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The essays in Chop Suey and Sushi from Sea to Shining Sea fill gaps in the existing food studies by revealing and contextualizing the hidden, local histories of Chinese and Japanese restaurants in the United States.

The writer of these essays show how the taste and presentation of Chinese and Japanese dishes have evolved in sweat and hardship over generations of immigrants who became restaurant owners, chefs, and laborers in the small towns and large cities of America. These vivid, detailed, and sometimes emotional portrayals reveal the survival strategies deployed in Asian restaurant kitchens over the past 150 years and the impact these restaurants have had on the culture, politics, and foodways of the United States.

Some of these authors are family members of restaurant owners or chefs, writing with a passion and richness that can only come from personal investment, while others are academic writers who have painstakingly mined decades of archival data to reconstruct the past. Still others offer a fresh look at the amazing continuity and domination of the “evil Chinaman” stereotype in the “foreign” world of American Chinatown restaurants. The essays include insights from a variety of disciplines, including history, sociology, anthropology, ethnography, economics, phenomenology, journalism, food studies, and film and literary criticism.

Chop Suey and Sushi from Sea to Shining Sea not only complements the existing scholarship and exposes the work that still needs to be done in this field, but also underscores the unique and innovative approaches that can be taken in the field of American food studies.

In Cities in the Sea, Maura Stanton taps into the mysterious force of the fairy tale, with its fantastic images and magical narrative patterns. Her stories blur the boundaries between fairy tale and verité, and comment on the art of storytelling. A range of characters—from a business man to a pianist, from a county coroner to a hardware store clerk, from a Greek immigrant to a Danish artist—come to discover that the past is a ruined kingdom, lost forever, but still a place to visit in wish, dream, and memory. Throughout her stories, Stanton attempts to wrest a deeper pattern, full of humor and wonder, out of the disturbing events of contemporary life.

A man witnesses a tragic accident that calls his own life into question. A young woman meets her high school sweetheart after many years and seeks to make sense of the separate paths they've taken. A soldier home from Iraq tries to rebuild his life in a remote Alaskan village.

These are fishing stories, told as such stories are meant to be: simple, often coarse, and tinged with the elemental beauty of the sea. They reflect rugged lives lived on the edge of the ocean’s borders, where grief and grace ride the same waves. Rosemary McGuire, a fisherman herself, captures the essential humanity at the heart of each tale. No one comes through unscathed, but all retain a sense of hope and belief in earthly miracles, however humble.

A dazzling debut, The Creatures at the Absolute Bottom of the Sea will leave readers with a sense of the fragility and beauty inherent in eroded lives spent in proximity to danger.