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28250 books match the query 'history' and 1917 start with c

cover of Cycles of Time and Meaning in the Mexican Books of Fate

Cycles of Time and Meaning in the Mexican Books of Fate

By Elizabeth Hill Boone

University of Texas Press, 2007

In communities throughout precontact Mesoamerica, calendar priests and diviners relied on pictographic almanacs to predict the fate of newborns, to guide people in choosing marriage partners and auspicious wedding dates, to know when to plant and harvest crops, and to be successful in many of life's activities. As the Spanish colonized Mesoamerica in the sixteenth century, they made a determined effort to destroy these books, in which the Aztec and neighboring peoples recorded their understanding of the invisible world of the sacred calendar and the cosmic forces and supernaturals that adhered to time. Today, only a few of these divinatory codices survive. Visually complex, esoteric, and strikingly beautiful, painted books such as the famous Codex Borgia and Codex Borbonicus still serve as portals into the ancient Mexican calendrical systems and the cycles of time and meaning they encode.

In this comprehensive study, Elizabeth Hill Boone analyzes the entire extant corpus of Mexican divinatory codices and offers a masterful explanation of the genre as a whole. She introduces the sacred, divinatory calendar and the calendar priests and diviners who owned and used the books. Boone then explains the graphic vocabulary of the calendar and its prophetic forces and describes the organizing principles that structure the codices. She shows how they form almanacs that either offer general purpose guidance or focus topically on specific aspects of life, such as birth, marriage, agriculture and rain, travel, and the forces of the planet Venus. Boone also tackles two major areas of controversy—the great narrative passage in the Codex Borgia, which she freshly interprets as a cosmic narrative of creation, and the disputed origins of the codices, which, she argues, grew out of a single religious and divinatory system.

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cover of Cyclonic Lives in an Indian Ocean World: Environment, Disaster, and Identity in Modern Mauritius

Cyclonic Lives in an Indian Ocean World

Environment, Disaster, and Identity in Modern Mauritius

Robert M. Rouphail

Ohio University Press, 0

Disasters as historical processes shaping identity, governance, and diasporic memory in colonial and postcolonial Mauritius

In a world marked by increasingly destructive ecological and meteorological upheavals, Cyclonic Lives in an Indian Ocean World offers a historical analysis of how these catastrophes shape people’s understanding of themselves, their collective history, and their relationship to the institutions that govern them. An examination of cyclonic disasters in the multiethnic Indian Ocean island of Mauritius throws into stark relief how deep histories of diasporic identity formation, of imperial governance, and of the informal practices of racial difference making graft onto how everyday people interpret these moments of loss and the futures that emerge in their wake.

Cyclonic Lives shows that disasters are not only events; they are also processes through which people evaluate and rethink the most elemental social and cultural categories that give meaning to their lives. Beginning in the late nineteenth century and continuing until the early postcolonial era, this book tracks, for example, how Mauritians of African descent integrated these disasters into broader collective histories and memories of the Indian Ocean slave trade, how Hindu Indo-Mauritians understood cyclones’ ecological effects as material elements to be accounted for in a broader Hindu diasporic space, and how the late colonial and early postcolonial state built infrastructures—material, conceptual, and financial—to mitigate the threats posed by these storms and ensure their own long-term durability.

The increasing political, social, and economic instability that climate change has already triggered demands that humanists develop analytical geographies and methodologies that shed light on how power can modulate in asymmetrical ways at moments of crisis. If there is one central takeaway from this historical study of this small island in a big ocean, it is that catastrophic events are not things that merely happen to people; they are processes that remake them.

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cover of Cymbeline

Cymbeline

William Shakespeare

Arizona Center for Medieval and Renaissance Studies, 2023

One of Shakespeare’s late plays rewritten in contemporary language.
 
In her modern translation of Cymbeline, Andrea Thome takes up one of Shakespeare’s most complex plays. Thome’s update brings the play’s language into the present, highlighting new resonances and providing a more accessible version of Shakespeare’s play for today’s audiences. One of Shakespeare’s final plays, Cymbeline tells the story of the British king Cymbeline and his daughter, Imogen. It is a tale of deceit and jealousy, with accusations of infidelity that often draw comparisons to Othello and The Winter’s Tale.

