Results by title
167 books match the query 'Artists, Architects, Photographers' and 10 start with c
Calling Memory into Place
Dora Apel
Rutgers University Press, 2021
In this deeply personal work, acclaimed art historian Dora Apel examines how memorials, photographs, artworks, and autobiographical stories can be used to fuel a process of “unforgetting”—reinterpreting the past by recalling the events, people, perspectives, and feelings that get excluded from conventional histories. The ten essays in Calling Memory into Place feature explorations of the controversy over a painting of Emmett Till in the Whitney Biennial and the debates about a national lynching memorial in Montgomery, Alabama. They also include personal accounts of Apel’s return to the Polish town where her Holocaust survivor parents grew up, as well as the ways she found strength in her inherited trauma while enduring treatment for breast cancer.
These essays shift between the scholarly, the personal, and the visual as different modes of knowing, and explore the intersections between racism, antisemitism, and sexism, while suggesting how awareness of historical trauma is deeply inscribed on the body. By investigating the relations among place, memory, and identity, this study shines a light on the dynamic nature of memory as it crosses geography and generations.
Cezanne
A Study of His DevelopmentRoger Fry
University of Chicago Press, 1989
This study established Fry as a critical "father," the first of his line to explicate the ideas of "vision and design" in an attempt to understand modern art. His critical analysis has in many respects never been surpassed. Fry endeavored both to show the essential development of the painter's style and to approach individual works directly; he wrote that he would detect "the profound difference between Cézanne's message and what we have made of it." The result is a book, couched in Fry's most lucid, penetrating language, which is of great technical value to the painter and student and which offers the layman an illuminating demonstration of the remarkable force of Cézanne's art.
Chapal Rani, the Last Queen of Bengal
The Life and Times of a Female ImpersonatorSandip Roy
Seagull Books, 2025
As the last great female impersonator of Bengali theater, Chapal Bhaduri—known as Chapal Rani—once held audiences spellbound in the jatra tradition, where men became goddesses and heroines. But when women finally took their place on stage, Chapal found himself exiled from the world he had ruled. In this groundbreaking biography, Sandip Roy captures the rise and fall of a performer whose art was inseparable from his identity.
Told in Chapal’s own voice and interwoven with evocative fictional vignettes, Chapal Rani, the Last Queen of Bengal brings to life Kolkata’s golden age of theater and the resilience of a man who refused to disappear. Through decades of research and deeply personal interviews, Roy crafts a moving portrait of gender and belonging.
Clement Greenberg
A LifeFlorence Rubenfeld
University of Minnesota Press, 2004
The only book-length biography of this controversial critic, now in paperback for the first time!
Love him or hate him, admire him or revile him, there is no doubt that Clement Greenberg was the most influential critic of modern art in the second half of the twentieth century. His championing of abstract expressionist painters such as Jackson Pollock, Barnett Newman, and David Smith put the United States on the international art map. His support for color-field painters Morris Louis and Kenneth Noland dramatically accelerated their careers. The intellectual power of his polemical essays helped bring about the midcentury shift in which New York replaced Paris as the art capital of the Western world; his aggressive personality and fierce involvement in the New York art scene triggered a backlash so potent that one critic termed it a “patricide.”
Concrete Century
Julius Kahn and the Construction RevolutionMichael G. Smith
University of Michigan Press, 2024
Drawing upon Kahn’s personal correspondence, architectural drawings, company records, and contemporary news and journal articles, Michael G. Smith reveals how this man—whose family had immigrated to the US to escape antisemitism in Germany—played an important role in the rise of concrete. Concrete not only turned the tide against widespread destruction of buildings by fire, it also paved the way for our modern economy. Concrete Century will delight readers intrigued by architecture and construction technology alike with the true origin story of modern concrete buildings.
