456 books match the query 'India' and 21 start with d

cover of Dalit Studies

Dalit Studies

Ramnarayan S. Rawat and K. Satyanarayana, editors

Duke University Press, 2016

The contributors to this major intervention into Indian historiography trace the strategies through which Dalits have been marginalized as well as the ways Dalit intellectuals and leaders have shaped emancipatory politics in modern India. Moving beyond the anticolonialism/nationalism binary that dominates the study of India, the contributors assess the benefits of colonial modernity and place humiliation, dignity, and spatial exclusion at the center of Indian historiography. Several essays discuss the ways Dalits used the colonial courts and legislature to gain minority rights in the early twentieth century, while others highlight Dalit activism in social and religious spheres. The contributors also examine the struggle of contemporary middle-class Dalits to reconcile their caste and class, intercaste tensions among Sikhs, and the efforts by Dalit writers to challenge dominant constructions of secular and class-based citizenship while emphasizing the ongoing destructiveness of caste identity. In recovering the long history of Dalit struggles against caste violence, exclusion, and discrimination, Dalit Studies outlines a new agenda for the study of India, enabling a significant reconsideration of many of the Indian academy's core assumptions.
 

Contributors: D. Shyam Babu, Laura Brueck, Sambaiah Gundimeda, Gopal Guru, Rajkumar Hans, Chinnaiah Jangam, Surinder Jodhka, P. Sanal Mohan, Ramnarayan Rawat, K. Satyanarayana

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cover of Daughters of Independence

Daughters of Independence

Joanna Liddle

Rutgers University Press, 1989

Joanna Liddle and Rama Joshi explore the connection in India between gender and caste, and gender and class. They ask whether the subordination of women has diminished as India moves from a caste to a class structure, and what effect colonization had on the status of women in India. Focusing on educated, professional women, the authors look at the particular experiences of 120 women they interviewed, and also interpret the larger patterns of social relations that emerge from the interviews. These sensitive stories are told with an eloquence that is often moving and inspiring.

For thousands of years Indian women have had a cultural tradition of resisting male domination. At the same time, the control of female sexuality has always been central to social hierarchies in India. Women are constrained in both class and caste hierarchies, to help distinguish the men at the top of the hierarchy from men at the bottom, where women are less constrained. In class society the seclusion of women allowed men to have sexual control over women and to retain the property that was transferred in marriage.

In contemporary India, professional women have had success entering the professions as the social groups to which they belong move increasingly to class rather than caste structures. But men continue to control the type of education they receive and the type of employment open to them, and to participate in the sexual harassment of women in the workplace. The concept that women are inferior to men--a concept that is not part of the Indian cultural heritage--is growing. In a sense, working professional women strengthen male control. The class structure is no more egalitarian than the caste structure, as oppression simply takes other forms.

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cover of Deaf in Delhi: A Memoir

Deaf in Delhi

A Memoir

Madan Vasishta

Gallaudet University Press, 2006

In 1952, after two weeks of typhoid fever and the mumps, 11-year-old Madan Vasishta awoke one night to discover that he could no longer hear. He was horrified because in India, the word for “deaf” in all three main languages, Punjabi, Urdu, and Hindi, denoted someone who was not really human. But he was young, brash, and irrepressible, and his autobiography Deaf in Delhi: A Memoir reveals how his boundless optimism enabled him to persist and prevail.

Vasishta’s story reflects the India of his youth, an emerging nation where most people struggled with numbing poverty and depended upon close family ties, tradition, and faith to see them through. His family’s search for a cure took him to a host of medical specialists and just as many sadhus and mahatmas, holy men and priests. The school in his small village was ill-prepared to educate deaf students then, so he herded the family cattle, usually the work of hired servants. Vasishta refused to accept this as his final lot in life and fantasized constantly about better jobs. Eventually, he moved to Delhi where his dream of becoming a photographer came true. He also discovered the Delhi Deaf community that, with his family, helped him to achieve an even higher goal, traveling to America to earn a degree at Gallaudet College.

