Nancy McCabe
University of Missouri Press, 2011
Victor Grossman
University of Massachusetts Press, 2003
What could possibly impel a relatively privileged twenty-four-year-old American-serving in the U.S. Army in Germany in 1952 to swim across the Danube River to what was then referred to as the Soviet Zone? How are we to understand his decision to forsake the land of his birth and build a new life in the still young German Democratic Republic? These are the questions at the core of this memoir by Victor Grossman, who was born Stephen Wechsler but changed his name after defecting to the GDR.
A child of the Depression, Grossman witnessed firsthand the dislocations wrought by the collapse of the U.S. economy during the 1930s. Widespread unemployment and poverty, CIO sit-down strikes, and the fight to save Republican Spain from fascism-all made an indelible impression as he grew up in an environment that nurtured a commitment to left-wing causes. He continued his involvement with communist activities as a student at Harvard in the late 1940s and after graduation, when he took jobs in two factories in Buffalo, New York, and tried to organize their workers.
Fleeing McCarthyite America and potential prosecution, Grossman worked in the GDR with other Western defectors and eventually became, as he notes, the “only person in the world to attend Harvard and Karl Marx universities.” Later, he was able to establish himself as a freelance journalist, lecturer, and author. Traveling throughout East Germany, he evaluated the failures as well as the successes of the GDR's “socialist experiment.” He also recorded his experiences, observations, and judgments of life in East Berlin after reunification, which failed to bring about the post-Communist paradise so many had expected.
Written with humor as well as candor, Crossing the River provides a rare look at the Cold War from the other side of the ideological divide.
Mark Solomon, a distinguished historian of the American left, provides a historical afterword that places Grossman's experiences in a larger Cold War context.
Richard Shelton
University of Arizona Press, 2007
Lila Quintero Weaver, translated by Karina Elizabeth Vázquez
University of Alabama Press, 2018
Por medio de impresionantes ilustraciones, la autora ofrece una memoria cautivante y conmovedora de la infancia, las relaciones raciales, la etnicidad y la identidad en el sur de los Estados Unidos.
La novela gráfico de Lila Quintero-Weaver que obtuvo amplio reconocimiento crítico. Por medio de impresionantes ilustraciones, la autora ofrece una memoria cautivante y conmovedora de la infancia, las relaciones raciales, la etnicidad y la identidad en el sur de los Estados Unidos. Sus dibujos de estilo sutil, pero efectivo, refuerzan dramáticament una sentida narración.
En 1961, cuando la autora tenía cinco años, su familia salió de Buenos Aires, Argentina, para emigrar a los Estados Unidos y establecerse en Marion, un pueblo en el corazón del Black Belt de Alabama. En una región definida por la segregación racial, la familia Quintero, por su condición de clase media educada, se halló en una situación privilegiada para observar las tensiones que minaban la cultura y la sociedad en la que vivían.
Weaver salió de constancia de lo que signifacaba ser una niña latina en una le las regiones más racistas del sur de los Estados Unidos, tratando de entender tanto un país extranjero, como el horror de las relaciones raciales de nuestra nación. Excluida de las categorías raciales empleadas por entonces, la autora observó desde muy temprana edad las desigualdades de la cultura estadounidense, regida por un ideal de belleza femenina que privilegiaba a la mujer rubia y de ojos azules. A lo largo de su vida, Weaver ha luchado por encontrar su lugar en la sociedad norteamericana cuestionando la discriminación de su entorno. Cuarto oscuro contituye su legado visual y verbal sobre esa lucha.
Pete Daniel
University of Arkansas Press, 2022
“As is well known, Pete is an outstanding storyteller, and this book is no exception."
—Claire Strom, Journal of Southern History
In addition to chronicling significant exhibit work at the Smithsonian National Museum of American History, Curating the American Past, captures the excitement inherent in researching and writing history and Pete Daniel’s efforts to prevent diluted celebratory stories from replacing the red meat of the American past.
In Curating the American Past, Pete Daniel reveals how curators collect objects, plan exhibits, and bring alive the country’s complex and exciting history. In vivid detail, Daniel recounts the exhilaration of innovative research, the joys of collaboration, and the rewards of mentoring new generations of historians. In a career distinguished by prize-winning publications and pathbreaking exhibitions, Daniel also confronted the challenges of serving as a public historian tasked with protecting a definitive American museum from the erosion of scholarly standards. Curating the American Past offers a wealth of museum wisdom, illuminating the crucial role that dedicated historians and curators serve within our most important repositories of cultural memory.
Kristine Langley Mahler
West Virginia University Press, 2022
Nicholas Delbanco
The Ohio State University Press, 2017
Donald Nichols
University of Iowa Press, 2002