226 books match the query 'Southwest, New' and 20 start with c

cover of Cacti of the Southwest: Texas, New Mexico, Oklahoma, Arkansas, and Louisiana

Cacti of the Southwest

Texas, New Mexico, Oklahoma, Arkansas, and Louisiana

Del Weniger

University of Texas Press, 0

Del Weniger presents a beautifully illustrated account of all the cacti found in Texas, New Mexico, Oklahoma, Arkansas, and Louisiana. Cactus blossoms often rival the most exotic hothouse plants for delicate beauty. Depending upon the species, they range in color from white through almost the entire spectrum of the rainbow. Nearly every plant in the five-state area is here pictured in color, usually in full bloom.

The cactus was one of the most completely new and different plants encountered by Europeans in the Americas, and the larger species, at least, easily made their presence known to even the most unobservant passerby. To the observant the cactus in its surprising variety of forms has from the beginning exercised a strong fascination. The casual student may easily identify most specimens from these illustrations, and the more serious student will find detailed keys to all of the cacti of the area.

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cover of Came Men on Horses: The Conquistador Expeditions of Francisco Vázquez de Coronado and Don Juan de Oñate

Came Men on Horses

The Conquistador Expeditions of Francisco Vázquez de Coronado and Don Juan de Oñate

Stan Hoig

University Press of Colorado, 2013

Guided by myths of golden cities and worldly rewards, policy makers, conquistador leaders, and expeditionary aspirants alike came to the new world in the sixteenth century and left it a changed land. Came Men on Horses follows two conquistadors—Francisco Vázquez de Coronado and Don Juan de Oñate—on their journey across the southwest.

Driven by their search for gold and silver, both Coronado and Oñate committed atrocious acts of violence against the Native Americans, and fell out of favor with the Spanish monarchy. Examining the legacy of these two conquistadors Hoig attempts to balance their brutal acts and selfish motivations with the historical significance and personal sacrifice of their expeditions. Rich human details and superb story-telling make Came Men on Horses a captivating narrative scholars and general readers alike will appreciate.

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cover of Canyons of the Southwest: A Tour of the Great Canyon Country from Colorado to Northern Mexico

Canyons of the Southwest

A Tour of the Great Canyon Country from Colorado to Northern Mexico

John Annerino

University of Arizona Press, 1993

The canyons of the southwestern United States and northern Mexico contain some of the most dramatic landscapes in the world. John Annerino's pictorial celebration of this visually rich region is a handsome memento for those who have heard the wind whistling in these haunting canyons, and a beckoning invitation for those who have not yet made the journey.

Annerino has spent much of his adult life exploring this territory—as wilderness runner, adventurer, and photojournalist—and combines his firsthand knowledge with his expertise as a nature photographer and author to create an intimate portrait of these timeless places. Accompanying the photographs are informative essays describing the region's geological and human history.

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cover of Capturing Labor: A History of Unfree Work in the Southwest

Capturing Labor

A History of Unfree Work in the Southwest

Edited by Jessica R. Pliley and John Mckiernan-González

University of Texas Press, 2026

A collection of essays grappling with the many, often overlooked, forms of unfree labor in the West.

When Americans think of unfree labor—coerced, extracted from workers unable to freely enter and exit contracts—what comes to mind is Black slavery and peonage in the South. But other forms of unfree labor also built the United States. Collecting a diverse range of sharply argued historical essays, Capturing Labor shares the story of unfree labor in the Southwest, affecting mainly Indigenous people, Mexican Americans, and people of color.

In Texas and elsewhere, state agents developed various methods for directing the movement of workers, seizing their time, and controlling the products of their efforts. Case studies highlight the detention during World War I of Indigenous children and unaccompanied women, who were placed in boarding schools, fined, and obligated to work off the resulting debt. Other essays expose authorities forcing workers to break strikes and jailing Americans who supported labor uprisings in rural Mexico and the United States. Prisons and asylums supplied coerced agricultural workers and musicians who were never compensated for their labor or by the labels that took their recordings.

Editors Jessica Pliley and John Mckiernan-González contend that unfree labor continues to shape American life, and is all around us today. Understanding its history aids us in recognizing and bringing attention to the grim realities of the present.

