382 books match the query 'Southwest (AZ, NM, OK, TX)' and 17 start with c

cover of Came Men on Horses: The Conquistador Expeditions of Francisco Vázquez de Coronado and Don Juan de Oñate

Came Men on Horses

The Conquistador Expeditions of Francisco Vázquez de Coronado and Don Juan de Oñate

Stan Hoig

University Press of Colorado, 2013

Guided by myths of golden cities and worldly rewards, policy makers, conquistador leaders, and expeditionary aspirants alike came to the new world in the sixteenth century and left it a changed land. Came Men on Horses follows two conquistadors—Francisco Vázquez de Coronado and Don Juan de Oñate—on their journey across the southwest.

Driven by their search for gold and silver, both Coronado and Oñate committed atrocious acts of violence against the Native Americans, and fell out of favor with the Spanish monarchy. Examining the legacy of these two conquistadors Hoig attempts to balance their brutal acts and selfish motivations with the historical significance and personal sacrifice of their expeditions. Rich human details and superb story-telling make Came Men on Horses a captivating narrative scholars and general readers alike will appreciate.

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cover of Canyon and Cosmos: Searching for Human Identity in the Grand Canyon

Canyon and Cosmos

Searching for Human Identity in the Grand Canyon

Don Lago

University of Nevada Press, 2025

Named one of the 2026 Southwest Books of the Year

Throughout history, humans have sought creation stories to define our identity and affirm our connections with the universe, diverse life forms, and one another. Over the last two centuries, science has delivered a bold new creation story full of immense time and space, extraordinary objects, and powerful natural forces. Science ideas can seem mere abstractions, but at the Grand Canyon, better than anywhere else on Earth, our new creation story is manifested physically and powerfully.
 
A major work of literary nature writing, Canyon and Cosmos takes readers on a journey through the Grand Canyon's deep time, geological forces, and biological evolution, making them very real, personal, and meaningful. Through decades of hiking and kayaking, author Don Lago has gotten to know the canyon intimately. Ranging through world mythologies and Native American spirituality, he explores how humans have sought to understand the universe. He confronts existential questions of whether humans can find enough meaning in the scientific cosmos. Through poetic prose, symbolism, and philosophical insight, he shows how existence itself is our deepest source of life and meaning.  

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cover of Capture These Indians for the Lord: Indians, Methodists, and Oklahomans, 1844-1939

Capture These Indians for the Lord

Indians, Methodists, and Oklahomans, 1844-1939

Tash Smith

University of Arizona Press, 2014

In 1844, on the heels of the final wave of the forced removal of thousands of Indians from the southern United States to what is now Oklahoma, the Southern Methodist Church created a separate organization known as the Indian Mission Conference to oversee its missionary efforts among the Native communities of Indian Territory. Initially, the Church conducted missions as part of the era’s push toward assimilation. But what the primarily white missionaries quickly encountered was a population who exerted more autonomy than they expected and who used Christianity to protect their culture, both of which frustrated those eager to bring Indian Territory into what they felt was mainstream American society.

In Capture These Indians for the Lord, Tash Smith traces the trajectory of the Southern Methodist Church in Oklahoma when it was at the frontlines of the relentless push toward western expansion. Although many Native people accepted the missionaries’ religious practices, Smith shows how individuals found ways to reconcile the Methodist force with their traditional cultural practices. When the white population of Indian Territory increased and Native sovereignty came under siege during the allotment era of the 1890s, white communities marginalized Indians within the Church and exploited elements of mission work for their own benefit.

Later, with white indifference toward Indian missions peaking in the early twentieth century, Smith explains that as the remnants of the Methodist power weakened, Indian membership regained control and used the Church to regenerate their culture. Throughout, Smith explores the complex relationships between white and Indian community members and how these phenomena shaped Methodist churches in the twentieth century.
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cover of Capturing Labor: A History of Unfree Work in the Southwest

Capturing Labor

A History of Unfree Work in the Southwest

Edited by Jessica R. Pliley and John Mckiernan-González

University of Texas Press, 2026

A collection of essays grappling with the many, often overlooked, forms of unfree labor in the West.

