231 books match the query 'Colonies' and 24 start with c

cover of Caciques and Cemi Idols: The Web Spun by Taino Rulers Between Hispaniola and Puerto Rico

Caciques and Cemi Idols

The Web Spun by Taino Rulers Between Hispaniola and Puerto Rico

Jose R Oliver

University of Alabama Press, 2009

Takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere of Puerto Rico and Hispaniola

Cemís are both portable artifacts and embodiments of persons or spirit, which the Taínos and other natives of the Greater Antilles (ca. AD 1000-1550) regarded as numinous beings with supernatural or magic powers. This volume takes a close look at the relationship between humans and other (non-human) beings that are imbued with cemí power, specifically within the Taíno inter-island cultural sphere encompassing Puerto Rico and Hispaniola. The relationships address the important questions of identity and personhood of the cemí icons and their human “owners” and the implications of cemí gift-giving and gift-taking that sustains a complex web of relationships between caciques (chiefs) of Puerto Rico and Hispaniola.
 
Oliver provides a careful analysis of the four major forms of cemís—three-pointed stones, large stone heads, stone collars, and elbow stones—as well as face masks, which provide an interesting contrast to the stone heads. He finds evidence for his interpretation of human and cemí interactions from a critical review of 16th-century Spanish ethnohistoric documents, especially the Relación Acerca de las Antigüedades de los Indios written by Friar Ramón Pané in 1497–1498 under orders from Christopher Columbus. Buttressed by examples of native resistance and syncretism, the volume discusses the iconoclastic conflicts and the relationship between the icons and the human beings. Focusing on this and on the various contexts in which the relationships were enacted, Oliver reveals how the cemís were central to the exercise of native political power. Such cemís were considered a direct threat to the hegemony of the Spanish conquerors, as these potent objects were seen as allies in the native resistance to the onslaught of Christendom with its icons of saints and virgins.
 
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cover of Call This Mutiny: [uncollected poems]

Call This Mutiny

[uncollected poems]

Craig Santos Perez

Omnidawn, 2024

A collection of previously published poems by renowned National Book Award-winning Chamoru poet Craig Santos Perez. 

The seventh book from award-winning Chamoru author Craig Santos Perez, Call This Mutiny brings together poems that were originally published in journals and anthologies from 2008 to 2023. Throughout these selected poems, Perez offers critical explorations of native cultures, decolonial politics, colonial histories, and the entangled ecologies of his homeland of Guam, his current home of Hawaiʻi, and the larger Pacific region in relation to the Global South and the Indigenous Fourth World. Perez’s poetry draws on the power of storytelling to share Indigenous history and culture and to offer healing from the trauma of colonialism and injustice. As he writes, “If we can write the ocean, we will never be silenced.”
 
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cover of Capitalism and Cartography in the Dutch Golden Age

Capitalism and Cartography in the Dutch Golden Age

Elizabeth A. Sutton

University of Chicago Press, 2015

In Capitalism and Cartography in the Dutch Golden Age, Elizabeth A. Sutton explores the fascinating but previously neglected history of corporate cartography during the Dutch Golden Age, from ca. 1600 to 1650. She examines how maps were used as propaganda tools for the Dutch West India Company in order to encourage the commodification of land and an overall capitalist agenda.

Building her exploration around the central figure of Claes Jansz Vischer, an Amsterdam-based publisher closely tied to the Dutch West India Company, Sutton shows how printed maps of Dutch Atlantic territories helped rationalize the Dutch Republic’s global expansion. Maps of land reclamation projects in the Netherlands, as well as the Dutch territories of New Netherland (now New York) and New Holland (Dutch Brazil), reveal how print media were used both to increase investment and to project a common narrative of national unity. Maps of this era showed those boundaries, commodities, and topographical details that publishers and the Dutch West India Company merchants and governing Dutch elite deemed significant to their agenda. In the process, Sutton argues, they perpetuated and promoted modern state capitalism.
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cover of Chocolate Islands: Cocoa, Slavery, and Colonial Africa

