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Are sex workers victims, criminals, or just trying to make a living? Over the last five years, public policy and academic discourse have moved from criminalization of sex workers to victim-based understanding, shaped by human trafficking. While most research focuses on macro-level policies and theories, less is known about the on-the-ground perspectives of people whose lives are impacted by sex work, including attorneys, social workers, police officers, probation officers, and sex workers themselves.

Challenging Perspectives on Street-Based Sex Work brings the voices of lower-echelon sex workers and those individuals charged with policy development and enforcement into conversation with one another. Chapters highlight some of the current approaches to sex work, such as diversion courts, trafficking task forces, law enforcement assisted diversion and decriminalization. It also examines how sex workers navigate seldom-discussed social phenomenon like gentrification, pregnancy, imperialism, and being subjects of research. Through dialogue, our authors reveal the complex reality of engaging in and regulating sex work in the United States and through American aid abroad.

Contributors include: Aneesa A. Baboolal, Marie Bailey-Kloch, Mira Baylson, Nachale “Hua” Boonyapisomparn, Belinda Carter, Jennifer Cobbina, Ruby Corado, Eileen Corcoran, Kate D’Adamo, Edith Kinney, Margot Le Neveu, Martin A. Monto, Linda Muraresku, Erin O’Brien, Sharon Oselin. Catherine Paquette, Dan Steele, Chase Strangio, Signy Toquinto, and the editors.

Women’s agency: Is it a matter of an individual’s capacity for autonomy? Or of the social conditions that facilitate freedom? Combining theoretical and empirical perspectives, Carisa R. Showden investigates what exactly makes an agent and how that agency influences the ways women make inherently sensitive and difficult choices—specifically in instances of domestic violence, assisted reproduction, and sex work.

In Showden’s analysis, women’s agency emerges as an individual and social construct, rooted in concrete experience, complex and changing over time. She traces the development and deployment of agency, illustrating how it plays out in the messy workings of imperfect lives. In a series of case studies, she considers women within situations of intimate partner violence, reproductive decision making, and sex work such as prostitution and pornography. Each narrative offers insight into how women articulate their self-understanding and political needs in relation to the pressures they confront.

Showden’s understanding of women’s agency ultimately leads her to review possible policy and legal interventions that could improve the conditions within which agency develops and that could positively enhance women’s ability to increase and exercise their political and personal options.

From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction.

Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and
asserted their presence in the public domain.

An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press.

A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.

Across the nineteenth and twentieth centuries, legislators in Bombay passed a series of repetitive laws seeking to control prostitution. During the same time, Bombay’s sex industry grew vast in scale. Ashwini Tambe explores why these remarkably similar laws failed to achieve their goal and questions the actual purpose of such lawmaking.

Against the backdrop of the industrial growth of Bombay, Codes of Misconduct examines the relationship between lawmaking, law enforcement, and sexual commerce. Ashwini Tambe challenges linear readings of how laws create effects and demonstrates that the regulation and criminalization of prostitution were not contrasting approaches to prostitution but different modes of state coercion. By analyzing legal prohibitions as productive forces, she also probes the pornographic imagination of the colonial state, showing how regulations made sexual commerce more visible but rendered the prostitute silent.

Codes of Misconduct engages with debates on state control of sex work and traces how a colonial legacy influences contemporary efforts to contain the spread of HIV and decriminalize sex workers in India today. In doing so, Tambe’s work not only adds to our understanding of empire, sexuality, and the law, it also sheds new light on the long history of Bombay’s transnational links and the social worlds of its underclasses.

Crossing over the Line describes the folly of the Mann Act of 1910—a United States law which made travel from one state to another by a man and a woman with the intent of committing an immoral act a major crime. Spawned by a national wave of "white slave trade" hysteria, the Act was created by the Congress of the United States as a weapon against forced prostitution.

This book is the first history of the Mann Act's often bizarre career, from its passage to the amendment that finally laid it low. In David J. Langum's hands, the story of the Act becomes an entertaining cautionary tale about the folly of legislating private morality.

Langum recounts the colorful details of numerous court cases to show how enforcement of the Act mirrored changes in America's social attitudes. Federal prosecutors became masters in the selective use of the Act: against political opponents of the government, like Charlie Chaplin; against individuals who eluded other criminal charges, like the Capone mobster "Machine Gun" Jack McGurn; and against black men, like singer Chuck Berry and boxer Jack Johnson, who dared to consort with white women. The Act engendered a thriving blackmail industry and was used by women like Frank Lloyd Wright's wife to extort favorable divorce settlements.

"Crossing over the Line is a work of scholarship as wrought by a civil libertarian, and the text . . . sizzles with the passion of an ardent believer in real liberty under reasonable laws."—Jonathan Kirsch, Los Angeles Times