4531 books match the query 'Cultural & Ethnic Studies' and 181 start with d

cover of DJ Screw: A Life in Slow Revolution

DJ Screw

A Life in Slow Revolution

Lance Scott Walker

University of Texas Press, 2022

DJ Screw, a.k.a. Robert Earl Davis Jr., changed rap and hip-hop forever. In the 1990s, in a spare room of his Houston home, he developed a revolutionary mixing technique known as chopped and screwed. Spinning two copies of a record, Screw would “chop” in new rhythms, bring in local rappers to freestyle over the tracks, and slow the recording down on tape. Soon Houstonians were lining up to buy his cassettes—he could sell thousands in a single day. Fans drove around town blasting his music, a sound that came to define the city’s burgeoning and innovative rap culture. June 27 has become an unofficial city holiday, inspired by a legendary mix Screw made on that date.

Lance Scott Walker has interviewed nearly everyone who knew Screw, from childhood friends to collaborators to aficionados who evangelized Screw’s tapes—millions of which made their way around the globe—as well as the New York rap moguls who honored him. Walker brings these voices together with captivating details of Screw’s craft and his world. More than the story of one man, DJ Screw is a history of the Houston scene as it came of age, full of vibrant moments and characters. But none can top Screw himself, a pioneer whose mystique has only grown in the two decades since his death.

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cover of Daisy Turner's Kin: An African American Family Saga

Daisy Turner's Kin

An African American Family Saga

Jane C. Beck

University of Illinois Press, 2015

A daughter of freed African American slaves, Daisy Turner became a living repository of history. The family narrative entrusted to her--"a well-polished artifact, an heirloom that had been carefully preserved"--began among the Yoruba in West Africa and continued with her own century and more of life.
 
In 1983, folklorist Jane Beck began a series of interviews with Turner, then one hundred years old and still relating four generations of oral history. Beck uses Turner's storytelling to build the Turner family saga, using at its foundation the oft-repeated touchstone stories at the heart of their experiences: the abduction into slavery of Turner's African ancestors; Daisy's father Alec Turner learning to read; his return as a soldier to his former plantation to kill his former overseer; and Daisy's childhood stand against racism. Other stories re-create enslavement and her father's life in Vermont--in short, the range of life events large and small, transmitted by means so alive as to include voice inflections. Beck, at the same time, weaves in historical research and offers a folklorist's perspective on oral history and the hazards--and uses--of memory.

Publication of this book is supported by grants from the Andrew W. Mellon Foundation and the L. J. and Mary C. Skaggs Folklore Fund.
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cover of Damn Near White: An African American Family's Rise from Slavery to Bittersweet Success

Damn Near White

An African American Family's Rise from Slavery to Bittersweet Success

Carolyn Marie Wilkins

University of Missouri Press, 2010

Carolyn Wilkins grew up defending her racial identity. Because of her light complexion and wavy hair, she spent years struggling to convince others that she was black. Her family’s prominence set Carolyn’s experiences even further apart from those of the average African American. Her father and uncle were well-known lawyers who had graduated from Harvard Law School. Another uncle had been a child prodigy and protégé of Albert Einstein. And her grandfather had been America's first black assistant secretary of labor.

Carolyn's parents insisted she follow the color-conscious rituals of Chicago's elite black bourgeoisie—experiences Carolyn recalls as some of the most miserable of her entire life. Only in the company of her mischievous Aunt Marjory, a woman who refused to let the conventions of “proper” black society limit her, does Carolyn feel a true connection to her family's African American heritage.

When Aunt Marjory passes away, Carolyn inherits ten bulging scrapbooks filled with family history and memories. What she finds in these photo albums inspires her to discover the truth about her ancestors—a quest that will eventually involve years of research, thousands of miles of travel, and much soul-searching.

Carolyn learns that her great-grandfather John Bird Wilkins was born into slavery and went on to become a teacher, inventor, newspaperman, renegade Baptist minister, and a bigamist who abandoned five children. And when she discovers that her grandfather J. Ernest Wilkins may have been forced to resign from his labor department post by members of the Eisenhower administration, Carolyn must confront the bittersweet fruits of her family's generations-long quest for status and approval.

Damn Near White is an insider’s portrait of an unusual American family. Readers will be drawn into Carolyn’s journey as she struggles to redefine herself in light of the long-buried secrets she uncovers. Tackling issues of class, color, and caste, Wilkins reflects on the changes of African American life in U.S. history through her dedicated search to discover her family’s powerful story.

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cover of Damsels and Divas: European Stardom in Silent Hollywood

Damsels and Divas

European Stardom in Silent Hollywood

Agata Frymus

Rutgers University Press, 2020

2020 Best Early Career Research Monograph, Monash University Malaysia

Damsels and Divas investigates the meanings of Europeanness in Hollywood during the 1920s by charting professional trajectories of three movie stars: Pola Negri, Vilma Bánky and Jetta Goudal. It combines the investigation of American fan magazines with the analysis of studio documents, and the examination of the narratives of their films, to develop a thorough understanding of the ways in which Negri, Bánky and Goudal were understood within the realm of their contemporary American culture. This discussion places their star personae in the context of whiteness, femininity and Americanization. Every age has its heroines, and they reveal a lot about prevailing attitudes towards women in their respective eras. In the United States, where the stories of rags-to-riches were especially potent, stars could offer models of successful cultural integration.
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cover of Dance Cadaverous: Antiblackness of the Social World and Social Theory

Dance Cadaverous

Antiblackness of the Social World and Social Theory

Moon-Kie Jung and João H. Costa Vargas

Duke University Press, 2027

In Dance Cadaverous, Moon-Kie Jung and João H. Costa Vargas argue that the modern social world and modern social theory are foundationally antiblack. Antiblackness, the ontological exclusion inaugurated by racial slavery, persists while social theorists reproduce the exclusion, missing and misrecognizing this profoundly antisocial predicament at the heart of modernity. Across three historical moments—antebellum, Jim Crow, and contemporary—Jung and Vargas offer fundamental critiques of antiblackness, putting under scrutiny humanist and posthumanist social theories, science and technology studies, agency, genocide, racism, people-of-color intersectionality, and environmental justice. Drawing on radical Black study, freedom struggles, and jazz improvisation, they propose antisociology and abolitionist antipolitics as paths forward to provincialize and leave behind the modern social world.
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cover of Dance and the Hollywood Latina: Race, Sex, and Stardom

Dance and the Hollywood Latina

Race, Sex, and Stardom

Ovalle, Priscilla P

Rutgers University Press, 2011

Dance and the Hollywood Latina asks why every Latina star in Hollywood history, from Dolores Del Rio in the 1920s to Jennifer Lopez in the 2000s, began as a dancer or danced onscreen. While cinematic depictions of women and minorities have seemingly improved, a century of representing brown women as natural dancers has popularized the notion that Latinas are inherently passionate and promiscuous. Yet some Latina actresses became stars by embracing and manipulating these stereotypical fantasies.