Chocolate Islands

Cocoa, Slavery, and Colonial Africa

Catherine Higgs

Ohio University Press, 2012

In Chocolate Islands: Cocoa, Slavery, and Colonial Africa, Catherine Higgs traces the early-twentieth-century journey of the Englishman Joseph Burtt to the Portuguese colony of São Tomé and Príncipe—the chocolate islands—through Angola and Mozambique, and finally to British Southern Africa. Burtt had been hired by the chocolate firm Cadbury Brothers Limited to determine if the cocoa it was buying from the islands had been harvested by slave laborers forcibly recruited from Angola, an allegation that became one of the grand scandals of the early colonial era. Burtt spent six months on São Tomé and Príncipe and a year in Angola. His five-month march across Angola in 1906 took him from innocence and credulity to outrage and activism and ultimately helped change labor recruiting practices in colonial Africa.

This beautifully written and engaging travel narrative draws on collections in Portugal, the United Kingdom, and Africa to explore British and Portuguese attitudes toward work, slavery, race, and imperialism. In a story still familiar a century after Burtt’s sojourn, Chocolate Islands reveals the idealism, naivety, and racism that shaped attitudes toward Africa, even among those who sought to improve the conditions of its workers.

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cover of Chocolate on Trial: Slavery, Politics, and the Ethics of Business

Chocolate on Trial

Slavery, Politics, and the Ethics of Business

Lowell J. Satre

Ohio University Press, 2005

At the turn of the twentieth century, Cadbury Bros. Ltd. was a successful, Quaker-owned chocolate manufacturer in Birmingham, England, celebrated for its model village, modern factory, and concern for employees. In 1901 the firm learned that its cocoa beans, purchased from Portuguese plantations on the island of São Tomé off West Africa, were produced by slave labor.

Chocolate on Trial: Cadbury, Slavery and the Economics of Virtue in Imperial Britain gives a lively and highly readable account of the events surrounding the libel trial in which Cadbury Bros. Ltd. sued the London Standard, following the newspaper's accusation that the firm was hypocritical in its use of slave-grown cocoa. As compelling now as at the turn of the previous century, the issues probed by Lowell J. Satre give invaluable historical background to contemporary issues of business ethics, corporate social responsibility, and globalization. The story Satre tells illuminates what a stubbornly persistent institution slavery was and shows how Cadbury, a company with a well-regarded brand name and logo, endured ethical dilemmas and challenges to its record for social responsibility. Chocolate on Trial brings to life the age-old conflict between economic interests and the value of human life.

Satre illuminates the stubborn persistence of the institution of slavery and shows how Cadbury, a company with a well-regarded brand name from the nineteenth century, faced ethical dilemmas and challenges to its record for social responsibility. Chocolate on Trial brings to life the age-old conflict between economic interests and regard for the dignity of human life.
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cover of Cinema, Colonialism, Postcolonialism: Perspectives from the French and Francophone Worlds

Cinema, Colonialism, Postcolonialism

Perspectives from the French and Francophone Worlds

Edited by Dina Sherzer

University of Texas Press, 1996

In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation's past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France's colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic.

The authors expound upon the role French and Francophone films are currently playing in reconstructing and imagining France's colonial past. Not only do the essays examine how French cinema has represented the encounter of French citizens with individuals from former colonies during the colonial era; they examine how French cinema has portrayed and has come to terms with the immigration of former colonial subjects to France. In addition, the book features another postcolonial facet by analyzing films of directors from the former colonies who give their own representation of colonialism and presentation of their culture.

This study is a major contribution to postcolonial research. Race, gender, and geography are central themes throughout this book that presents innovative material that contributes to the history of French cinema and emphasizes how cinema participates in and is a part of national culture.

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cover of Civilising Subjects: Metropole and Colony in the English Imagination 1830-1867

Civilising Subjects

Metropole and Colony in the English Imagination 1830-1867

Catherine Hall

University of Chicago Press, 2002

How did the English get to be English? In Civilising Subjects, Catherine Hall argues that the idea of empire was at the heart of mid-nineteenth-century British self-imagining, with peoples such as the "Aborigines" in Australia and the "negroes" in Jamaica serving as markers of difference separating "civilised" English from "savage" others.

