342 books match the query '16th Century' and 20 start with c

cover of Came Men on Horses: The Conquistador Expeditions of Francisco Vázquez de Coronado and Don Juan de Oñate

Came Men on Horses

The Conquistador Expeditions of Francisco Vázquez de Coronado and Don Juan de Oñate

Stan Hoig

University Press of Colorado, 2013

Guided by myths of golden cities and worldly rewards, policy makers, conquistador leaders, and expeditionary aspirants alike came to the new world in the sixteenth century and left it a changed land. Came Men on Horses follows two conquistadors—Francisco Vázquez de Coronado and Don Juan de Oñate—on their journey across the southwest.

Driven by their search for gold and silver, both Coronado and Oñate committed atrocious acts of violence against the Native Americans, and fell out of favor with the Spanish monarchy. Examining the legacy of these two conquistadors Hoig attempts to balance their brutal acts and selfish motivations with the historical significance and personal sacrifice of their expeditions. Rich human details and superb story-telling make Came Men on Horses a captivating narrative scholars and general readers alike will appreciate.

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cover of Catalogue of Watermarks in Italian Printed Maps, ca. 1540-1600

Catalogue of Watermarks in Italian Printed Maps, ca. 1540-1600

David Woodward

University of Chicago Press, 1996

This catalogue presents over three-hundred photographic images of watermarks found in Italian printed maps of the sixteenth century. Such watermarks are essential tools in identifying paper moulds and are part of the evidence that bibliographers use in dating the paper on which maps and other documents were printed. The images reproduced in the catalogue have been selected from some 1200 beta-radiographs of watermarks gathered from Italian printed maps issued mostly in composite atlases printed in Venice and Rome between 1540 and 1600. These beta-radiographs reveal minute variations that are almost invisible to the eye. A special feature of the book is a visual index of miniature black-and-white line tracings of the watermarks.

Fifteen years in the making, this catalogue will be an essential reference for bibliographers and archivists dealing with rare books and maps of the period, for map collectors, map librarians, and scholars and librarians working with early printed items and manuscripts.
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cover of Cervantes in Transit: Studies in Honor of Francisco Layna Ranz

Cervantes in Transit

Studies in Honor of Francisco Layna Ranz

Paul Michael Johnson

University of Delaware Press, 2027

Cervantes in Transit explores how Cervantes’s texts embody movement, transformation, and boundary-crossing across multiple dimensions. Theorizing Cervantes as a figure at once of transit and in transit, the volume argues that the diverse and often disparate array of Cervantine interpretations is not simply a byproduct of modernity, but an inherent component of the author’s own writing. Cervantes transgressed boundaries of all sorts—mixing genres, blurring fiction and reality, and moving characters into paratextual spaces. The concept of transit encompasses both physical movement between places and fundamental change or metamorphosis, reflecting how Cervantes’s writing has traveled through temporal, geographical, and conceptual spaces while continuously transforming. The volume’s thirteen chapters explore five thematic clusters: “Impressions” examines material book history and paratextual borders; “Identities” analyzes racial, religious, gender, and class transgressions; “Ironies” considers humor as a boundary-crossing mode; “Influences” traces Cervantes’s engagement with literary traditions; and “Itineraries” maps geographical circulation and global networks.

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cover of Child Martyrs and Militant Evangelization in New Spain: Missionary Narratives, Nahua Perspectives

Child Martyrs and Militant Evangelization in New Spain

Missionary Narratives, Nahua Perspectives

Stephanie Schmidt

University of Texas Press, 2025

Examines the many iterations of a story of child martyrdom in colonial Mexico.

A cornerstone of the evangelization of early New Spain was the conversion of Nahua boys, especially the children of elites. They were to be emissaries between Nahua society and foreign missionaries, hastening the transmission of the gospel. Under the tutelage of Franciscan friars, the boys also learned to act with militant zeal. They sermonized and smashed sacred objects. Some went so far as to kill a Nahua religious leader. For three boys from Tlaxcala, the reprisals were just as deadly.

