Results by title

3745 books match the query 'Europe' and 216 start with c

cover of Cultural Transfers in Dispute: Representations in Asia, Europe and the Arab World since the Middle Ages

Cultural Transfers in Dispute

Representations in Asia, Europe and the Arab World since the Middle Ages

Edited by Jörg Feuchter, Friedhelm Hoffmann, and Bee Yun

Campus Verlag, 2011

Our conception of cultures and cultural change has altered dramatically in recent decades: no longer do we understand cultures as isolated units; rather, we see them as hybrid formations constantly engaged in a multidirectional process of exchange and influence with other cultures. Yet the very process by which we represent these cultural transfers is itself subject to cultural, political, and ideological conditions that affect our understanding, acknowledgment, and representation of them. Built around concrete examples of controversial representations of cultural transfer from Asia, the Arab world, and Europe, Cultural Transfers in Dispute presents a critical self-reflection on the scholarly practices that underpin our attempts to study and describe other cultures.

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cover of Culture and Identity in Early Modern Europe (1500-1800): Essays in Honor of Natalie Zemon Davis

Culture and Identity in Early Modern Europe (1500-1800)

Essays in Honor of Natalie Zemon Davis

Barbara B. Diefendorf and Carla Hesse, Editors

University of Michigan Press, 1993

Explores Natalie Zemon Davis's concept of history as a dialogue, not only with the past, but with other historians.
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cover of Culture and Political Crisis in Vienna: Christian Socialism in Power, 1897-1918

Culture and Political Crisis in Vienna

Christian Socialism in Power, 1897-1918

John W. Boyer

University of Chicago Press, 1995

In this sequel to Political Radicalism in Late Imperial Vienna, John Boyer picks up the history of the Christian Social movement after founder Karl Lueger's rise to power in Vienna in 1897 and traces its evolution from a group of disparate ward politicians, through its maturation into the largest single party in the Austrian parliament by 1907, to its major role in Imperial politics during the First World War.

Boyer argues that understanding the unprecedented success that this dissident bourgeois political group had in transforming the basic tenets of political life is crucial to understanding the history of the Central European state and the ways in which it was slowly undermined by popular electoral politics. The movement's efforts to save the Austrian Empire by trying to create an economically integrated but ethnically pluralistic state are particularly enlightening today in the shadow of ethnic violence in Sarajevo, where began the end of the Austrian Empire in 1914.

The most comprehensive account of any mass political movement in late-nineteenth century Central Europe, this two- volume work is crucial reading for anyone interested in Hapsburg history, German history or the history of social democracy.
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cover of Culture in the Anteroom: The Legacies of Siegfried Kracauer

Culture in the Anteroom

The Legacies of Siegfried Kracauer

Edited by Gerd Gemünden and Johannes von Moltke

University of Michigan Press, 2012

Culture in the Anteroom introduces an English-speaking readership to the full range of Siegfried Kracauer's work as novelist, architect, journalist, sociologist, historian, exile critic, and theorist of visual culture. This interdisciplinary anthology---including pieces from Miriam Bratu Hansen, Andreas Huyssen, Noah Isenberg, Lutz Koepnick, Eric Rentschler, and Heide Schlüpmann---brings together literary and film scholars, historians and art historians, sociologists, and architects to address the scope and current relevance of a body of work dedicated to investigating all aspects of modernism and modernity. The contributors approach Kracauer's writings from a variety of angles, some by placing them in dialogue with his contemporaries in Weimar Germany and the New York Intellectuals of the 1940s and '50s; others by exploring relatively unknown facets of Kracauer's oeuvre by considering his contributions to architectural history, the history of radio as well as other new media, and museum and exhibition culture.

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cover of Cultured Force: Makers and Defenders of the French Colonial Empire

Cultured Force

Makers and Defenders of the French Colonial Empire

Barnett Singer and John Langdon

University of Wisconsin Press, 2008

Bridging gaps between intellectual history, biography, and military/colonial history, Barnett Singer and John Langdon provide a challenging, readable interpretation of French imperialism and some of its leading figures from the early modern era through the Fifth Republic.  They ask us to rethink and reevaluate, pulling away from the usual shoal of simplistic condemnation.  In a series of finely-etched biographical studies, and with much detail on both imperial culture and wars (including World War I and II), they offer a balanced, deep, strong portrait of key makers and defenders of the French Empire, one that will surely stimulate much historical work in the field.
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cover of Cultures of Border Control: Schengen and the Evolution of European Frontiers

Cultures of Border Control

Schengen and the Evolution of European Frontiers

Ruben Zaiotti

University of Chicago Press, 2011

In recent years, a number of European countries abolished national border controls in favor of Europe’s external frontiers. In doing so, they challenged long-established conceptions of sovereignty, territoriality, and security in world affairs. 