Vasishta, a natural raconteur, imbues Deaf in Delhi with the ever-present ebullience that served him so well in his journey. Readers will savor his good humor and honest observations and look forward to his next book with great relish.
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cover of Death by Fire: Sati, Dowry Death, and Female Infanticide in Modern India

Death by Fire

Sati, Dowry Death, and Female Infanticide in Modern India

Sen, Mala

Rutgers University Press, 2002

The Indian village of Deorala in Rajasthan, the northwestern Indian state that borders Pakistan, is neither remote nor feudal in the strictest sense. A tarmac road links the population of 10,000 to neighboring villages and towns, there is running water and electricity, and the villagers have had television for more than twenty years. On September 4, 1987, Deorala found itself in the center of a furor that awoke age-old conflicts in Indian society. Before a crowd of several thousand people, mostly men, a young woman dressed in her bridal finery was burned alive on her husband’s funeral pyre. The apparent revival of an ancient tradition opened old wounds in Indian society and focused world attention on the status and treatment of women in modern India.

The ancient practice of sati — the self-immolation of a woman on her husband’s funeral pyre — was outlawed by the British administration in India in 1829, and sati was widely believed to have died out. The fate of 18-year-old Roop Kanwar changed that perception. Mala Sen explores the reality of life and death for women in modern India in a study that is both illuminating and terrifying. The book is part journey through the India that the author knows and loves, and part exploration of the enigma that India still remains in the minds of many. Starting with Kanwar, Sen enters the worlds of three women: a goddess, a burned bride, and a woman accused of killing her daughter, and shows how, in this society in which ancient and modern apparently co-exist comfortably, there is increasingly cause for real alarm. She creates an image of a state in which political turmoil is constantly at the surface, and in which the role of women is constantly being redefined.

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cover of Decentering Rushdie: Cosmopolitanism and the Indian Novel in English

Decentering Rushdie

Cosmopolitanism and the Indian Novel in English

Pranav Jani

The Ohio State University Press, 2010

Interrogating current theories of cosmopolitanism, nationalism, and aesthetics in Postcolonial Studies, Decentering Rushdie offers a new perspective on the Indian novel in English. Since Salman Rushdie’s Midnight’s Children won the Booker Prize in 1981, its postmodern style and postnational politics have dominated discussions of postcolonial literature. As a result, the rich variety of narrative forms and perspectives on the nation that constitute the field have been obscured, if not erased altogether.

Reading a range of novels published between the 1950s and 1990s, including works by Nayantara Sahgal, Kamala Markandaya, Anita Desai, and Arundhati Roy, Decentering Rushdie suggests an alternative understanding of the genre in postcolonial India. Pranav Jani documents the broad shift from nation-oriented to postnationalist perspectives following the watershed crisis of the Emergency of the 1970s. Recovering the “namak-halaal cosmopolitanism” of early novels—a cosmopolitanism that is “true to its salt”—Decentering Rushdie also explains the rise and critical celebration of postnational cosmopolitanism.
 
Decentering Rushdie thus resituates contemporary literature within a nuanced history of Indian debates about cosmopolitanism and the national question. In the process, Jani articulates definitions of cosmopolitanism and nationalism that speak to the complex negotiation of language, culture, and representation in postcolonial South Asia.
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cover of Defining Girlhood in India: A Transnational History of Sexual Maturity Laws

Defining Girlhood in India

A Transnational History of Sexual Maturity Laws

Ashwini Tambe

University of Illinois Press, 2019

At what age do girls gain the maturity to make sexual choices? This question provokes especially vexed debates in India, where early marriage is a widespread practice. India has served as a focal problem site in NGO campaigns and intergovernmental conferences setting age standards for sexual maturity. Over the last century, the country shifted the legal age of marriage from twelve, among the lowest in the world, to eighteen, at the high end of the global spectrum. Ashwini Tambe illuminates the ideas that shaped such shifts: how the concept of adolescence as a sheltered phase led to delaying both marriage and legal adulthood; how the imperative of population control influenced laws on marriage age; and how imperial moral hierarchies between nations provoked defensive postures within India. Tambe takes a transnational feminist approach to legal history, showing how intergovernmental debates influenced Indian laws and how expert discourses in India changed UN terminology about girls. Ultimately, Tambe argues, the well-meaning focus on child marriage has been tethered less to the interests of girls themselves and more to parents’ interests, achieving population control targets, and preserving national reputation.
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cover of Democracy against Development: Lower-Caste Politics and Political Modernity in Postcolonial India

Democracy against Development

Lower-Caste Politics and Political Modernity in Postcolonial India

Jeffrey Witsoe

University of Chicago Press, 2013

Hidden behind the much-touted success story of India’s emergence as an economic superpower is another, far more complex narrative of the nation’s recent history, one in which economic development is frequently countered by profoundly unsettling, and often violent, political movements. In Democracy against Development, Jeffrey Witsoe investigates this counter-narrative, uncovering an antagonistic relationship between recent democratic mobilization and development-oriented governance in India.
            