When Americans think of unfree labor—coerced, extracted from workers unable to freely enter and exit contracts—what comes to mind is Black slavery and peonage in the South. But other forms of unfree labor also built the United States. Collecting a diverse range of sharply argued historical essays, Capturing Labor shares the story of unfree labor in the Southwest, affecting mainly Indigenous people, Mexican Americans, and people of color.

In Texas and elsewhere, state agents developed various methods for directing the movement of workers, seizing their time, and controlling the products of their efforts. Case studies highlight the detention during World War I of Indigenous children and unaccompanied women, who were placed in boarding schools, fined, and obligated to work off the resulting debt. Other essays expose authorities forcing workers to break strikes and jailing Americans who supported labor uprisings in rural Mexico and the United States. Prisons and asylums supplied coerced agricultural workers and musicians who were never compensated for their labor or by the labels that took their recordings.

Editors Jessica Pliley and John Mckiernan-González contend that unfree labor continues to shape American life, and is all around us today. Understanding its history aids us in recognizing and bringing attention to the grim realities of the present.

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cover of Capturing Water: Puebloan Resilience and Agricultural Sustainability in Chaco Canyon

Capturing Water

Puebloan Resilience and Agricultural Sustainability in Chaco Canyon

R. Gwinn Vivian and Samantha G. Fladd

University of Utah Press, 2025

An esteemed archaeologist's lifetime of work on water use in Chaco Canyon

The ability of the inhabitants of Chaco Canyon to sustain themselves through farming in an arid environment has long been a topic of debate among scholars. Building upon the work of his father, Gordon, R. Gwinn Vivian dedicated his lifetime of archaeological work to investigating water management and practices at Chaco. These efforts provide compelling evidence of the extensive use of canal irrigation systems and other water management techniques employed by the Ancestral Puebloan people by the ninth century and continuing through recent periods by Navajo farmers.

Rich with archaeological data, ethnographic evidence, maps, and photographs, this volume challenges long-standing assumptions about Chaco Canyon's agricultural potential. By highlighting the adaptability and ingenuity of the canyon's early inhabitants, the book offers a fresh perspective on the role of water management in the development of Chaco Canyon as a sociopolitical center in the northern Southwest.
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cover of Celluloid Pueblo: Western Ways Films and the Invention of the Postwar Southwest

Celluloid Pueblo

Western Ways Films and the Invention of the Postwar Southwest

Jennifer L. Jenkins

University of Arizona Press, 2016

The five Cs of Arizona—copper, cattle, cotton, citrus, and climate—formed the basis of the state’s livelihood and a readymade roster of subjects for films. With an eye on the developing national appetite for all things western, Charles and Lucile Herbert founded Western Ways Features in 1936 to document the landscape, regional development, and diverse cultures of Arizona, the U.S. Southwest, and northern Mexico.

Celluloid Pueblo tells the story of Western Ways Features and its role in the invention of the Southwest of the imagination. Active during a thirty-year period of profound growth and transformation, the Herberts created a dynamic visual record of the region, and their archival films now serve as a time capsule of the Sunbelt in the mid-twentieth century. Drawing upon a ten-year career with Fox, Western Ways owner-operator Charles Herbert brought a newshound’s sensibility and acute skill at in-camera editing to his southwestern subjects. The Western Ways films provided counternarratives to Hollywood representations of the West and established the regional identity of Tucson and the borderlands.

Jennifer L. Jenkins’s broad-sweeping book examines the Herberts’ work on some of the first sound films in the Arizona borderlands and their ongoing promotion of the Southwest. The book covers the filmic representation of Native and Mexican lifeways, Anglo ranching and leisure, Mexican missions and tourism, and postwar borderlands prosperity and progressivism. The story of Western Ways closely follows the boom-and-bust arc of the midcentury Southwest and the constantly evolving representations of an exotic—but safe and domesticated—frontier.
 
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cover of Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, Texas

Chainsaws, Slackers, and Spy Kids

Thirty Years of Filmmaking in Austin, Texas

By Alison Macor

University of Texas Press, 2010

Winner, Peter C. Rollins Book Award, Southwest Texas Popular Culture Association/American Culture Association, 2011

During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin's homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers.

