97 books match the query 'Louisiana' and 8 start with d

cover of Dancing the Politics of Pleasure at the New Orleans Second Line

Dancing the Politics of Pleasure at the New Orleans Second Line

Rachel Carrico

University of Illinois Press, 2024

On many Sundays, Black New Orleanians dance through city streets in Second Lines. These processions invite would-be spectators to join in, grooving to an ambulatory brass band for several hours. Though an increasingly popular attraction for tourists, parading provides the second liners themselves with a potent public expression of Black resistance.

Rachel Carrico examines the parading bodies in motion as a form of negotiating and understanding power. Seeing pleasure as a bodily experience, Carrico reveals how second liners’ moves link joy and liberation, self and communal identities, play and dissent, and reclamations of place. As she shows, dancers’ choices allow them to access the pleasure of reclaiming self and city through motion and rhythm while expanding a sense of the possible in the present and for the future.

In-depth and empathetic, Dancing the Politics of Pleasure at the New Orleans Second Line blends analysis with a chorus of Black voices to reveal an indelible facet of Black culture in the Crescent City.

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cover of David Duke and the Politics of Race in the South

David Duke and the Politics of Race in the South

John C. Kuzenski

Vanderbilt University Press, 1995

A thought-provoking examination of the constituencies and the impact of one of the most controversial political figures of our time. Journalists have thoroughly documented David Duke's rise to prominence in Louisiana politics, but until now, few intensive analyses of the Duke phenomenon have been undertaken. This new collection identifies the significant junctures of Duke's political career, from its earliest beginnings to his recent campaigns for governor, the Senate, and the Presidency. Through a variety of methods and approaches, the contributors to this work advance our understanding of what made this former Ku Klux Klan member a significant political force, and of how and why he very nearly succeeded in his attempts to gain higher office.
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cover of Debt, Investment, Slaves: Credit Relations in East Feliciana Parish, Louisiana, 1825-1885

Debt, Investment, Slaves

Credit Relations in East Feliciana Parish, Louisiana, 1825-1885

Richard Holcombe Kilbourne

University of Alabama Press, 2013

" . . .  the only book-length study documenting the use of human collateral in the nineteenth century." —The Journal of Southern History

For his landmark Debt, Investment, Slaves, Louisiana attorney Richard Holcombe Kilbourne Jr. performed a thorough survey of parish mortgage records and other manuscripts to create a rich map of antebellum credit relationships in the region. He demonstrates that most credit relationships, collateralized and uncollateralized, were grounded in slave property and not, as a contemporary reader would assume, land or other forms of wealth. Antebellum slavery was thus not only an arrangement of labor, but also an arrangement of finance and economics that shaped all of Southern life and politics. For this reason, defeat in the Civil War and emancipation not only freed enslaved people to work and earn wages, it occasioned a monumental credit implosion from which the Southern economy did not recover for the remainder of the nineteenth century. 

To understand the antebellum South, it is necessary to set aside assumptions shared by modern Americans about the nature of borrowing, lending, banking, and investing. Kilbourne's seminal work reminds readers of the absence of banks outside of major cities like Charleston, New Orleans, and Mobile. He explains the defined and ad hoc roles that regional banks, intermediary lenders, and flexible agents ("factors") played in the absence of a robust banking system. He persuasively shows that this network of borrowers and lenders was based to an extent not well understood today on bondage. He then demonstrates how this fragile and improvised financial system had no ability to respond to the shocks and disruptions of war. 

Setting out to write a book of local history, Kilbourne achieved an enduring work that illuminated aspects of Southern life that are indispensable to understanding American history. 
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cover of Delirious New Orleans: Manifesto for an Extraordinary American City

Delirious New Orleans

Manifesto for an Extraordinary American City

By Stephen Verderber

University of Texas Press, 2008

Winner, Abbott Lowell Cummings Prize, Vernacular Architecture Forum, 2010

From iconic neighborhoods such as the French Quarter and the Garden District to more economically modest but no less culturally vibrant areas, architecture is a key element that makes New Orleans an extraordinary American city. Delirious New Orleans began as a documentary project to capture the idiosyncratic vernacular architecture and artifacts—vintage mom-and-pop businesses, roadside motels, live music clubs, neon signs, wall murals, fast-food joints, and so on—that helped give the city's various neighborhoods their unique character. But because so many of these places and artifacts were devastated by Hurricane Katrina, Delirious New Orleans has become both a historical record of what existed in the past and a blueprint for what must be rebuilt and restored to retain the city's unique multicultural landscape.

Stephen Verderber starts with the premise that New Orleans's often-overlooked neighborhoods imbue the city with deep authenticity as a place. He opens Delirious New Orleans with a photo-essay that vividly presents this vernacular architecture and its artifacts, both before Katrina and in its immediate aftermath. In the following sections of the book, which are also heavily illustrated, Verderber takes us on a tour of the city's commercial vernacular architecture, as well as the expressive folk architecture of its African American neighborhoods. He discusses how the built environment was profoundly shaped by New Orleans's history of race and class inequities and political maneuvering, along with its peculiar, below-sea-level geography. Verderber also considers the aftermath of Katrina and the armada of faceless FEMA trailers that have, at least temporarily and by default, transformed this urban landscape.

