59 books match the query 'Caribbean' and 11 start with c

cover of Cannibal Writes: Eating Others in Caribbean and Indian Ocean Women's Writing

Cannibal Writes

Eating Others in Caribbean and Indian Ocean Women's Writing

Njeri Githire

University of Illinois Press, 2014

Postcolonial and diaspora studies scholars and critics have paid increasing attention to the use of metaphors of food, eating, digestion, and various affiliated actions such as loss of appetite, indigestion, and regurgitation. As such stylistic devices proliferated in the works of non-Western women writers, scholars connected metaphors of eating and consumption to colonial and imperial domination.
 
In Cannibal Writes, Njeri Githire concentrates on the gendered and sexualized dimensions of these visceral metaphors of consumption in works by women writers from Haiti, Jamaica, Mauritius, and elsewhere. Employing theoretical analysis and insightful readings of English- and French-language texts, she explores the prominence of alimentary-related tropes and their relationship to sexual consumption, writing, global geopolitics and economic dynamics, and migration. As she shows, the use of cannibalism in particular as a central motif opens up privileged modes for mediating historical and sociopolitical issues.
 
Ambitiously comparative, Cannibal Writes ranges across the works of well-known and lesser known writers to tie together two geographic and cultural spaces that have much in common but are seldom studied in parallel.
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cover of Caribbean and Atlantic Diaspora Dance: Igniting Citizenship

Caribbean and Atlantic Diaspora Dance

Igniting Citizenship

Yvonne Daniel

University of Illinois Press, 2011

In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas,rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de maní. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism.
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cover of Cayman's 1794 Wreck of the Ten Sail: Peace, War, and Peril in the Caribbean

Cayman's 1794 Wreck of the Ten Sail

Peace, War, and Peril in the Caribbean

Margaret E. Leshikar-Denton

University of Alabama Press, 2020

The greatest shipwreck disaster in the history of the Cayman Islands
 
The story has been passed through generations for more than two centuries. Details vary depending on who is doing the telling, but all refer to this momentous maritime event as the Wreck of the Ten Sail. Sometimes misunderstood as the loss of a single ship, it was in fact the wreck of ten vessels at once, comprising one of the most dramatic maritime disasters in all of Caribbean naval history. Surviving historical documents and the remains of the wrecked ships in the sea confirm that the narrative is more than folklore. It is a legend based on a historical event in which HMS Convert, formerly L’Inconstante, a recent prize from the French, and 9 of her 58-ship merchant convoy sailing from Jamaica to Britain, wrecked on the jagged eastern reefs of Grand Cayman in 1794.
 
The incident has historical significance far beyond the boundaries of the Cayman Islands. It is tied to British and French history during the French Revolution, when these and other European nations were competing for military and commercial dominance around the globe. The Wreck of the Ten Sail attests to the worldwide distribution of European war and trade at the close of the eighteenth century.
 
In Cayman’s 1794 Wreck of the Ten Sail: Peace, War, and Peril in the Caribbean, Margaret E. Leshikar-Denton focuses on the ships, the people, and the wreck itself to define their place in Caymanian, Caribbean, and European history. This well-researched volume weaves together rich oral folklore accounts, invaluable supporting documents found in archives in the United Kingdom, Jamaica, and France, and tangible evidence of the disaster from archaeological sites on the reefs of the East End.
 
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cover of Challenged Sovereignty: The Impact of Drugs, Crime, Terrorism, and Cyber Threats in the Caribbean

Challenged Sovereignty

The Impact of Drugs, Crime, Terrorism, and Cyber Threats in the Caribbean

Ivelaw Lloyd Griffith

University of Illinois Press, 2024

The drug trade. Crime. Terrorism. Cyber threats. In the Caribbean, these cross-border Problems Without Passports (PWPs) have shaken the very foundation of nation states. Blending case studies with regional analysis, Ivelaw Lloyd Griffith examines the regionwide impact of PWPs and the complex security and sovereignty issues in play. The interaction of local and global forces within PWPs undermines the governments’ basic goal of protecting their people against military threats, subversion, and the erosion of political, economic, and social values. Seeking solutions to these multidimensional threats requires addressing both traditional and non-traditional security and sovereignty issues. Griffith focuses on clashes between PWPs and the state from warring drug gangs in Jamaica, to Trinidad and Tobago’s one-time status as a center for terrorism-related activities, to the political resurgence of drug trafficker Desi Bouterse in Suriname, and the growing cyber threats across the region.

Informed and up to date, Challenged Sovereignty explains the effects of today’s globalized problems on the contemporary Caribbean.