This translation of Cymbeline was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project reenvisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print—a new First Folio for a new era.
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cover of Cyprus: The Post-Imperial Constitution

Cyprus

The Post-Imperial Constitution

Vassilis K. Fouskas and Alex O. Tackie

Pluto Press, 2009

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cover of Czech Action Art: Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain

Czech Action Art

Happenings, Actions, Events, Land Art, Body Art and Performance Art Behind the Iron Curtain

Pavlína Morganová

Karolinum Press, 2014

Czech action art—a medium similar to performance art that does not require an audience—emerged out of the political and social turmoil of the 1960s. This movement has received little critical attention, however, as the Iron Curtain prevented its dissemination to an international audience. Here theorist and art historian Pavlína Morganová gives this art scene its due, chronicling its inception and tracing its evolution through to the present.
           
Morganová explains the various forms of action art, from the “actions” and “happenings” of the 1960s; to the actions of land art that encompass stones, trees, water, or fire; to recent displays of body art; to the actions of the latest generation of artists, who are using the principles of action art in contemporary postconceptual and participative art. Along the way, she introduces the most prominent Czech artists of each specific niche, including Milan Knížák, Zorka Ságlová, Ivan Kafka, Petr Štembera, Karel Miler, Jirí Kovanda, and Katerina Šedá, and demonstrates not only the changes in the art forms themselves but also the shifting roles of artists and spectators after World War II.
           
With over one hundred illustrations, Czech Action Art introduces this heretofore overlooked but fascinating art form to a global readership.
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cover of Czech Law in Historical Contexts

Czech Law in Historical Contexts

Jan Kuklík

Karolinum Press, 2015

The legal system of the present-day Czech Republic cannot be understood without sufficient knowledge of its historical roots and evolution. Kuklík traces the development of Czech law from its origins as a form of Slavic law to its current position, reflecting the influence of both Roman law and the legal systems of neighboring countries. The twentieth century is of particular importance due to the establishment of an independent Czechoslovakia in 1918 and its split in 1993 into the Czech Republic and the Slovak Republic. It was a century encompassing periods of democratic as well as totalitarian regimes, and major political, ideological, economic, and social changes, making Czech Law in Historical Context an ideal case study for researchers interested in the transition of democratic legal systems into totalitarian regimes, and vice versa.
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cover of Czech Refugees in Cold War Canada

Czech Refugees in Cold War Canada

Jan Raska

University of Manitoba Press, 2018

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cover of Czech Theatre Design in the Twentieth Century: Metaphor and Irony Revisited

Czech Theatre Design in the Twentieth Century

Metaphor and Irony Revisited

Joe Brandesky

University of Iowa Press, 2007

This stimulating compilation of essays and images reveals an essential and valuable component of Czech contributions to the world of modern theatre heretofore largely unseen outside the country itself. Featuring the craft of twenty-seven of the best stage and costume designers of the twentieth century, Joe Brandesky supplies ample evidence of their consistently high quality and dynamic creativity, survival skills for a people whose national identity had been dismantled during many years of occupation and repression.
    Essays by Vera Ptacková,  Dennis Christilles, Delbert Unruh, and, Marie Zdenková their full texts restored and reedited for this volume since their initial publication in exhibit catalogs, provide historical and linguistic insights into contemporary Czech scenography as well as comparisons to the major art movements affecting the designers. Brandesky’s informative introductory essay contextualizes the shifting tenets of Czech theatre design. Also included are biographies of the designers, a bibliography, and thirty black-and-white photographs.
    The accompanying CD provides access to the vibrant and sophisticated images of the Czech theatrical world: 138 richly colorful paintings and drawings of costumes, models, and set designs and in situ photos of exhibited designs plus 27 color and black-and-white photos of the designers. The CD also includes the full text of the book with links to all the art and to the designers’ biographies. Book and CD together showcase the Czech Republic as a center of international stage design.
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cover of Czecho/Slovakia: Ethnic Conflict, Constitutional Fissure, Negotiated Breakup