Hall uses the stories of two groups of Englishmen and -women to explore British self-constructions both in the colonies and at home. In Jamaica, a group of Baptist missionaries hoped to make African-Jamaicans into people like themselves, only to be disappointed when the project proved neither simple nor congenial to the black men and women for whom they hoped to fashion new selves. And in Birmingham, abolitionist enthusiasm dominated the city in the 1830s, but by the 1860s, a harsher racial vocabulary reflected a new perception of the nonwhite subjects of empire as different kinds of men from the "manly citizens" of Birmingham.

This absorbing study of the "racing" of Englishness will be invaluable for imperial and cultural historians.
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cover of Civilizing War: Imperial Politics and the Poetics of National Rupture

Civilizing War

Imperial Politics and the Poetics of National Rupture

Nasser Mufti

Northwestern University Press, 2018

Winner of the Gustave O. Arlt Award in the Humanities, awarded by the Council of Graduate Schools
Honorable Mention for the 2019 Sonya Rudikoff Prize, awarded by the Northeast Victorian Studies Association


Civilizing War
traces the historical transformation of civil war from a civil affair into an uncivil crisis. Civil war is today synonymous with the global refugee crisis, often serving as grounds for liberal-humanitarian intervention and nationalist protectionism.

In Civilizing War, Nasser Mufti situates this contemporary conjuncture in the long history of British imperialism, demonstrating how civil war has been and continues to be integral to the politics of empire. Through comparative readings of literature, criticism, historiography, and social analysis, Civilizing War shows how writers and intellectuals of Britain’s Anglophone empire articulated a “poetics of national rupture” that defined the metropolitan nation and its colonial others.

Mufti’s tour de force marshals a wealth of examples as diverse as Thomas Carlyle, Benjamin Disraeli, Friedrich Engels, Arthur Conan Doyle, Rudyard Kipling, Joseph Conrad, V. S. Naipaul, Nadine Gordimer, and Michael Ondaatje to examine the variety of forms this poetics takes—metaphors, figures, tropes, puns, and plot—all of which have played a central role in Britain’s civilizing mission and its afterlife. In doing so, Civilizing War shifts the terms of Edward Said’s influential Orientalism to suggest that imperialism was not only organized around the norms of civility but also around narratives of civil war.
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cover of Colonial Madness: Psychiatry in French North Africa

Colonial Madness

Psychiatry in French North Africa

Richard C. Keller

University of Chicago Press, 2007

Nineteenth-century French writers and travelers imagined Muslim colonies in North Africa to be realms of savage violence, lurid sexuality, and primitive madness. Colonial Madness traces the genealogy and development of this idea from the beginnings of colonial expansion to the present, revealing the ways in which psychiatry has been at once a weapon in the arsenal of colonial racism, an innovative branch of medical science, and a mechanism for negotiating the meaning of difference for republican citizenship.

Drawing from extensive archival research and fieldwork in France and North Africa, Richard Keller offers much more than a history of colonial psychology. Colonial Madness explores the notion of what French thinkers saw as an inherent mental, intellectual, and behavioral rift marked by the Mediterranean, as well as the idea of the colonies as an experimental space freed from the limitations of metropolitan society and reason. These ideas have modern relevance, Keller argues, reflected in French thought about race and debates over immigration and France’s postcolonial legacy.

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cover of Colonial Meltdown: Northern Nigeria in the Great Depression

Colonial Meltdown

Northern Nigeria in the Great Depression

Moses E. Ochonu

Ohio University Press, 2009

Historians of colonial Africa have largely regarded the decade of the Great Depression as a period of intense exploitation and colonial inactivity. In Colonial Meltdown, Moses E. Ochonu challenges this conventional interpretation by mapping the determined, at times violent, yet instructive responses of Northern Nigeria’s chiefs, farmers, laborers, artisans, women, traders, and embryonic elites to the British colonial mismanagement of the Great Depression. Colonial Meltdown explores the unraveling of British colonial power at a moment of global economic crisis.

Ochonu shows that the economic downturn made colonial exploitation all but impossible and that this dearth of profits and surpluses frustrated the colonial administration which then authorized a brutal regime of grassroots exactions and invasive intrusions. The outcomes were as harsh for Northern Nigerians as those of colonial exploitation in boom years.