Witsoe looks at the history of colonialism in India and its role in both shaping modern caste identities and linking locally powerful caste groups to state institutions, which has effectively created a postcolonial patronage state. He then looks at the rise of lower-caste politics in one of India’s poorest and most populous states, Bihar, showing how this increase in democratic participation has radically threatened the patronage state by systematically weakening its institutions and disrupting its development projects. By depicting democracy and development as they truly are in India—in tension—Witsoe reveals crucial new empirical and theoretical insights about the long-term trajectory of democratization in the larger postcolonial world. 
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cover of Democracy without Associations: Transformation of the Party System and Social Cleavages in India

Democracy without Associations

Transformation of the Party System and Social Cleavages in India

Pradeep K. Chhibber

University of Michigan Press, 2001

India's party system has undergone a profound transformation over the last decade. The Congress Party, a catch-all party that brought independence in 1947 and governed India for much of the period since then, no longer dominates the electoral scene. Political parties which draw support from particular caste and religious groups are now more powerful than ever before. Democracy Without Associations explains why religious and caste-based political parties come to dominate the electoral landscape in 1990s India and why catch-all parties have declined. Arguing that political parties and state policy can make some social divisions more salient than others and also determine how these divisions affect the political system, the author offers an explanation for the relationship between electoral competition and the politicization of social differences in India. He notes that the relationship between social cleavages and the party system is not axiomatic and that political parties can influence the links they have to social cleavages. The argument developed for India is also used to account for emergence of class-based parties in Spain and the electoral success of a religious party in Algeria.
Democracy Without Associations will interest scholars and students of Indian politics, and party politics, as well as those interested in the impact of social divisions on the political system.
Pradeep K. Chhibber is Assistant Professor of Political Science and Associate Director, Center for South and Southeast Asian Studies, University of Michigan.
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cover of Development as Communication: A Perspective on India

Development as Communication

A Perspective on India

Uma Narula

Southern Illinois University Press, 1986

This book applies a systematic commu­nication theory to the 30-plus years of development experience in India.

Never before has development been treated from a communication perspec­tive. This perspective demonstrates that the role of communication in develop­ment is not limited to the technology of satellites or to the economics of mass media; it is a way of thinking about the interaction among all agents involved.

The empirical data describe patterns of social realities, actions, and commu­nication networks among planners, con­tact agents, and the masses in two Indian communities. The result is an analytical review of development theories and practice in India.

This study is practical as well as theo­retical. The authors show how the the­ory of the “coordinated management of meaning” applies to large-scale social interactions. They also offer specific rec­ommendations for Indian development planners.

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cover of Development in Multiple Dimensions: Social Power and Regional Policy in India

Development in Multiple Dimensions

Social Power and Regional Policy in India

Alexander Lee

University of Michigan Press, 2019

Why do some states provide infrastructure and social services to their citizens, and others do not? In Development in Multiple Dimensions, Alexander Lee examines the origins of success and failure in the public services of developing countries. Comparing states within India, this study examines how elites either control, or are shut out of, policy decisions and how the interests of these elites influence public policy. He shows that social inequalities are not single but multiple, creating groups of competing elites with divergent policy interests. Since the power of these elites varies, states do not necessarily focus on the same priorities: some focus on infrastructure, others on social services, and still others on both or neither. The author develops his ideas through quantitative comparisons and case studies focusing on four northern Indian states: Gujarat, West Bengal, Bihar, and Himachal Pradesh, each of which represents different types of political economy and has a different set of powerful caste groups. The evidence indicates that regional variation in India is a consequence of social differences, and the impact of these differences on carefully considered distributional strategies, rather than differences in ideology, geography, or institutions.
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cover of Dharma's Daughters: Contemporary Indian Women and Hindu Culture

Dharma's Daughters

Contemporary Indian Women and Hindu Culture

Mitter, Sara S

Rutgers University Press, 1991

Women in India today are faced with a major conflict: how to adjust to rapid modernization and industrialization without abandoning traditional roles and customs. One of the assets of Hinduism has been its ability to incorporate seemingly unorthodox ideas, not fight against them. Contemporary Indian women today are trying to reconcile innovation with tradition as they assert that women are significant participants in the economy, that crimes against women should be investigated and prosecuted, and that a woman can divorce her husband. This is no easy task in light of the highly structured nature of Indian society. It is both hierarchical and patriarchal. Regardless of a family's economic position, women in the family are considered inferior. It is the woman's job, first and foremost, to be loyal to her husband and to be a good mother to her children.

