117 books match the query 'Storytelling' and 8 start with c

cover of Captain Billy's Troopers: A Writer's Life

Captain Billy's Troopers

A Writer's Life

William Cobb

University of Alabama Press, 2015

Captain Billy’s Troopers is a frank, literary memoir about William Cobb’s life as a southern writer—his struggles with addiction and illness, his career as a teacher and novelist, and his hard‑won return to creative life.

In this audacious memoir, William Cobb reveals the tumultuous creative life of a distinguished practitioner of southern and Alabama storytelling. As poignant and inspiring as his own fiction, Captain Billy’s Troopers traces Cobb’s early life, education, and struggles with alcohol and the debilitating condition normal pressure hydrocephalus (NPH).

Like a curving river, the broad sweep of Cobb’s turbulent life includes both startling cataracts and desultory eddies, leading sometimes into shadows or opening into unexpected sunlight. With unsentimental clarity, Cobb recounts coming of age in his native Demopolis in the churning middle years of the twentieth century. It’s there he has his first tantalizing tastes of alcohol and begins to drink habitually. Readers then travel with Cobb to Livingston University (now the University of West Alabama) and then on to Vanderbilt University. Along the way, readers relish his first experiences of love and success as a writer, leading to a career as a professor of writing at Alabama College (now the University of Montevallo) in 1963.

From there Cobb’s struggles with alcohol and depression lead to elongated years of tumbling creative output and the collapse of his marriage. The summer of 1984 found Cobb in rehab, the first step in his path to recovery. His unflinching memoir narrates both the milestones and telling details of his intense therapy and years in Alcoholics Anonymous (AA). In the sober thirty years since, Cobb has published a string of critically praised novels and a prize-winning collection of short stories. The capstone of his comeback was winning the Harper Lee Award in 2007 for distinguished fiction writing.

In 2000, shortly after retiring, Cobb developed NPH, which upset his sense of balance and triggered dementia symptoms and other maladies. Nine years later in 2009, brain surgery brought Cobb a dramatic recovery, which began the third act in his writing career. Vital, honest, and entertaining, Captain Billy’s Troopers captures the life of an Alabama original.

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cover of Chuj (Mayan) Narratives: Folklore, History, and Ethnography from Northwestern Guatemala

Chuj (Mayan) Narratives

Folklore, History, and Ethnography from Northwestern Guatemala

Nicholas A. Hopkins

University Press of Colorado, 2020

The Chuj of northwestern Guatemala are among the least studied groups of the Mayan family, and their relative isolation has preserved a strong indigenous tradition of storytelling. In Chuj (Mayan) Narratives, Nicholas Hopkins analyzes six narratives that illustrate the breadth of the Chuj storytelling tradition, from ancient mythology to current events and from intimate tales of local affairs to borrowed stories, such as an adaptation of Oedipus Rex.
 
The book illustrates the broad range of stories people tell each other, from mythological and legendary topics to procedural discussions and stories borrowed from European and African societies. Hopkins provides context for the narratives by introducing the reader to Chuj culture and history, conveying important events as described by indigenous participants. These events include customs and practices related to salt production as well as the beginnings of the disastrous civil war of the last century, which resulted in the destruction of several villages from which the narratives in this study originated. Hopkins also provides an analytical framework for the strategies of the storytellers and presents the narratives with Chuj text and English translation side-by-side.
 
Chuj (Mayan) Narratives analyzes the strategies of storytelling in an innovative framework applicable to other corpora and includes sufficient grammatical information to function as an introduction to the Chuj language. The stories illustrate the persistence of Classic Maya themes in contemporary folk literature, making the book significant to Mesoamericanists and Mayanists and an essential resource for students and scholars of Maya linguistics and literary traditions, storytelling, and folklore.
 
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cover of Clever, Kind, Tricky, and Sly: A Bulgarian Folktale Sampler

Clever, Kind, Tricky, and Sly

A Bulgarian Folktale Sampler

Priscilla Howe

Parkhurst Brothers, Inc., 2020

Translations of forty-two Bulgarian folktales, together with introductory essay and notes for teachers and storytellers following each story, with a list of Resources Cited.
Each folktale expresses an aspect of Bulgarian folk culture, presents characters who are clever enough to avoid ill-conceived courtship, kind enough to esteem even the poorest of neighbors, tricky enough to evade shysters, or sly enough to remain independent in the face of great power. Each of these traits has helped the Bulgarian people survive and thrive in a relatively poor, mountainous environment for more than fourteen centuries. In celebrating these traits and others, the folktales collected here honor the character of a people.
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cover of Community Listening: Stories, Hauntings, Possibilities

Community Listening

Stories, Hauntings, Possibilities

Jenn Fishman

University Press of Colorado, 2025

Generating more questions than it answers, Community Listening invites readers to learn about listening that is deeply enmeshed in specific community sites, stories, and relations. Contributors bring their lived experience as listeners in, to, and alongside the communities whose praxes they surface in chapters that enrich and complicate the deep interrelationship of listening and storytelling. Affirming that storytelling is the vessel through which community listening is made, unmade, and remade, the stories in this collection probe what it means to listen from community vantages and to bring such listening into academic conversations. Collectively, the contributors to this multidisciplinary collection advance scholarship that has community as the locus of iterative knowledge seeking and sharing.
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cover of Contemporary American Indian Literatures and the Oral Tradition