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cover of Contraband Cultures: Reframing Smuggling across Latin America and the Caribbean

Contraband Cultures

Reframing Smuggling across Latin America and the Caribbean

Edited by Jennifer Cearns and Charles Beach

University College London, 2024

A fresh and non-stereotypical take on smuggling in Latin America.

Contraband Cultures reframes smuggling activities across Latin America (including the Caribbean) and its diasporas through the lenses of kinship, political movements, economic exchange, and resistance to capitalist state hegemony, countering the popular representations of smuggling in the region as chaotic, lawless, violent, and exotic.
 
This book includes a broad range of chapters from social science and humanities scholars, and it uses various methodologies, theoretical traditions, and analytic approaches to explore the efficacy and valence of smuggling as a lens to examine personhood, materiality, statehood, and political (dis)connection across Latin America. Its combination of historic documentation and contemporary ethnographic research highlights the development of these cultural practices while grounding them in the capitalist and colonial refashioning of the entire region since the sixteenth century.
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cover of Crafting Gender: Women and Folk Art in Latin America and the Caribbean

Crafting Gender

Women and Folk Art in Latin America and the Caribbean

Eli Bartra, ed.

Duke University Press, 2003

This volume initiates a gender-based framework for analyzing the folk art of Latin America and the Caribbean. Defined here broadly as the "art of the people" and as having a primarily decorative, rather than utilitarian, purpose, folk art is not solely the province of women, but folk art by women in Latin America has received little sustained attention. Crafting Gender begins to redress this gap in scholarship. From a feminist perspective, the contributors examine not only twentieth-century and contemporary art by women, but also its production, distribution, and consumption. Exploring the roles of women as artists and consumers in specific cultural contexts, they look at a range of artistic forms across Latin America, including Panamanian molas (blouses), Andean weavings, Mexican ceramics, and Mayan hipiles (dresses).

Art historians, anthropologists, and sociologists from Latin America, the Caribbean, and the United States discuss artwork from Mexico, Argentina, Chile, Colombia, Ecuador, Panama, Suriname, and Puerto Rico, and many of their essays focus on indigenous artists. They highlight the complex webs of social relations from which folk art emerges. For instance, while several pieces describe the similar creative and technical processes of indigenous pottery-making communities of the Amazon and of mestiza potters in Mexico and Colombia, they also reveal the widely varying functions of the ceramics and meanings of the iconography. Integrating the social, historical, political, geographical, and economic factors that shape folk art in Latin America and the Caribbean, Crafting Gender sheds much-needed light on a rich body of art and the women who create it.


Contributors
Eli Bartra
Ronald J. Duncan
Dolores Juliano
Betty LaDuke
Lourdes Rejón Patrón
Sally Price
María de Jesús Rodríguez-Shadow
Mari Lyn Salvador
Norma Valle
Dorothea Scott Whitten

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cover of Creole Indigeneity: Between Myth and Nation in the Caribbean

Creole Indigeneity

Between Myth and Nation in the Caribbean

Shona N. Jackson

University of Minnesota Press, 2012

During the colonial period in Guyana, the country’s coastal lands were worked by enslaved Africans and indentured Indians. In Creole Indigeneity, Shona N. Jackson investigates how their descendants, collectively called Creoles, have remade themselves as Guyana’s new natives, displacing indigenous peoples in the Caribbean through an extension of colonial attitudes and policies.

Looking particularly at the nation’s politically fraught decades from the 1950s to the present, Jackson explores aboriginal and Creole identities in Guyanese society. Through government documents, interviews, and political speeches, she reveals how Creoles, though unable to usurp the place of aboriginals as First Peoples in the New World, nonetheless managed to introduce a new, more socially viable definition of belonging, through labor. The very reason for bringing enslaved and indentured workers into Caribbean labor became the organizing principle for Creoles’ new identities.

Creoles linked true belonging, and so political and material right, to having performed modern labor on the land; labor thus became the basis for their subaltern, settler modes of indigeneity—a contradiction for belonging under postcoloniality that Jackson terms “Creole indigeneity.” In doing so, her work establishes a new and productive way of understanding the relationship between national power and identity in colonial, postcolonial, and anticolonial contexts.

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cover of Creolizing Contradance in the Caribbean

Creolizing Contradance in the Caribbean

Peter Manuel

Temple University Press, 2011

The contradance and quadrille, in their diverse forms, were the most popular, widespread, and important genres of creole caribbean music and dance in the nineteenth century. Throughout the region they constituted sites for interaction of musicians and musical elements of different racial, social, and ethnic origins, and they became crucibles for the evolution of genres like the Cuban danzón and son, the Dominican merengue, and the Haitian mereng.