In Child Martyrs and Militant Evangelization in New Spain, Stephanie Schmidt sheds light on a rare manuscript about Nahua child converts who were killed for acts of zealotry during the late 1520s. This is the Nahuatl version of an account by an early missionary-friar, Toribio de Benavente Motolinía. To this day, Catholics venerate the slain boys as Christian martyrs who suffered for their piety. Yet Franciscan accounts of the boys’ sacrifice were influenced by ulterior motives, as the friars sought to deflect attention from their missteps in New Spain. Illuminating Nahua perspectives on this story and period, Schmidt leaves no doubt as to who drove this violence as she dramatically expands the knowledgebase available to students of colonial Latin America.

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cover of Christian Humanism in Shakespeare: A Study in Religion and Literature

Christian Humanism in Shakespeare

A Study in Religion and Literature

Lee Oser

Catholic University of America Press, 2022

Shakespeare, Lee Oser argues, is a Christian literary artist who criticizes and challenges Christians, but who does so on Christian grounds. Stressing Shakespeare’s theological sensitivity, Oser places Shakespeare’s work in the “radical middle,” the dialectical opening between the sacred and the secular where great writing can flourish. According to Oser, the radical middle was and remains a site of cultural originality, as expressed through mimetic works of art intended for a catholic (small “c”) audience. It describes the conceptual space where Shakespeare was free to engage theological questions, and where his Christian skepticism could serve his literary purposes. Oser reviews the rival cases for a Protestant Shakespeare and for a Catholic Shakespeare, but leaves the issue open, focusing, instead, on how Shakespeare exploits artistic resources that are specific to Christianity, including the classical-Christian rhetorical tradition. The scope of the book ranges from an introductory survey of the critical field as it now stands, to individual chapters on A Midsummer Night’s Dream, The Merchant of Venice, the Henriad, Hamlet, and King Lear. Writing with a deep sense of literary history, Oser holds that mainstream literary criticism has created a false picture of Shakespeare by secularizing him and misconstruing the nature of his art. Through careful study of the plays, Oser recovers a Shakespeare who is less vulnerable to the winds of academic and political fashion, and who is a friend to the enduring project of humanistic education. Christian Humanism in Shakespeare: A Study in Religion and Literature is both eminently readable and a work of consequence.
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cover of Citizen-Saints: Shakespeare and Political Theology

Citizen-Saints

Shakespeare and Political Theology

Julia Reinhard Lupton

University of Chicago Press, 2005

Turning to the potent idea of political theology to recover the strange mix of political and religious thinking during the Renaissance, this bracing study reveals in the works of Shakespeare and his sources the figure of the citizen-saint, who represents at once divine messenger and civil servant, both norm and exception. Embodied by such diverse personages as Antigone, Paul, Barabbas, Shylock, Othello, Caliban, Isabella, and Samson, the citizen-saint is a sacrificial figure: a model of moral and aesthetic extremity who inspires new regimes of citizenship with his or her death and martyrdom.

Among the many questions Julia Reinhard Lupton attempts to answer under the rubric of the citizen-saint are: how did states of emergency, acts of sovereign exception, and Messianic anticipations lead to new forms of religious and political law? What styles of universality were implied by the abject state of the pure creature, at sea in a creation abandoned by its creator? And how did circumcision operate as both a marker of ethnicity and a means of conversion and civic naturalization?

Written with clarity and grace, Citizen-Saints will be of enormous interest to students of English literature, religion, and early modern culture.
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cover of Classical Rhetoric in English Poetry

Classical Rhetoric in English Poetry

Brian Vickers

Southern Illinois University Press, 1989

Back in print after 17 years, this is a concise history of rhetoric as it relates to structure, genre, and style, with special reference to English literature and literary criticism from Ancient Greece to the end of the 18th century.

The core of the book is a quite original argument that the figures of rhetoric were not mere mechanical devices, were not, as many believed, a "nuisance, a quite sterile appendage to rhetoric to which (unaccountably) teachers, pupils, and writers all over the world devoted much labor for over 2,000 years." Rather, Vickers demonstrates, rhetoric was a stylized representation of language and human feelings.

