70 books match the query 'Prisons' and 7 start with c

cover of Captivating Technology: Race, Carceral Technoscience, and Liberatory Imagination in Everyday Life

Captivating Technology

Race, Carceral Technoscience, and Liberatory Imagination in Everyday Life

Ruha Benjamin, editor

Duke University Press, 2019

The contributors to Captivating Technology examine how carceral technologies such as electronic ankle monitors and predictive-policing algorithms are being deployed to classify and coerce specific populations and whether these innovations can be appropriated and reimagined for more liberatory ends.
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cover of Captives in Blue: The Civil War Prisons of the Confederacy

Captives in Blue

The Civil War Prisons of the Confederacy

Roger Pickenpaugh

University of Alabama Press, 2013

A gripping account of Union soldiers behind Confederate bars—where survival, sacrifice, and the unforgiving realities of Civil War imprisonment collide.

In Captives in Blue, Roger Pickenpaugh examines the ways the Confederate army contended with the growing prison population, the variations in the policies and practices of different Confederate prison camps, the effects these policies and practices had on Union prisoners, and the logistics of prisoner exchanges. He explores conditions that arose from conscious government policy decisions and conditions that were the product of local officials or unique local situations. He also considers how Confederate prisons and policies dealt with African American Union soldiers. Black soldiers held captive in Confederate prisons faced uncertain fates; many former slaves were returned to their former owners, while others faced harsh treatment in the camps. Drawing on prisoner diaries, Pickenpaugh provides compelling first-person accounts of life in prison camps often overlooked by scholars in the field.

This study of Union captives in Confederate prisons is a companion to Roger Pickenpaugh’s earlier groundbreaking book Captives in Gray: The Civil War Prisons of the Union and extends his examination of Civil War prisoner-of-war facilities into the Confederacy.

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cover of Captives in Gray: The Civil War Prisons of the Union

Captives in Gray

The Civil War Prisons of the Union

Roger Pickenpaugh

University of Alabama Press, 2009

“This is a vivid description of conditions and events rarely described: the imprisonment of captured Confederate soldiers during the Civil War. Its many parallels to circumstances in Andersonville are especially intriguing.” —Jimmy Carter, 39th President of the United States

Contains contemporary reports from prisoners and witnesses humanize the grim realities of the POW camps.

Captives in Gray is Civil War prison camp authority Roger Pickenpaugh’s acclaimed and definitive account of the Union’s POW camps. Combining his own extensive research into official records and a rich variety of letters and diaries with the best contemporary scholarship, Pickenpaugh covers every major northern camp.

Because the Union won few victories in 1861 and took few prisoners, the North had time to plan and build prison camps, an opportunity it largely squandered. Pickenpaugh gives illuminating accounts of the role and leadership of thrifty Lieutenant Colonel William Hoffman, the commissary general of prisoners for most of the conflict, and President Abraham Lincoln's secretaries of war, the incompetent Simon Cameron and the malignant Edwin M. Stanton.

Death came in many ways. Soldiers from the Deep South had no experience with extreme cold, and they died by the hundreds each winter. In one memorable freeze, Rock Island, Illinois, saw temperatures between twenty-eight and thirty-one degrees below zero. With insufficient fuel and inadequate shelter, clothing, and blankets, prisoners there and in other camps froze to death. Food rations varied widely. A few Confederates enjoyed better rations than they had in the CSA armies, but the majority supplemented their meager rations by eating rats, dogs, cats, and seagulls.

Poor medical care added to the death toll. Treatment was bad even by the standards of Civil War medicine, often due to Hoffman's reluctance to spend. Prisoners suffered from lice and scurvy, as well as pneumonia, measles, and a variety of fevers. As in both armies, diarrhea and dysentery were chronic. Smallpox epidemics killed many. Poor sanitation and drainage caused 385 deaths at Elmira, New York, in September 1864 alone.

During the war, over 12 percent of rebel prisoners, or 25,976 of the 214,865, died in captivity. Together with his Captives in Blue, Captives in Gray gives the fullest account of the experiences of prisoners of war in the American Civil War.

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cover of Carceral Afterlives: Prisons, Detention, and Punishment in Postcolonial Uganda