Introducing the concepts of "inbetween-ness" and "racial mobility" to further illuminate how racialized sexuality and the dancing female body operate in film, Priscilla Peña Ovalle focuses on the careers of Dolores Del Rio, Rita Hayworth, Carmen Miranda, Rita Moreno, and Jennifer Lopez. Dance and the Hollywood Latina helps readers better understand how the United States grapples with race, gender, and sexuality through dancing bodies on screen.
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cover of Dances with Sheep: The Quest for Identity in the Fiction of Murakami Haruki

Dances with Sheep

The Quest for Identity in the Fiction of Murakami Haruki

Matthew Carl Strecher

University of Michigan Press, 2002

As a spokesman for disaffected youth of the post-1960s, Murakami Haruki has become one of the most important voices in contemporary Japanese literature, and he has gained a following in the United States through translations of his works. In Dances with Sheep, Matthew Strecher examines Murakami’s fiction—and, to a lesser extent, his nonfiction—for its most prevalent structures and themes. Strecher also delves into the paradoxes in Murakami’s writings that confront critics and casual readers alike. Murakami writes of “serious” themes yet expresses them in a relatively uncomplicated style that appeals to high school students as well as scholars; and his fictional work appears to celebrate the pastiche of postmodern expression, yet he rejects the effects of the postmodern on contemporary culture as dangerous.
Strecher’s methodology is both historical and cultural as he utilizes four distinct yet interwoven approaches to analyze Murakami’s major works: the writer’s “formulaic” structure with serious themes; his play with magical realism; the intense psychological underpinnings of his literary landscape; and his critique of language and its capacity to represent realities, past and present. Dances with Sheep links each of these approaches with Murakami’s critical focus on the fate of individual identity in contemporary Japan. The result is that the simplicity of the Murakami hero, marked by lethargy and nostalgia, emerges as emblematic of contemporary humankind, bereft of identity, direction, and meaning. Murakami’s fiction is reconstructed in Dances with Sheep as a warning against the dehumanizing effects of late-model capitalism, the homogenization of the marketplace, and the elimination of effective counterculture in Japan.
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cover of Dancing Bahia: Essays on Afro-Brazilian Dance, Education, Memory, and Race

Dancing Bahia

Essays on Afro-Brazilian Dance, Education, Memory, and Race

Edited by Lucia M. Suarez, Amélia Conrado and Yvonne Daniel

Intellect Books, 2018

Dancing Bahia is an edited collection that draws together the work of leading scholars, artists, and dance activists from Brazil, Canada, and the United States to examine the particular ways in which dance has responded to socio-political notions of race and community, resisting stereotypes, and redefining African Diaspora and Afro-Brazilian traditions.

Using the Brazilian city of Salvador da Bahia as its focal point, this volume brings to the fore questions of citizenship, human rights, and community building. The essays within are informed by both theory and practice, as well as black activism that inspires and grounds the research, teaching, and creative output of dance professionals from, or deeply connected to, Bahia.

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cover of Dancing Revolution: Bodies, Space, and Sound in American Cultural History

Dancing Revolution

Bodies, Space, and Sound in American Cultural History

Christopher J. Smith

University of Illinois Press, 2019

Throughout American history, patterns of political intent and impact have linked the wide range of dance movements performed in public places. Groups diverse in their cultural or political identities, or in both, long ago seized on street dancing, marches, open-air revival meetings, and theaters, as well as in dance halls and nightclubs, as a tool for contesting, constructing, or reinventing the social order.

Dancing Revolution presents richly diverse case studies to illuminate these patterns of movement and influence in movement and sound in the history of American public life. Christopher J. Smith spans centuries, geographies, and cultural identities as he delves into a wide range of historical moments. These include the God-intoxicated public demonstrations of Shakers and Ghost Dancers in the First and Second Great Awakenings; creolized antebellum dance in cities from New Orleans to Bristol; the modernism and racial integration that imbued twentieth-century African American popular dance; the revolutionary connotations behind images of dance from Josephine Baker to the Marx Brothers; and public movement's contributions to hip hop, antihegemonic protest, and other contemporary transgressive communities’ physical expressions of dissent and solidarity.

Multidisciplinary and wide-ranging, Dancing Revolution examines how Americans turned the rhythms of history into the movement behind the movements.

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cover of Dancing Spirit, Love, and War: Performing the Translocal Realities of Contemporary Fiji

Dancing Spirit, Love, and War

Performing the Translocal Realities of Contemporary Fiji

Evadne Kelly

University of Wisconsin Press, 2022

Meke, a traditional rhythmic dance accompanied by singing, signifies an important piece of identity for Fijians. Despite its complicated history of colonialism, racism, censorship, and religious conflict, meke remained a vital part of artistic expression and culture. Evadne Kelly performs close readings of the dance in relation to an evolving landscape, following the postcolonial reclamation that provided dancers with political agency and a strong sense of community that connected and fractured Fijians worldwide.
Through extensive archival and ethnographic fieldwork in both Fiji and Canada, Kelly offers key insights into an underrepresented dance form, region, and culture. Her perceptive analysis of meke will be of interest in dance studies, postcolonial and Indigenous studies, anthropology and performance ethnography, and Pacific Island studies.
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cover of Dancing across Borders: Danzas y Bailes Mexicanos

Dancing across Borders

Danzas y Bailes Mexicanos

Edited by Olga Najera-Ramirez, Norma E. Cantu, and Brenda M. Romero

University of Illinois Press, 2009

Dancing across Borders: Danzas y Bailes Mexicanos focuses specifically on Mexican dance practices on both sides of the U.S.-Mexico border. The essays explore various types of Mexican popular and traditional dances and address questions of authenticity, aesthetics, identity, interpretation, and research methodologies in dance performance. Contributors include not only noted scholars from a variety of disciplines but also several dance practitioners who reflect on their engagement with dance and reveal subtexts of dance culture. Capturing dance as a living expression, the volume's ethnographic approach highlights the importance of the cultural and social contexts in which dances are practiced.

Contributors are Norma E. Cantú, Susan Cashion, María Teresa Ceseña, Xóchitl C. Chávez, Adriana Cruz-Manjarrez, Renée de la Torre Castellanos, Peter J. García, Rudy F. García, Chris Goertzen, Martha González, Elisa Diana Huerta, Sydney Hutchinson, Marie "Keta" Miranda, Olga Nájera-Ramírez, Shakina Nayfack, Russell Rodríguez, Brenda M. Romero, Nancy Lee Chalfa Ruyter, José Sánchez Jiménez, and Alberto Zárate Rosales.

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cover of Dancing for Their Lives: The Pursuit of Meaningful Aging in Urban China

Dancing for Their Lives

The Pursuit of Meaningful Aging in Urban China

Claudia Huang

Rutgers University Press, 2025

Dancing for Their Lives explores the vibrant world of retired Chinese women known as "dancing grannies” who seek fulfillment and companionship amidst societal upheaval. These women, part of China’s “lost generation,” gather in parks and public squares to reclaim their lives through dance in the wake of Chinese economic and cultural transformations. The book challenges prevailing narratives of aging societies, portraying old age as a site of social innovation rather than decline. Based on ethnographic research conducted in Chengdu, China, Dancing for Their Lives reveals how retirees learn to navigate shifting social norms and values while actively creating new models for growing older. The book’s insights resonate beyond Chinese society, offering lessons on resilience and the pursuit of meaning in any aging population. Dancing for Their Lives underscores the human capacity to craft purposeful lives amid uncertainty, transcending geographical boundaries to illuminate the universal quest for fulfillment in later years.
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cover of Dancing from Past to Present: Nation, Culture, Identities

Dancing from Past to Present

Nation, Culture, Identities

Edited by Theresa Jill Buckland

University of Wisconsin Press, 2007

This groundbreaking collection combines ethnographic and historic strategies to reveal how dance plays crucial cultural roles in various regions of the world, including Tonga, Java, Bosnia-Herzegovina, New Mexico, India, Korea, Macedonia, and England. The essays find a balance between past and present and examine how dance and bodily practices are core identity and cultural creators. Reaching beyond the typically Eurocentric view of dance, Dancing from Past to Present opens a world of debate over the role dance plays in forming and expressing cultural identities around the world.
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cover of Dancing the Politics of Pleasure at the New Orleans Second Line

Dancing the Politics of Pleasure at the New Orleans Second Line

Rachel Carrico

University of Illinois Press, 2024

On many Sundays, Black New Orleanians dance through city streets in Second Lines. These processions invite would-be spectators to join in, grooving to an ambulatory brass band for several hours. Though an increasingly popular attraction for tourists, parading provides the second liners themselves with a potent public expression of Black resistance.

