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233 books match the query 'Cold War' and 5 start with d

cover of Defending the American Way of Life: Sport, Culture, and the Cold War

Defending the American Way of Life

Sport, Culture, and the Cold War

Toby C. Rider

University of Arkansas Press, 2018

Winner, 2019 NASSH Book Award, Anthology.

The Cold War was fought in every corner of society, including in the sport and entertainment industries. Recognizing the importance of culture in the battle for hearts and minds, the United States, like the Soviet Union, attempted to win the favor of citizens in nonaligned states through the soft power of sport. Athletes became de facto ambassadors of US interests, their wins and losses serving as emblems of broader efforts to shield American culture—both at home and abroad—against communism.

In Defending the American Way of Life, leading sport historians present new perspectives on high-profile issues in this era of sport history alongside research drawn from previously untapped archival sources to highlight the ways that sports influenced and were influenced by Cold War politics. Surveying the significance of sports in Cold War America through lenses of race, gender, diplomacy, cultural infiltration, anti-communist hysteria, doping, state intervention, and more, this collection illustrates how this conflict remains relevant to US sporting institutions, organizations, and ideologies today.
 
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cover of Detroit's Cold War: The Origins of Postwar Conservatism

Detroit's Cold War

The Origins of Postwar Conservatism

Colleen Doody

University of Illinois Press, 2017

Detroit's Cold War locates the roots of American conservatism in a city that was a nexus of labor and industry in postwar America. Drawing on meticulous archival research focusing on Detroit, Colleen Doody shows how conflict over business values and opposition to labor, anticommunism, racial animosity, and religion led to the development of a conservative ethos in the aftermath of World War II.
 
Using Detroit--with its large population of African-American and Catholic immigrant workers, strong union presence, and starkly segregated urban landscape--as a case study, Doody articulates a nuanced understanding of anticommunism during the Red Scare. Looking beyond national politics, she focuses on key debates occurring at the local level among a wide variety of common citizens. In examining this city's social and political fabric, Doody illustrates that domestic anticommunism was a cohesive, multifaceted ideology that arose less from Soviet ideological incursion than from tensions within the American public.
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cover of Discipline and Indulgence: College Football, Media, and the American Way of Life during the Cold War

Discipline and Indulgence

College Football, Media, and the American Way of Life during the Cold War

Montez de Oca, Jeffrey

Rutgers University Press, 2013

Winner of the 2014 North American Society for the Sociology of Sport (NASSS) Outstanding Book Award

The early Cold War (1947–1964) was a time of optimism in America. Flushed with confidence by the Second World War, many heralded the American Century and saw postwar affluence as proof that capitalism would solve want and poverty. Yet this period also filled people with anxiety. Beyond the specter of nuclear annihilation, the consumerism and affluence of capitalism’s success were seen as turning the sons of pioneers into couch potatoes.

In Discipline and Indulgence, Jeffrey Montez de Oca demonstrates how popular culture, especially college football, addressed capitalism’s contradictions by integrating men into the economy of the Cold War as workers, warriors, and consumers. In the dawning television age, college football provided a ritual and spectacle of the American way of life that anyone could participate in from the comfort of his own home. College football formed an ethical space of patriotic pageantry where men could produce themselves as citizens of the Cold War state. Based on a theoretically sophisticated analysis of Cold War media, Discipline and Indulgence assesses the period’s institutional linkage of sport, higher education, media, and militarism and finds the connections of contemporary sport media to today’s War on Terror.
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cover of Don't Act, Just Dance: The Metapolitics of Cold War Culture

Don't Act, Just Dance

The Metapolitics of Cold War Culture

Catherine Gunther Kodat

Rutgers University Press, 2014

At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. 

Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War culture—in particular, to examine the assumptions underlying the role of “apolitical” modernism in U.S. cultural diplomacy. Through close, theoretically informed readings of selected important works—Marianne Moore’s “Combat Cultural,” dances by George Balanchine, Merce Cunningham, and Yuri Grigorovich, Stanley Kubrick’s Spartacus, and John Adams’s Nixon in China—Kodat questions several commonly-held beliefs about the purpose and meaning of modernist cultural productions during the Cold War. 

Rather than read the dance through a received understanding of Cold War culture, Don’t Act, Just Dance reads Cold War culture through the dance, and in doing so establishes a new understanding of the politics of modernism in the arts of the period. 
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cover of Dr. America: The Lives of Thomas A. Dooley, 1927-1961

Dr. America

The Lives of Thomas A. Dooley, 1927-1961

James T. Fisher

University of Massachusetts Press, 1997

This book chronicles the life of Tom Dooley, the American doctor whose much-publicized exploits in Vietnam and Laos during the 1950s helped lay the ideological groundwork for the U.S. military intervention a decade later. The scion of an upper-middle-class St. Louis family, Dooley was an enormously complex and fascinating individual. He was a devoutly religious Roman Catholic as well as a self-styled playboy socialite, a devoted physician to the poor and a tireless propagandist for the “Vietnam Lobby,” a shameless self-promoter and a closeted homosexual, a victim of Navy persecution and a beneficiary of CIA support. Dooley first gained notoriety as a young Navy doctor charged with overseeing the evacuation of Catholic refugees from North Vietnam in the wake of the 1954 Geneva Accords. His celebrity grew after his book Deliver Us from Evil, a fervently anticommunist account of his experiences, was serialized in Reader's Digest. By the end of the decade, as his name became associated (albeit mistakenly) with a ballad popularized by the Kingston Trio, he had achieved the status of “America's first pop star saint.” In addition to exposing the roots of the Vietnam War, Dooley's story illuminates a broad range of developments in post-World War II United States culture—from the “Americanization” of Catholicism to the rise of the mass media.

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