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cover of Celluloid Pueblo: Western Ways Films and the Invention of the Postwar Southwest

Celluloid Pueblo

Western Ways Films and the Invention of the Postwar Southwest

Jennifer L. Jenkins

University of Arizona Press, 2016

The five Cs of Arizona—copper, cattle, cotton, citrus, and climate—formed the basis of the state’s livelihood and a readymade roster of subjects for films. With an eye on the developing national appetite for all things western, Charles and Lucile Herbert founded Western Ways Features in 1936 to document the landscape, regional development, and diverse cultures of Arizona, the U.S. Southwest, and northern Mexico.

Celluloid Pueblo tells the story of Western Ways Features and its role in the invention of the Southwest of the imagination. Active during a thirty-year period of profound growth and transformation, the Herberts created a dynamic visual record of the region, and their archival films now serve as a time capsule of the Sunbelt in the mid-twentieth century. Drawing upon a ten-year career with Fox, Western Ways owner-operator Charles Herbert brought a newshound’s sensibility and acute skill at in-camera editing to his southwestern subjects. The Western Ways films provided counternarratives to Hollywood representations of the West and established the regional identity of Tucson and the borderlands.

Jennifer L. Jenkins’s broad-sweeping book examines the Herberts’ work on some of the first sound films in the Arizona borderlands and their ongoing promotion of the Southwest. The book covers the filmic representation of Native and Mexican lifeways, Anglo ranching and leisure, Mexican missions and tourism, and postwar borderlands prosperity and progressivism. The story of Western Ways closely follows the boom-and-bust arc of the midcentury Southwest and the constantly evolving representations of an exotic—but safe and domesticated—frontier.
 
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cover of Ceramic Production in the American Southwest

Ceramic Production in the American Southwest

Edited by Barbara J. Mills and Patricia L. Crown

University of Arizona Press, 1995

Southwestern ceramics have always been admired for their variety and aesthetic beauty. Although ceramics are most often used for placing the peoples who produced them in time, they can also provide important clues to past economic organization. This volume covers nearly 1000 years of southwestern prehistory and history, focusing on ceramic production in a number of environmental and economic contexts. It brings together the best of current research to illustrate the variation in the organization of production evident in this single geographic area. The contributors use diverse research methods in their studies of vessel form and decoration. All support the conclusion that the specialized production of ceramics for exchange beyond the household was widespread. The first seven chapters focus on ceramic production in specific regions, followed by three essays that re-examine basic concepts and offer new perspectives. Because previous studies of southwestern ceramics have focused more on distribution than production, Ceramic Production in the American Southwest fills a long-felt need for scholars in that region and offers a broad-based perspective unique in the literature. The Southwest lacked high levels of sociopolitical complexity and economic differentiation, making this volume of special interest to scholars working in similar contexts and to those interested in craft production.
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cover of Children in Prehistoric Puebloan Southwest

Children in Prehistoric Puebloan Southwest

Kathryn Kamp

University of Utah Press, 2002

Is there evidence of children in the archaeological record? Some would answer no, that "subadults" can only be distinguished when there is osteological confirmation. Others might suggest that the reason children don’t exist in prehistory is because no one has looked for them, much as no one had looked for women in the same context until recently.

Focusing on the Southwest, contributors to this volume attempt to find some of those children, or at least show how they might be found. They address two issues: what was the cultural construction of childhood? What were childrens' lives like?

Determining how cultures with written records have constructed childhood in the past is hard enough, but the difficulty is magnified in the case of ancient Puebloan societies. The contributors here offer approaches from careful analysis of artifacts and skeletal remains to ethnographic evidence in rock art. Topics include ceramics and evidence of child manufacture and painting, cradleboards, evidence of child labor, and osteological evidence of health conditions.
 

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cover of Chiricahua Apache Enduring Power: Naiche's Puberty Ceremony Paintings

Chiricahua Apache Enduring Power

Naiche's Puberty Ceremony Paintings

Trudy Griffin-Pierce, foreword by J. Jefferson Reid and Stephanie M. Whittlesey

University of Alabama Press, 2006

A gripping story of the cultural resilience of the descendants of Geronimo and Cochise

This book reveals the conflicting meanings of power held by the federal government and the Chiricahua Apaches throughout their history of interaction. When Geronimo and Naiche, son of Cochise, surrendered in 1886, their wartime exploits came to an end, but their real battle for survival was only beginning. Throughout their captivity in Florida, Alabama, and Oklahoma, Naiche kept alive Chiricahua spiritual power by embodying it in his beautiful hide paintings of the Girl’s Puberty Ceremony—a ritual at the very heart of tribal cultural life and spiritual strength.