Czecho/Slovakia

Ethnic Conflict, Constitutional Fissure, Negotiated Breakup

Eric Stein

University of Michigan Press, 2000

As the clock struck midnight on December 31, 1992, Czechoslovakia, the only genuine democracy in post-World War I Central-Eastern Europe, broke up into two independent successor states. This book explores the failed search for a postcommunist constitution and it records in a lively style a singular instance of the peaceful settlement of an ethnic dispute.
For more than three years after the implosion of the Communist regime in 1989, the Czechs and Slovaks negotiated the terms of a new relationship to succeed the centralized federation created under communism. After failing to agree to the terms of a new union, the parties agreed on an orderly breakup.
In the background of the narrative loom general issues such as: What are the sources of ethnic conflict and what is the impact of nationalism? Why do ethnic groups choose secession and what makes for peaceful rather than violent separation? What factors influence the course of postcommunist constitutional negotiations, which are inevitably conducted in the context of institutional and societal transformation? The author explores these issues and the reasons for the breakup.
Eric Stein, a well-known scholar of comparative law and a native of Czechoslovakia, was invited by the Czechoslovak government to assist in the drafting of a new constitution. This book is based on his experiences during years of work on these negotiations as well as extensive interviews with political figures, journalists, and academics and extensive research in the primary documents. It will appeal to historians, lawyers, and social scientists interested in the process of transformation in Eastern Europe and the study of ethnic conflict, as well as the general reader interested in modern European history.
Eric Stein is Hessel E. Yntema Professor Emeritus, University of Michigan Law School. He previously served with the United States Department of State in the Legal Advisor's Office. He is the author of many books and articles on comparative law and the law of the European Community.
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cover of Czechoslovak Diplomacy and the Gulag: Deportation of Czechoslovak Citizens to the USSR and the Negotiation for their Repatriation, 1945-1953

Czechoslovak Diplomacy and the Gulag

Deportation of Czechoslovak Citizens to the USSR and the Negotiation for their Repatriation, 1945-1953

Milada Polisenská

Central European University Press, 2016

After the entry of the Red Army into Czechoslovak territory in 1945, Red Army authorities began to arrest and deport Czechoslovak citizens to labor camps in the Soviet Union. The regions most affected were Eastern and South Slovakia and Prague. The Czechoslovak authorities repeatedly requested a halt to the deportations and that the deported Czechoslovaks be returned immediately. It took a long time before these protests generated any response. Czechoslovak Diplomacy and the Gulag focuses on the diplomatic and political aspects of the deportations. The author explains the steps taken by the Czechoslovak Government in the repatriation agenda from 1945 to 1953 and reconstructs the negotiations with the Soviets. The research tries to answer the question of why and how the Russians deported the civilian population from Czechoslovakia which was their allied country already during the war. Key words: 1. World War, 1939–1945—Deportations from Czechoslovakia. 2. Forced labor—Soviet Union—History. 3. Labor camps—Soviet Union—History. 4. Czechs—Soviet Union—History. 5. Slovaks—Soviet Union—History. 6. Czechoslovakia—Foreign relations—Soviet Union. 7. Soviet Union—Foreign relations—Czechoslovakia. 8. Czechoslovakia—Foreign relations—1945–1992. 9. Repatriation—Czechoslovakia—History.
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cover of Czechoslovak Jewish Refugees in the Gulag: Soviet Labour and POW Camps during World War II as Recollected by Jewish Refugees from Czechoslovakia

Czechoslovak Jewish Refugees in the Gulag

Soviet Labour and POW Camps during World War II as Recollected by Jewish Refugees from Czechoslovakia

Jan Dvorák and Adam Hradilek

Karolinum Press, 2025

Containing meticulous research of a long under-represented part of the Holocaust, this book provides a rich pictorial documentation of the Gulag environment as told by Jewish refugees.

While millions of Soviet slaves awaited liberation from the Nazi troops, millions of German concentration camp victims put their last bit of hope in the Red Army.

An in-depth look into the Soviet persecution of Jewish refugees, this book offers twenty-one different interviews with Czechoslovak Jewish refugees who found themselves in Soviet labor and prison camps between 1939 and 1941. They represent around two thousand Czechoslovak Jews who escaped persecution from German and Hungarian occupational forces and Slovak fascists by fleeing to the East. The Soviets sentenced most of them to long stints of forced labor in the Gulags for illegal immigration, espionage, and other arbitrary accusations. A specific group was formed by the Jews from the Hungarian labor service who either defected to or were captured by the Soviets.

Dvořák and Hradilek chronicle four waves of escape—those from the Protectorate of Bohemia and Moravia, the Nisko concentration camp, Carpathian Ruthenia, and the aforementioned labor service. Thorough and clear, every interview coincides with supplementary documents and photographs found in the NKVD archives, sourced from Ukraine.
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cover of Czechoslovakia at the World’s Fairs: Behind the Façade

Czechoslovakia at the World’s Fairs

Behind the Façade

Marta Filipová

Central European University Press, 2024

Established in 1918, as a new state the First Czechoslovak Republic was keen to project a distinct image. Participation in World Fairs offered the perfect opportunity-. In this comprehensive account of Czechoslovak participation in international exhibitions of the interwar period Marta Filipová looks beyond the sleek façade of the modernist pavilions to examine the intersections of architecture, art and design with commercial interests, state agendas, individual action and the public, offering a complex insight into the production and reception of national displays.