Chainsaws, Slackers, and Spy Kids chronicles the evolution of this struggle by re-creating Austin's colorful movie history. Based on revealing interviews with Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew McConaughey, George Lucas, and more than one hundred other players in the local and national film industries, Alison Macor explores how Austin has become a proving ground for contemporary independent cinema. She begins in the early 1970s with Tobe Hooper's horror classic, The Texas Chainsaw Massacre, and follows the development of the Austin film scene through 2001 with the production and release of Rodriguez's $100-million blockbuster, Spy Kids. Each chapter explores the behind-the-scenes story of a specific movie, such as Linklater's Dazed and Confused and Judge's Office Space, against the backdrop of Austin's ever-expanding film community.

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cover of Chicana Spiritual Activism: Making Change, Making Soul

Chicana Spiritual Activism

Making Change, Making Soul

Brenda Sendejo

University of Arizona Press, 2026

This book explores the profound impact of spiritual activism within the Chicana feminist movement in Texas. It illuminates how a cohort of Texas Chicanas embraced spiritual activism in pursuit of social change during the movement and into the present day.

The book draws on an array of qualitative methodologies—including interviews, autoethnography, testimonio, pláticas, and archival analysis—to develop what the author formulates as “methodologies of the spirit.” Focusing on the lived experiences, histories, and spiritual activism of sixteen Chicanas/Tejanas, Sendejo shows how these trailblazing women confronted the enduring impacts and repercussions of colonial legacies in Texas through their involvement in movement initiatives such as electoral politics through Mujeres Por La Raza, the cultural arts movement, developing Chicana feminist thought, and the establishment of bilingual education and Chicana/o studies programs.

The activists highlighted in the book include well-known figures such as Santa Barraza, Norma E. Cantú, Rosie Castro, Martha P. Cotera, Inés Hernández-Ávila, and others. Through their work, these activists emerged as architects of their own healing and transformation. Simultaneously, they opened avenues for others to embark on similar journeys reshaping religious practices and unearthing and disseminating spiritual, feminist, and ancestral knowledges.

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cover of City on Fire: The Explosion that Devastated a Texas Town and Ignited a Historic Legal Battle

City on Fire

The Explosion that Devastated a Texas Town and Ignited a Historic Legal Battle

By Bill Minutaglio

University of Texas Press, 2014

First published in 2003, City on Fire is a gripping, intimate account of the explosions of two ships loaded with ammonium nitrate fertilizer that demolished Texas City, Texas, in April 1947, in one of the most catastrophic disasters in American history.

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cover of Civil Rights in Black and Brown: Histories of Resistance and Struggle in Texas

Civil Rights in Black and Brown

Histories of Resistance and Struggle in Texas

Edited by Max Krochmal and J. Todd Moye

University of Texas Press, 2021

2022 Best Book Award, Oral History Association

Hundreds of stories of activists at the front lines of the intersecting African American and Mexican American liberation struggle


Not one but two civil rights movements flourished in mid-twentieth-century Texas, and they did so in intimate conversation with one another. Far from the gaze of the national media, African American and Mexican American activists combated the twin caste systems of Jim Crow and Juan Crow. These insurgents worked chiefly within their own racial groups, yet they also looked to each other for guidance and, at times, came together in solidarity. The movements sought more than integration and access: they demanded power and justice.

Civil Rights in Black and Brown draws on more than 500 oral history interviews newly collected across Texas, from the Panhandle to the Piney Woods and everywhere in between. The testimonies speak in detail to the structure of racism in small towns and huge metropolises—both the everyday grind of segregation and the haunting acts of racial violence that upheld Texas’s state-sanctioned systems of white supremacy. Through their memories of resistance and revolution, the activists reveal previously undocumented struggles for equity, as well as the links Black and Chicanx organizers forged in their efforts to achieve self-determination.

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cover of Claytie and the Lady: Ann Richards, Gender, and Politics in Texas

Claytie and the Lady

Ann Richards, Gender, and Politics in Texas

By Sue Tolleson-Rinehart and Jeanie R. Stanley

University of Texas Press, 1994

It was like a remake of The Cowboy and the Lady, except that this time they weren't friends. The 1990 Texas governor's race pitted Republican Clayton Williams, a politically conservative rancher and oil millionaire, against Democrat Ann Richards, an experienced progressive politician noted for her toughness and quick wit. Their differences offered voters a choice not only of policies and programs but also of stereotypes and myths of men's and women's proper roles.