Contemporary American Indian Literatures and the Oral Tradition

Susan Berry Brill de Ramírez

University of Arizona Press, 1999

Because American Indian literatures are largely informed by their respective oral storytelling traditions, they may be more difficult to understand or interpret than the more text-based literatures with which most readers are familiar. In this insightful new book, Susan Berry Brill de Ramírez addresses the limitations of contemporary criticism and theory in opening up the worlds of story within American Indian literatures, proposing instead a conversive approach for reading and understanding these works. In order to fully understand American Indian literatures, Brill de Ramírez explains that the reader must become a listener-reader, an active participant in the written stories

. To demonstrate this point, she explores literary works both by established Native writers such as Sherman Alexie, N. Scott Momaday, Leslie Marmon Silko, and Luci Tapahonso and by less-well-known writers such as Anna Lee Walters, Della Frank, Lee Maracle, and Louis Owens. Through her literary engagements with many poems, novels, and short stories, she demonstrates a new way to read and understand the diverse body of American Indian literatures. Brill de Ramírez's conversive approach interweaves two interconnected processes: co-creating the stories by participating in them as listener-readers and recognizing orally informed elements in the stories such as verbal minimalism and episodic narrative structures.

Because this methodology is rooted in American Indian oral storytelling traditions, Native voices from these literary works are able to more directly inform the scholarly process than is the case in more textually based critical strategies. Through this innovative approach, Brill de Ramírez shows that literature is not a static text but an interactive and potentially transforming conversation between listener-readers, storyteller-writers, and the story characters as well. Her book furthers the discussion of how to read American Indian and other orally informed literatures with greater sensitivity to their respective cultural traditions and shows that the immediacy of the relationship between teller, story, and listener can also be experienced in the relationships between writers, literary works, and their listener-readers.
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cover of Cooking Up a Storytime: Mix-and-Match Menus for Easy Programming

Cooking Up a Storytime

Mix-and-Match Menus for Easy Programming

Susan Anderson-Newham

American Library Association, 2014

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cover of Cripple Joe: Stories from my Daddy

Cripple Joe

Stories from my Daddy

Donald Davis

Parkhurst Brothers, Inc., 2016

Donald Davis was a young United Methodist minister when the telephone rang one morning. "It's your daddy," the caller said, "Mama just couldn't get him awake this morning. He is gone."

"A million questions about him began to line themselves up in my mind." Davis writes. "Where did he go to high school? I did not know." Did he get any education behind that? What were his early jobs, and where did he live then? I was now only twenty-eight, my father was dead, and I had been to young and immature to know to ask t=for the stories that would have filled out his life for me."

The surprise of a lifetime came when he called home and his recently departed father picked up the phone: "Hello! This is Joe Davis. What can I do for you today?"

That case of mistaken identity changed Donald Davis's outlook on the value of family and the need for story gathering. In the twenty-two years until his father's second death, he rarely let an opportunity pass to collect and cherish the stories of his life.

Cripple Joe is the happy result.

Davis tells how his father and an African-American hospital orderly quietly broke down racial barriers in their small mountain town.

He tells how his father employed his humane brand of justice on an eager young chemist whose experiments veered into manufacturing gunpowder, on sons who nearly burned a barn, and on teenagers who organized a disastrous coed camping trip.

And best of all, he tells how Joe Davis--a man known as "Banker Joe" for his work in the loan department but to a select few as "Cripple Joe"--turned a gruesome accident into an opportunity that broadened his world and that of his son.
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cover of Critical Data Storytelling for Libraries: Crafting Ethical Narratives for Advocacy and Impact

Critical Data Storytelling for Libraries

Crafting Ethical Narratives for Advocacy and Impact

Kate McDowell

American Library Association, 2025

In today’s polarized landscape, libraries face two key challenges: the difficulty of turning raw data into narratives that effectively advocate for libraries, and the ethical complexities of representing communities in these stories. McDowell’s vital toolkit empowers librarians and information professionals to transform data into ethical, compelling narratives that connect with communities and advocate for their organizations. This book teaches both the practicalities of data storytelling and introduces critical approaches that ensure stories are inclusive, socially just, and impactful. Readers will find the book essential for communicating library value to help secure funding, resources, and community support. Applying theory to real-world scenarios, chapters cover
  • the dynamic interrelationships between storyteller, audience, and story which lie at the heart of storytelling;
  • ways to mesh library data collection processes with long-term storytelling potential, prioritizing interaction over transaction;
  • three time-honored and effective narrative strategies for organizing the informational and emotional content of library data stories, easily adaptable for any situation;
  • approaches for emphasizing inclusivity and justice to ensure that library advocates can tell stories that challenge stereotypes, promote equity, and align their efforts with broader ethical and social goals;
  • audience attitudes as challenges and opportunities for library data communication; and
  • strategies for maintaining open and transparent public communication in the face of rampant misinformation and active disinformation campaigns.
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