Northern Nigerians confronted colonial economic recovery measures and their agents with a variety of strategies. Colonial Meltdown analyzes how farmers, women, laborers, laid-off tin miners, and NorthernNigeria’s emergent elite challenged and rebelled against colonial economic recovery schemes with evasive trickery, defiance, strategic acts of revenge, and criminal self-help and, in the process, exposed the weak underbelly of the colonial system.

Combined with the economic and political paralysis of colonial bureaucrats in the face of crisis, these African responses underlined the fundamental weakness of the colonial state, the brittleness of its economicmission, and the limits of colonial coercion and violence. This atmosphere of colonial collapse emboldened critics of colonial policies who went on to craft the rhetorical terms on which the anticolonial struggle of the post–World War II period was fought out.

In the current climate of global economic anxieties, Ochonu’s analysis will enrich discussions on the transnational ramifications of economic downturns. It will also challenge the pervasive narrative of imperial economic success.

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cover of Colonial Search For A Southern Eden

Colonial Search For A Southern Eden

Louis B. Wright

University of Alabama Press, 2008

European imperialists began to dream of other kinds of wealth besides gold in the New World

The Colonial Search for a Southern Eden compiles three insightful lectures delivered by renowned historian Louis B. Wright at the Dancy Foundation in 1951. Wright explores the 17th‑century English colonial vision for the American South—not as a gold rush, but as a fertile terrain primed for economic prosperity through well‑planned plantations and commercial crops. 

Across its concise 75 pages, Wright charts the transformation of settlers’ aspirations—from hopes of quick wealth to cultivated visions of tobacco, silk, sugar, and cotton plantations meant to create a utopian "Southern Eden". These were carefully cultivated not just for their profitability but to establish structured, enduring societies complementary to English economic goals. 

Wright—a Guggenheim Fellow, Benjamin Franklin Medalist, and former director of the Folger Shakespeare Library—brings scholarly precision and elegant prose to this study, making it accessible to both historians and general readers. Publishers and reviewers have praised it as “extremely interesting and well written,” highlighting its focused yet comprehensive interpretation of colonial Southern motivations and their long-term implications. This work stands as a pivotal contribution to early American economic and colonial history—offering a nuanced understanding of how idealistic and ideological goals shaped plantation culture and southern development in the Atlantic colonies. 

With its concise structure and authoritative voice, The Colonial Search for a Southern Eden is ideal for historians, students, and enthusiasts seeking to understand the ideological underpinnings of colonial Southern society.
 

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cover of Colonial Strangers: Women Writing the End of the British Empire

Colonial Strangers

Women Writing the End of the British Empire

Lassner, Phyllis

Rutgers University Press, 2004

Colonial Strangers revolutionizes modern British literary studies by showing how our interpretations of the postcolonial must confront World War II and the Holocaust. Phyllis Lassner’s analysis reveals how writers such as Muriel Spark, Olivia Manning, Rumer Godden, Phyllis Bottome, Elspeth Huxley, and Zadie Smith insist that World War II is critical to understanding how and why the British Empire had to end.

Drawing on memoirs, fiction, reportage, and film adaptations, Colonial Strangers explores the critical perspectives of writers who correct prevailing stereotypes of British women as agents of imperialism. They also question their own participation in British claims of moral righteousness and British politics of cultural exploitation. These authors take center stage in debates about connections between the racist ideologies of the Third Reich and the British Empire.

Colonial Strangers reveals how the literary responses of key artists represent not only compelling reading, but also a necessary intervention in colonial and postcolonial debates and the canons of modern British fiction.


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cover of Colonial Subjects: Essays on the Practical History of Anthropology

