Results by title

191 books match the query 'Politics and literature' and 7 start with c

cover of Cato's Tears and the Making of Anglo-American Emotion

Cato's Tears and the Making of Anglo-American Emotion

Julie Ellison

University of Chicago Press, 1999

How did the public expression of feeling become central to political culture in England and the United States? In this ambitious revisionist account of a much expanded "Age of Sensibility," Julie Ellison traces the evolution of the politics of emotion on both sides of the Atlantic from the late seventeenth to the early nineteenth century.

Early popular dramas of this time, Ellison shows, linked male stoicism with sentimentality through portrayals of stoic figures whose civic sacrifices bring other men to tears. Later works develop a different model of sensibility, drawing their objects of sympathy from other races and classes—Native Americans, African slaves, servants. Only by examining these texts in light of the complex masculine tradition of stoic sentimentality, Ellison argues, can one interpret women's roles in the culture of sensibility.

In her conclusion, Ellison offers "a short history of liberal guilt," exploring the enduring link between male stoicism and male sensibility in political and cultural life from the late seventeenth century to today.
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cover of Chateaubriand Across Empires

Chateaubriand Across Empires

Fabienne Moore

Bucknell University Press, 0

What happens when the liberty of ancient nobility collides with the revolutionary ideals of equality? This groundbreaking study explores how the American, French, Haitian, and Greek Revolutions redefined freedom—and how French Romantic figure Chateaubriand grappled with that transformation. Tracing his travels across England, North America, and the Mediterranean, this book uncovers Chateaubriand’s seductive visions of “paradises lost,” which were taken up, challenged, and reimagined by Anglophone and Hispanic writers.

From Charlotte Brontë to Harriet Beecher Stowe, from Byron to Bolaño authors found in Chateaubriand a conflicted but powerful voice at the crossroads of liberty, race, religion, and empire. This is the first comprehensive study to situate Chateaubriand within the histories of colonialism and global revolution, revealing a literary legacy that remains startlingly relevant in today’s struggles over equality.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.

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cover of Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary

Conflict Bodies

The Politics of Rape Representation in the Francophone Imaginary

Régine Michelle Jean-Charles

The Ohio State University Press, 2014

Conflict Bodies: The Politics of Rape Representation in the Francophone Imaginary explores the relationship between rape and narratives of violence in francophone literature and culture. The book offers ways to account for the raped bodies beneath the conflicts of slavery, genocide, dictatorship, natural disasters and war—and to examine why doing so is necessary. Through a feminist analysis of the rhetoric and representation of rape in francophone African and Caribbean cultural production, Conflict Bodies examines theoretical, visual, and literary texts that challenge the dominant views of postcolonial violence. Using an interdisciplinary and comparative framework to consider different contexts—Haiti, Guadeloupe, Rwanda, and Democratic Republic of the Congo—Régine Michelle Jean-Charles illuminates how analyzing survivors’ subjectivities, stories, and embodied experiences provides a nuanced understanding of what is at stake in rape representation. Referencing theories from francophone literary studies, transnational black feminisms, and rape cultural criticism to analyze novels, film, photography, drama, and documentaries, Jean-Charles argues that in today’s global climate—where one in three women worldwide has been raped, rape is being used as a tool of war, and rape myths circulate with vehemence—traditional “scripts of violence” that fail to account for sexual violence demand refusal, re-thinking, and re-imagining.
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cover of Conquest of the New Word: Experimental Fiction and Translation in the Americas

Conquest of the New Word

Experimental Fiction and Translation in the Americas

By Johnny Payne

University of Texas Press, 1993

Latin American fiction won great acclaim in the United States during the 1960s, when many North American writers and critics felt that our national writing had reached a low ebb. In this study of experimental fiction from both Americas, Johnny Payne argues that the North American reception of the "boom" in Latin American fiction distorted the historical grounding of this writing, erroneously presenting it as mainly an exotic "magical realism." He offers new readings that detail the specific, historical relation between experimental fiction and various authors' careful, deliberate deformations and reformations of the political rhetoric of the modern state.

Payne juxtaposes writers from Argentina and Uruguay with North American authors, setting up suggestive parallels between the diverse but convergent practices of writers on both continents. He considers Nelson Marra in conjunction with Donald Barthelme and Gordon Lish; Teresa Porzecanski with Harry Mathews; Ricardo Piglia with John Barth; Silvia Schmid and Manuel Puig with Fanny Howe and Lydia Davis; and Jorge Luis Borges and Luisa Valenzuela with William Burroughs and Kathy Acker.

With this innovative, dual-continent approach, Conquest of the New Word will be of great interest to everyone working in Latin American literature, women's studies, translation studies, creative writing, and cultural theory.