Claytie and the Lady is the first in-depth look at how gender affected the 1990 governor's race. The authors' analysis reveals that Ann Richards' victory was a result of a unique combination of characteristics. She was simultaneously tough enough to convince voters that she could lead and feminine enough to put them at ease. At the same time, she remained committed to the progressive and women's issues that had won her the early support of feminists and progressives. The authors also show how Clayton Williams' appeal to the Texas cowboy myth backfired when he broke the cowboy code of chivalry to women.

The authors set their discussion within the historical context of twentieth-century Texas politics and the theoretical context of gender politics in order to pose a number of thought-provoking questions about the effects of women's participation in political life. Interviews with key players in the 1990 election, including Governor Ann Richards, add a lively and insightful counterpoint to the text.

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cover of Colonel Greene and the Copper Skyrocket: The Spectacular Rise and Fall of William Cornell Greene: Copper King, Cattle Baron, and Promoter Extraordinary in Mexico, the American Southwest, and the New York Financial District

Colonel Greene and the Copper Skyrocket

The Spectacular Rise and Fall of William Cornell Greene: Copper King, Cattle Baron, and Promoter Extraordinary in Mexico, the American Southwest, and the New York Financial District

C. L. Sonnichsen

University of Arizona Press, 1974

Winner of both the National Cowboy Hall of Fame's Western Heritage Award and the Western Writers of America's Spur Award

"A solid account of a southwestern 'character' who has flitted in and out of frontier and economic history."—American Historical Review

"A creditable work on a fascinating individual. In delightful writing style he has reconstructed Greene's life, explaining the ambitions as well as the frailties of this extraordinary entrepreneur."—History

"A rewarding study of the later days of mining."—Arizona and the West
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cover of Contingent Maps: Rethinking Western Women's History and the North American West

Contingent Maps

Rethinking Western Women's History and the North American West

Edited by Susan E. Gray and Gayle Gullett

University of Arizona Press, 2014

Contingent Maps is an appeal to all who read, write, and care about the history of women in the North American West. Susan E. Gray and Gayle Gullett, former co-editors of Frontiers: A Journal of Women Studies, argue that the discipline of Western women’s history, despite its many years of accomplishment, remains “the stepsister to both U.S. women’s history and the New Western history.” The problem, they assert, is one of place. Western women’s history remains unhappily chained to one place, Frederick Jackson Turner’s mythical frontier, where white civilization vanquished Indigenous savagery. Drawing on the work of feminist geographers, Gray and Gullett contend that the West is better understood as a place of many places.

Contingent Maps demonstrates how employing place as an analytical tool transforms Western women’s history. Gray and Gullett depict place as not only a physical location but as a way of understanding, as the spatial configuration of power relations that are always in flux. As a place and many places, the West is therefore always being constructed. All maps are contingent, as Gray and Gullett’s reading of the articles in this collection attest. Contingent Maps offers histories of Wests ranging from the nineteenth century to the near present. This synthesis of feminist history and geography has the potential to revitalize the field of Western women’s history.
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cover of Coronado National Memorial: A History of Montezuma Canyon and the Southern Huachucas

Coronado National Memorial

A History of Montezuma Canyon and the Southern Huachucas

Joseph P. Sánchez

University of Nevada Press, 2017

Coronado National Memorial explores forgotten pathways through Montezuma Canyon in southeastern Arizona, and provides an essential history of the southern Huachuca Mountains. This is a magical place that shaped the region and two countries, the United States and Mexico. Its history dates back to the expedition led by Conquistador Francisco Vásquez de Coronado in 1540, a mere forty-eight years after Columbus’ first voyage. Before that time Native Americans occupied the land, later to be joined by Spanish and Mexican period miners and ranchers, prospecting entrepreneurs, missionaries, and homesteaders.

Sánchez is the foremost historian of the area, and he shifts through and decodes a number of key Spanish and English language documents from different archives that tell the story of an historical drama of epic proportions. He combines the regional and the global, starting with the prehistory of the area. He covers Spanish colonial contact, settlement missions, the Mexican Territorial period, land grants, and the ultimate formation of the international border that set the stage for the creation of the Coronado National Memorial in 1952.

Much has been written about southwestern Arizona and northeastern Sonora, and in many ways this book complements those efforts and delivers details about the region’s colorful past. 
 
