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Danzirly is a striking bilingual poetry collection that fiercely examines the nuances of the American Dream for Latinx people in the United States. With a backdrop of stringent immigration policies, the #MeToo movement, and the increasingly tangible threat of climate change, this collection considers multigenerational Latinx identities in a rapidly changing country and world. Through the author’s Colombian American lens, the poems explore the intersections of culture, gender, history, and intergenerational grief.

Danzirly does not shy away from confronting traditional gender roles, religion, and anxieties surrounding climate change and the digital age. Gloria Muñoz addresses Latinx stereotypes and powerfully dismantles them in poetic form, juxtaposing the promised wonders of a life in America with the harsh realities that immigrants face as they build their lives and raise their families here. Winner of the Academy of American Poets’ Ambroggio Prize, this collection of poems is an unforgettable reckoning of the grief and beauty that pulses through twenty-first-century America.

A Latina girl’s journey through the shadows of the civil rights era.

Darkroom is a deeply moving graphic memoir that chronicles Lila Quintero Weaver’s experience growing up as an Argentine immigrant in 1960s Alabama during the height of the civil rights movement. Through striking black-and-white illustrations and heartfelt narrative, Weaver explores the complexities of race, identity, and belonging in a society divided by segregation. Neither Black nor White, her family occupies a unique position that offers a powerful lens on the struggles for justice and equality. This coming-of-age story blends personal history with pivotal social change, inviting readers to reflect on themes of immigration, cultural assimilation, and moral courage. Darkroom is both an intimate portrait and a universal tale of resilience, making it an essential read for those interested in civil rights, memoirs, and graphic storytelling.

A critical examination of the environmental movement and the Latinx voices that are shifting how to think about a future shaped by climate change.

In Decolonial Environmentalisms, David Vázquez argues that the mainstream environmental movement is implicated in racial capitalism, not least through its ignorance of environmental justice as it pertains to Latinx people. Through close readings of eco-minded novels, films, visual art, and short stories by Chicanx, Puerto Rican, Dominican, Cuban American, Peruvian, and Central American culture makers, Vázquez surfaces diverse Latinx visions for an equitable and sustainable humanity.

In the creations of Helena María Viramontes, Ester Hernández, Salvador Plascencia, the printmaking collective Dominican York Proyecto GRAFICA, and others, Vázquez locates a bracing critique of racist elisions and assumptions in hegemonic environmentalist thought. At the same time, he shows that the roles of Latinx people in the exploitation of the US West and the ruin of Indigenous communities are ripe for self-examination, in hopes of sparking reform. Indeed, Decolonial Environmentalisms is a work of guarded optimism, finding glimmers of possibility even in dystopic science fiction. The overlooked experiences of Latinx people, Vázquez suggests, can inspire environmental movements capable of transformative advocacy.

An assembly of a new corpus of art-science projects by Latin American artists.

Projects that bring the sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few have focused on regions beyond the Global North. This book assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. Page shows how these artworks also “decolonize” science by resisting the exploitation of the natural world that has attended the creation of knowledge in western contexts. Instead, the artists featured in this volume emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. Establishing critical dialogues between Western science and indigenous thought, this book interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas.
 

Winner of the 2022 Permafrost Prize in Nonfiction

A Dictionary of Modern Consternation is a genre-bending nonfiction lyric following one family through the years from the financial crisis to the COVID-19 pandemic. In this cheeky dictionary-shaped exploration of how language can often alienate and dehumanize, weakening feelings of community with societal trends that subsume individual lives, Brook McClurg offers a footnote narrative of an international life pursuing the business of words.
 
What starts as a lighthearted academic exploration becomes real when the pandemic hits—at the letter P—and the ability to treat each other humanely suddenly has grave consequences. Questioning the ways specialized jargon in language—often corporate, legal, and militaristic in nature—encroaches on our feelings of community and responsibility to one another, McClurg employs an abecedarian format, concealing his meaningful and sensitive explorations of personal strife inside a more formal facade. A Dictionary of Modern Consternation reveals its subjective viewpoint and ironic tone over the course of the text, confronting themes of loneliness and isolation, global strife and endless war, and intimacy, love, and family.
 
With approximately 500 satirical dictionary entries and 143 flash essays as footnotes, this experimental memoir is filled with satirical definitions, pseudo-aphorisms, and inquisitions into words or phrases. A Dictionary of Modern Consternation is for general readers, collectors, book-as-art lovers, and anyone interested in the political economy of language, as well as graduate classes exploring experimental forms.

Winner, 2021 Northeast Popular Culture Association's Peter C. Rollins Book PrizeDiverse Futures: Science Fiction and Authors of Color examines the contributions of late-twentieth- and twenty-first-century US and Canadian science fiction authors of color. By looking at the intersections among science fiction authors of multiple races and ethnicities, Joy Sanchez-Taylor seeks to explain how these authors of color are juxtaposing tropes of science fiction with specific cultural references to comment on issues of inclusiveness in Eurowestern cultures. The central argument of this work is that these authors are challenging science fiction’s history of Eurocentric representation through the depiction of communities of color in fantastic or futuristic settings, specifically by using cognitive estrangement and the inclusion of non-Eurowestern cultural beliefs and practices to comment on the alienation of racially dominated groups. By exploring science fiction tropes—such as first contact, genetic modification, post-apocalyptic landscapes, and advanced technologies in the works of Octavia E. Butler, Ted Chiang, Sabrina Vourvoulias, and many others—Sanchez-Taylor demonstrates how authors of various races and ethnicities write science fiction that pays homage to the genre while also creating a more diverse and inclusive portrait of the future.

Dominoes and Other Stories from the Puerto Rican, the only book of fiction by playwright and poet Jack Agüeros, affirms the triumphs and ordinary struggles of the Puerto Rican experience in New York. In stories that span the 1940s through the 1990s, Agüeros re-creates the barrio in all its multifaceted immensity, with its candy stores, plaster saints, fruit vendors, sidewalk games of dominoes, knife fights, and stories of successful craftspeople and entrepreneurs.

These stories convey hard, sometimes brutal, often bittersweet, experiences, but throughout Agüeros writes with artistry and unyielding compassion. Richly detailed, wry, and matter-of-fact, Dominoes and Other Stories from the Puerto Rican is an important achievement by an accomplished American writer.