Rachel Carrico examines the parading bodies in motion as a form of negotiating and understanding power. Seeing pleasure as a bodily experience, Carrico reveals how second liners’ moves link joy and liberation, self and communal identities, play and dissent, and reclamations of place. As she shows, dancers’ choices allow them to access the pleasure of reclaiming self and city through motion and rhythm while expanding a sense of the possible in the present and for the future.

In-depth and empathetic, Dancing the Politics of Pleasure at the New Orleans Second Line blends analysis with a chorus of Black voices to reveal an indelible facet of Black culture in the Crescent City.

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cover of Dancing with the Devil: Society and Cultural Poetics in Mexican-American South Texas

Dancing with the Devil

Society and Cultural Poetics in Mexican-American South Texas

Jose Limon

University of Wisconsin Press, 1994

Combining shrewd applications of  current cultural theory  with compelling autobiography and elegant prose, José E. Limón  works at the intersection of anthropology, folklore, popular culture, history, and literary criticism.  A native of South Texas,  he renders a historical and ethnographic account of  its rich Mexican-American folk culture.  This folk culture, he shows—whether expressed through male joking rituals, ballroom polka dances, folk healing, or eating and drinking traditions—metaphorically dances with the devil, both resisting  and accommodating  the dominant culture of Texas.
    Critiquing the work of his precursors— John Gregory Bourke, J. Frank Dobie, Jovita Gonzalez, and Americo Paredes—Limón deftly demonstrates that their accounts of Mexican-Americans in South Texas contain race, class, and gender contradictions, revealed most clearly in their accounts of the folkloric figure of the devil.  Limón's own field-based ethnography follows, and again the devil appears as a recurrent motif,  signaling the ideological contradictions of folk practices in a South Texas on the verge of postmodernity.
 

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cover of Dangerous Donations: Northern Philanthropy and Southern Black Education, 1902-1930

Dangerous Donations

Northern Philanthropy and Southern Black Education, 1902-1930

Eric Anderson & Alfred A. Moss, Jr.

University of Missouri Press, 1999

Eric Anderson and Alfred A. Moss, Jr., offer a new examination of the impact of northern philanthropy on southern black education, giving special attention to the "Ogden movement," the General Education Board, the Rosenwald Fund, and the Episcopal American Church Institute for Negroes. Anderson and Moss present significant reinterpretations of key figures in African American education, including Booker T. Washington, William H. Baldwin, Jr., George Foster Peabody, and Thomas Jesse Jones.

Dangerous Donations explores both the great influence of the philanthropic foundations and the important limitations on their power. White racial radicals were suspicious that the northern agencies sought to undermine the southern system of race relations, "training negroes in the vain hope of social equality with whites." This criticism forced the philanthropists and their agents to move cautiously, seeking white southern cooperation whenever possible. Despite repeated compromises, northern philanthropists maintained a vision of race relations and black potential significantly different from that held by the South’s white majority.

Blacks challenged the foundations, expressing their own educational agendas in a variety of ways, including demands for black teachers, resistance to any distinctive racial curricula, and, in some cases, support for independent black schools. The millions of dollars in self-help philanthropy contributed by African Americans also indicated their refusal to give complete control of their schools to either the white South or distant philanthropists in the North.

No other scholars, according to Louis R. Harlan, "have examined the controversial role of philanthropy with the same coolness, analytical skill, and persistent search for the truth as Eric Anderson and Alfred Moss... [they] have made an outstanding contribution to the history of education for both races in the segregated South of 1900 to 1930."

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cover of Dangerous Frames: How Ideas about Race and Gender Shape Public Opinion

Dangerous Frames

How Ideas about Race and Gender Shape Public Opinion

Nicholas J. G. Winter

University of Chicago Press, 2008

In addition to their obvious roles in American politics, race and gender also work in hidden ways to profoundly influence the way we think—and vote—about a vast array of issues that don’t seem related to either category. As Nicholas Winter reveals in Dangerous Frames, politicians and leaders often frame these seemingly unrelated issues in ways that prime audiences to respond not to the policy at hand but instead to the way its presentation resonates with their deeply held beliefs about race and gender. Winter shows, for example, how official rhetoric about welfare and Social Security has tapped into white Americans’ racial biases to shape their opinions on both issues for the past two decades. Similarly, the way politicians presented health care reform in the 1990s divided Americans along the lines of their attitudes toward gender. Combining cognitive and political psychology with innovative empirical research, Dangerous Frames ultimatelyilluminates the emotional underpinnings of American politics. 
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cover of Dangerous Liaisons: Sex and Love in the Segregated South

Dangerous Liaisons

Sex and Love in the Segregated South

Charles F. Robinson II

University of Arkansas Press, 2003

In the tumultuous decades after the Civil War, as the southern white elite reclaimed power, “racial mixing” was the central concern of segregationists who strove to maintain “racial purity.” Segregation—and race itself—was based on the idea that interracial sex posed a biological threat to the white race. In this groundbreaking study, Charles Robinson examines how white southerners enforced anti-miscegenation laws. His findings challenge conventional wisdom, documenting a pattern of selective prosecution under which interracial domestic relationships were punished even more harshly than transient sexual encounters. Robinson shows that the real crime was to suggest that black and white individuals might be equals, a notion which undermined the legitimacy of the economic, political, and social structure of white male supremacy.

Robinson examines legal cases from across the South, considering both criminal prosecutions brought by states and civil disputes over marital and family assets. He also looks at U.S. Supreme Court decisions, debates in state legislatures, comments in the U.S. Congressional Record, and newspaper editorials. He not only shows the hardening of racial categories but assesses the attitudes of African Americans about anti-miscegenation laws and intermarriage. The epilogue concerns “The Demise of Anti-miscegenation Law” including the case of Richard and Mildred Loving.

Dangerous Liaisons vividly documents the regulation of intimacy and its fundamental role in the construction of race.

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cover of Dangerous Migration: Mexican Labor and the Fight for Immigrant Rights

Dangerous Migration

Mexican Labor and the Fight for Immigrant Rights

Eladio B. Bobadilla

University of Illinois Press, 2026

In the post-WWII years, many Mexican Americans viewed undocumented immigration as a threat to their communities. Yet the interplay among Mexican migrants, Mexican Americans, and white Americans eventually produced a vibrant immigrant-oriented activist movement inspired by larger struggles for civil and human rights.

Beginning with Mexican American opposition to the Bracero Program, Eladio Bobadilla traces the movement’s fault lines that formed around the issue of undocumented workers. Bobadilla reveals how internationalist and human rights discourse influenced the rise of the Chicano movement and its defense of Mexican undocumented immigrants. As time passed, anti-Mexican social, political, and legislative forces produced a nativist backlash that put immigration at the center of the United States’ culture wars and created the fantasy of undocumented workers as an existential threat.

Engaging and vivid, Dangerous Migration illuminates the history of debates over Mexican labor, the emergence of the immigrant rights activism, and the nativist movements that united Latinos with right-wing white Americans.
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cover of Dangerous Subjects: James D. Saules and the Rise of Black Exclusion in Oregon

Dangerous Subjects

James D. Saules and the Rise of Black Exclusion in Oregon

Kenneth R. Coleman

Oregon State University Press, 2017

Dangerous Subjects describes the life and times of James D. Saules, a black sailor who was shipwrecked off the coast of Oregon and settled there in 1841. Before landing in Oregon, Saules traveled the world as a whaleman in the South Pacific and later as a crew member of the United States Exploring Expedition. Saules resided in the Pacific Northwest for just two years before a major wave of Anglo-American immigrants arrived in covered wagons.
 
In Oregon, Saules encountered a multiethnic population already transformed by colonialism—in particular, the fur industry and Protestant missionaries. Once the Oregon Trail emigrants began arriving in large numbers, in 1843, Saules had to adapt to a new reality in which Anglo-American settlers persistently sought to marginalize and exclude black residents from the region. Unlike Saules, who adapted and thrived in Oregon’s multiethnic milieu, the settler colonists sought to remake Oregon as a white man’s country. They used race as shorthand to determine which previous inhabitants would be included and which would be excluded. Saules inspired and later had to contend with a web of black exclusion laws designed to deny black people citizenship, mobility, and land.
 