Creolizing Contradance in the Caribbean is the first book to explore this phenomenon in detail and with a pan-regional perspective. Individual chapters by respected area experts discuss the Spanish, French, and English-speaking Caribbean. For each area they cover the musical and choreographic features, social dynamics, historical development and significance, and discuss them in relation to the broader Caribbean historical context. This groundbreaking text fills a significant gap in studies of Caribbean cultural history and of social dance.

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cover of Crescent over Another Horizon: Islam in Latin America, the Caribbean, and Latino USA

Crescent over Another Horizon

Islam in Latin America, the Caribbean, and Latino USA

Edited by Maria del Mar Logroño Narbona, Paulo G. Pinto, and John Tofik Karam

University of Texas Press, 2015

Muslims have been shaping the Americas and the Caribbean for more than five hundred years, yet this interplay is frequently overlooked or misconstrued. Brimming with revelations that synthesize area and ethnic studies, Crescent over Another Horizon presents a portrait of Islam’s unity as it evolved through plural formulations of identity, power, and belonging. Offering a Latino American perspective on a wider Islamic world, the editors overturn the conventional perception of Muslim communities in the New World, arguing that their characterization as “minorities” obscures the interplay of ethnicity and religion that continues to foster transnational ties.

Bringing together studies of Iberian colonists, enslaved Africans, indentured South Asians, migrant Arabs, and Latino and Latin American converts, the volume captures the power-laden processes at work in religious conversion or resistance. Throughout each analysis—spanning times of inquisition, conquest, repressive nationalism, and anti-terror security protocols—the authors offer innovative frameworks to probe the ways in which racialized Islam has facilitated the building of new national identities while fostering a double-edged marginalization. The subjects of the essays transition from imperialism (with studies of morisco converts to Christianity, West African slave uprisings, and Muslim and Hindu South Asian indentured laborers in Dutch Suriname) to the contemporary Muslim presence in Argentina, Brazil, Mexico, and Trinidad, completed by a timely examination of the United States, including Muslim communities in “Hispanicized” South Florida and the agency of Latina conversion. The result is a fresh perspective that opens new horizons for a vibrant range of fields.

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cover of Crossing the Borders: New Methods and Techniques in the Study of Archaeological Materials from the Caribbean

Crossing the Borders

New Methods and Techniques in the Study of Archaeological Materials from the Caribbean

Edited by Corinne L. Hofman, Menno Hoogland, and Annelou L. van Gijn

University of Alabama Press, 2008

Explores the application of a selected number of newly emerging methods and techniques
 
During the past few decades, Caribbean scholars on both sides of the Atlantic have increasingly developed and employed new methods and techniques for the study of archaeological materials. The aim of earlier research in the Caribbean was mainly to define typologies on the basis of pottery and lithic assemblages leading to the establishment of chronological charts for the region, and it was not until the 1980s that the use of technological and functional analyses of artifacts became widespread. The 1990s saw a veritable boom in this field, introducing innovative methods and techniques for analyzing artifacts and human skeletal remains. Innovative approaches included microscopic use-wear analysis, starch residue and phytolith analysis, stable isotope analysis, experimental research, ethnoarchaeological studies, geochemical analyses, and DNA studies. 
 
The purpose of this volume is to describe new methods and techniques in the study of archaeological materials from the Caribbean and to assess possible avenues of mutual benefit and integration. Exploring the advantages and disadvantages in the application of a selected number of newly emerging methods and techniques, each of these approaches is illustrated by a case study. These studies benefited from a diverse array of experience and the international background of the researchers from Canada, the Netherlands, Cuba, Puerto Rico, Martinique, Italy, Mexico, Dominican Republic, England, and the United States who are integral members of the archaeological community of the Caribbean. A background to the study of archaeological materials in the Caribbean since the 1930s is provided in order to contextualize the latest developments in this field.
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cover of Cultures of Anti-Racism in Latin America and the Caribbean

Cultures of Anti-Racism in Latin America and the Caribbean

Edited by Peter Wade, James Scorer, and Ignacio Aguiló

University of London Press, 2019

Latin America’s long history of showing how racism can co-exist with racial mixture and conviviality offers useful ammunition for strengthening anti-racist stances. This volume asks whether cultural production has a particular role to play within discourses and practices of anti-racism in Latin America and the Caribbean. The contributors analyse music, performance, education, language, film and art in diverse national contexts across the region. The book also places Latin American and Caribbean racial formations within a broader global context and sets out the premise that the region provides valuable opportunities for thinking about anti-racism when recent political events have made ever more fragile the claims that, at least in Europe and the United States, we exist in a ‘post-racial’ world.
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