Colonial Subjects

Essays on the Practical History of Anthropology

Peter Pels and Oscar Salemink, Editors

University of Michigan Press, 2000

It is often forgotten that anthropology--the scientific study of cultural difference--arose from situations that required a practical management of cultural differences. Out of the practical contexts of colonial contact--administration, mission, nationalism, policing, settler cultivation, tourism, warfare--emerged methods, and images of otherness, that inform anthropological notions of cultural difference to this day.
The essays in this volume share the assumption that "ethnography," far from being the unique purview of anthropology, is a broader field of practice out of which and alongside which anthropology attempted to distinguish itself as a scientific discipline. They explore a variety of situations in colonial South and Southeast Asia and Africa and in the treatment of the indigenous inhabitants of North America and Australia to provide genealogies of present-day anthropological practices, tracing them back to the subjects of colonial ethnography.
This book introduces into the history of anthropology many of the insights developed in recent studies in history, cultural studies, and the anthropology of colonialism. It can serve as a course book in the history of anthropology and the anthropology of colonialism, while at the same time addressing a much larger audience of students of colonial history, of the history of science and modernity, and of globalization.
Peter Pels is Lecturer in Anthropology, University of Amsterdam. Oscar Salemink is Program Officer for Social Sciences and Humanities, The Ford Foundation-Vietnam.
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cover of Colonial Transactions: Imaginaries, Bodies, and Histories in Gabon

Colonial Transactions

Imaginaries, Bodies, and Histories in Gabon

Florence Bernault

Duke University Press, 2019

In Colonial Transactions Florence Bernault moves beyond the racial divide that dominates colonial studies of Africa. Instead, she illuminates the strange and frightening imaginaries that colonizers and colonized shared on the ground. Bernault looks at Gabon from the late nineteenth century to the present, historicizing the most vivid imaginations and modes of power in Africa today: French obsessions with cannibals, the emergence of vampires and witches in the Gabonese imaginary, and the use of human organs for fetishes. Struggling over objects, bodies, agency, and values, colonizers and colonized entered relations that are better conceptualized as "transactions." Together they also shared an awareness of how the colonial situation broke down moral orders and forced people to use the evil side of power. This foreshadowed the ways in which people exercise agency in contemporary Africa, as well as the proliferation of magical fears and witchcraft anxieties in present-day Gabon. Overturning theories of colonial and postcolonial nativism, this book is essential reading for historians and anthropologists of witchcraft, power, value, and the body.
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cover of Colonialism and Culture

Colonialism and Culture

Nicholas B. Dirks, Editor

University of Michigan Press, 1992

Colonialism and Culture, edited by Nicholas B. Dirks, is an insightful exploration of the intricate relationship between colonialism and cultural transformation. The book features contributions that reflect how colonialism reshaped cultural identities and expressions across the globe, and how it remains a potent force defining both historical and contemporary landscapes. Drawing on cases from different historical periods and geographic locations, the essays examine how colonial powers imposed and justified their dominance through cultural means—such as transforming local cultures into rigid categories of the "other." The impact of this cultural hegemony extended beyond the local to influence metropolitan societies, altering notions of race, nationality, and power even in the colonizers’ homelands. Essays delve into various aspects such as the role of missionary work in the Philippines, peasant resistance in Southeast Asia, labor practices in colonial Kenya, and the conceptualization of time and development in colonial India. The work encourages a reconsideration of colonialism not just as a historical occurrence but as an active component in the configuration of modern cultural and social institutions. Engaging with the intersection of power and culture, the book challenges readers to rethink traditional narratives of empire and its legacy, offering new insights into the ongoing global implications of colonial structures.
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cover of Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany

Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany

Christian S. Davis

University of Michigan Press, 2012

Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany examines the relationship between the colonial and antisemitic movements of modern Germany from 1871 to 1918, examining the complicated ways in which German antisemitism and colonialism fed off of and into each other in the decades before the First World War. Author Christian S. Davis studies the significant involvement with and investment in German colonialism by the major antisemitic political parties and extra-parliamentary organizations of the day, while also investigating the prominent participation in the colonial movement of Jews and Germans of Jewish descent and their tense relationship with procolonial antisemites.

Working from the premise that the rise and propagation of racial antisemitism in late-nineteenth-century Germany cannot be separated from the context of colonial empire, Colonialism, Antisemitism, and Germans of Jewish Descent in Imperial Germany is the first work to study the dynamic and evolving interrelationship of the colonial and antisemitic movements of the Kaiserreich era. It shows how individuals and organizations who originated what would later become the ideological core of National Socialism---racial antisemitism---both influenced and perceived the development of a German colonial empire predicated on racial subjugation. It also examines how colonialism affected the contemporaneous German antisemitic movement, dividing it over whether participation in the nationalist project of empire building could furnish patriotic credentials to even Germans of Jewish descent. The book builds upon the recent upsurge of interest among historians of modern Germany in the domestic impact and character of German colonialism, and on the continuing fascination with the racialization of the German sense of self that became so important to German history in the twentieth century.