The rich collection of images – mainly photographs – provides a close look at the Czechoslovak pavilions. The design, content and context of the displays convey an idealized narrative that was created for the fairs and the myths on which the Czechoslovak nation and state were built. Heavy machinery, modern art, tourist destinations, and food and drink were presented as Czechoslovak, while many aspects of social life – particularly women or ethnic minorities – were strikingly underrepresented or absent. The book argues that the objects and ideas that the pavilion organizers put on display legitimized and validated the existence of the new state through the inclusion and exclusion of exhibits, people, and ideas.

While Marta Filipová primarily focuses on Czechoslovakia, she also offers insights into how other emerging nations projected and sustained their image during this historical period and how interwar world’s fairs accommodated them.

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cover of Czechs and Germans 1848-2004: The Sudeten Question and the Transformation of Central Europe

Czechs and Germans 1848-2004

The Sudeten Question and the Transformation of Central Europe

Václav Houzvicka

Karolinum Press, 2013

Václav Houžvicka describes the development of the Czech-German national controversies from the mid-nineteenth century, through the establishing of the Czechoslovak Republic in 1918, to the beginning of the twenty-first century. He focuses primarily on the tragic end of the nations’ coexistence in 1938–1945 and the differing Czech and German understandings of the reasons for the removal of Germans from the Czechoslovak Republic after 1945 in the latter part of the twentieth century. Houžvicka clarifies the relationships between Czech, German, and Sudeten-German identities within the international and social-economic context of the twentieth century.

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cover of Cárdenas Compromised: The Failure of Reform in Postrevolutionary Yucatán

Cárdenas Compromised

The Failure of Reform in Postrevolutionary Yucatán

Ben Fallaw

Duke University Press, 2001

Cárdenas Compromised is a political and institutional history of Mexico’s urban and rural labor in the Yucatán region during the regime of Lázaro Cárdenas from 1934 to 1940. Drawing on archival materials, both official and popular, Fallaw combines narrative, individual case studies, and focused political analysis to reexamine and dispel long-cherished beliefs about the Cardenista era.
For historical, geographical, and ethnic reasons, Yucatán was the center of large-scale land reform after the Mexican Revolution. A long-standing revolutionary tradition, combined with a harsh division between a powerful white minority and a poor, Maya-speaking majority, made the region the perfect site for Cárdenas to experiment by launching an ambitious top-down project to mobilize the rural poor along ethnic and class lines. The regime encouraged rural peasants to form collectives, hacienda workers to unionize, and urban laborers to strike. It also attempted to mobilize young people and women, to challenge Yucatán’s traditional, patriarchal social structure, to reach out to Mayan communities, and to democratize the political process. Although the project ultimately failed, political dialogue over Cárdenas’s efforts continues. Rejecting both revisionist (anti-Cárdenas) and neopopulist (pro-Cárdenas) interpretations, Fallaw overturns the notion that the state allowed no room for the agency of local actors. By focusing on historical connections across class, political, and regional lines, Fallaw transforms ideas on Cardenismo that have long been accepted not only in Yucatán but throughout Mexico.
This book will appeal to scholars of Mexican history and of Latin American state formation, as well as to sociologists and political scientists interested in modern Mexico.
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cover of César Chávez, the Catholic Bishops, and the Farmworkers’ Struggle for Social Justice

César Chávez, the Catholic Bishops, and the Farmworkers’ Struggle for Social Justice

Marco G. Prouty

University of Arizona Press, 2006

César Chávez and the farmworkers’ struggle for justice polarized the Catholic community in California’s Central Valley during the 1965–1970 Delano Grape Strike. Because most farmworkers and landowners were Catholic, the American Catholic Church was placed in the challenging position of choosing sides in an intrafaith conflict. Twice Chávez petitioned the Catholic Church for help. Finally, in 1969 the American Catholic hierarchy responded by creating the Bishops’ Ad Hoc Committee on Farm Labor. This committee of five bishops and two priests traveled California’s Central Valley and mediated a settlement in the five-year conflict. Within months, a new and more difficult struggle began in California’s lettuce fields. This time the Catholic Church drew on its long-standing tradition of social teaching and shifted its policy from neutrality to outright support for César Chávez and his union, the United Farmworkers (UFW). The Bishops’ Committee became so instrumental in the UFW’s success that Chávez declared its intervention “the single most important thing that has helped us.” Drawing upon rich, untapped archival sources at the United States Conference of Catholic Bishops, Marco Prouty exposes the American Catholic hierarchy’s internal, and often confidential, deliberations during the California farm labor crisis of the 1960s and 1970s. He traces the Church’s gradual transition from reluctant mediator to outright supporter of Chávez, providing an intimate view of the Church’s decision-making process and Chávez’s steadfast struggle to win rights for farmworkers. This lucid, solidly researched text will be an invaluable addition to the fields of labor history, social justice, ethnic studies, and religious history.
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cover of Códice Maya de México: Entendiendo el libro más antiguo que ha sobrevivido de la América precolombina