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cover of Coronado's Well-Equipped Army: The Spanish Invasion of the American Southwest

Coronado's Well-Equipped Army

The Spanish Invasion of the American Southwest

John M. Hutchins

Westholme Publishing, 2023

Like Cortés and Pizarro, Coronado Sought to Conquer a Native American Empire of the Southwest

Winner of Two Colorado Book Awards

The historic 1540–1542 expedition of Captain-General Francisco Vasquez de Coronado is popularly remembered as a luckless party of exploration which wandered the American Southwest and then blundered onto the central Great Plains of Texas, Oklahoma, and Kansas. The expedition, as historian John M. Hutchins relates in Coronado’s Well-Equipped Army: The Spanish Invasion of the American Southwest, was a military force of about 1,500 individuals, made up of Spanish soldiers, Indian warrior allies, and camp followers. Despite the hopes for a peaceful conquest of new lands—including those of a legendary kingdom of Cibola—the expedition was obliged to fight a series of battles with the natives in present-day Sonora, California, Arizona, and New Mexico. The final phase of the invasion was less warlike, as the members of the expedition searched the Great Plains in vain for a wealthy civilization called Quivira.While much has been written about the march of Coronado and his men, this is the first book to address the endeavor as a military campaign of potential conquest like those conducted by other conquistadors. This helps to explain many of the previously misunderstood activities of the expedition. In addition, new light is cast on the non-Spanish participants, including Mexican Indian allies and African retainers, as well as the important roles of women.
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cover of Cowboy is a Verb: Notes from a Modern-day Rancher

Cowboy is a Verb

Notes from a Modern-day Rancher

Richard Collins

University of Nevada Press, 2019

From the big picture to the smallest detail, Richard Collins fashions a rousing memoir about the modern-day lives of cowboys and ranchers. However, Cowboy is a Verb is much more than wild horse rides and cattle chases. While Collins recounts stories of quirky ranch horses, cranky cow critters, cow dogs, and the people who use and care for them, he also paints a rural West struggling to survive the onslaught of relentless suburbanization.

A born storyteller with a flair for words, Collins breathes life into the geology, history, and interdependency of land, water, and native and introduced plants and animals. He conjures indelible portraits of the hardworking, dedicated people he comes to know. With both humor and humility, he recounts the day-to-day challenges of ranch life such as how to build a productive herd, distribute your cattle evenly across a rough and rocky landscape, and establish a grazing system that allows pastures enough time to recover. He also intimately recounts a battle over the endangered Gila topminnow and how he and his neighbors worked with university range scientists, forest service conservationists, and funding agencies to improve their ranches as well as the ecological health of the Redrock Canyon watershed.

Ranchers who want to stay in the game don’t dominate the landscape; instead, they have to continually study the land and the animals it supports. Collins is a keen observer of both. He demonstrates that patience, resilience, and a common-sense approach to conservation and range management are what counts, combined with an enduring affection for nature, its animals, and the land. Cowboy is a Verb is not a romanticized story of cowboy life on the range, rather it is a complex story of the complicated work involved with being a rancher in the twenty-first-century West.
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cover of Cry from the Cotton: The Southern Tenant Farmers' Union and the New Deal

Cry from the Cotton

The Southern Tenant Farmers' Union and the New Deal

Donald Grubbs

University of Arkansas Press, 2000

The Southern Tenant Farmers' Union was founded in eastern Arkansas in 1934 to protest the New Deal's enrichment of Southern cotton barons at the expense of suffering sharecroppers, both black and white. Their courageous struggle, in the face of determined and often violent resistance from their landlords, is the subject of this thorough study from Donald H. Grubbs, which was published to critical acclaim in 1971. Cry from the Cotton was the first full-scale look at the STFU and its leaders. It discloses that, although the union operated under noticeable socialist party sponsorship in its infancy, it drew much more upon the native Southern evangelical and populist traditions, much as the civil rights movement would do twenty-five years later. Grubbs convincingly demonstrates that while the STFU failed to gain immediate social justice for its members, it resulted in the formation of the Farm Security Administration, which even today continues to aid the rural poor, and it played a large part in forcing the formation of the La Follette Civil Liberties Committee, whose spotlight on management terrorism helped the CIO toward success. The volume stands as a classic on labor issues and class struggle and still echoes with the haunting plea of the dispossessed for equity.
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