Confessions of a Left-Handed Man
An Artist's MemoirPeter Selgin
University of Iowa Press, 2011
Peter Selgin was cursed/blessed with an unusual childhood. The son of Italian immigrants—his father an electronics inventor and a mother so good looking UPS drivers swerved off their routes to see her—Selgin spent his formative years scrambling among the hat factory ruins of a small Connecticut town, visiting doting—and dotty—relatives in the “old world,” watching mental giants clash at Mensa gatherings, enduring Pavlovian training sessions with a grandmother bent on “curing” his left-handedness, and competing savagely with his right-handed twin.
Conversations with Picasso
Brassaï
University of Chicago Press, 1999
Conversations with Picasso offers a remarkable vision of both Picasso and the entire artistic and intellectual milieu of wartime Paris, a vision provided by the gifted photographer and prolific author who spent the early portion of the 1940s photographing Picasso's work. Brassaï carefully and affectionately records each of his meetings and appointments with the great artist, building along the way a work of remarkable depth, intimate perspective, and great importance to anyone who truly wishes to understand Picasso and his world.
Correspondence Course
An Epistolary History of Carolee Schneemann and Her CircleKristine Stiles, ed.
Duke University Press, 2010
Kristine Stiles selected, edited, annotated, and wrote the introduction to the letters, assembling them so that readers can follow the development of Schneemann’s art, thought, and private and public relationships. The correspondence chronicles a history of energy and invention, joy and sorrow, and charged personal and artistic struggles. It sheds light on the internecine aesthetic politics and mundane activities that constitute the exasperating vicissitudes of making art, building an artistic reputation, and negotiating an industry as unpredictable and demanding as the art world in the mid- to late twentieth century.
Covarrubias
By Adriana Williams
University of Texas Press, 1994
At the center of an artistic milieu as vital and exciting as the Left Bank of Paris or Greenwich Village, Rosa and Miguel Covarrubias knew almost everyone in the limelight of the 1930s and 1940s—Langston Hughes, Carl Van Vechten, John Huston, Diego Rivera, and Frida Kahlo, to name just a few. As fascinating themselves as any of their friends, the couple together fostered a renaissance of interest in the history and traditional arts of Mexico's indigenous peoples, while amassing an extraordinary collection of art that ranged from pre-Hispanic Olmec and Aztec sculptures to the work of Diego Rivera.
Written by a long-time friend of Rosa, this book presents a sparkling account of the life and times of Rosa and Miguel. Adriana Williams begins with Miguel's birth in 1904 and follows the brilliant early flowering of his artistic career as a renowned caricaturist for Vanity Fair and the New Yorker magazines, his meeting and marriage with Rosa at the height of her New York dancing career, and their many years of professional collaboration on projects ranging from dance to anthropology to painting and art collecting to the development of museums to preserve Mexico's pre-Columbian heritage. Interviewing as many of their friends as possible, Williams fills her narrative with reminiscences that illuminate Miguel's multifaceted talents, Rosa's crucial collaboration in many of his projects, and their often tempestuous relationship.
Curating the American Past
A Memoir of a Quarter Century at the Smithsonian National Museum of American HistoryPete Daniel
University of Arkansas Press, 2022
“As is well known, Pete is an outstanding storyteller, and this book is no exception."
—Claire Strom, Journal of Southern History
In addition to chronicling significant exhibit work at the Smithsonian National Museum of American History, Curating the American Past, captures the excitement inherent in researching and writing history and Pete Daniel’s efforts to prevent diluted celebratory stories from replacing the red meat of the American past.
In Curating the American Past, Pete Daniel reveals how curators collect objects, plan exhibits, and bring alive the country’s complex and exciting history. In vivid detail, Daniel recounts the exhilaration of innovative research, the joys of collaboration, and the rewards of mentoring new generations of historians. In a career distinguished by prize-winning publications and pathbreaking exhibitions, Daniel also confronted the challenges of serving as a public historian tasked with protecting a definitive American museum from the erosion of scholarly standards. Curating the American Past offers a wealth of museum wisdom, illuminating the crucial role that dedicated historians and curators serve within our most important repositories of cultural memory.