Setting forth a new analytic framework informed by constructivism and pragmatism, Ruben Zaiotti traces the transformation of underlying assumptions and cultural practices guiding European policymakers and postnational Europe, shedding light on current trends characterizing its politics and relations with others. The book also includes a fascinating comparison to developments in North America, where the United States has pursued more restrictive border control strategies since 9/11. As a broad survey of the origins, evolution, and implications of this remarkable development in European integration, Cultures of Border Control will be of interest to students and scholars of international relations and political geography.

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cover of Curators of the Buddha: The Study of Buddhism under Colonialism

Curators of the Buddha

The Study of Buddhism under Colonialism

Edited by Donald S. Lopez Jr.

University of Chicago Press, 1995

Curators of the Buddha is the first critical history of the study of Buddhism in the West and the first work to bring the insights of colonial and postcolonial cultural studies to bear on this field.

After an overview of the origins of Buddhist studies in the early nineteenth century, the essays focus on important "curators of the Buddha," such as Aurel Stein, D. T. Suzuki, and Carl Jung, who, as they created and maintained the discipline, played a significant role in disseminating knowledge about Buddhism in the West. The essays bring to life many of the important but unexamined social, political, and cultural conditions that have shaped the course of Buddhist studies for more than a century—and have frequently distorted the understanding of a complex set of traditions. Contributors Charles Hallisey, Gustavo Benavides, Stanley Abe, Luis Gómez, Robert Sharf, and Donald Lopez challenge some of the most enduring ideas in Buddhist studies: that Zen Buddhism is, above all, an experience; that Tibetan Buddhism is polluted, or pristine; that the Buddha image is of Greek or Roman origin; that the classical text supersedes the vernacular, as the manuscript supersedes the informant; and many others.
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cover of Curing the Colonizers: Hydrotherapy, Climatology, and French Colonial Spas

Curing the Colonizers

Hydrotherapy, Climatology, and French Colonial Spas

Eric T. Jennings

Duke University Press, 2006

“Beware! Against the poison that is Africa, there is but one antidote: Vichy.” So ran a 1924 advertisement for one of France’s main spas. Throughout the French empire, spas featuring water cures, often combined with “climatic” cures, thrived during the nineteenth century and the twentieth. Water cures and high-altitude resorts were widely believed to serve vital therapeutic and even prophylactic functions against tropical disease and the tropics themselves. The Ministry of the Colonies published bulletins accrediting a host of spas thought to be effective against tropical ailments ranging from malaria to yellow fever; specialized guidebooks dispensed advice on the best spas for “colonial ills.” Administrators were granted regular furloughs to “take the waters” back home in France. In the colonies, spas assuaged homesickness by creating oases of France abroad. Colonizers frequented spas to maintain their strength, preserve their French identity, and cultivate their difference from the colonized.

Combining the histories of empire, leisure, tourism, culture, and medicine, Eric T. Jennings sheds new light on the workings of empire by examining the rationale and practice of French colonial hydrotherapy between 1830 and 1962. He traces colonial acclimatization theory and the development of a “science” of hydrotherapy appropriate to colonial spaces, and he chronicles and compares the histories of spas in several French colonies—Guadeloupe, Madagascar, Tunisia, and Réunion—and in France itself. Throughout Curing the Colonizers, Jennings illuminates the relationship between indigenous and French colonial therapeutic knowledge as well as the ultimate failure of the spas to make colonialism physically or morally safe for the French.

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cover of Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy

Curious and Modern Inventions

Instrumental Music as Discovery in Galileo's Italy

Rebecca Cypess

University of Chicago Press, 2016

Early seventeenth-century Italy saw a revolution in instrumental music. Large, varied, and experimental, the new instrumental repertoire was crucial for the Western tradition—but until now, the impulses that gave rise to it had yet to be fully explored. Curious and Modern Inventions offers fresh insight into the motivating forces behind this music, tracing it to a new conception of instruments of all sorts—whether musical, artistic, or scientific—as vehicles of discovery.