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cover of Coloniality at Large: Latin America and the Postcolonial Debate

Coloniality at Large

Latin America and the Postcolonial Debate

Mabel Moraña, Enrique Dussel, and Carlos A. Jáuregui, eds.

Duke University Press, 2008

Postcolonial theory has developed mainly in the U.S. academy, and it has focused chiefly on nineteenth-century and twentieth-century colonization and decolonization processes in Asia, Africa, the Middle East, and the Caribbean. Colonialism in Latin America originated centuries earlier, in the transoceanic adventures from which European modernity itself was born. Coloniality at Large brings together classic and new reflections on the theoretical implications of colonialism in Latin America. By pointing out its particular characteristics, the contributors highlight some of the philosophical and ideological blind spots of contemporary postcolonial theory as they offer a thorough analysis of that theory’s applicability to Latin America’s past and present.

Written by internationally renowned scholars based in Latin America, the United States, and Europe, the essays reflect multiple disciplinary and ideological perspectives. Some are translated into English for the first time. The collection includes theoretical reflections, literary criticism, and historical and ethnographic case studies focused on Ecuador, Guatemala, Mexico, Brazil, the Andes, and the Caribbean. Contributors examine the relation of Marxist thought, dependency theory, and liberation theology to Latin Americans’ experience of and resistance to coloniality, and they emphasize the critique of Occidentalism and modernity as central to any understanding of the colonial project. Analyzing the many ways that Latin Americans have resisted imperialism and sought emancipation and sovereignty over several centuries, they delve into topics including violence, identity, otherness, memory, heterogeneity, and language. Contributors also explore Latin American intellectuals’ ambivalence about, or objections to, the “post” in postcolonial; to many, globalization and neoliberalism are the contemporary guises of colonialism in Latin America.

Contributors: Arturo Arias, Gordon Brotherston, Santiago Castro-Gómez, Sara Castro-Klaren, Amaryll Chanady, Fernando Coronil, Román de la Campa, Enrique Dussel, Ramón Grosfoguel, Russell G. Hamilton, Peter Hulme, Carlos A. Jáuregui, Michael Löwy, Nelson Maldonado-Torres, José Antonio Mazzotti, Eduardo Mendieta, Walter D. Mignolo, Mario Roberto Morales, Mabel Moraña, Mary Louise Pratt, Aníbal Quijano, José Rabasa, Elzbieta Sklodowska, Catherine E. Walsh

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cover of Coloniality, Religion, and the Law in the Early Iberian World

Coloniality, Religion, and the Law in the Early Iberian World

Santa Arias

Vanderbilt University Press, 2013

From postcolonial, interdisciplinary, and transnational perspectives, this collection of original essays looks at the experience of Spain's empire in the Atlantic and the Pacific and its cultural production.

Hispanic Issues Series
Nicholas Spadaccini, Editor-in-Chief

Hispanic Issues Online
hispanicissues.umn.edu/online_main.html
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cover of Colonies of Paradise: Poems

Colonies of Paradise

Poems

Matthias Göritz, translated from the German by Mary Jo Bang

Northwestern University Press, 2023

The first book of poetry by Matthias Göritz to be available in English, in a translation by a renowned writer

Very few books of poetry by contemporary German writers are available to English-speaking readers. In Colonies of Paradise, acclaimed poet and translator Mary Jo Bang introduces the poems of novelist, poet, and translator Matthias Göritz, one of the most exciting German writers publishing today. The poems in this book, which originally appeared in German under the title Loops, take the reader on a tour of Paris, Chicago, Hamburg, and Moscow as they explore childhood, travel, and the human experience. Unsettling our expectations about adulthood, the book permeates the quotidian with a disquieting strangeness that leads us deeper into our own lives and histories. Göritz’s sly humor, keen insight, and artistry are brought to the fore in Bang’s careful and innovative translation, allowing an English-language audience to enter fully the intricate interiority of Göritz’s work.