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cover of Crime in Verse: The Poetics of Murder in the Victorian Era

Crime in Verse

The Poetics of Murder in the Victorian Era

Ellen L. O’Brien

The Ohio State University Press, 2008

Over the last few decades, Victorian scholars have produced many nuanced studies connecting the politics of crime to the generic developments of the novel—and vice versa. Ellen L. O’Brien’s Crime in Verse grants the same attention and status to poetic representations of crime. Considering the literary achievements and cultural engagements of poetry while historicizing murder’s entanglement in legal fictions, punitive practices, medical theories, class conflicts, and gender codes, O’Brien argues that shifting approaches to poetry and conflicted understandings of murder allowed poets to align problems of legal and literary interpretation in provocative, disruptive, and innovative ways.
 
Developing focused analyses of generic and discursive meanings, individual chapters examine the classed politics of crime and punishment in the broadside ballad, the epistemological tensions of homicidal lunacy and criminal responsibility in the dramatic monologue, and the legal and ideological frictions of domestic violence in the verse novel and verse drama. Their juxtaposition of the rhymes of anonymous street balladeers, the underexamined verse of “minor” poets, and the familiar poems of canonical figures suggests the interactive and intertextual relationships informing poetic agendas and political arguments. As it simultaneously reconsiders the institutional and ideological status of murder and the aesthetic and political interests of poetry, Crime in Verse offers new ways of thinking about Victorian poetry’s contents and contexts.
          
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cover of Crimes against the State, Crimes against Persons: Detective Fiction in Cuba and Mexico

Crimes against the State, Crimes against Persons

Detective Fiction in Cuba and Mexico

Persephone Braham

University of Minnesota Press, 2004

An interpretation of the ideologies and kinships of detective fiction in Cuba and Mexico

The transplanted, inherently modern detective genre serves as an especially effective lens for exposing the fissures and divergences of modernity in post-1968 Mexico and revolutionary Cuba.

Combining in-depth critical analyses with the theoretical insights of current literary and cultural theory and Latin American postmodern studies, Crimes against the State, Crimes against Persons shows how the Cuban novela negra examines the Revolution through an incisive chronicle of life under a decaying regime, and how the Mexican neopoliciaco reveals the oppressive politics of modernization and globalization in Latin America.International in scope, comparative in approach, Braham’s study presents a unique inquiry into the ethical and aesthetic complexities that Latin American authors face in adapting genre detective fiction—a modern, metropolitan model—to radically diverse creative and ideological programs. Considering the work of writers such as Leonardo Padura Fuentes and Paco Ignacio Taibo II, as well as such English-language influences as G. K. Chesterton and Chester Himes, Braham also addresses Marxist critiques of the culture industry and emergent Latin American concepts of postmodernity.
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cover of Cultural Conservatism, Political Liberalism: From Criticism to Cultural Studies

Cultural Conservatism, Political Liberalism

From Criticism to Cultural Studies

James Seaton

University of Michigan Press, 1996

Cultural Conservatism, Political Liberalism is an impassioned response to the debates on culture and the literary canon over the last decade. James Seaton argues that the attempts of E. D. Hirsch and Allan Bloom to unite cultural conservatism with political liberalism have been inadequate. He believes that their fullest integration is found not in a doctrine, but in a tradition, the tradition of cultural critics from Mencken through Ellison.
Chapters on Lionel Trilling, H. L. Mencken and Irving Babbitt, Ralph Ellison, Dwight Macdonald, Diana Trilling, and Edmund Wilson affirm the continuing pertinence of their work to today's concerns. Seaton then turns to the careers of Leslie Fiedler and Susan Sontag to explore the impact of the cultural radicalism of the sixties on literary criticism. Subsequent chapters analyze the successes and failures of contemporary cultural studies through the writings of Richard Rorty, Edward Said, Stanley Fish and Fredric Jameson.
Separately, these chapters provide provocative readings of the individual critics; together they make a case for the tradition exemplified by these critics as an alternative to contemporary cultural studies. The issues the book discusses extend beyond literary criticism and the academic world to the political-religious- cultural conflicts of today's culture wars.
"These lively, closely argued essays explain very clearly what the issues are, how they arose, and why they are important." --Christopher Lasch
"A forceful argument about the relationship between literary studies and politics that will add something important to the vigorous, and often fierce, discussion of the canon, the politics of literature, and educational reform."--William Cain, Wellesley College
James Seaton is Professor of English, Michigan State University. He is co-editor, with William K. Buckley, of Beyond Cheering and Bashing: New Perspectives on the Closing of the American Mind.
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