In Dangerous Subjects, Kenneth Coleman sheds light on a neglected chapter in Oregon’s history. His book will be welcomed by scholars in the fields of western history and ethnic studies, as well as general readers interested in early Oregon and its history of racial exclusion.
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cover of Danzón Days: Age, Race, and Romance in Mexico

Danzón Days

Age, Race, and Romance in Mexico

Hettie Malcomson

University of Illinois Press, 2023

Winner of the 2024 BFE Book Prize (British Forum for Ethnomusicology)

Older people negotiating dance routines, intimacy, and racialized differences provide a focal point for an ethnography of danzón in Veracruz, the Mexican city closely associated with the music-dance genre. Hettie Malcomson draws upon on-site research with semi-professional musicians and amateur dancers to reveal how danzón connects, and does not connect, to blackness, joyousness, nostalgia, ageing, and romance. Challenging pervasive utopian views of danzón, Malcomson uses the idea of ambivalence to explore the frictions and opportunities created by seemingly contrary sentiments, ideas, sensations, and impulses. Interspersed with experimental ethnographic vignettes, her account takes readers into black and mestizo elements of local identity in Veracruz, nostalgic and newer styles of music and dance, and the friendships, romances, and rivalries at the heart of regular danzón performance and its complex social world.

Fine-grained and evocative, Danzón Days journeys to one of the genre’s essential cities to provide new perspectives on aging and romance and new explorations of nostalgia and ambivalence.

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cover of Dark Governance: Illegal Organizations and State Power

Dark Governance

Illegal Organizations and State Power

Javier Auyero

University of Chicago Press, 2027

A revelatory account of the ways covert, nefarious relationships between state officials and criminal groups shape daily life for all. 

Far too often, the line between legal and illegal action is crossed by actors and organizations on both sides of the law. From the old Chicago Machine getting rich off criminal activity to Mexican drug cartels placing politicians in office, these relationships between criminals and the government coordinate forms of power in ways that affect where people live, what opportunities they can pursue, how they spend money, and how they treat one another. In Dark Governance, sociologist Javier Auyero describes how this kind of governance works and what it means for civic life. 

Auyero analyzes instances of dark governance, including gangs in Ecuador and paramilitaries in Colombia who exert territorial control through violent specialists and government actors. He then turns to the less-studied case of the “colectivos” in Venezuela to show the scope of political work clandestine connections can achieve by thwarting grassroots organizations. In El Salvador and Honduras, the ties between gang members on the one hand, and politicians and elected officials on the other, serve to illustrate the impact dark governance has on urban spatial arrangements and on electoral campaigns. Dark Governance also offers an in-depth study of police-trafficker collusion in Argentina, which allows Auyero to identify the ways covert connections between state actors and drug traffickers operate in marginalized communities, affecting interpersonal violence. In addition to these examples in Latin America, Auyero also shares case studies in the United States and China. Dark governance can be seen in US organizations that patrol the borders and assert their control over migrants through their illicit connections with state authorities. In China, land expropriation and development projects are sometimes delayed when some households refuse to leave their properties. Enter the thugs-for-hire frequently contracted by local governments across the country to coerce residents into complying with government orders. 

Demonstrating the very real effects of dark governance, Auyero argues that though the organizations involved in these dark arrangements differ, their collaboration results in a singular effect: the ability to control populations. But when these relationships come out of the shadows, collective action can bring them down.

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cover of Dark Journey: Black Mississippians in the Age of Jim Crow

Dark Journey

Black Mississippians in the Age of Jim Crow

Neil R. McMillen

University of Illinois Press, 1989

"Remarkable for its relentless truth-telling, and the depth and thoroughness of its investigation, for the freshness of its sources, and for the shock power of its findings. Even a reader who is not unfamiliar with the sources and literature of the subject can be jolted by its impact."--C. Vann Woodward, New York Review of Books
 
"Dark Journey is a superb piece of scholarship, a book that all students of southern and African-American history will find valuable and informative."--David J. Garrow, Georgia Historical Quarterly
 
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cover of Dark Matters: On the Surveillance of Blackness

Dark Matters

On the Surveillance of Blackness

Simone Browne

Duke University Press, 2015

In Dark Matters Simone Browne locates the conditions of blackness as a key site through which surveillance is practiced, narrated, and resisted. She shows how contemporary surveillance technologies and practices are informed by the long history of racial formation and by the methods of policing black life under slavery, such as branding, runaway slave notices, and lantern laws. Placing surveillance studies into conversation with the archive of transatlantic slavery and its afterlife, Browne draws from black feminist theory, sociology, and cultural studies to analyze texts as diverse as the methods of surveilling blackness she discusses: from the design of the eighteenth-century slave ship Brooks, Jeremy Bentham's Panopticon, and The Book of Negroes, to contemporary art, literature, biometrics, and post-9/11 airport security practices. Surveillance, Browne asserts, is both a discursive and material practice that reifies boundaries, borders, and bodies around racial lines, so much so that the surveillance of blackness has long been, and continues to be, a social and political norm. 
 
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cover of Dark Victorians

Dark Victorians

Vanessa D. Dickerson

University of Illinois Press, 2007

Dark Victorians illuminates the cross-cultural influences between white Britons and black Americans during the Victorian age. In carefully analyzing literature and travel narratives by Ida B. Wells, Harriet Martineau, Charles Dickens, Frederick Douglass, Thomas Carlyle, W.E.B. Du Bois, and others, Vanessa D. Dickerson reveals the profound political, racial, and rhetorical exchanges between the groups. From the nineteenth-century black nationalist David Walker, who urged emigrating African Americans to turn to England, to the twentieth-century writer Maya Angelou, who recalls how those she knew in her childhood aspired to Victorian ideas of conduct, black Americans have consistently embraced Victorian England. At a time when scholars of black studies are exploring the relations between diasporic blacks, and postcolonialists are taking imperialism to task, Dickerson considers how Britons negotiated their support of African Americans with the controlling policies they used to govern a growing empire of often dark-skinned peoples, and how philanthropic and abolitionist Victorian discourses influenced black identity, prejudice, and racism in America.
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cover of Darkening Mirrors: Imperial Representation in Depression-Era African American Performance

Darkening Mirrors

Imperial Representation in Depression-Era African American Performance

Stephanie Leigh Batiste

Duke University Press, 2012

In Darkening Mirrors, Stephanie Leigh Batiste examines how African Americans participated in U.S. cultural imperialism in Depression-era stage and screen performances. A population treated as second-class citizens at home imagined themselves as empowered, modern U.S. citizens and transnational actors in plays, operas, ballets, and films. Many of these productions, such as the 1938 hits Haiti and The "Swing" Mikado recruited large casts of unknown performers, involving the black community not only as spectators but also as participants. Performances of exoticism, orientalism, and primitivism are inevitably linked to issues of embodiment, including how bodies signify blackness as a cultural, racial, and global category. Whether enacting U.S. imperialism in westerns, dramas, dances, songs, jokes, or comedy sketches, African Americans maintained a national identity that registered a diasporic empowerment and resistance on the global stage. Boldly addressing the contradictions in these performances, Batiste challenges the simplistic notion that the oppressed cannot identify with oppressive modes of power and enact themselves as empowered subjects. Darkening Mirrors adds nuance and depth to the history of African American subject formation and stage and screen performance.
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cover of Das Arkansas Echo: A Year in the Life of Germans in the Nineteenth-Century South

Das Arkansas Echo

A Year in the Life of Germans in the Nineteenth-Century South

Kathleen Condray

University of Arkansas Press, 2020

In the late nineteenth century, a thriving immigrant population supported three German-language weekly newspapers in Arkansas. Most traces of the community those newspapers served disappeared with assimilation in the ensuing decades—but luckily, the complete run of one of the weeklies, Das Arkansas Echo, still exists, offering a lively picture of what life was like for this German immigrant community.