This narrative is a tribute to the Chiricahua people, who survive today, despite military efforts to annihilate them, government efforts to subjugate them, and social efforts to destroy their language and culture. Although federal policy makers brought to bear all the power at their command, they failed to eradicate Chiricahua spirit and identity nor to convince them that their lower status was just part of the natural social order. Naiche, along with many other Chiricahuas, believed in another kind of power. Although not known to have Power of his own in the Apache sense, Naiche’s paintings show that he believed in a vital source of spiritual strength. In a very real sense, his paintings were visual prayers for the continuation of the Chiricahua people. Accessible to individuals for many purposes, Power helped the Chiricahuas survive throughout their history.

Griffin-Pierce explores Naiche’s artwork through the lens of current anthropological theory on power, hegemony, resistance, and subordination. As she retraces the Chiricahua odyssey during 27 years of incarceration and exile by visiting their internment sites, she reveals how the Power was with them throughout their dark period. As it was when the Chiricahua warriors and their families struggled to stay alive, Power remains the centering focus for contemporary Chiricahua Apaches. Although never allowed to return to their beloved homeland, not only are the Chiricahua Apaches surviving today, they are keeping their traditions alive and their culture strong and vital.

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cover of Cleaving an Unknown World: The Powell Expeditions and the Scientific Exploration of the Colorado Plateau

Cleaving an Unknown World

The Powell Expeditions and the Scientific Exploration of the Colorado Plateau

Don D Fowler

University of Utah Press, 2011

In 2009 the University of Utah Press and the Utah State Historical Society co-published three volumes of long out-of-print journals, letters, and other documents from John Wesley Powell’s expeditions down the Colorado River. We are proud to announce the fourth and final volume. Cleaving an Unknown World collects Powell’s journal (Smithsonian Journal of History, 1968); Jack Hillers’s diary and photographs, previously published as Photographed All the Best Scenery, edited by Don D. Fowler (University of Utah Press, 1972); original maps from Francis Marion Bishop (Utah Historical Quarterly, 1969); Frederick S. Dellenbaugh’s letters (Utah Historical Quarterly, 1969); and John C. Sumner’s journal from the first Powell expedition (Utah Historical Quarterly, 1969). Roy Webb’s foreword provides the context for these disparate pieces.

This beautifully illustrated book features Hillers’s photographs—long regarded as a remarkable and unique record of the Colorado River and the Grand Canyon. Cleaving an Unknown World belongs in the library of any reader interested in the exploration of the American West.
 

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cover of Collaboration in Practice: Transforming Community-Based Research in the Southwest

Collaboration in Practice

Transforming Community-Based Research in the Southwest

Fumi Arakawa, Octavius Seowtewa, and Dylan Retzinger

University of Arizona Press, 2026

Focusing on the Chavez Cave collections in Las Cruces, New Mexico, Collaboration in Practice presents a study of the partnership between New Mexico State University and the Zuni Cultural Resource Advisory Team (ZCRAT). Rather than centering on artifact analysis, the authors emphasize the collaborative process itself—visiting the site, curating an exhibition, and co-authoring this volume—as a model for ethical and respectful research.
 
The book situates this collaboration within the broader historical and political context of archaeology and museology. It critically explores how museums and academic institutions can shift from extractive practices to ones that prioritize Indigenous sovereignty, knowledge systems, and cultural continuity. Through personal narratives, historical context, and methodological insights, the authors highlight the challenges and transformative potential of working collaboratively. They show how true collaboration requires humility, mutual respect, and a commitment to shared authority in both research and representation.
 
Ultimately, this work charts a path forward for community-based research that centers Indigenous voices and values. It advocates for an archaeology that is not only more inclusive but also more meaningful to the communities whose histories are being studied. A vital resource for scholars, students, and practitioners, this work seeks to engage in ethical, reciprocal, and culturally grounded research in the Southwest and beyond.
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cover of Colonial Legacies in Chicana/o Literature and Culture: Looking Through the Kaleidoscope

Colonial Legacies in Chicana/o Literature and Culture

Looking Through the Kaleidoscope

Vanessa Fonseca-Chávez

University of Arizona Press, 2020

Colonial Legacies in Chicana/o Literature and Culture exposes the ways in which colonialism is expressed in the literary and cultural production of the U.S. Southwest, a region that has experienced at least two distinct colonial periods since the sixteenth century.