Rebecca Cypess shows that early modern thinkers were fascinated with instrumental technologies. The telescope, the clock, the pen, the lute—these were vital instruments for leading thinkers of the age, from Galileo Galilei to Giambattista Marino. No longer used merely to remake an object or repeat a process already known, instruments were increasingly seen as tools for open-ended inquiry that would lead to new knowledge. Engaging with themes from the history of science, literature, and the visual arts, this study reveals the intimate connections between instrumental music and the scientific and artisanal tools that served to mediate between individuals and the world around them.
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cover of Customs and Culture in Poland under the Last Saxon King: Selections from Opis obyczajów za panowania Augusta III by father Jedrzej Kitowicz, 1728-1804

Customs and Culture in Poland under the Last Saxon King

Selections from Opis obyczajów za panowania Augusta III by father Jedrzej Kitowicz, 1728-1804

Translated and with a preface and commentary by Oscar E. Swan

Central European University Press, 2019

Jedrzej Kitowicz was a parish priest in central Poland with a military and worldly past. In his later years, after putting the affairs of his parish in order, he composed a colorful chronicle of all aspects and walks of life under King August III. He seems to have written mostly from memory, creating in the process the most complete record that exists of society in eighteenth-century Poland. A man with omnivorous tastes, a keen sense of observation, and a wry—at times bawdy—sense of humor, Kitowicz’s realistic and robust literary technique has been compared in its earthiness and evocativeness to Flemish genre painting. A noteworthy example of eighteenth-century writing and narrative talent, his Opis reveals an astounding visual memory and a modern ethnographer’s eye for material culture. The present book consists of fifty-one chapters, including all of the most celebrated ones, from Father Kitowicz’s Opis, complete with a comprehensive introduction. Topics include religious beliefs, customs and institutions, child-rearing, education, the judiciary and the military. Particularly vivid are the descriptions of the lives of the nobility, ranging from cooking through men’s and women’s wear to household entertainments and drinking habits. A commentary by the editor introduces each chapter.
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cover of Cutting Edge: Art-Horror and the Horrific Avant-garde

Cutting Edge

Art-Horror and the Horrific Avant-garde

Joan Hawkins

University of Minnesota Press, 2000

Explores what horror movies tell us about issues of taste.

Even before Jean-Luc Godard and other members of the French New Wave championed Hollywood B movies, aesthetes and cineasts relished the raw emotions of genre films. This contradiction has been particularly true of horror cinema, in which the same images and themes found in exploitation and splatter movies are also found in avant-garde and experimental films, blurring boundaries of taste and calling into question traditional distinctions between high and low culture.

In Cutting Edge, Joan Hawkins offers an original and provocative discussion of taste, trash aesthetics, and avant-garde culture of the 1960s and 1970s to reveal horror’s subversiveness as a genre. In her treatment of what she terms "art-horror" films, Hawkins examines home viewing, video collection catalogs, and fanzines for insights into what draws audiences to transgressive films. Cutting Edge provides the first extended political critique of Yoko Ono’s rarely seen Rape and shows how a film such as Franju’s Eyes without a Face can work simultaneously as an art, political, and splatter film. The rediscovery of Tod Browning’s Freaks as an art film, the "eurotrash" cinema of Jess Franco, camp cults like the one around Maria Montez, and the "cross-over" reception of Andy Warhol’s Frankenstein are all studied for what they reveal about cultural hierarchies. Looking at the low aspects of high culture and the high aspects of low culture, Hawkins scrutinizes the privilege habitually accorded "high" art-a tendency, she argues, that lets highbrow culture off the hook and removes it from the kinds of ethical and critical social discussions that have plagued horror and porn. Full of unexpected insights, Cutting Edge calls for a rethinking of high/low distinctions-and a reassigning of labels at the video store.
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cover of Czech Bluegrass: Notes from the Heart of Europe

Czech Bluegrass

Notes from the Heart of Europe

Lee Bidgood

University of Illinois Press, 2017

Bluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities.
 
Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bidgood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.
 
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cover of Czecho/Slovakia: Ethnic Conflict, Constitutional Fissure, Negotiated Breakup