“Das Arkansas Echo”: A Year in the Life of Germans in the Nineteenth-Century South examines topics the newspaper covered during its inaugural year. Kathleen Condray illuminates the newspaper’s crusade against Prohibition, its advocacy for the protection of German schools and the German language, and its promotion of immigration. We also learn about aspects of daily living, including food preparation and preservation, religion, recreation, the role of women in the family and society, health and wellness, and practical housekeeping. And we see how the paper assisted German speakers in navigating civic life outside their immigrant community, including the racial tensions of the post-Reconstruction South.

“Das Arkansas Echo”: A Year in the Life of Germans in the Nineteenth-Century South offers a fresh perspective on the German speakers who settled in a modernizing Arkansas. Mining a valuable newspaper archive, Condray sheds light on how these immigrants navigated their new identity as southern Americans.
 
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cover of Daughter of the Empire State: The Life of Judge Jane Bolin

Daughter of the Empire State

The Life of Judge Jane Bolin

Jacqueline A. McLeod

University of Illinois Press, 2016

This long overdue biography of the nation's first African American woman judge elevates Jane Matilda Bolin to her rightful place in American history as an activist, integrationist, jurist, and outspoken public figure in the political and professional milieu of New York City before the onset of the modern Civil Rights movement.

Bolin was appointed to New York City's domestic relations court in 1939 for the first of four ten-year terms. When she retired in 1978, her career had extended well beyond the courtroom. Drawing on archival materials as well as a meeting with Bolin in 2002, historian Jacqueline A. McLeod reveals how Bolin parlayed her judicial position to impact significant reforms of the legal and social service system in New York.

Beginning with Bolin's childhood and educational experiences at Wellesley and Yale, Daughter of the Empire State chronicles Bolin's relatively quick rise through the ranks of a profession that routinely excluded both women and African Americans. Deftly situating Bolin's experiences within the history of black women lawyers and the historical context of high-achieving black New Englanders, McLeod offers a multi-layered analysis of black women's professionalization in a segregated America.

Linking Bolin's activist leanings and integrationist zeal to her involvement in the NAACP, McLeod analyzes Bolin's involvement at the local level as well as her tenure on the organization's national board of directors. An outspoken critic of the discriminatory practices of New York City's probation department and juvenile placement facilities, Bolin also co-founded, with Eleanor Roosevelt, the Wiltwyck School for boys in upstate New York and campaigned to transform the Domestic Relations Court with her judicial colleagues. McLeod's careful and highly readable account of these accomplishments inscribes Bolin onto the roster of important social reformers and early civil rights trailblazers.

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cover of Daughter of the Revolution: The Major Nonfiction Works of Pauline Hopkins

Daughter of the Revolution

The Major Nonfiction Works of Pauline Hopkins

Dworkin, Ira

Rutgers University Press, 2007

Pauline E. Hopkins (1859–1930) came to prominence in the early years of the twentieth century as an outspoken writer, editor, and critic. Frequently recognized for her first novel, Contending Forces, she is currently one of the most widely read and studied African American novelists from that period.

While nearly all of Hopkins’s fiction remains in print, there is very little of her nonfiction available. This reader brings together dozens of her hard-to-find essays, including longer nonfiction works such as Famous Men of the Negro Race and The Dark Races of the Twentieth Century, some of which are published here for the first time in their entirety.

Through these works, along with two juvenile essays from the 1870s, a personal letter, and two speeches, readers encounter a voice that is committed to constructing an international discourse on race, recovering the militant abolitionist tradition to combat Jim Crow, celebrating black political participation during and after the Reconstruction era, articulating the connections between race and labor, and insisting on equal rights for women.  Hopkins’s writing will challenge contemporary scholars to rethink their understanding of black activism and modernity in the early twentieth century.

 

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cover of Daughter, Mother, Grandmother, and Whore: The Story of a Woman Who Decided to be a Puta

Daughter, Mother, Grandmother, and Whore

The Story of a Woman Who Decided to be a Puta

Gabriela Leite

Duke University Press, 2024

In the early 1970s, while living at home with her conservative middle-class family and studying at the University of São Paulo, Gabriela Leite decided to become a sex worker. From her first client in a tiny room in downtown São Paulo to the launch of an exuberant clothing line designed for sex workers in Rio de Janeiro thirty years later, Daughter, Mother, Grandmother, and Whore tells the fascinating story of Leite’s bold and unique life in her own words. After helping to organize Brazil’s first protests by sex workers against police brutality, she moved to Rio de Janeiro, where she quickly became ensconced in the city’s storied red-light district. From there, Leite built a national network of politicized sex workers, worked for HIV/AIDS prevention, and participated in Brazil’s robust new civil society after its return to democracy in 1985 following a twenty-one-year military dictatorship. Insistent on advocating for the sex worker’s comprehensive human rights, Leite pioneered an irreverent grassroots Latin American feminism, which critiqued moral hypocrisies and Christian conservatism while affirming pleasure, joy, and agency. Daughter, Mother, Grandmother, and Whore also includes a foreword by artist and activist Carol Leigh.
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cover of Daughters and Granddaughters of Farmworkers: Emerging from the Long Shadow of Farm Labor

Daughters and Granddaughters of Farmworkers

Emerging from the Long Shadow of Farm Labor

Wells, Barbara

Rutgers University Press, 0

In Daughters and Granddaughters of Farmworkers, Barbara Wells examines the work and family lives of Mexican American women in a community near the U.S.-Mexican border in California’s Imperial County. Decades earlier, their Mexican parents and grandparents had made the momentous decision to migrate to the United States as farmworkers. This book explores how that decision has worked out for these second- and third-generation Mexican Americans.

Wells provides stories of the struggles, triumphs, and everyday experiences of these women. She analyzes their narratives on a broad canvas that includes the social structures that create the barriers, constraints, and opportunities that have shaped their lives. The women have constructed far more settled lives than the immigrant generation that followed the crops, but many struggle to provide adequately for their families.

These women aspire to achieve the middle-class lives of the American Dream. But upward mobility is an elusive goal. The realities of life in a rural, agricultural border community strictly limit social mobility for these descendants of immigrant farm laborers. Reliance on family networks is a vital strategy for meeting the economic challenges they encounter. Wells illustrates clearly the ways in which the “long shadow” of farm work continues to permeate the lives and prospects of these women and their families.

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cover of Day of the Dead in the USA, Second Edition: The Migration and Transformation of a Cultural Phenomenon

Day of the Dead in the USA, Second Edition

The Migration and Transformation of a Cultural Phenomenon

Regina M Marchi

Rutgers University Press, 2022

Honoring relatives by tending graves, building altars, and cooking festive meals has been a major tradition among Latin Americans for centuries. The tribute, "El Día de los Muertos," has enjoyed renewed popularity since the 1970s when Latinx activists and artists in the United States began expanding "Day of the Dead" north of the border with celebrations of performance art, Aztec danza, art exhibits, and other public expressions.
 
Focusing on the power of public ritual to serve as a communication medium, this revised and updated edition combines a mix of ethnography, historical research, oral history, and critical cultural analysis to explore the manifold and unexpected transformations that occur when the tradition is embraced by the mainstream. A testament to the complex role of media and commercial forces in constructions of ethnic identity, Day of the Dead in the USA provides insight into the power of art and ritual to create community, transmit oppositional messages, and advance educational, political, and economic goals.
 
