60 books match the query 'Europe, Central' and 6 start with c

cover of COMMITTEES IN POST-COMMUNIST DEMOCRATIC PARLIAMENTS: COMPARATIVE INSTITUTIONALIZATION

COMMITTEES IN POST-COMMUNIST DEMOCRATIC PARLIAMENTS

COMPARATIVE INSTITUTIONALIZATION

DAVID M. OLSON

The Ohio State University Press, 2002

The former Communist countries of Eastern Europe provide a treasure-trove of data on the development of democratic institutions. The contributors to this volume use the recent experiences of these countries to identify how the various committee systems are structured and tie the relative strength of the committee system in each country to the relative strength of its legislature. A uniform theoretical framework connects the work of each essay and ties the parts into an informative whole.

Comparative analysis based on seven indicators of institutionalization suggests that the committee systems of Hungary, Poland, and the Czech Republic are more institutionalized than those found elsewhere. Bulgaria is a middle case, while the parliaments of Moldova, Lithuania, and Estonia are the least. Of the indicators, stability in committee membership and extent of committee activity are among the most important for post-communist parliaments in their first decade.

This examination of legislative committees in their beginning stages suggests that the processes of institutionalization are sequenced: expertise in a policy sector is the basis of both the assertion of jurisdictional autonomy by committees and the motive for party control of their membership and officer positions. Basic to these developments, however, is the emergence of a stable and consistent structure of the committee system as a whole. More broadly, committee attributes are closely linked to the condition and functioning of both parliamentary party groups and the government.

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cover of Cinemas in Transition in Central and Eastern Europe after 1989

Cinemas in Transition in Central and Eastern Europe after 1989

Catherine Portuges

Temple University Press, 2013

The cinemas of Eastern and Central Europe have been moving away from earlier Cold War perspectives and iconographies toward identifications more closely linked to a redefined Europe. Cinemas in Transition in Central and Eastern Europe after 1989 studies the shifts in the dynamics between film production, exhibition, and reception in Eastern bloc countries as they moved from state-sponsored systems toward the free market.
 
The contributors and editors of this exciting volume examine the interrelations between thematic, aesthetic, and infrastructural changes; the globalization of the international cinema marketplace; and the problems and promises arising from the privatization of national cinemas. 

Cinemas in Transition in Central and Eastern Europe after 1989 also addresses the strategies employed for preserving national cinemas and cultures through an analysis of films from the Czech and Slovak republics, the former German Democratic Republic, Hungary, Poland, Romania, Ukraine, and the former Yugoslavia. The study provides a picture of Eastern European cinema at a critical juncture as well as its connections to the emergent world of transnational media.

Contributors include Barton Byg, Alexandra Foamente, Andrew Horton, Dina Iordanova, Ewa Mazierska, Bohdan Y. Nebesio, and Bogdan Stefanescu,

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cover of Contesting Copyright: A History of Intellectual Property in East Central Europe and the Balkans

Contesting Copyright

A History of Intellectual Property in East Central Europe and the Balkans

Augusta Dimou

Central European University Press, 2026

The creative sector, including the cultural industry, is key for today’s economy. Copyright has the capacity to x the roles and tasks of the actors involved and determine the direction of cash ows within this sector. The study of the evolution of copyright helps understand and adjust the regulation and commercialization of creative labor. Augusta Dimou provides a thoroughly researched, interdisciplinary and comparative study of the historical development of copyright regimes in three countries – Czechoslovakia, Yugoslavia, and Bulgaria. She examines the function and signi cance of copyright in the institutionalization, development, and regulation of modern culture in East Central Europe and the Balkans during the diverse political regimes of the modern era, and at the interface between the various nationalization and globalization processes of the 20th century.
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cover of Corporate Governance in Central Europe and Russia: Banks, Funds, and Foreign Investors

Corporate Governance in Central Europe and Russia

Banks, Funds, and Foreign Investors

Roman Frydman

Central European University Press, 1996

The studies in this two-volume work shed new light on the range and viability of the emerging corporate governance institutions in the transitional economies of Central Europe. Regional specialists and experts on corporate governance in advanced economies examine the emerging forms of ownership and complementary monitoring institutions in leading transition companies.
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cover of Corporate Governance in Central Europe and Russia: Insiders and the State

Corporate Governance in Central Europe and Russia

Insiders and the State

Andrzej Rapaczynski

Central European University Press, 1996

The studies in this two-volume work shed new light on the range and viability of the emerging corporate governance institutions in the transitional economies of Central Europe. Regional specialists and experts on corporate governance in advanced economies examine the emerging forms of ownership and complementary monitoring institutions in leading transition companies.
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cover of Court, Cloister, and City: The Art and Culture of Central Europe, 1450-1800

Court, Cloister, and City

The Art and Culture of Central Europe, 1450-1800

Thomas DaCosta Kaufmann

University of Chicago Press, 1995

The collapse of Communism in Central and Eastern Europe opened the doors to cultural treasures that for decades had been hidden, forgotten, or misinterpreted. Thomas DaCosta Kaufmann looks at Central Europe as a cultural entity while chronicling more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Kaufmann surveys a remarkable range of art and artifacts created from the coming of the Renaissance through to the Enlightenment.

"Kaufmann throws considerable light on one of the more neglected and least understood periods in art history."—Philadelphia Inquirer

"A wonderful book which does justice both to a formal analysis of the art and to an explanation of broader political and economic forces at work."—Virginia Quarterly Review

"Important and stimulating, Kaufmann's study examines the cultural legacy of a region too little known and understood."—Choice

"Peaks of the creative heritage which [Kaufmann] describes reserve their message—and their surprises—for those who visit them in situ. But invest in Kaufmann's volume before you go."—R. J. W. Evans, New York Review of Books
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