Vanessa Fonseca-Chávez traces how Spanish colonial texts reflect the motivation for colonial domination. She argues that layers of U.S. colonialism complicate how Chicana/o literary scholars think about Chicana/o literary and cultural production. She brings into view the experiences of Chicana/o communities that have long-standing ties to the U.S. Southwest but whose cultural heritage is tied through colonialism to multiple nations, including Spain, Mexico, and the United States.

While the legacies of Chicana/o literature simultaneously uphold and challenge colonial constructs, the metaphor of the kaleidoscope makes visible the rupturing of these colonial fragments via political and social urgencies. This book challenges readers to consider the possibilities of shifting our perspectives to reflect on stories told and untold and to advocate for the inclusion of fragmented and peripheral pieces within the kaleidoscope for more complex understandings of individual and collective subjectivities.

This book is intended for readers interested in how colonial legacies are performed in the U.S. Southwest, particularly in the context of New Mexico, Texas, and Arizona. Readers will relate to the book’s personal narrative thread that provides a path to understanding fragmented identities.
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cover of Color in the Ancestral Pueblo Southwest

Color in the Ancestral Pueblo Southwest

Edited by Marit K. Munson and Kelley Hays-Gilpin

University of Utah Press, 2019

Color attracts attention, evokes emotions, conveys information, carries complex meanings, and makes things beautiful. Color is so meaningful, in fact, that research on the color choices of Ancestral Pueblo people has the potential to deepen our understanding of religious, social, and economic change in the ancient Southwest. This volume explores museum collections and more than a century of archaeological research to create the first systematic understanding of the many ways Ancestral Pueblo people chose specific colors through time and space to add meaning and visual appeal to their lives.
 
Beginning with the technical and practical concerns of acquiring pigments and using them to create paints, the authors explore how connections to landscapes and sacred places are embodied by many colorful materials. Contributors examine the development of polychromes and their juxtaposition with black-on-white vessels; document how color was used in rock paintings and architecture; and consider the inherent properties of materials, arguing that shell, minerals, and stone were valued not only for color but for other visual properties as well. The book concludes by considering the technological, economic, social, and ideological factors at play and demonstrates the significant role color played in aesthetic choices.
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cover of Columnar Cacti and Their Mutualists: Evolution, Ecology, and Conservation

Columnar Cacti and Their Mutualists

Evolution, Ecology, and Conservation

Edited by Theodore H. Fleming and Alfonso Valiente-Banuet

University of Arizona Press, 2002

Although cacti such as the saguaro and organ pipe have come to define the Sonoran Desert for many people, they represent some 170 species of columnar cacti found in many parts of the Americas. These giant plants are so dominant in some ecosystems that many species of animals rely on them for food and shelter. They are pollinated by bats in central Mexico and Venezuela, by birds and bees in northern Mexico and Peru.

This book summarizes our current knowledge about the ecology, evolution, and conservation of columnar cacti and their vertebrate mutualists to show that the very survival of these cacti depends on animals who pollinate them and disperse their seeds. Contributors from the United States, Mexico, Venezuela, and Colombia explore aspects of geology and evolution that have forged this relationship, review findings in anatomy and physiology, and discuss recent research in population and community ecology as well as conservation issues. Ranging from the Sonoran Desert to the northern Andes, these studies reflect recent progress in understanding how abiotic and biotic factors interact to influence the evolution, distribution, and abundance of cacti and mutualists alike.

In addition, this book examines the ways in which humans, through the process of domestication, have modified these plants for economic benefit. The contributors also review phylogenetic relationships between cacti and nectar-feeding bats in an effort to understand how bat-plant interactions have influenced the evolution of diversity and ecological specialization of both. Because of the number of migratory pollinators feeding on columnar cacti, the authors make conservation recommendations aimed at preserving fully functional ecosystems in arid portions of the New World tropics and subtropics.

No other book treats the pollination ecology of cacti in such depth or offers such a wealth of up-to-date material on the nectar-feeding bats of the New World. As scientists become increasingly concerned with the need to protect biotic interactions, Columnar Cacti and Their Mutualists provides a benchmark for both conservation efforts and future research.
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cover of Communities and Households in the Greater American Southwest: New Perspectives and Case Studies

Communities and Households in the Greater American Southwest

New Perspectives and Case Studies

Robert J. Stokes

University Press of Colorado, 2019

Communities and Households in the Greater American Southwest presents new research on human organization in the American Southwest, examining families, households, and communities in the Ancestral Puebloan, Mogollon, and Hohokam major cultural areas, as well as the Fremont, Jornada Mogollon, and Lipan Apache areas, from the time of earliest habitation to the twenty-first century. Using historical data, dialectic approaches, problem-oriented and data-driven analysis, and ethnographic and gender studies methodologies, the contributors offer diverse interpretations of what constitutes a site, village, and community; how families and households organized their domestic space; and how this organization has influenced researchers’ interpretations of spatially derived archaeological data.
 