Today Chicano-style Day of the Dead events take place in all fifty states. This revised edition provides new information about:
  • The increase in events across the US, incorporating media coverage and financial aspects,
  • Recent political movements expressed in contemporary Day of the Dead celebrations, including #BlackLivesMatter and #MeToo
  • Greater media coverage and online presence of the celebration in blogs, websites, and streaming video
  • Día de los Muertos themes and iconography in video games and films 
  • The proliferation of commercialized merchandise such as home goods, apparel, face paints and jewelry at mainstream big box and web retailers, as well as the widespread proliferation of calavera-themed decorations and costumes for Halloween
  • 24 new full color illustrations

 
[more]
cover of Day of the Dead in the USA: The Migration and Transformation of a Cultural Phenomenon

Day of the Dead in the USA

The Migration and Transformation of a Cultural Phenomenon

Marchi, Regina M

Rutgers University Press, 2009

Honoring relatives by tending graves, building altars, and cooking festive meals has been an honored tradition among Latin Americans for centuries. The tribute, "el Dia de los Muertos," has enjoyed renewed popularity since the 1970s when Latino activists and artists in the United States began expanding "Day of the Dead" north of the border with celebrations of performance art, Aztec danza, art exhibits, and other public expressions.

Focusing on the power of ritual to serve as a communication medium, Regina M. Marchi combines a mix of ethnography, historical research, oral history, and critical cultural analysis to explore the manifold and unexpected transformations that occur when the tradition is embraced by the mainstream. A testament to the complex nature of ethnic identity, Day of the Dead in the USA provides insight into the power of ritual to create community, transmit oppositional messages, and advance educational, political, and economic goals.

[more]
cover of Dead Subjects: Toward a Politics of Loss in Latino Studies

Dead Subjects

Toward a Politics of Loss in Latino Studies

Antonio Viego

Duke University Press, 2007

Dead Subjects is an impassioned call for scholars in critical race and ethnic studies to engage with Lacanian psychoanalytic theory. Antonio Viego argues that Lacanian theory has the potential to begin rectifying the deeply flawed way that ethnic and racialized subjects have been conceptualized in North America since the mid-twentieth century. Viego contends that the accounts of human subjectivity that dominate the humanities and social sciences and influence U.S. legal thought derive from American ego psychology. Examining ego psychology in the United States during its formative years following World War II, Viego shows how its distinctly American misinterpretation of Freudian theory was driven by a faith in the possibility of rendering the human subject whole, complete, and transparent. Viego traces how this theory of the subject gained traction in the United States, passing into most forms of North American psychology, law, civil rights discourse, ethnic studies, and the broader culture.

Viego argues that the repeated themes of wholeness, completeness, and transparency with respect to ethnic and racialized subjectivity are fundamentally problematic as these themes ultimately lend themselves to the project of managing and controlling ethnic and racialized subjects by positing them as fully knowable, calculable sums: as dead subjects. He asserts that the refusal of critical race and ethnic studies scholars to read ethnic and racialized subjects in a Lacanian framework—as divided subjects, split in language—contributes to a racist discourse. Focusing on theoretical, historical, and literary work in Latino studies, he mines the implicit connection between Latino studies’ theory of the “border subject” and Lacan’s theory of the “barred subject” in language to argue that Latino studies is poised to craft a critical multiculturalist, anti-racist Lacanian account of subjectivity while adding historical texture and specificity to Lacanian theory.

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cover of Deadly Refusals: Kurdish Decolonization in Times of Counterterrorism

Deadly Refusals

Kurdish Decolonization in Times of Counterterrorism

Serra M. Hakyemez

University of Minnesota Press, 2026

Revolutionary desire and decolonial struggle inside the heart of the carceral state

Deadly Refusals offers an intimate portrait of Kurdish decolonial struggle within the carceral and legal apparatuses of the Turkish state. Set in the counterterrorism courts and maximum-security prisons of Northern Kurdistan, Serra M. Hakyemez’s ethnography examines how prosecuted and imprisoned Kurds from different socioeconomic backgrounds organize in refusal of the criminalization and colonization of their political demands and desires. Through acts of self-criticism, revolutionary education, and comradely care, these prisoners articulate a political subjectivity that challenges the foundations of colonial power.

Based on more than seventeen years of ethnographic research—including interviews with former prisoners, lawyers, judges, and prosecutors; observations of more than one hundred court hearings; and analysis of prison memoirs, poetry, and legal archives—Deadly Refusals uncovers the mechanisms through which counterterrorism law reproduces the colonial state. Yet it is not solely a study of repression. Engaging psychoanalytic concepts of subject, desire, and ethics, Hakyemez illuminates how these carceral spaces also become sites of revolutionary responsibility. Here, refusal is not resignation but a political act in which the colonized self is killed—literally or figuratively—to make way for a larger collective subjectivity.

Using the interplay of comradeship and intimacy, political desire and ordinary pleasure, death and love, Deadly Refusals examines how Kurdish political prisoners forge multilayered relations of decolonization in an ongoing psychopolitical struggle. Hakyemez shows how both small gestures of withdrawal, restraint, and negation as well as radical acts like language protests, hunger strikes, and death protests become part of a shared struggle for alternative futures that state power cannot fully contain or comprehend.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

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cover of Deaf Epistemologies: Multiple Perspectives on the Acquisition of Knowledge

Deaf Epistemologies

Multiple Perspectives on the Acquisition of Knowledge

Peter V. Paul

Gallaudet University Press, 2012

Epistemology is the study of how “knowledge” is formed. Standard epistemology isolates the “known” from the “knowers,” thereby defining “knowledge” as objectively constant. Multiple epistemologies suggest that individuals learn in different ways shaped by life factors such as education, family, ethnicity, history, and regional beliefs. In this groundbreaking volume, editors Peter V. Paul and Donald F. Moores call on ten other noted scholars and researchers to join them in examining the many ways that deaf people see and acquire deaf knowledge.

       This collection considers three major groups of deaf knowledge perspectives: sociological and anthropological, historical/psychological and literary, and educational and philosophical. The first explores the adoption of a naturalized, critical epistemological stance in evaluating research; the epistemology of a positive deaf identity; how personal epistemologies can help form deaf education policies; and valuing deaf indigenous knowledge in research. The next part considers dueling epistemologies in educating deaf learners; reforms in deaf education; the role of deaf children of hearing parents in creating Deaf epistemologies; and the benefit of reading literature with deaf characters for all students. The final part explores the application of the Qualitative-Similarity Hypothesis to deaf students’ acquisition of knowledge; a metaparadigm for literacy instruction in bilingual-bicultural education; collaborative knowledge-building to access academia; and examination of the benefits and disadvantages of being deaf.

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cover of Deaf Identities in the Making: Local Lives, Transnational Connections

Deaf Identities in the Making

Local Lives, Transnational Connections

Jan-Kåre Breivik

Gallaudet University Press, 0

In his revolutionary new book, Jan-Kåre Breivik profiles ten Norwegian Deaf people and their life stories within a translocal/transnational framework. Breivik notes that, unlike hearing people, who form their identities from familial roots and local senses of place, deaf individuals often find themselves distanced from their own families and akin to other deaf people in far locations. His study records emerging deaf identities, which he observes are always in the making, and if settled, only temporarily so. To capture the identification processes involved, he relies upon a narrative perspective to trace identity as temporarily produced through autobiographical accounts or capsule life stories. As a result, he has produced striking, in-depth accounts of how core questions of identity are approached from different deaf points of view.

    The ten stories in Deaf Identities in the Making reveal deaf people who would like a stronger link to the Deaf world. Each story sheds different light on the overriding, empowering master narrative that has become an integral feature of the Deaf community. Like success stories from other minorities, the Deaf life story reinforces the collective empowerment process in a Deaf social milieu. Because of these revelations, Breivik’s findings easily reverberate globally in conjunction to the striking similarities of deaf lives around the world, particularly those connected with the experiences of being translocal signers who have struggled for identity in an overwhelmingly hearing context.