Dharma's Daughters is divided into three sections. The first introduces us to women who live and work in Bombay, where the population is dense and the housing is inadequate. We meet manual laborers, members of construction crews, and illiterate domestic workers who live in shanties. Mitter paints a vivid picture of the harried lives of these women. In the second section Mitter describes Hindu mythology and the traditions that form the basis for women's lives. In the final section, Mitter tells of the increasing mobilization and resistance of Indian women since the 1970s.

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cover of Dhol: Drummers, Identities, and Modern Punjab

Dhol

Drummers, Identities, and Modern Punjab

Gibb Schreffler

University of Illinois Press, 2021

An icon of global Punjabi culture, the dhol drum inspires an unbridled love for the instrument far beyond its application to regional vernacular music. Yet the identities of dhol players within their local communities and the broadly conceived Punjabi nation remain obscure.

Gibb Schreffler draws on two decades of research to investigate dhol's place among the cultural formations within Punjabi communities. Analyzing the identities of musicians, Schreffler illuminates concepts of musical performance, looks at how these concepts help create or articulate Punjabi social structure, and explores identity construction at the intersections of ethnicity, class, and nationality in Punjab and the diaspora. As he shows, understanding the identities of dhol players is an ethical necessity that acknowledges their place in Punjabi cultural history and helps to repair their representation.

An engaging and rich ethnography, Dhol reveals a beloved instrumental form and the musical and social practices of its overlooked performers.

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cover of Directory of World Cinema: India

Directory of World Cinema

India

Edited by Adam Bingham

Intellect Books, 2015

Indian cinema teems with a multitude of different voices. The Directory of World Cinema: India provides a broad overview of this rich variety, highlighting distinctions among India’s major cinematic genres and movements while illuminating the field as a whole.
 
This volume’s contributors—many of them leading experts in their fields—approach film in India from a variety of angles, furnishing in-depth essays on significant directors and major regions; detailed historical accounts; considerations of the many faces of India represented in Indian cinema; and explorations of films made in and about India by European directors including Jean Renoir, Peter Brook, and Emeric Pressburger. Taken together, these multifaceted contributions show how India’s varied local film industries throw into question the very concept of a national cinema. The resulting volume will provide a comprehensive introduction for newcomers to Indian cinema while offering a fresh perspective sure to interest seasoned students and scholars.
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cover of Disabled Empire: The Colonial Body in First World War Britain

Disabled Empire

The Colonial Body in First World War Britain

Hilary R. Buxton

University of Chicago Press, 2026

Explores the minute interactions between military servicemen and medical caregivers during World War I to tell a broader story about race, colonialism, labor, and global health.
 
Disabled Empire examines how imperial precedents and racial ideologies shaped the medical treatments that the British state offered to several million Black and brown servicemen during World War I. In recovering the voices and experiences of these soldiers, Hilary R. Buxton illustrates how they navigated the institutional culture of the imperial military and how they helped to shape health and welfare systems well beyond the interwar period.
 
The Great War was the first time that troops and volunteers from nearly all reaches of the Empire participated in the war effort side-by-side. Despite official attempts at segregation, colonial troops met in trenches, mobile camps, casualty clearing stations, hospital ships, and convalescent homes. Just as importantly, those organizing treatment encountered men of different ethnicities, religions, and cultures from across and beyond the British Empire. For British officials, this moment offered an opportunity to remake colonial efficiency and medical knowledge. Yet, as Buxton shows, colonial servicemen were not passive subjects in a wartime laboratory: they were vocal participants who demanded a say in the therapies prescribed to them, the rations they required, the psychiatric care they received, and the prosthetics with which they were fitted. Together, these encounters profoundly remade colonial relations, reshaping imperial science, administration, and colonial understandings of subjecthood.
 
