minds by the sanguinary twentieth century, which unfolded out of a longer modernity spanning the Americas.

Breach of Trust / Abuso de confianza outlived its author, who took his own life in 1997. Brief and implicit appeals for justice and love offset the book’s abject theatricality. Escobar’s tragic masterpiece deftly interweaves themes into a striking synthesis offered in the spirit of survival.

Award-winning translator Kristin Dykstra introduces this collection with a comprehensive examination of Escobar’s life, work, and the times within which he wrote. Dykstra situates Escobar’s poetic abjection as his drive to confront thingification face to (non)face.

Three Sams, one impossible building, and a mystery echoing across worlds, lifetimes, and dreams.

Brezhat is a thrilling, puzzle-like novella that unfolds across three overlapping worlds, all occurring within the same haunted building. In one timeline, the building is a school where children's dreams are recorded. In another, an orphanage tied to a glass factory. In the third, a postapocalyptic ruin inhabited by a community of eccentric survivors.

Within its shifting halls live three versions of the same person, all named Sam. Though separated by time and circumstance, the Sams share dreams, sensations, and fleeting encounters that bind their lives together in unsettling ways. As they wander through forgotten corridors and forbidden rooms, the Sams undertake tasks both ordinary and uncanny. They deliver life-saving serum, reassemble the body of a broken friend, talk with the dead, and bury dead mice. Along the way, they are guided, taught, and sometimes misled by an unforgettable cast of adults: teachers, nuns, scientists, artists, a librarian, and the inscrutable Mr. Jones, a janitor who seems to exist outside of time altogether. Threaded through each timeline is the shadow of a former friend whose acts of violence echo across worlds, causing old wounds to recur in new forms. Blending speculative fiction, psychological insight, and gothic atmosphere, Brezhat is a mesmerizing novella steeped in mystery, unraveling the stories we inherit, the selves we might have been, and the strange ways pain reverberates across a lifetime.
 

A classic work of twentieth-century Slovak literature that blends naturalism and depictions of rural life with the supernatural.

After many years, Libor returns to his native village, where he has been appointed gamekeeper. His childhood sweetheart, Zuna, is waiting for him there. But his homecoming is far from idyllic. He has “tasted city life” and soon becomes an outsider to the villagers. According to them, Zuna has become a local prostitute who sleeps with anyone who pays her. Zuna’s father, an old miller, has gone blind because he made a pact with the devil. The mill where Libor and Zuna used to play as children has fallen into disrepair and ruin. The more Libor gets to know the world that he has returned to, the more confused he becomes. The village is full of superstitions, secrets, and hostility. He meets the charcoal burner Tavo, who lives high in the mountains, and learns from him the mysterious and bloody story of Zuna’s birth. He also learns what matters most to him: Zuna is pure and innocent. Libor starts a relationship with her from scratch. But just when their forgotten love might finally come to fruition, He appears—a vagabond who can transform into a wolf—and Libor discovers that Zuna is meeting with him. Is it a monster that gouges people’s eyes out? The devil, or our immaterial, dark alter ego? Reality, dreams, and fantasy blend in Libor’s mind as his hopes seem crushed beyond redemption.