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cover of Deaf People Around the World: Educational and Social Perspectives

Deaf People Around the World

Educational and Social Perspectives

Donald F. Moores

Gallaudet University Press, 2009

In Deaf People Around the World: Educational and Social Perspectives, the leading researchers in 30 nations describe the shared developmental, social, and educational issues facing deaf people filtered through the prism of unique national, regional, ethnic, and racial realities. Editors Donald F. Moores and Margery S. Miller have organized this remarkable collection in five major sections: Asia/Pacific, the Middle East and Africa, Europe, North and South America, and International Developments, which includes the International Committee on Sports for the Deaf and the World Federation of the Deaf.

More than 50 internationally recognized scholars provide a historical view of the education and treatment of deaf people in their respective countries. They examine a wide range of issues, including current academic placement; communication modes used in schools; the recognition of sign languages; the curricula of the deaf schools versus that of regular schools; for secondary and postsecondary opportunities; the status of deaf adults; deaf teachers; special laws if any; the preparation of teachers, psychologists, therapists, and other special personnel who work with deaf clients; and current trends and developments in their countries.

Deaf People Around the World reveals that deaf people generally have gained a sense of confidence, empowerment, and global awareness of their shared experience. Many have seen significant improvement in their lives from greater educational and professional opportunities. Finally, more deaf leaders argue that the pathological model of deafness must be abandoned to continue this marked progress for deaf people around the world.

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cover of Deaf People in Hitler's Europe

Deaf People in Hitler's Europe

Donna F. Ryan

Gallaudet University Press, 2002

Inspired by the conference “Deaf People in Hitler’s Europe, 1933–1945,” hosted jointly by Gallaudet University and the United States Holocaust Memorial Museum in 1998, this extraordinary collection, organized into three parts, integrates key presentations and important postconference research.

Henry Friedlander begins “Part I: Racial Hygiene” by analyzing the assault on deaf people and people with disabilities as an integral element in the Nazi attempt to implement their theories of racial hygiene. Robert Proctor documents the role of medical professionals in deciding who should be sterilized or forbidden to marry, and whom the Nazi authorities would murder. In an essay written especially for this volume, Patricia Heberer details how Nazi manipulation of eugenics theory and practice facilitated the justification for the murder of those considered socially undesirable.

“Part II: The German Experience” commences with Jochen Muhs’s interviews of deaf Berliners who lived under Nazi rule, both those who suffered abuse and those who, as members of the Nazi Party, persecuted others, especially deaf Jews. John S. Schuchman describes the remarkable 1932 film Misjudged People, which so successfully portrayed the German deaf community as a vibrant contributor to society that the Nazis banned its showing when they came to power. Horst Biesold’s contribution confirms the complicity of teachers who denounced their own students, labeling them hereditarily deaf and thus exposing them to compulsory sterilization. The section also includes the reprint of a chilling 1934 article entitled “The Place of the School for the Deaf in the New Reich,” in which author Kurt Lietz rued the expense of educating deaf students, who could not become soldiers or bear “healthy children.”

In “Part III: The Jewish Deaf Experience,” John S. Schuchman discusses the plight of deaf Jews in Hungary. His historical analysis is complemented by a chapter containing excerpts from the testimony of six deaf Jewish survivors who describe their personal ordeals. Peter Black’s reflections on the need for more research conclude this vital study of a little-known chapter of the Holocaust.

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cover of Deaf Space in Adamorobe: An Ethnographic Study in a Village in Ghana

Deaf Space in Adamorobe

An Ethnographic Study in a Village in Ghana

Annelies Kusters

Gallaudet University Press, 2015

Shared signing communities consist of a relatively high number of hereditarily deaf people living together with hearing people in relative isolation. In the United States, Martha’s Vineyard gained mythical fame as a paradise for deaf people where everyone signed up until the 19th century. That community disappeared when deaf people left the island, newcomers moved in, married locals, and changed the gene pool. These unique communities still exist, however, one being the Akan village in Ghana called Adamorobe. Annelies Kusters, a deaf anthropologist, traveled to Adamorobe to conduct an ethnographic study of how deaf and hearing people live together in the village. In her new book, Kusters reveals how deaf people in Adamorobe did not live in a social paradise and how they created “deaf spaces” by seeking each other out.

      Deaf Space in Adamorobe reveals one example of the considerable variation in shared signing communities regarding rates of sign language proficiency and use, deaf people’s marriage rates, deaf people’s participation in village economies and politics, and the role of deaf education. Kusters describes spaces produced by both deaf and hearing people as a cohesive community where living together is an integral fact of their sociocultural environments. At the same time, Kusters identifies tension points between deaf and hearing perspectives and also between outside perspectives and discourses that originated within the community. Because of these differences and the relatively high number of deaf people in the community, Kusters concludes it is natural that they form deaf spaces within the shared space of the village community.
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cover of Deaf in DC: A Memoir

Deaf in DC

A Memoir

Madan Vasishta

Gallaudet University Press, 2011

In his first memoir, Madan Vasishta described being a deaf boy in his homeland India, where “deaf” meant someone who is not human. After rising from herding cattle to being a respected photographer in Delhi, his first memoir concluded with his acceptance at Gallaudet College far away in America. Vasishta’s new memoir begins with his arrival in Washington, DC in 1967 with $40.00 in his pocket and very little knowledge of the new worlds he was entering.

Vasishta faced myriad challenges from the outset— he knew no American Sign Language and could not speech read, yet he found himself thrust into classes at Gallaudet two weeks into the semester. Cultural differences mystified him, such as how all American car accidents were someone else’s fault even when one’s car hits a stationary object. He was amazed that his fellow students did not deride him for his mistakes, unlike in India where he would have been scorned for his weakness. After five years, he returned home to India for a visit and was stunned to learn that he no longer fit in, that “even if you do not have an American Dream, the American Dream will have you.”

Deaf in DC follows Vasishta through half a century living in America. He witnessed the transformation from facing bias as a deaf, foreign man of color who could not get a job despite having a Ph.D., to receiving five offers as a school superintendent in the wake of the Civil Rights movement and Deaf President Now. His new memoir reflects a genuine worldview informed by the sage perceptions of a person who has lived widely in many worlds.

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cover of Deaf-Blind Reality: Living the Life

Deaf-Blind Reality

Living the Life

Scott M. Stoffel

Gallaudet University Press, 2012

Most stories about disabled people are written for the sake of being inspirational. These stories tend to focus on some achievement, such as sports or academics, but rarely do they give a true and complete view of the challenges individuals must deal with on a daily basis. For example: How does a deaf-blind person interact with hearing-sighted people at a family reunion? How does she shop for groceries? What goes through his mind when he enters a classroom full of non-handicapped peers? These aren’t questions you are likely to find answers to while reading that incredible tale of success. They are, however, issues that a deaf-blind person wishes others understood.

       Deaf-Blind Reality: Living the Life explores what life is really like for persons with a combination of vision and hearing loss, and in a few cases, other disabilities as well. Editor Scott M. Stoffel presents extensive interviews with 12 deaf-blind individuals, including himself, who live around the world, from Missouri to New Zealand, Louisiana to South Africa, and Ohio to England. These contributors each describe their families’ reactions and the support they received; their experiences in school and entering adulthood; and how they coped with degeneration, ineffective treatments, and rehabilitation. Each discusses their personal education related to careers, relationships, and communication, including those with cochlear implants. Deaf-Blind Reality offers genuine understanding of the unspectacular but altogether daunting challenges of daily life for deaf-blind people.