Disabled Empire pushes literature on the war and medicine outside its national, Eurocentric focus to confront the colonial logic of global health inequity.
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cover of Divine Enterprise: Gurus and the Hindu Nationalist Movement

Divine Enterprise

Gurus and the Hindu Nationalist Movement

Lise McKean

University of Chicago Press, 1996

Through shrewd marketing and publicity, Hindu spiritual leaders can play powerful roles in contemporary India as businessmen and government officials. Focusing on the organizations and activities of Hindu ascetics and gurus, Lise McKean explores the complex interrelations among religion, the political economy of India, and global capitalism.

In this close look at the business of religion, McKean traces the ideological and organizational antecedents to the Hindu nationalist movement. The Indian state's increasing patronage of Hindu institutions makes competition for its support greater than ever. Using materials from guru's publications, the press, and extensive field research, McKean examines how participation by upper-caste ruling class groups in the Divine Life Society and other Hindu organizations further legitimates their own authority.

With a remarkable selection of photographs and advertisements showing icons of spirituality used to sell commodities from textiles to cement to comic books, McKean illustrates the pervasive presence of Hindu imagery in India's burgeoning market economy. She shows how gurus popularize Hindu nationalism through imagery such as the goddess, Mother India, and her martyred sons and daughters.
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cover of Doctor Mary in Arabia: Memoirs

Doctor Mary in Arabia

Memoirs

By Mary Bruins Allison

University of Texas Press, 1994

Until fairly recently, Arab women rarely received professional health care, since few women doctors had ever practiced in Arabia and their culture forbade them from consulting male doctors. Not surprisingly, Dr. Mary Bruins Allison faced an overwhelming demand when she arrived in Kuwait in 1934 as a medical missionary of the Reformed Church of America. Over the next forty years, "Dr. Mary" treated thousands of women and children, faithfully performing the duties that seemed required of her as a Christian—to heal the sick and seek converts.

These memoirs record a fascinating life. Dr. Allison briefly describes her upbringing and her professional training at Women's Medical College of Pennsylvania. She then focuses on her experiences in Kuwait, where women of all classes, including royalty, flocked to her care. In addition to describing many of her cases, Dr. Allison paints a richly detailed picture of life in Kuwait both before and after the discovery of oil transformed the country. Her recollections include invaluable details of women's lives in the Middle East during the early and mid-twentieth century. They add a valuable chapter to the story of modern medicine, to the largely unsuccessful efforts of the Christian church to win converts in the Middle East, and to the opportunities and limitations that faced American women of the period.

Dr. Allison also worked briefly in Bahrain, Qatar, Oman, and India, and she includes material on each country. The introduction situates her experiences in the context of Middle Eastern and medical developments of the period.

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cover of Document Raj: Writing and Scribes in Early Colonial South India

Document Raj

Writing and Scribes in Early Colonial South India

Bhavani Raman

University of Chicago Press, 2012

Historians of British colonial rule in India have noted both the place of military might and the imposition of new cultural categories in the making of Empire, but Bhavani Raman, in Document Raj, uncovers a lesser-known story of power: the power of bureaucracy. Drawing on extensive archival research in the files of the East India Company’s administrative offices in Madras, she tells the story of a bureaucracy gone awry in a fever of documentation practices that grew ever more abstract—and the power, both economic and cultural, this created.
 
In order to assert its legitimacy and value within the British Empire, the East India Company was diligent about record keeping. Raman shows, however, that the sheer volume of their document production allowed colonial managers to subtly but substantively manipulate records for their own ends, increasingly drawing the real and the recorded further apart. While this administrative sleight of hand increased the company’s reach and power within the Empire, it also bolstered profoundly new orientations to language, writing, memory, and pedagogy for the officers and Indian subordinates involved. Immersed in a subterranean world of delinquent scribes, translators, village accountants, and entrepreneurial fixers, Document Raj maps the shifting boundaries of the legible and illegible, the legal and illegitimate, that would usher India into the modern world.
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cover of Doing Style: Youth and Mass Mediation in South India

Doing Style

Youth and Mass Mediation in South India

Constantine V. Nakassis

University of Chicago Press, 2016

In Doing Style, Constantine V. Nakassis explores the world of youth and mass media in South India, where what Tamil youth call “style” anchors their day-to-day lives and media worlds. Through intimate ethnographic descriptions of college life in Tamil Nadu, Nakassis explores the complex ways that acts and objects of style such as brand fashion, English slang, and film representations express the multiple desires and anxieties of this generation, who live in the shadow of the promise of global modernity.
           