Czecho/Slovakia

Ethnic Conflict, Constitutional Fissure, Negotiated Breakup

Eric Stein

University of Michigan Press, 2000

As the clock struck midnight on December 31, 1992, Czechoslovakia, the only genuine democracy in post-World War I Central-Eastern Europe, broke up into two independent successor states. This book explores the failed search for a postcommunist constitution and it records in a lively style a singular instance of the peaceful settlement of an ethnic dispute.
For more than three years after the implosion of the Communist regime in 1989, the Czechs and Slovaks negotiated the terms of a new relationship to succeed the centralized federation created under communism. After failing to agree to the terms of a new union, the parties agreed on an orderly breakup.
In the background of the narrative loom general issues such as: What are the sources of ethnic conflict and what is the impact of nationalism? Why do ethnic groups choose secession and what makes for peaceful rather than violent separation? What factors influence the course of postcommunist constitutional negotiations, which are inevitably conducted in the context of institutional and societal transformation? The author explores these issues and the reasons for the breakup.
Eric Stein, a well-known scholar of comparative law and a native of Czechoslovakia, was invited by the Czechoslovak government to assist in the drafting of a new constitution. This book is based on his experiences during years of work on these negotiations as well as extensive interviews with political figures, journalists, and academics and extensive research in the primary documents. It will appeal to historians, lawyers, and social scientists interested in the process of transformation in Eastern Europe and the study of ethnic conflict, as well as the general reader interested in modern European history.
Eric Stein is Hessel E. Yntema Professor Emeritus, University of Michigan Law School. He previously served with the United States Department of State in the Legal Advisor's Office. He is the author of many books and articles on comparative law and the law of the European Community.
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cover of Czechoslovak Diplomacy and the Gulag: Deportation of Czechoslovak Citizens to the USSR and the Negotiation for their Repatriation, 1945-1953

Czechoslovak Diplomacy and the Gulag

Deportation of Czechoslovak Citizens to the USSR and the Negotiation for their Repatriation, 1945-1953

Milada Polisenská

Central European University Press, 2016

After the entry of the Red Army into Czechoslovak territory in 1945, Red Army authorities began to arrest and deport Czechoslovak citizens to labor camps in the Soviet Union. The regions most affected were Eastern and South Slovakia and Prague. The Czechoslovak authorities repeatedly requested a halt to the deportations and that the deported Czechoslovaks be returned immediately. It took a long time before these protests generated any response. Czechoslovak Diplomacy and the Gulag focuses on the diplomatic and political aspects of the deportations. The author explains the steps taken by the Czechoslovak Government in the repatriation agenda from 1945 to 1953 and reconstructs the negotiations with the Soviets. The research tries to answer the question of why and how the Russians deported the civilian population from Czechoslovakia which was their allied country already during the war. Key words: 1. World War, 1939–1945—Deportations from Czechoslovakia. 2. Forced labor—Soviet Union—History. 3. Labor camps—Soviet Union—History. 4. Czechs—Soviet Union—History. 5. Slovaks—Soviet Union—History. 6. Czechoslovakia—Foreign relations—Soviet Union. 7. Soviet Union—Foreign relations—Czechoslovakia. 8. Czechoslovakia—Foreign relations—1945–1992. 9. Repatriation—Czechoslovakia—History.
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cover of Czechoslovak Jewish Refugees in the Gulag: Soviet Labour and POW Camps during World War II as Recollected by Jewish Refugees from Czechoslovakia

Czechoslovak Jewish Refugees in the Gulag

Soviet Labour and POW Camps during World War II as Recollected by Jewish Refugees from Czechoslovakia

Jan Dvorák and Adam Hradilek

Karolinum Press, 2025

Containing meticulous research of a long under-represented part of the Holocaust, this book provides a rich pictorial documentation of the Gulag environment as told by Jewish refugees.

While millions of Soviet slaves awaited liberation from the Nazi troops, millions of German concentration camp victims put their last bit of hope in the Red Army.

An in-depth look into the Soviet persecution of Jewish refugees, this book offers twenty-one different interviews with Czechoslovak Jewish refugees who found themselves in Soviet labor and prison camps between 1939 and 1941. They represent around two thousand Czechoslovak Jews who escaped persecution from German and Hungarian occupational forces and Slovak fascists by fleeing to the East. The Soviets sentenced most of them to long stints of forced labor in the Gulags for illegal immigration, espionage, and other arbitrary accusations. A specific group was formed by the Jews from the Hungarian labor service who either defected to or were captured by the Soviets.

Dvořák and Hradilek chronicle four waves of escape—those from the Protectorate of Bohemia and Moravia, the Nisko concentration camp, Carpathian Ruthenia, and the aforementioned labor service. Thorough and clear, every interview coincides with supplementary documents and photographs found in the NKVD archives, sourced from Ukraine.
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cover of Czechs and Germans 1848-2004: The Sudeten Question and the Transformation of Central Europe

Czechs and Germans 1848-2004

The Sudeten Question and the Transformation of Central Europe

Václav Houzvicka

Karolinum Press, 2013

Václav Houžvicka describes the development of the Czech-German national controversies from the mid-nineteenth century, through the establishing of the Czechoslovak Republic in 1918, to the beginning of the twenty-first century. He focuses primarily on the tragic end of the nations’ coexistence in 1938–1945 and the differing Czech and German understandings of the reasons for the removal of Germans from the Czechoslovak Republic after 1945 in the latter part of the twentieth century. Houžvicka clarifies the relationships between Czech, German, and Sudeten-German identities within the international and social-economic context of the twentieth century.

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