Códice Maya de México

Entendiendo el libro más antiguo que ha sobrevivido de la América precolombina

Andrew D. Turner

J. Paul Getty Trust, The, 0

Una exploración profunda de la historia, la autenticación y la relevancia moderna del Códice Maya de México, el libro más antiguo del continente americano.

Los antiguos escribas mayas registraban profecías y observaciones astronómicas en las páginas de libros pintados. Aunque la mayoría se perdieron por el desgaste del paso del tiempo o porque fueron destruidos, se sabía que tres códices mayas prehispánicos habían sobrevivido. Sin embargo, en la década de 1960 apareció en México, en circunstancias misteriosas, un cuarto libro diferente a los demás. Después de cincuenta años de debate sobre su autenticidad, investigaciones recientes con análisis científicos e histórico-artísticos de vanguardia, determinaron que el Códice Maya de México (antes conocido como Códice Grolier) es, de hecho, el libro más antiguo del continente americano: al menos doscientos años más antiguo que los demás.
 
Este volumen ofrece una introducción multifacética a la creación, el descubrimiento, la interpretación y la autenticación científica del Códice Maya de México. Además, un facsímil a todo color y una guía de la iconografía página por página hacen que un amplio público pueda acceder al códice. Otros temas incluyen los usos y la importancia de los libros sagrados en Mesoamérica, el papel de la astronomía en las antiguas sociedades mayas y la continua relevancia del códice para las comunidades mayas contemporáneas.
 
La publicación de este volumen acompaña la exposición que se exhibirá en el J. Paul Getty Museum ubicado en el Getty Center del 18 de octubre de 2022 al 15 de enero de 2023.

An in-depth exploration of the history, authentication, and modern relevance of Códice Maya de México, the oldest surviving book of the Americas.
 
Ancient Maya scribes recorded prophecies and astronomical observations on the pages of painted books. Although most were lost to decay or destruction, three pre-Hispanic Maya codices were known to have survived, when, in the 1960s, a fourth book that differed from the others appeared in Mexico under mysterious circumstances. After fifty years of debate over its authenticity, recent investigations using cutting-edge scientific and art historical analyses determined that Códice Maya de México (formerly known as Grolier Codex) is in fact the oldest surviving book of the Americas, predating all others by at least two hundred years.
 
This volume provides a multifaceted introduction to the creation, discovery, interpretation, and scientific authentication of Códice Maya de México. In addition, a full-color facsimile and a page-by-page guide to the iconography make the codex accessible to a wide audience. Additional topics include the uses and importance of sacred books in Mesoamerica, the role of astronomy in ancient Maya societies, and the codex's continued relevance to contemporary Maya communities.
 
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 18, 2022, to January 15, 2023.
 
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cover of Códice Maya de México: Understanding the Oldest Surviving Book of the Americas

Códice Maya de México

Understanding the Oldest Surviving Book of the Americas

Andrew D. Turner

J. Paul Getty Trust, The, 2022

An in-depth exploration of the history, authentication, and modern relevance of Códice Maya de México, the oldest surviving book of the Americas.
 
Ancient Maya scribes recorded prophecies and astronomical observations on the pages of painted books. Although most were lost to decay or destruction, three pre-Hispanic Maya codices were known to have survived, when, in the 1960s, a fourth book that differed from the others appeared in Mexico under mysterious circumstances. After fifty years of debate over its authenticity, recent investigations using cutting-edge scientific and art historical analyses determined that Códice Maya de México (formerly known as Grolier Codex) is in fact the oldest surviving book of the Americas, predating all others by at least two hundred years.
 
This volume provides a multifaceted introduction to the creation, discovery, interpretation, and scientific authentication of Códice Maya de México. In addition, a full-color facsimile and a page-by-page guide to the iconography make the codex accessible to a wide audience. Additional topics include the uses and importance of sacred books in Mesoamerica, the role of astronomy in ancient Maya societies, and the codex's continued relevance to contemporary Maya communities.
 
This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 18, 2022, to January 15, 2023.
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