Today’s archaeologists and anthropologists understand that communities operate as a multi-level, -organizational, -contextual, and -referential human creation, which informs their understanding of how people actively negotiate their way through and around community constraints. The chapters in this book creatively examine these interactions, revealing the dynamic nature of ancient and modern groups in the American Southwest. The book has two broad complementary themes: one focusing on household decision-making, identity, and structural relations with the greater community; the other concerned with community organization and integration, household roles within the community, and changes in community organization—violence and destabilization, coalescence and cooperation—over time.
 
Communities and Households in the Greater American Southwest weaves a rich tapestry of ancient and modern life through innovative approaches that will be of interest not only to Southwestern archaeologists but to all researchers and students interested in social organization at the household and community levels.

Contributors: James R. Allison, Andrew Duff, Lindsay Johansson, Michael Lindeman, Myles Miller, James Potter, Alison E. Rautman, J. Jefferson Reid, Katie Richards, Oscar Rodriguez, Barbara Roth, Kristin Safi, Deni Seymour, Robert J. Stokes, Richard K. Talbot, Scott Ure, Henry Wallace, Stephanie M. Whittlesey
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cover of Conservation is not Enough: Rethinking Relationships with Water in the Arid Southwest

Conservation is not Enough

Rethinking Relationships with Water in the Arid Southwest

Janine Schipper

University of Wyoming Press, 2025

Conservation Is Not Enough reconsiders the most basic assumptions about water issues in the Southwest, revealing why conservation alone will not lead to a sustainable water future. The book undertakes a thorough examination of the prevailing “conservation ethos” deeply ingrained in the culture, critically analyzing its historical roots and shedding light on its problems and inherent limitations. Additionally, it explores deep ecology and an Indigenous water ethos, offering radically different ways of understanding and experiencing water.

Using an exploratory and qualitative approach, the book draws on more than ninety-five interviews conducted over three years, revealing the complex relationships people have with water in the Southwest, and prominently features the voices of participants, effectively illustrating multiple perspectives and diverse ways of thinking about and relating to water. Schipper highlights various perspectives—including a water manager making conservation decisions, a Hopi elder emphasizing our connection to the water cycle, and a ski instructor reflecting on human-made snow—and interweaves personal experiences and reflections on her own relationship with water and conservation efforts.

Conservation Is Not Enough encourages readers to reflect on their personal connections to water and consider new possibilities, and it also urges readers to think beyond conventional conservation approaches. This book helps to transform the collective approach to water and cultivate fresh ways of engaging with and relating to water and is of great interest to scholars, students, and residents concerned with water issues in the Colorado River Basin.
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cover of Contemporary Archaeologies of the Southwest

Contemporary Archaeologies of the Southwest

William Walker

University Press of Colorado, 2011

Organized by the theme of place and place-making in the Southwest, Contemporary Archaeologies of the Southwest emphasizes the method and theory for the study of radical changes in religion, settlement patterns, and material culture associated with population migration, colonialism, and climate change during the last 1,000 years.

Chapters address place-making in Chaco Canyon, recent trends in landscape archaeology, the formation of identities, landscape boundaries, and the movement associated with these aspects of place-making. They address how interaction of peoples with objects brings landscapes to life. Representing a diverse cross section of Southwestern archaeologists, the authors of this volume push the boundaries of archaeological method and theory, building a strong foundation for future Southwest studies.

This book will be of interest to professional and academic archaeologists, as well as students working in the American Southwest.

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cover of Cornerstone at the Confluence: Navigating the Colorado River Compact's Next Century

Cornerstone at the Confluence

Navigating the Colorado River Compact's Next Century

Edited by Jason Anthony Robison

University of Arizona Press, 2022

Signed on November 24, 1922, the Colorado River Compact is the cornerstone of a proverbial pyramid—an elaborate body of laws colloquially called the “Law of the River” that governs how human beings use water from the river system dubbed the “American Nile.”

No fewer than forty million people have come to rely on the Colorado River system in modern times—a river system immersed in an unprecedented, unrelenting megadrought for more than two decades. Attempting to navigate this “new normal,” policymakers are in the midst of negotiating new management rules for the river system, a process coinciding with the compact’s centennial that must be completed by 2026.

