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96 books match the query 'Shadow' and 3 start with c

cover of Casting a Shadow: Creating the Alfred Hitchcock Film

Casting a Shadow

Creating the Alfred Hitchcock Film

Edited by Will Schmenner and Corinne Granof

Northwestern University Press, 2007

Alfred Hitchcock is often held up as the prime example of the one-man filmmaker, conceiving and controlling all aspects of his films’ development—the archetype of genius over collaboration. An exhibition at the Block Museum of Art at Northwestern University, however, put the lie to Hitchcock-as-auteur, presenting more than seventy-five sketches, designs, watercolors, paintings, and storyboards that, together, examine Hitchcock’s very collaborative filmmaking process. The four essays in this collection were written to accompany the exhibition and delve further into Hitchcock’s contributions to the collaborative process of art in film.

Scott Curtis considers the four functions of Hitchcock’s sketches and storyboards and how they undermine the impression of Hitchcock as a lone artist. Tom Gunning examines the visual vocabulary and cultural weight of Hitchcock’s movies. Bill Krohn focuses sharply on the film I Confess, tracking its making over a very cooperative path.

Finally, Jan Olsson draws on the television series, Alfred Hitchcock Presents, to show the ways that collaboration contributes to the formation of his well known public persona. Anchored by editor Will Schmenner’s introduction, this book represents an important contribution to Hitchcock scholarship and a provocative glimpse at his unsung strength as a collaborative artist.
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cover of Chasing the Shadow: Mickey Marcus's 200 Days of Destiny

Chasing the Shadow

Mickey Marcus's 200 Days of Destiny

Steven L. Ossad

University of Missouri Press, 2024

The life of David “Mickey” Marcus has become the stuff of legends and myths (even fantasy), conspiracy, wild exaggeration, and untethered embellishment. The image of Marcus cast by the character portrayed by Kirk Douglas in the film version of his life still dominates most evocations of the man, for good or ill. And these days, reactions to the book or film rest mostly on the current headlines rather than the historical context of the struggle in which Marcus died, or the events that cast him as a real-life player in an event marked by destiny. 

Chasing the Shadow: Mickey Marcus’s 200 Days of Destiny is the first comprehensive and balanced biography of David Daniel “Mickey” Marcus, a founder of American Civil Affairs and Military Government doctrine and practice and a seminal figure in early Israeli military history. Far from merely a tribute to Mickey Marcus's legacy, Ossad’s work serves as a critical tool for understanding the realities of mid-20th-century warfare in a Postwar colonial struggle and the dynamics of U.S.-Israeli military and political relations in 1948, the critical year for Israel’s struggle for independence. Indeed, Chasing the Shadow is a valuable read for those interested in Middle East history, Jewish military history, and a fascinating character whose story is told in an engaging, informative, and insightful narrative. 

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cover of Confederate Bushwhacker: Mark Twain in the Shadow of the Civil War

Confederate Bushwhacker

Mark Twain in the Shadow of the Civil War

Jerome Loving

University Press of New England, 2013

Confederate Bushwhacker is a microbiography set in the most important and pivotal year in the life of its subject. In 1885, Mark Twain was at the peak of his career as an author and a businessman, as his own publishing firm brought out not only the U.S. edition of Adventures of Huckleberry Finn but also the triumphantly successful Personal Memoirs of U. S. Grant. Twenty years after the end of the Civil War, Twain finally tells the story of his past as a deserter from the losing side, while simultaneously befriending and publishing the general from the winning side. Coincidentally, the year also marks the beginning of Twain’s descent into misfortune, his transformation from a humorist into a pessimist and determinist. Interwoven throughout this portrait are the headlines and crises of 1885—black lynchings, Indian uprisings, anti-Chinese violence, labor unrest, and the death of Grant. The year was at once Twain’s annus mirabilis and the year of his undoing. The meticulous treatment of this single year by the esteemed biographer Jerome Loving enables him to look backward and forward to capture both Twain and the country at large in a time of crisis and transformation.
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