Carceral Afterlives

Prisons, Detention, and Punishment in Postcolonial Uganda

Katherine Bruce-Lockhart

Ohio University Press, 2022

Drawing upon social history, political history, and critical prison studies, this book analyzes how prisons and other instruments of colonial punishment endured after independence and challenges their continued existence. In Carceral Afterlives, Katherine Bruce-Lockhart traces the politics, practices, and lived experiences of incarceration in postcolonial Uganda, focusing on the period between independence in 1962 and the beginning of Yoweri Museveni’s presidency in 1986. During these decades, Ugandans experienced multiple changes of government, widespread state violence, and war, all of which affected the government’s approach to punishment. Bruce-Lockhart analyzes the relationship between the prison system and other sites of confinement—including informal detention spaces known as “safe houses” and wartime camps—and considers other forms of punishment, such as public executions and “disappearance” by state paramilitary organizations. Through archival and personal collections, interviews with Ugandans who lived through these decades, and a range of media sources and memoirs, Bruce-Lockhart examines how carceral systems were imagined and experienced by Ugandans held within, working for, or impacted by them. She shows how Uganda’s postcolonial leaders, especially Milton Obote and Idi Amin, attempted to harness the symbolic, material, and coercive power of prisons in the pursuit of a range of political agendas. She also examines the day-to-day realities of penal spaces and public perceptions of punishment by tracing the experiences of Ugandans who were incarcerated, their family members and friends, prison officers, and other government employees. Furthermore, she shows how the carceral arena was an important site of dissent, examining how those inside and outside of prisons and other spaces of captivity challenged the state’s violent punitive tactics. Using Uganda as a case study, Carceral Afterlives emphasizes how prisons and the wider use of confinement—both as a punishment and as a vehicle for other modes of punishment—remain central to state power in the Global South and North. While scholars have closely analyzed the prison’s expansion through colonial rule and the rise of mass incarceration in the United States, they have largely taken for granted its postcolonial persistence. In contrast, Bruce-Lockhart demonstrates how the prison’s transition from a colonial to a postcolonial institution explains its ubiquity and reveals ways to critique and challenge its ongoing existence. The book thus explores broader questions about the unfinished work of decolonization, the relationship between incarceration and struggles for freedom, and the prison’s enduring yet increasingly contested place in our global institutional landscape.
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cover of Challenging the Prison-Industrial Complex: Activism, Arts, and Educational Alternatives

Challenging the Prison-Industrial Complex

Activism, Arts, and Educational Alternatives

Edited by Stephen John Hartnett

University of Illinois Press, 2011

Boldly and eloquently contributing to the argument against the prison system in the United States, these provocative essays offer an ideological and practical framework for empowering prisoners instead of incarcerating them. Experts and activists who have worked within and against the prison system join forces here to call attention to the debilitating effects of a punishment-driven society and offer clear-eyed alternatives that emphasize working directly with prisoners and their communities. Edited by Stephen John Hartnett, the volume offers rhetorical and political analyses of police culture, the so-called drug war, media coverage of crime stories, and the public-school-to-prison pipeline. The collection also includes case studies of successful prison arts and education programs in Michigan, California, Missouri, Wisconsin, and Pennsylvania that provide creative and intellectual resources typically denied to citizens living behind bars. Writings and artwork created by prisoners in such programs richly enhance the volume. Contributors are Buzz Alexander, Rose Braz, Travis L. Dixon, Garrett Albert Duncan, Stephen John Hartnett, Julilly Kohler-Hausmann, Daniel Mark Larson, Erica R. Meiners, Janie Paul, Lori Pompa, Jonathan Shailor, Robin Sohnen, and Myesha Williams.
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cover of Crime and Justice, Volume 26: Prisons

Crime and Justice, Volume 26

Prisons

Edited by Michael Tonry and Joan Petersilia

University of Chicago Press Journals, 1999

America's prison population has quadrupled in the past two decades, with an enormous impact on families, communities, correctional officers, policy makers, and prisoners themselves. The use of imprisonment as a means of social control has come to the fore in many public debates—whether the issues be deterrence, incapacitation, public spending, overcrowding, or the effects of imprisonment on the offenders' later lives. Prisons addresses these and related topics, offering thought-provoking analyses of particular issues that deserve greater consideration, such as the effects of imprisonment on the children of inmates, the relationship between prisons and the surrounding communities, medical care in prisons, prisoner suicide and coping, adult correctional treatment, and prison management trends, and related topics.

Featuring articles by Alfred Blumstein and Allen Beck, Joan Petersilia, Anthony Bottoms, Douglas McDonald and others, Prisons provides reliable, up-to-date, and comprehensive overviews of policy issues and research developments concerning prisons and imprisonment. This timely collection of essays will benefit scholars, administrators, and policy makers alike.
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cover of Crossing the Yard: Thirty Years as a Prison Volunteer

Crossing the Yard

Thirty Years as a Prison Volunteer

Richard Shelton

University of Arizona Press, 2007

Ever since he was asked to critique the poetry of a convicted murderer, he has lived in two worlds.

Richard Shelton was a young English professor in 1970 when a convict named Charles Schmid—a serial killer dubbed the “Pied Piper of Tucson” in national magazines—shared his brooding verse. But for Shelton, the novelty of meeting a death-row monster became a thirty-year commitment to helping prisoners express themselves. Shelton began organizing creative writing workshops behind bars, and in this gritty memoir he offers up a chronicle of reaching out to forgotten men and women—and of creativity blossoming in a repressive environment. He tells of published students such as Paul Ashley, Greg Forker, Ken Lamberton, and Jimmy Santiago Baca who have made names for themselves through their writing instead of their crimes. Shelton also recounts the bittersweet triumph of seeing work published by men who later met with agonizing deaths, and the despair of seeing the creative strides of inmates broken by politically motivated transfers to private prisons. And his memoir bristles with hard-edged experiences, ranging from inside knowledge of prison breaks to a workshop conducted while a riot raged outside a barricaded door. Reflecting on his decision to tutor Schmid, Shelton sees that the choice “has led me through bloody tragedies and terrible disappointments to a better understanding of what it means to be human.”

Crossing the Yard is a rare story of professional fulfillment—and a testament to the transformative power of writing.
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