Vickers supplements his argument through analyses of the rhetorical and emotional structure of four Renaissance poems. He also defines 16 of the most common figures of rhetoric, citing examples from the classics, the Bible, and major English poets from Chaucer to Pope.

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cover of Clean Hands and Rough Justice: An Investigating Magistrate in Renaissance Italy

Clean Hands and Rough Justice

An Investigating Magistrate in Renaissance Italy

David S. Chambers and Trevor Dean

University of Michigan Press, 1997

It is rarely possible to write biographies of lay people who lived in the Middles Ages. While accounts of clerical, royal, and military life are many, the wider populace has remained in relative obscurity. In Clean Hands and Rough Justice: An Investigating Magistrate in Renaissance Italy, David S. Chambers and Trevor Dean present an extraordinary and previously unknown character from Renaissance Italy, Beltramino Cusadri (ca. 1425-1500). This judge was known as the "terrible commissioner," and he spent most of his professional life acting as criminal investigator and legal adviser to two princely dynasties -- the Gonzaga of Mantua and the Este of Ferrara. The authors investigate and compare the judicial institutions and social conditions in which Beltramino Cusadri worked, the criminal cases that he investigated, and his successes and failures. Their combined presentation of the figure and mentality of Cusadri amounts to something unprecedented in Italian Renaissance historiography: the portrait of a professional man, employed to combat rising crime, but accused of corruption and tyranny by the entrenched interests that he faced. The book follows the major phases of Beltramino's career and offers a broader exploration of the legal history of Renaissance Italy. In his long life Beltramino Cusadri wrote hundreds of letters to his employers and it is upon these letters that this book is based. These letters with their wry, colorfully worded expressions are liberally quoted and provide unique insight into the career, activity, and attitudes of a major Renaissance bureaucrat. The letters of his employers in return are also drawn upon to examine a variety of themes, from the progress of law-making and the pattern of criminality, to the problems of policing and the changing forms of punishment. These provide an extraordinarily vivid picture of face-to-face realities that make an important contribution to the history of crime, law, policing, and punishment.
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cover of Clément Marot's Epistles

Clément Marot's Epistles

Clément Marot

Arizona Center for Medieval and Renaissance Studies, 2021

The first complete, versified English-language translation of the epistles of Renaissance poet Clément Marot.
 
Clément Marot (1496–1544), a royal poet in Renaissance France who ushered in new verse forms and renewed existing ones, stands as one of the most important literary voices of the first half of the sixteenth century. Clément Marot’s Epistles represents a first attempt to offer a sustained English-language translation and critical edition of what is widely considered his most personal, historically relevant, and crowning verse form. Aiming for integrality and poetic precision, the volume translates and sets to verse all seventy-four of Marot’s epistles, employing the same meter and rhyme scheme used by the poet in the original compositions. Likewise focused on capturing Marot’s poetic voice, thus maintaining idiomatic and literary integrity, the resulting translation is an attempt to relate the playfulness and pathos of Marot’s verse, rendering it accessible to an anglophone public.
 
Beyond the more traditional verse epistles included in the primary base text, Marot’s authorized complete works from 1538, the volume also offers translations of the introductory prose epistles penned by Marot for his Adolescence clémentine of 1532 and the 1538 edition (Lyon, Dolet), as well as the coq-à-l’âne and other versified satirical epistles, the “artificial epistle” retelling of a popular medieval romance, and more. A robust critical apparatus includes ample footnotes, an extensive introduction, illustrations, a bibliography, a chronological table, and a concordance with the principal modern French-language editions of Marot’s epistles.

The book should appeal to English-speaking historians and literary scholars alike, as well as to poetry lovers, who will appreciate a new acquaintance with this distinctive voice from poetry’s past.
 
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cover of Colonial Cataclysms: Climate, Landscape, and Memory in Mexico’s Little Ice Age

Colonial Cataclysms

Climate, Landscape, and Memory in Mexico’s Little Ice Age

Bradley Skopyk

University of Arizona Press, 2020

The contiguous river basins that flowed in Tlaxcala and San Juan Teotihuacan formed part of the agricultural heart of central Mexico. As the colonial project rose to a crescendo in the sixteenth and seventeenth centuries, the Indigenous farmers of central Mexico faced long-term problems standard historical treatments had attributed to drought and soil degradation set off by Old World agriculture. Instead, Bradley Skopyk argues that a global climate event called the Little Ice Age brought cold temperatures and elevated rainfall to the watersheds of Tlaxcala and Teotihuacan. With the climatic shift came cataclysmic changes: great floods, human adaptations to these deluges, and then silted wetlands and massive soil erosion.

