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What is thinking? What does it feel like? What is it good for? Andrea Gadberry looks for answers to these questions in the philosophy of René Descartes and finds them in the philosopher’s implicit poetics. Gadberry argues that Descartes’s thought was crucially enabled by poetry and shows how markers of poetic genres from love lyric and elegy to the puzzling forms of the riddle and the anagram betray an impassioned negotiation with the difficulties of thought and its limits. Where others have seen Cartesian philosophy as a triumph of reason, Gadberry reveals that the philosopher accused of having “slashed poetry’s throat” instead enlisted poetic form to contain thought’s frustrations.

Gadberry’s approach to seventeenth-century writings poses questions urgent for the twenty-first. Bringing literature and philosophy into rich dialogue, Gadberry centers close reading as a method uniquely equipped to manage skepticism, tolerate critical ambivalence, and detect feeling in philosophy. Helping us read classic moments of philosophical argumentation in a new light, this elegant study also expands outward to redefine thinking in light of its poetic formations.

At the end of the nineteenth century, German theologians and philosophers rediscovered the Renaissance cardinal Nicholas of Cusa (1401-1464). Immediately they hailed Cusanus as the first modern thinker, a brilliant German rival to the French Descartes. But since the founding of the Cusanus critical edition in 1927 up to its conclusion in 2005, historians have gradually learned that Nicholas was more of a medieval preacher and contemplative than a modern philosopher. Yet over the same century, modern German and French readers were already digging into Nicholas’s many works. There they encountered an exciting voice with fresh perspectives about God’s immanence in the cosmos and the awesome capacities of the human mind. Leading philosophers and theologians from Erich Przywara to Karl Jaspers to Hans-Georg Gadamer, and from Gilles Deleuze to Jacques Lacan to Michel de Certeau, found their own thinking stimulated by the cardinal’s innovative concepts and interdisciplinary style. Even as Nicholas shifted from modern to medieval among historians, he was emerging as a contemporary interlocutor for moderns and postmoderns. Who could have guessed that the first debate between Jean-Luc Marion and Emmanuel Falque would take place over the fifteenth-century mystical dialogue, De visione dei? If Meister Eckhart found his moment amidst Deconstruction in prior decades, Nicholas of Cusa is our thinker for today. His interests anticipate themes in continental philosophy of religion, whether alterity, invisibility, the fold, or the icon. His habit of interweaving philosophy and theology anticipates current debates on the thresholds of phenomenology. Our volume first maps the contours of modern receptions of Nicholas of Cusa in French and German spheres, and then beyond Europe to the Americas and Japan. It also hosts the next round of engagement by some of today’s most original Christian thinkers: Emmanuel Falque, John Milbank, and David Bentley Hart.