As Nakassis shows, while signs of the global, modern world are everywhere in post-liberalization India, for most of these young people this world is still very distant—a paradox that results in youth’s profound sense of being in between. This in-betweenness manifests itself in the ambivalent quality of style, the ways in which stylish objects are necessarily marked as counterfeit, mixed, or ironical. In order to show how this in-betweenness materializes in particular media, Nakassis explores the entanglements between youth peer groups and the sites where such stylish media objects are produced, arguing that these entanglements deeply condition the production and circulation of the media objects themselves. The result is an important and timely look at the tremendous forces of youth culture, globalization, and mass media as they interact in the vibrancy of a rapidly changing India. 
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cover of Drama of Democracy: Political Representation in Mumbai

Drama of Democracy

Political Representation in Mumbai

Lisa Björkman

University of Minnesota Press, 2025

The performative arts of political communication and representation in Mumbai


In an era of global political passions, many have wondered whether some sort of natural affinity exists between political style and substance. Does liberal democracy speak the language of rationality and sincerity while political emotion, imagery, and embodiment properly belong to authoritarianism? Taking an ethnographic approach to the relationship between political form and political content, Drama of Democracy explores the material substance of representations (things like heady crowds and rousing images) together with language-based forms of political communication, such as public oration and community meetings.

 

Drawing on a decade of research in the city of Mumbai, Lisa Björkman shows that embodied performance is the very site and substance of representation and demonstrates how Mumbaikars evaluate performative bids to represent. The ethnographic accounts demonstrate the extraordinary fluency in this evaluative work in Mumbai, where people from all walks of life are remarkably astute at navigating and assessing political signs and representations, endlessly discussing and debating possible meanings of the city’s dense material-semiotic ecologies—whether words or images, cash or crowds, flyers or flowers.

 

In Mumbai, Björkman argues, the evaluative criterion of representation is not whether something is sign or substance, or even whether people are deemed to utter truths or falsehoods. Rather, what matters is whether and how a performance activates and actuates the social relations and political subjectivities that it professes to display. Drama of Democracy highlights Mumbaikars’ communicative fluency and theatrical acumen to offer a conceptual toolbox through which contemporary political churnings around the globe might be understood.

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cover of Dream Machine: Realism and Fantasy in Hindi Cinema

Dream Machine

Realism and Fantasy in Hindi Cinema

Samir Dayal

Temple University Press, 2015

Popular Hindi films offer varied cinematic representations ranging from realistic portraits of patriotic heroes to complex fantasies that go beyond escapism. In Dream Machine, Samir Dayal provides a history of Hindi cinema starting with films made after India’s independence in 1947. He constructs a decade-by-decade consideration of Hindi cinema’s role as a site for the construction of “Indianness.” 

Dayal suggests that Hindi cinema functions as both mirror and lamp, reflecting and illuminating new and possible representations of national and personal identity, beginning with early postcolonial films including Awaara and Mother India, a classic of the Golden Age. More recent films address critical social issues, such as My Name is Khan and Fire, which concern terrorism and sexuality, respectively. Dayalalso chronicles changes in the industry and in audience reception, and the influence of globalization, considering such films as Slumdog Millionaire.  

Dream Machine analyzes the social and aesthetic realism of these films concerning poverty and work, the emergence of the middle class, crime, violence, and the law while arguing for their sustained and critical attention to forms of fantasy.

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cover of Dream Zones: Anticipating Capitalism and Development in India

Dream Zones

Anticipating Capitalism and Development in India

Jamie Cross

Pluto Press, 2014

Dream Zones explores the dreamed of and desired futures that constitute, sustain and disrupt capitalism in contemporary India.

Drawing on five years of research in and around India's Special Economic Zones (SEZs), the book follows the stories of regional politicians, corporate executives, rural farmers, industrial workers and social activists to show how the pursuit of growth, profit and development shapes the politics of industrialisation and liberalisation.

This book offers a timely reminder that the global economy is shaped by sentiment as much as reason and that un-realised expectations are the grounds on which new hopes for the future are sown.

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