This book chases water and soil across the colonial Mexican landscape, through the fields and towns of New Spain’s Native subjects, and in and out of some of the strongest climate anomalies of the last thousand or more years. The pursuit identifies and explains the making of two unique ecological crises, the product of the interplay between climatic and anthropogenic processes. It charts how Native farmers responded to the challenges posed by these ecological rifts with creative use of plants and animals from the Old and New Worlds, environmental engineering, and conflict within and beyond the courts. With a new reading of the colonial climate and by paying close attention to land, water, and agrarian ecologies forged by farmers, Skopyk argues that colonial cataclysms—forged during a critical conjuncture of truly unprecedented proportions, a crucible of human and natural forces—unhinged the customary ways in which humans organized, thought about, and used the Mexican environment.

This book inserts climate, earth, water, and ecology as significant forces shaping colonial affairs and challenges us to rethink both the environmental consequences of Spanish imperialism and the role of Indigenous peoples in shaping them.

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cover of Coloniality, Religion, and the Law in the Early Iberian World

Coloniality, Religion, and the Law in the Early Iberian World

Santa Arias

Vanderbilt University Press, 2013

From postcolonial, interdisciplinary, and transnational perspectives, this collection of original essays looks at the experience of Spain's empire in the Atlantic and the Pacific and its cultural production.

Hispanic Issues Series
Nicholas Spadaccini, Editor-in-Chief

Hispanic Issues Online
hispanicissues.umn.edu/online_main.html
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cover of Commerce with the Classics: Ancient Books and Renaissance Readers

Commerce with the Classics

Ancient Books and Renaissance Readers

Anthony Grafton

University of Michigan Press, 1997

The style of reading in Renaissance Europe, as seen in the margins of books and in the texts of Renaissance intellectuals themselves, is deftly charted in this welcome volume from Anthony Grafton. Growing out of the Thomas Spencer Jerome Lectures that Anthony Grafton gave at the University of Michigan in 1992, this book describes the interaction between books and readers in the Renaissance, as seen in four major case studies.Humanists Alberti, Pico, Budé, and Kepler, all major figures of their time and now major figures in intellectual history, are examined in the light of their distinctive ways of reading. Investigating a period of two centuries, Grafton vividly portrays the ways in which book/scholar interactions--and the established traditions that were reflected in these interactions--were part of and helped shape the subjects' Humanistic philosophy. The book also indicates how these traditions have implications for the modern literary scene.Commerce with the Classics: Ancient Books and Renaissance Readers illustrates the immense variety of the humanist readers of the Renaissance. Grafton describes life in the Renaissance library, how the act of reading was shaped by the physical environment, and various styles of reading during the time. A strong sense of what skilled reading was like in the past is built up through anecdotes, philological analysis, and documents from a wide variety of sources, many of them unpublished.This volume will be of special interest to Renaissance and intellectual historians, students of Renaissance literature, and classicists who concern themselves with the afterlife of their texts.Anthony Grafton is Henry Putnam University Professor of History, Princeton University.
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cover of Common Prayer: The Language of Public Devotion in Early Modern England

Common Prayer

The Language of Public Devotion in Early Modern England

Ramie Targoff

University of Chicago Press, 2001

Common Prayer explores the relationship between prayer and poetry in the century following the Protestant Reformation. Ramie Targoff challenges the conventional and largely misleading distinctions between the ritualized world of Catholicism and the more individualistic focus of Protestantism. Early modern England, she demonstrates, was characterized less by the triumph of religious interiority than by efforts to shape public forms of devotion. This provocatively revisionist argument will have major implications for early modern studies.

