Results by title

131 books match the query 'Texts' and 10 start with c

Sort by

Chol (Mayan) Folktales

A Collection of Stories from the Modern Maya of Southern Mexico

Nicholas A. Hopkins

University Press of Colorado, 2016

Chol (Mayan) Folktales deftly combines high-quality and thoughtfully edited transcriptions of oral storytelling with translation and narrative analysis, documenting and analyzing a trove of Chol folklore. The work provides a look into the folktale culture of the contemporary Maya presented with a rare and innovative theoretical framework.

The rich Chol oral narrative tradition is represented by eleven stories, each printed in the original language of the storytellers with parallel English translations and accompanied by a brief introduction that provides the relevant cultural and mythological background. Included with eight of the stories is a link to an audio clip of the tale told aloud in the Chol language. In addition, Chol (Mayan) Folktales introduces a model for the analysis of narratives that can be used to demonstrate the existence of a tradition of storytelling applicable to other Maya lore, including Classic period hieroglyphic texts.

Creating a nuanced sense of the Mayan oral tradition and revealing a highly structured literary style, this collection provides insight into contemporary Maya culture as well as a greater understanding of Classic period society. It will be of interest to students and scholars of folklore and literature and to anthropologists and linguists.

[more]

Chuj (Mayan) Narratives

Folklore, History, and Ethnography from Northwestern Guatemala

Nicholas A. Hopkins

University Press of Colorado, 2020

The Chuj of northwestern Guatemala are among the least studied groups of the Mayan family, and their relative isolation has preserved a strong indigenous tradition of storytelling. In Chuj (Mayan) Narratives, Nicholas Hopkins analyzes six narratives that illustrate the breadth of the Chuj storytelling tradition, from ancient mythology to current events and from intimate tales of local affairs to borrowed stories, such as an adaptation of Oedipus Rex.

The book illustrates the broad range of stories people tell each other, from mythological and legendary topics to procedural discussions and stories borrowed from European and African societies. Hopkins provides context for the narratives by introducing the reader to Chuj culture and history, conveying important events as described by indigenous participants. These events include customs and practices related to salt production as well as the beginnings of the disastrous civil war of the last century, which resulted in the destruction of several villages from which the narratives in this study originated. Hopkins also provides an analytical framework for the strategies of the storytellers and presents the narratives with Chuj text and English translation side-by-side.

Chuj (Mayan) Narratives analyzes the strategies of storytelling in an innovative framework applicable to other corpora and includes sufficient grammatical information to function as an introduction to the Chuj language. The stories illustrate the persistence of Classic Maya themes in contemporary folk literature, making the book significant to Mesoamericanists and Mayanists and an essential resource for students and scholars of Maya linguistics and literary traditions, storytelling, and folklore.

[more]

Ciulirnerunak Yuuyaqunak/Do Not Live Without an Elder

The Subsistence Way of Life in Southwest Alaska

Edited by Ann Fienup-Riordan

University of Alaska Press, 2016

In October of 2010, six men who were serving on the board of the Calista Elders Council (CEC) gathered in Anchorage with CEC staff to spend three days speaking about the subsistence way of life. The men shared stories of their early years growing up on the land and harvesting through the seasons, and the dangers they encountered there. The gathering was striking for its regional breadth, as elders came from the Bering Sea coast as well as the Yukon and Kuskokwim rivers. And while their accounts had some commonalities, they also served to demonstrate the wide range of different approaches to subsistence in different regions.
This book gathers the men’s stories for the current generation and those to come. Taken together, they become more than simply oral histories—rather, they testify to the importance of transmitting memories and culture and of preserving knowledge of vanishing ways of life.

[more]

Clairvoyance (For Those In The Desert)

Performance Pieces, 1979–2004

Joanna Frueh

Duke University Press, 2008

The performance artist Joanna Frueh has emerged over the past twenty-five years as a wildly original voice in feminist art. Her uninhibited performances are celebrations of beauty, sensuality, eroticism, and pleasure. Clairvoyance (For Those In The Desert), which features eighteen of her essential performance texts, is a celebration of this remarkable artist and her work. Arranged chronologically, from The Concupiscent Critic (1979) through Ambrosia (2004), the pieces reveal Frueh’s evolution as an artist and intellectual over the course of her career. Many of these texts have never before been published; others have not been readily available until now. Among the sixteen color photographs in this richly illustrated book are pictures of Frueh performing and images from Joanna in the Desert, a 2006 collaboration between Frueh and the artist and scholar Jill O’Bryan.

