125 books match the query 'Perspectives' and 10 start with c

Edited by Edward Lamberti and Michael Williams
Intellect Books, 2026
This edited collection explores how Luca Guadagnino’s film Call Me by Your Name speaks powerfully to questions of contemporary sexual identity and romance.
Adapted by James Ivory from André Aciman’s novel and directed by Luca Guadagnino, the film Call Me by Your Name has been passionately received among audiences and critics ever since its 2017 release. A love story between seventeen-year-old Elio (Timothée Chalamet) and graduate student Oliver (Armie Hammer) set in 1983 “somewhere in northern Italy,” Call Me by Your Name presents a gay relationship in a romantic idyll seemingly untroubled by outside pressures, prejudices, or tragedy.
While this means it offers audiences welcome opportunities to swoon in front of an LGBTQ+ romance that equals classic heterosexual romances onscreen, its relevance or political significance today may not be immediately apparent. This edited collection points out the ways in which the film is abundantly infused with narrative, thematic, and stylistic elements that can be interpreted as speaking powerfully to contemporary audiences on questions of sexual identity. How does this love story explore wider tensions that exist between the specific and the general, between the open and the hidden, and between the past and the present? The contributors to this collection provide stimulating and contemplative responses to this question.

Edited by G. Malcolm Lewis
University of Chicago Press, 1998
Edited by Lars Meyer
Against the Grain, LLC, 2018
Edited by Lars Meyer
Against the Grain, LLC, 2019
Edited by Lars Meyer
Against the Grain, LLC, 2020
Edited by Dina Sherzer
University of Texas Press, 1996
In this first major study of French colonial and postcolonial cinema, Dina Sherzer compiles essays by some of the foremost scholars on the subject who interrogate and analyze the realities behind the images of the nation's past and present. Through an examination of France and its colonies, multiethnic contemporary France, and cinematic discourses which have been and are being produced about France's colonial past, these authors explore how the images relay underlying assumptions and their relation to historical and political facts. A variety of subjects and viewpoints inform these studies, which cover the entire range of films on that topic.
The authors expound upon the role French and Francophone films are currently playing in reconstructing and imagining France's colonial past. Not only do the essays examine how French cinema has represented the encounter of French citizens with individuals from former colonies during the colonial era; they examine how French cinema has portrayed and has come to terms with the immigration of former colonial subjects to France. In addition, the book features another postcolonial facet by analyzing films of directors from the former colonies who give their own representation of colonialism and presentation of their culture.
This study is a major contribution to postcolonial research. Race, gender, and geography are central themes throughout this book that presents innovative material that contributes to the history of French cinema and emphasizes how cinema participates in and is a part of national culture.
Audrey C. Cooper
Gallaudet University Press, 2015
Pat Crawford
Michigan State University Press, 2020
Bernd Meyer
Haus Publishing, 2009
Edited by Jennie Gamlin, Sahra Gibbon, Paola Sesia, and Lina Berrío
University College London, 2020