Through readings of William Shakespeare's Hamlet, Richard Hooker's Lawes of Ecclesiastical Politie, Philip Sidney's Apology for Poetry and his translations of the Psalms, John Donne's sermons and poems, and George Herbert's The Temple, Targoff uncovers the period's pervasive and often surprising interest in cultivating public and formalized models of worship. At the heart of this study lies an original and daring approach to understanding the origins of devotional poetry; Targoff shows how the projects of composing eloquent verse and improving liturgical worship come to be deeply intertwined. New literary practices, then, became a powerful means of forging common prayer, or controlling private and otherwise unmanageable expressions of faith.
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cover of Common Understandings, Poetic Confusion: Playhouses and Playgoers in Elizabethan England

Common Understandings, Poetic Confusion

Playhouses and Playgoers in Elizabethan England

William N. West

University of Chicago Press, 2021

A new account of playgoing in Elizabethan England, in which audiences participated as much as performers.
 

What if going to a play in Elizabethan England was more like attending a football match than a Broadway show—or playing in one? In Common Understandings, Poetic Confusion, William N. West proposes a new account of the kind of participatory entertainment expected by the actors and the audience during the careers of Shakespeare and his contemporaries. West finds surprising descriptions of these theatrical experiences in the figurative language of early modern players and playgoers—including understanding, confusion, occupation, eating, and fighting. Such words and ways of speaking are still in use today, but their earlier meanings, like that of theater itself, are subtly, importantly different from our own. Playing was not confined to the actors on the stage but filled the playhouse, embracing audiences and performers in collaborative experiences that did not belong to any one alone but to the assembled, various crowd.  What emerged in playing was a kind of thinking and feeling distributed across persons and times that were otherwise distinct. Thrown apples, smashed bottles of beer, and lumbering bears—these and more gave verbal shape to the physical interactions between players and playgoers, creating circuits of exchange, production, and consumption.  
 
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cover of Contested Canonizations: The Last Medieval Saints, 1482-1523

Contested Canonizations

The Last Medieval Saints, 1482-1523

Ronald C. Finucane

Catholic University of America Press, 2011

This work, which forms an important bridge between medieval and Counter-Reformation sanctity and canonization, provides a richly contextualized analysis of the ways in which the last five candidates for sainthood before the Reformation came to be canonized.
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cover of Convents and the Body Politic in Late Renaissance Venice

Convents and the Body Politic in Late Renaissance Venice

Jutta Gisela Sperling

University of Chicago Press, 2000

In late sixteenth-century Venice, nearly 60 percent of all patrician women joined convents, and only a minority of these women did so voluntarily. In trying to explain why unprecedented numbers of patrician women did not marry, historians have claimed that dowries became too expensive. However, Jutta Gisela Sperling debunks this myth and argues that the rise of forced vocations happened within the context of aristocratic culture and society.

Sperling explains how women were not allowed to marry beneath their social status while men could, especially if their brides were wealthy. Faced with a shortage of suitable partners, patrician women were forced to offer themselves as "a gift not only to God, but to their fatherland," as Patriarch Giovanni Tiepolo told the Senate of Venice in 1619. Noting the declining birth rate among patrician women, Sperling explores the paradox of a marriage system that preserved the nobility at the price of its physical extinction. And on a more individual level, she tells the fascinating stories of these women. Some became scholars or advocates of women's rights, some took lovers, and others escaped only to survive as servants, prostitutes, or thieves.



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cover of Coronado's Well-Equipped Army: The Spanish Invasion of the American Southwest

Coronado's Well-Equipped Army

The Spanish Invasion of the American Southwest

John M. Hutchins

Westholme Publishing, 2023

Like Cortés and Pizarro, Coronado Sought to Conquer a Native American Empire of the Southwest