Animated by this remarkable confluence of events, Cornerstone at the Confluence leverages the centennial year to reflect on the compact and broader “Law of the River” to envision the future. It is a volume inviting dialogue about how the Colorado River system’s flows should be apportioned given climate change, what should be done about environmental issues such as ecosystem restoration and biodiversity protection, and how long-standing issues of water justice facing Native American communities should be addressed.

In one form or another, all these topics touch on the concept of “equity” embedded within the compact—a concept that tees up what is perhaps the foundational question confronted by Cornerstone at the Confluence: Who should have a seat at the table of Colorado River governance?
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cover of Coronado's Children: Tales of Lost Mines and Buried Treasures of the Southwest

Coronado's Children

Tales of Lost Mines and Buried Treasures of the Southwest

By J. Frank Dobie

University of Texas Press, 1978

Written in 1930, Coronado's Children was one of J. Frank Dobie's first books, and the one that helped gain him national prominence as a folklorist. In it, he recounts the tales and legends of those hardy souls who searched for buried treasure in the Southwest following in the footsteps of that earlier gold seeker, the Spaniard Coronado.

"These people," Dobie writes in his introduction, "no matter what language they speak, are truly Coronado's inheritors.... l have called them Coronado's children. They follow Spanish trails, buffalo trails, cow trails, they dig where there are no trails; but oftener than they dig or prospect they just sit and tell stories of lost mines, of buried bullion by the jack load... "

This is the tale-spinning Dobie at his best, dealing with subjects as irresistible as ghost stories and haunted houses.

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cover of Coronado's Well-Equipped Army: The Spanish Invasion of the American Southwest

Coronado's Well-Equipped Army

The Spanish Invasion of the American Southwest

John M. Hutchins

Westholme Publishing, 2023

Like Cortés and Pizarro, Coronado Sought to Conquer a Native American Empire of the Southwest

Winner of Two Colorado Book Awards

The historic 1540–1542 expedition of Captain-General Francisco Vasquez de Coronado is popularly remembered as a luckless party of exploration which wandered the American Southwest and then blundered onto the central Great Plains of Texas, Oklahoma, and Kansas. The expedition, as historian John M. Hutchins relates in Coronado’s Well-Equipped Army: The Spanish Invasion of the American Southwest, was a military force of about 1,500 individuals, made up of Spanish soldiers, Indian warrior allies, and camp followers. Despite the hopes for a peaceful conquest of new lands—including those of a legendary kingdom of Cibola—the expedition was obliged to fight a series of battles with the natives in present-day Sonora, California, Arizona, and New Mexico. The final phase of the invasion was less warlike, as the members of the expedition searched the Great Plains in vain for a wealthy civilization called Quivira.While much has been written about the march of Coronado and his men, this is the first book to address the endeavor as a military campaign of potential conquest like those conducted by other conquistadors. This helps to explain many of the previously misunderstood activities of the expedition. In addition, new light is cast on the non-Spanish participants, including Mexican Indian allies and African retainers, as well as the important roles of women.
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cover of Culture in the Marketplace: Gender, Art, and Value in the American Southwest

Culture in the Marketplace

Gender, Art, and Value in the American Southwest

Molly H. Mullin

Duke University Press, 2001

In the early twentieth century, a group of elite East coast women turned to the American Southwest in search of an alternative to European-derived concepts of culture. In Culture in the Marketplace Molly H. Mullin provides a detailed narrative of the growing influence that this network of women had on the Native American art market—as well as the influence these activities had on them—in order to investigate the social construction of value and the history of American concepts of culture.
Drawing on fiction, memoirs, journalistic accounts, and extensive interviews with artists, collectors, and dealers, Mullin shows how anthropological notions of culture were used to valorize Indian art and create a Southwest Indian art market. By turning their attention to Indian affairs and art in Santa Fe, New Mexico, she argues, these women escaped the gender restrictions of their eastern communities and found ways of bridging public and private spheres of influence. Tourism, in turn, became a means of furthering this cultural colonization. Mullin traces the development of aesthetic worth as it was influenced not only by politics and profit but also by gender, class, and regional identities, revealing how notions of “culture” and “authenticity” are fundamentally social ones. She also shows how many of the institutions that the early patrons helped to establish continue to play an important role in the contemporary market for American Indian art.

This book will appeal to audiences in cultural anthropology, art history, American studies, women’s studies, and cultural history.
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