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cover of Cosa and the Colonial Landscape of Republican Italy (Third and Second Centuries BCE)

Cosa and the Colonial Landscape of Republican Italy (Third and Second Centuries BCE)

Andrea U. De Giorgi, Editor

University of Michigan Press, 2019

This important new volume examines archaeological evidence of Roman colonization of the Middle Republican period.  Themes of land use, ethnic accommodation and displacement, colonial identity, and administrative schemes are also highlighted. In delving deeply into the uniqueness of select colonial contexts, these essays invite a novel discussion on the phenomenon of colonialism in the political landscape of Rome’s early expansion. Roman urbanism of the Middle Republican period brought to the Italian peninsula fundamental changes, an important example of which, highlighted by a wealth of studies, is the ebullience of a dense network of colonies, as well as a mix of senatorial tactics and individual initiatives that underpinned their foundation.  Whether Latin, Roman, or Maritimae, colonies created a new mesh of communities and imposed a new topography; more subtly, they signified the mechanisms of the rising hegemony. This book brings to the fore the diversity, agendas, and overall impact of a “settlement device” that changed the Italian landscape and introduced a new idea of Roman town.
 

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cover of Creole Medievalism: Colonial France and Joseph Bédier’s Middle Ages

Creole Medievalism

Colonial France and Joseph Bédier’s Middle Ages

Michelle R. Warren

University of Minnesota Press, 2010

Joseph Bédier (1864-1938) was one of the most famous scholars of his day. He held prestigious posts and lectured throughout Europe and the United States, an activity unusual for an academic of his time. A scholar of the French Middle Ages, he translated Tristan and Isolde as well as France's national epic, The Song of Roland. Bédier was publicly committed to French hegemony, yet he hailed from a culture that belied this ideal-the island of Réunion in the southern Indian Ocean.

In Creole Medievalism, Michelle Warren demonstrates that Bédier's relationship to this multicultural and economically peripheral colony motivates his nationalism in complex ways. Simultaneously proud of his French heritage and nostalgic for the island, Bédier defends French sovereignty based on an ambivalent resistance to his creole culture. Warren shows that in the early twentieth century, influential intellectuals from Réunion helped define the new genre of the "colonial novel," adopting a pro-colonial spirit that shaped both medieval and Francophone studies. Probing the work of a once famous but little understood cultural figure, Creole Medievalism illustrates how postcolonial France and Réunion continue to grapple with histories too varied to meet expectations of national unity.
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cover of Crossing Cultures: Essays in the Displacement of Western Civilization

Crossing Cultures

Essays in the Displacement of Western Civilization

Daniel Segal

University of Arizona Press, 1992

Through re-examination of colonial and post-colonial encounters, this collection of essays makes a strategic intervention into the current debate over the study of "Western Civilization." Together they question whether, at least since Columbus, "the West" has existed independent of its relations with those deemed Other.
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cover of Cultivating the Colonies: Colonial States and their Environmental Legacies

Cultivating the Colonies

Colonial States and their Environmental Legacies

Christina Folke Ax

Ohio University Press, 2011

The essays collected in Cultivating the Colonies demonstrate how the relationship between colonial power and nature revealsthe nature of power. Each essay explores how colonial governments translated ideas about the management of exoticnature and foreign people into practice, and how they literally “got their hands dirty” in the business of empire.

The eleven essays include studies of animal husbandry in the Philippines, farming in Indochina, and indigenous medicine in India. They are global in scope, ranging from the Russian North to Mozambique, examining the consequences of colonialismon nature, including its impact on animals, fisheries, farmlands, medical practices, and even the diets of indigenouspeople.

Cultivating the Colonies establishes beyond all possible doubt the importance of the environment as a locus for studyingthe power of the colonial state.

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cover of Cultured Force: Makers and Defenders of the French Colonial Empire

Cultured Force

Makers and Defenders of the French Colonial Empire

Barnett Singer and John Langdon

University of Wisconsin Press, 2008

Bridging gaps between intellectual history, biography, and military/colonial history, Barnett Singer and John Langdon provide a challenging, readable interpretation of French imperialism and some of its leading figures from the early modern era through the Fifth Republic.  They ask us to rethink and reevaluate, pulling away from the usual shoal of simplistic condemnation.  In a series of finely-etched biographical studies, and with much detail on both imperial culture and wars (including World War I and II), they offer a balanced, deep, strong portrait of key makers and defenders of the French Empire, one that will surely stimulate much historical work in the field.
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