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Crime in the U.S. and the institutions for its control are deeply embedded in and shaped by history. The historical origins have often become invisible, and their recovery difficult, but any understanding of the contemporary situation requires historical context. For over twenty-five years Eric H. Monkkonen has worked on some of the puzzles and problems in recovering the history of crime and police.

Much of his work has appeared in articles, often in specialized journals or not in English, which this book collects for the first time. In addition to Monkkonen’s major published articles, this volume includes several new ones. The topics embrace violence, public disorder, policing, popular culture, and contrasts between the U.S. and Europe. Some articles illuminate special methodological and source issues that challenge historians of criminal justice. As well as dealing with serious crime, this book includes several articles on specifically urban problems and solutions associated with disorder, crime, and poverty.

In contrast to the more technical articles, several chapters, which originally appeared as op-ed pieces, show how historical understanding can help address current policy issues in crime and crime control. All too often, current policy debates occur without proper historical background. As a result, old ideas that have been tried and rejected are re-introduced, or new and sometimes simple ideas are ignored.

Informed and up to date, Challenged Sovereignty explains the effects of today’s globalized problems on the contemporary Caribbean.

An analysis of the hit television series Columbo and the investigative methods of its eponymous main character.

In the iconic detective show, which aired from 1968 to 2003, Lieutenant Columbo was known for his Socratic method of rhetorical inquiry. Feigning ignorance and employing a barrage of questions about minute details, the detective enacts a persona of “antipotency,” or counter authoritativeness, to affect the villains' underestimation of his attention to inconsistencies, abductive reasoning, and rhetorical efficacy. In his predominantly dialogue-based investigations, Columbo exhausts his suspects by asking a battery of questions concerning all minor details of the case—an aggravating, tedious provocation for the killer trying to maintain innocence.

In this engaging interdisciplinary study, Christyne Berzsenyi explores the character and his influences, dissects his methods of investigation, and assesses the show’s enduring legacy in academia and popular culture. While critical and theoretical, the text is also accessible to interdisciplinary readers, practical in application, and amusing for Columbo buffs.

Parker returned to action after 23 years away, and he did so with a bang in this classic entry in the long-running hard-boiled crime series

Richard Stark's Parker novels are the hardest of hard-boiled, classic crime novels where the heists are huge, the body counts are high, and the bad guys usually win. 

The Parker novels have been a huge influence on countless writers and filmmakers, including Quentin Tarantino, Stephen King, George Pelecanos, Colson Whitehead, Lucy Sante, John Banville, and many more. Their stripped-down language and hard-as-nails amorality create an unforgettable world where the next score could be the big one, but your next mistake could also be your last. There's nothing else like them.

After the bloodbath of Butcher’s Moon, the action-filled blowout Parker adventure, Donald Westlake said, "Richard Stark proved to me that he had a life of his own by simply disappearing. He was gone." And for nearly twenty-five years, he stayed away, while readers waited.
 
But nothing bad is truly gone forever, and Parker’s as bad as they come. According to Westlake, one day in 1997, “suddenly, he came back from the dead, with a chalky prison pallor”—and the resulting novel, Comeback, showed that neither Stark nor Parker had lost a single step. Knocking over a highly lucrative religious revival show, Parker reminds us that not all criminals don ski masks—some prefer to hide behind the wings of fallen angels.

A darkly comic descent into Arkansas’s surreal criminal underworld through the eyes of a hapless, debt‑ridden hypochondriac

Couch People is a feverish, darkly comic novel that captures the anxious intensity of a world obsessed with wellness and control even as life keeps spinning into chaos. Prince, a debt-ridden drug dealer on probation, clings to vitamins and homeopathic rituals while stumbling through a surreal Arkansas underworld filled with criminal volatility and sudden violence.

As Prince fights to stay out of prison, recover his stolen money, and hold onto a fragile hope for love, he moves through a landscape populated by unforgettable misfits and bizarre dangers, including a system where snitches are cremated, turned into diamonds, and set into convicts’ teeth. Will Burns blends his satirical bite with unexpected tenderness, creating a narrative that prizes raw interiority and absurd humor over neat redemption. Couch People becomes a propulsive fever dream about love, loss, and the impossible effort to impose order on a world that refuses to make sense, inviting readers to embrace the beautiful mess of being alive without a manual, a map, or mercy.

In the late Roman Republic, acts of wrongdoing against individuals were prosecuted in private courts, while the iudicia publica (literally "public courts") tried cases that involved harm to the community as a whole. In this book, Andrew M. Riggsby thoroughly investigates the types of cases heard by the public courts to offer a provocative new understanding of what has been described as "crime" in the Roman Republic and to illuminate the inherently political nature of the Roman public courts.

Through the lens of Cicero's forensic oratory, Riggsby examines the four major public offenses: ambitus (bribery of the electorate), de sicariis et veneficiis (murder), vis (riot), and repetundae (extortion by provincial administrators). He persuasively argues that each of these offenses involves a violation of the proper relations between the state and the people, as interpreted by orators and juries. He concludes that in the late Roman Republic the only crimes were political crimes.

Since 1979 the Crime and Justice series has presented a review of the latest international research, providing expertise to enhance the work of sociologists, psychologists, criminal lawyers, justice scholars, and political scientists. The series explores a full range of issues concerning crime, its causes, and its cure. Volume 39 covers a range of criminal justice issues, including how drug enforcement affects drug prices, the source of racial disparity in imprisonment, rape and attrition in the legal process, and sex offender recidivism. Contributors to this volume include: Brigitte Bouhours, Jonathan P. Caulkins , Aaron Chalfin, Philip J. Cook, , Kathleen Daly, Denise C. Gottfredson, David S. Kirk, John H. Laub, Stephen D. Mastrofski , Chongmin Na, Steven Raphael, Michael D. Reisig, Peter Reuter, Dirk van Zyl Smit, Keith Soothill, Michael Tonry, and James J. Willis.