Winner of Two Colorado Book Awards

The historic 1540–1542 expedition of Captain-General Francisco Vasquez de Coronado is popularly remembered as a luckless party of exploration which wandered the American Southwest and then blundered onto the central Great Plains of Texas, Oklahoma, and Kansas. The expedition, as historian John M. Hutchins relates in Coronado’s Well-Equipped Army: The Spanish Invasion of the American Southwest, was a military force of about 1,500 individuals, made up of Spanish soldiers, Indian warrior allies, and camp followers. Despite the hopes for a peaceful conquest of new lands—including those of a legendary kingdom of Cibola—the expedition was obliged to fight a series of battles with the natives in present-day Sonora, California, Arizona, and New Mexico. The final phase of the invasion was less warlike, as the members of the expedition searched the Great Plains in vain for a wealthy civilization called Quivira.While much has been written about the march of Coronado and his men, this is the first book to address the endeavor as a military campaign of potential conquest like those conducted by other conquistadors. This helps to explain many of the previously misunderstood activities of the expedition. In addition, new light is cast on the non-Spanish participants, including Mexican Indian allies and African retainers, as well as the important roles of women.
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cover of Courtly Song in Late Sixteenth-Century France

Courtly Song in Late Sixteenth-Century France

Jeanice Brooks

University of Chicago Press, 2001

In the late sixteenth century, the French royal court was mobile. To distinguish itself from the rest of society, it depended more on its cultural practices and attitudes than on the royal and aristocratic palaces it inhabited. Using courtly song-or the air de cour-as a window, Jeanice Brooks offers an unprecedented look into the culture of this itinerant institution.

Brooks concentrates on a period in which the court's importance in projecting the symbolic centrality of monarchy was growing rapidly and considers the role of the air in defining patronage hierarchies at court and in enhancing courtly visions of masculine and feminine virtue. Her study illuminates the court's relationship to the world beyond its own confines, represented first by Italy, then by the countryside. In addition to the 40 editions of airs de cour printed between 1559 and 1589, Brooks draws on memoirs, literary works, and iconographic evidence to present a rounded vision of French Renaissance culture.

The first book-length examination of the history of air de cour, this work also sheds important new light on a formative moment in French history.
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cover of Crafting Medicine: Artisans, Knowledge, and the Common Man in Hieronymus Brunschwig's Books on Surgery and Distillation

Crafting Medicine

Artisans, Knowledge, and the Common Man in Hieronymus Brunschwig's Books on Surgery and Distillation

Tillmann Taape

University of Chicago Press, 2025

How an early modern surgeon and his accessible writings changed medical expertise and the communication of medical knowledge. 
 
Between 1497 and 1512, Hieronymus Brunschwig (ca. 1450–ca. 1530), an obscure craftsman from Strasbourg, wrote books on surgery and pharmacy that transformed medical expertise, how it was codified in print, and how it was communicated to new audiences. Brunschwig was an unlikely author. He apprenticed as a surgeon in the local guild and dispensed medicines from his own shop. But he was remarkably well-read in surgery, alchemy, and medical theory, even if he lacked a university education. His unique authorial voice spoke to the healing practices of craftsmen and common people in a down-to-earth German dialect.
 
Crafting Medicine, by Tillmann Taape, is the first in-depth study of Brunschwig and his works. In it, Taape argues that Brunschwig’s writings shaped a nascent tradition of vernacular medicine. Brunschwig’s books represent a key moment in the history of medical print, for they conveyed medical expertise to a new readership of nonacademic practitioners, who became a key audience for a flood of vernacular medical publications during the sixteenth century. Using Brunschwig’s books as a unique window into the past, Crafting Medicine beautifully reconstructs the world of science inhabited by Brunschwig, his fellow craftsmen, his translators, and his readers.
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cover of Cultural Aesthetics: Renaissance Literature and the Practice of Social Ornament

Cultural Aesthetics

Renaissance Literature and the Practice of Social Ornament

Patricia Fumerton

University of Chicago Press, 1991

A brilliant postmodern critique of Renaissance subjectivity, Cultural Aesthetics explores the simultaneous formation and fragmentation of aristocratic "selfhood" in the late sixteenth and early seventeenth centuries. Patricia Fumerton situates the self within its sumptuous array of "trivial" arts—including the court literatures of chivalric romance, sonnet, and masque and the arts of architecture, miniature painting, stage design, and cuisine. Her integration of historicist and aesthetic perspectives makes this a provocative contribution to the vigorous field of Renaissance cultural studies.
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