Frueh’s performances are unabashedly autobiographical, as likely to reflect her scholarship as a feminist art historian as her love affairs or childhood memories. For Frueh, eros and self-love are part of a revolutionary feminist strategy; her work exemplifies the physicality and embrace of pleasure that she finds wanting in contemporary feminist theory. Scholarly and rigorous yet playful in tone, her performances are joyful, filled with eroticism, flowers, sexy costumes, and beautiful colors, textures, and scents. Recurring themes include Frueh’s passionate attachment to the desert landscape and the idea of transformation: a continual reaching for clarity of thought and feeling.
In an afterword as lyrical and breathless as her performance pieces, Frueh explores her identification with the desert and its influence on her art. Clairvoyance (For Those In The Desert) includes a detailed chronology of Frueh’s performances.

[more]

Clowns in the Burying Ground

The Grateful Dead, Literature, and the Limits of Philosophy

Christopher K. Coffman

Duke University Press, 2026

In Clowns in the Burying Ground, Christopher K. Coffman presents intertextual readings of the Grateful Dead and their lyrics to argue that the band’s lyricists were deeply and significantly engaged with the literary tradition. Through an analysis of their music, lyrics, and biographies, Coffman shows how the group and its individual members drew on the canons of European and American literature to shape both the form and content of their creative work. Coffman draws on the language of the “literary fragment,” as conceived by German Romantic philosophers and their intellectual heirs, to identify how the Grateful Dead’s lyricists employed intertextuality, allusion, and other strategies to explore how meaning takes shape at the boundary between poetry and philosophy. From Shakespeare to “Shakedown Street,” Clowns in the Burying Ground demonstrates the Dead’s literary depth and how their most successful lyrics and performances walk the line between creation and chaos.

[more]

Codex Chimalpopoca

The Text in Nahuatl with a Glossary and Grammatical Notes

John Bierhorst

University of Arizona Press, 2011

In this companion volume to History and Mythology of the Aztecs, John Bierhorst provides specialists with a transcription of the Nahuatl text, keyed to the translation, and a linguistic apparatus to help elucidate it. The glossary offers definitions for all unusual usages in the codex, as well as careful treatment of many of the commonest (and most semantically flexible) verbs, adverbs, and particles. Detailed discussions of selected features appear in the Grammatical Notes, which complete the work.

[more]

Colonial Power, Colonial Texts

India in the Modern British Novel

M. Keith Booker

University of Michigan Press, 1997

Half a century after the Raj, India retains a major place in the British imagination. In Colonial Power, Colonial Texts, M. Keith Booker examines a number of British novels that deal with colonial rule in India in the first half of the twentieth century. The works discussed -- by authors such as Rudyard Kipling, E. M. Forster, George Orwell, Paul Scott, and J. G. Farrell -- date from both the colonial and postcolonial periods, and Booker pays attention as well to representations of India in both British and American popular culture, especially film. These various cultural texts open multiple viewpoints on the role of literature in the British vision of India and the role of India in the British conception of literature. Drawing particularly on the work of Georg Lukács and Fredric Jameson, Booker focuses on the treatment of British colonial power in these fictions as that treatment indicates how colonialism and decolonization participate in a larger historical process of modernization. The author uses a Marxist model of bourgeois cultural revolution to illustrate the ways these texts engage in productive exchanges with their historical context. Colonial Power, Colonial Texts will be of particular value to those who study the role of culture in colonialism and anticolonial resistance, as well as to students and scholars of modern British literature and culture.

[more]

Country Music Message

Revisited

Jimmie Rogers

University of Arkansas Press, 1988

The Country Music Message: Revisited is more than a history of commercial country music, a discussion of the performers, or a compilation of song lyrics. It is an examination of the way the “message” in country songs is relayed and received: why the songs move us as they do. As Jimmie Rogers saying in his preface, “A country song is a special form of communication——communication that more closely resembles interpersonal or face-to-face interaction between two people than do other types of mass appeal music. This close bond that exists between audience and performers, as well as the unique treatment of the song topics, helps to make the music, the performers, and the audience special. After the characteristics are reviewed, observations are made about the audience that accepts and approves these messages. The topics, and the approach to those topics by the songwriter and by the singers, tell us much about the audience that chose to listen to country music.”

If you are already a fan of country music, this book will provide insights into a process you’ve probably taken for granted. If you are a newcomer, you will better understand and appreciate the music that a “few folks are performing for a large number of people.”

[more]