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cover of Death's Futurity: The Visual Life of Black Power

Death's Futurity

The Visual Life of Black Power

Sampada Aranke

Duke University Press, 2023

In Death’s Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil’ Bobby Hutton, Fred Hampton, and George Jackson to construct a visual history of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton’s afterlife through visual meditations on his murder. Printmaking and political posters surrounding Jackson’s murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy.
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cover of Deathlife: Hip Hop and Thanatological Narrations of Blackness

Deathlife

Hip Hop and Thanatological Narrations of Blackness

Anthony B. Pinn

Duke University Press, 2024

In Deathlife, Anthony B. Pinn analyzes hip hop to explore how Blackness serves as a framework for defining and guiding the relationship between life and death in the United States. Pinn argues that white supremacy and white privilege operate based on the right to distinguish death from life. This distinction is produced and maintained through the construction of Blackness as deathlife. Drawing on Afropessimism and Black moralism, Pinn theorizes deathlife as a technology of whiteness that projects whites’ anxieties about the end of their lives onto the Black other. Examining the music of Jay-Z; Kendrick Lamar; Tyler, the Creator; and others, Pinn shows how hip hop configures the interconnection and dependence between death and life in such a way that death and life become indistinguishable. In so doing, Pinn demonstrates that hip hop presents an alternative to deathlife that challenges the white supremacist definitions of Blackness and anti-Blackness more generally.
[more]
cover of Deathly Embrace: Orientalism and Asian American Identity

Deathly Embrace

Orientalism and Asian American Identity

Sheng-Mei Ma

University of Minnesota Press, 2000

A polemical analysis of the ways Orientalism speaks through the texts of prominent Asian American writers.

Asian American resistance to Orientalism—the Western tradition dealing with the subject and subjugation of the East—is usually assumed. And yet, as this provocative work demonstrates, in order to refute racist stereotypes they must first be evoked, and in the process the two often become entangled. Sheng-mei Ma shows how the distinguished careers of post-1960s Asian American writers such as Maxine Hong Kingston, Amy Tan, Frank Chin, and David Henry Hwang reveal that while Asian American identity is constructed in reaction to Orientalism, the two cultural forces are not necessarily at odds. The vigor with which these Asian Americans revolt against Orientalism in fact tacitly acknowledges the family lineage of the two.

To identify the multitude of historical forms appropriated by the deathly embrace of Orientalism and Asian American ethnicity, Ma highlights four types of cultural encounters, embodied in four metaphors of physical states: the "clutch of rape" in imperialist adventure narratives of the 1930s and 1940s, as seen in comic strips of Flash Gordon and Terry and the Pirates and in the Disney film Swiss Family Robinson; the "clash of arms" or martial metaphors in the 1970s and beyond, embodied in Bruce Lee, Kingston’s The Woman Warrior, and the video game Mortal Kombat; U.S. multicultural "flaunting" of ethnicity in the work of Amy Tan and in Disney’s Mulan; and global postcolonial "masquerading" of ethnicity in the Anglo-Japanese novelist Kazuo Ishiguro.Broad in scope, penetrating in insight, Ma’s work exposes the myriad ways in which Orientalism, an integral part of American culture, speaks through the texts of Asian Americans and non–Asian Americans alike. The result is a startling lesson in the construction of cultural identity.
[more]
cover of Debating Muslims: Cultural Dialogues in Postmodernity and Tradition

Debating Muslims

Cultural Dialogues in Postmodernity and Tradition

Michael M. J. Fischer and Mehdi Abedi

University of Wisconsin Press, 1990

In a world of multinational commerce, satellite broadcasting, migration, terrorism, and global arms dealing, what is said and how it is said in one society can no longer be isolated from what is said and how it is said in another. Debating Muslims focuses on Iranian culture, Shi’ite Islam, and Iranians in the United States, offering an experiment in postmodern ethnography and an invitation to think in a multifaceted way about Islam in the contemporary world.

[more]
cover of Decentering the Regime: Ethnicity, Radicalism, and Democracy in Juchitán, Mexico

Decentering the Regime

Ethnicity, Radicalism, and Democracy in Juchitán, Mexico

Jeffrey W. Rubin

Duke University Press, 1997

Since 1989 an indigenous political movement—the Coalition of Workers, Peasants, and Students of the Isthmus (COCEI)—has governed the southern Mexican city of Juchitán. In Decentering the Regime, Jeffrey W. Rubin examines this Zapotec Indian movement and shows how COCEI forged an unprecedented political and cultural path—overcoming oppression in the 1970s to achieve democracy in the 1990s. Rubin traces the history and rise to power of this grassroots movement, and describes a Juchitán that exists in substantial autonomy from the central Mexican government and Mexican nationalism—thereby debunking the notion that a state- and regime-centered approach to power can explain the politics of domination and resistance in Mexico.
Employing an interdisciplinary approach, Rubin shows that the Juchitecos’ ability to organize and sustain a radical political movement grew out of a century-long history of negotiation of political rule. He argues that factors outside the realm of formal politics—such as ethnicity, language, gender, and religion—play an important part in the dynamics of regional political struggles and relationships of power. While offering a detailed view of the Zapotec community and its interactions, Rubin reconceptualizes democracy by considering the question of how meaningful autonomy, self-government, cultural expression, and material well-being can be forged out of violence and repression.
[more]
cover of Decline Of The Nation-State

Decline Of The Nation-State

Gurutz Jáuregui Bereciartu

University of Nevada Press, 1994

This scholarly work explains the historical and contemporary causes that have given rise to the current explosion of nationalist movements in western Europe. The text also discusses the course these movements may take in the future. The current world political order, maintained by the separation of and frequent antagonism between sovereign nation-states, is increasingly inadequate given the profound social, economic, and technological transformations which have occurred in recent years. The nation-state is no longer the axis of political systems. Existing nation-states are currently undergoing a process similar to the one that caused the disappearance of traditional social forms and territorial entities which were subsumed into broader political structures. The goal of contemporary nationalist movements to create their own nation-states may therefore constitute an anachronistic aspiration and historical error. This crisis of the nation-state, as a form of universal juridico-political organization, and its replacement by supranational structures, is fraught with its own dangers. The latter purports to construct a supranational Europe. However, this new Europe cannot be established in opposition to the nations and regions; rather, it must form a kind of consensual melting pot resulting from the mixture of the complex social and cultural traditions of the different communities constituting European society. Decline of the Nation-State was translated into English by William A. Douglass. It was published originally as Contra el estado-nación: En orno al hecho y la cuestion naciónal in 1986.

[more]
cover of Decoding Gender: Law and Practice in Contemporary Mexico

Decoding Gender

Law and Practice in Contemporary Mexico

Baitenmann, Helga

Rutgers University Press, 2007

Gender discrimination pervades nearly all legal institutions and practices in Latin America. The deeper question is how this shapes broader relations of power. By examining the relationship between law and gender as it manifests itself in the Mexican legal system, the thirteen essays in this volume show how law is produced by, but also perpetuates, unequal power relations. At the same time, however, authors show how law is often malleable and can provide spaces for negotiation and redress. The contributors (including political scientists, sociologists, geographers, anthropologists, and economists) explore these issues-not only in courts, police stations, and prisons, but also in rural organizations, indigenous communities, and families.

By bringing new interdisciplinary perspectives to issues such as the quality of citizenship and the rule of law in present-day Mexico, this book raises important issues for research on the relationship between law and gender more widely.

[more]
cover of Decolonial Becoming: Immobility, Indigeneity, and Disability in Transpacific Korea

Decolonial Becoming

Immobility, Indigeneity, and Disability in Transpacific Korea

Jeong Eun Annabel We

Duke University Press, 2027

Decolonial Becoming reimagines decolonization by centering questions of Indigeneity, disability, and the settler diaspora in modern Korea from the 1930s to the present. Jeong Eun Annabel We traces the ways that South Korean military and economic practices in the Pacific have functioned as a subempire of US settler colonialism and how South Korea’s nationalist ideology of monoethnicity as Indigeneity under US and Japanese occupations has come at the expense of myriad Indigenous and disabled peoples. Arguing that Korea must grapple with its place in this transpacific colonial order, We challenges the binary of mobility as freedom and immobility as unfreedom through what she calls “decolonial becoming,” a polyrhythmic theory of dialectics in which immobility is a condition of occupation as well as a critical site of relationality. She places Asian, diasporic, and transpacific theories and literatures of decolonization in conversation with Caribbean and Latin American decolonial thought and Native and Indigenous studies to show how immobility can offer a means of unlearning settler colonial logics.
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