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cover of Desire and Disaster in New Orleans: Tourism, Race, and Historical Memory

Desire and Disaster in New Orleans

Tourism, Race, and Historical Memory

Lynnell L. Thomas

Duke University Press, 2014

Most of the narratives packaged for New Orleans's many tourists cultivate a desire for black culture—jazz, cuisine, dance—while simultaneously targeting black people and their communities as sources and sites of political, social, and natural disaster. In this timely book, the Americanist and New Orleans native Lynnell L. Thomas delves into the relationship between tourism, cultural production, and racial politics. She carefully interprets the racial narratives embedded in tourism websites, travel guides, business periodicals, and newspapers; the thoughts of tour guides and owners; and the stories told on bus and walking tours as they were conducted both before and after Katrina. She describes how, with varying degrees of success, African American tour guides, tour owners, and tourism industry officials have used their own black heritage tours and tourism-focused businesses to challenge exclusionary tourist representations. Taking readers from the Lower Ninth Ward to the White House, Thomas highlights the ways that popular culture and public policy converge to create a mythology of racial harmony that masks a long history of racial inequality and structural inequity.
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cover of Disenchanting Les Bons Temps: Identity and Authenticity in Cajun Music and Dance

Disenchanting Les Bons Temps

Identity and Authenticity in Cajun Music and Dance

Charles J. Stivale

Duke University Press, 2003

The expression laissez les bons temps rouler—"let the good times roll"—conveys the sense of exuberance and good times associated with southern Louisiana’s vibrant cultural milieu. Yet, for Cajuns, descendants of French settlers exiled from New Brunswick and Nova Scotia in the mid-eighteenth century, this sense of celebration has always been mixed with sorrow. By focusing on Cajun music and dance and the ways they convey the dual experiences of joy and pain, Disenchanting Les Bons Temps illuminates the complexities of Cajun culture. Charles J. Stivale shows how vexed issues of cultural identity and authenticity are negotiated through the rich expressions of emotion, sensation, sound, and movement in Cajun music and dance.

Stivale combines his personal knowledge and love of Cajun music and dance with the theoretical insights of Gilles Deleuze and Félix Guattari to consider representations of things Cajun. He examines the themes expressed within the lyrics of the Cajun musical repertoire and reflects on the ways Cajun cultural practices are portrayed in different genres including feature films, documentaries, and instructional dance videos. He analyzes the dynamic exchanges between musicians, dancers, and spectators at such venues as bars and music festivals. He also considers a number of thorny socio-political issues underlying Cajun culture, including racial tensions and linguistic isolation. At the same time, he describes various efforts by contemporary musicians and their fans to transcend the limitations of cultural stereotypes and social exclusion.

Disenchanting Les Bons Temps will appeal to those interested inCajun culture, issues of race and ethnicity, music and dance, and the intersection of French and Francophone studies with Anglo and American cultural studies.

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cover of Displaced: Life in the Katrina Diaspora

Displaced

Life in the Katrina Diaspora

Edited by Lynn Weber and Lori Peek

University of Texas Press, 2012

Hurricane Katrina forced the largest and most abrupt displacement in U.S. history. About 1.5 million people evacuated from the Gulf Coast preceding Katrina’s landfall. New Orleans, a city of 500,000, was nearly emptied of life after the hurricane and flooding. Katrina survivors eventually scattered across all fifty states, and tens of thousands still remain displaced. Some are desperate to return to the Gulf Coast but cannot find the means. Others have chosen to make their homes elsewhere. Still others found a way to return home but were unable to stay due to the limited availability of social services, educational opportunities, health care options, and affordable housing.

The contributors to Displaced have been following the lives of Katrina evacuees since 2005. In this illuminating book, they offer the first comprehensive analysis of the experiences of the displaced. Drawing on research in thirteen communities in seven states across the country, the contributors describe the struggles that evacuees have faced in securing life-sustaining resources and rebuilding their lives. They also recount the impact that the displaced have had on communities that initially welcomed them and then later experienced “Katrina fatigue” as the ongoing needs of evacuees strained local resources. Displaced reveals that Katrina took a particularly heavy toll on households headed by low-income African American women who lost the support provided by local networks of family and friends. It also shows the resilience and resourcefulness of Katrina evacuees who have built new networks and partnered with community organizations and religious institutions to create new lives in the diaspora.

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cover of Driven from New Orleans: How Nonprofits Betray Public Housing and Promote Privatization

Driven from New Orleans

How Nonprofits Betray Public Housing and Promote Privatization

John Arena

University of Minnesota Press, 2012

In the early 1980s the tenant leaders of the New Orleans St. Thomas public housing development and their activist allies were militant, uncompromising defenders of the city’s public housing communities. Yet ten years later these same leaders became actively involved in a planning effort to privatize and downsize their community—an effort that would drastically reduce the number of affordable apartments. What happened? John Arena—a longtime community and labor activist in New Orleans—explores this drastic change in Driven from New Orleans, exposing the social disaster visited on the city’s black urban poor long before the natural disaster of Katrina magnified their plight.

Arena argues that the key to understanding New Orleans’s public housing transformation from public to private is the co-optation of grassroots activists into a government and foundation-funded nonprofit complex. He shows how the nonprofit model created new political allegiances and financial benefits for activists, moving them into a strategy of insider negotiations that put the profit-making agenda of real estate interests above the material needs of black public housing residents. In their turn, white developers and the city’s black political elite embraced this newfound political “realism” because it legitimized the regressive policies of removing poor people and massively downsizing public housing, all in the guise of creating a new racially integrated, “mixed-income” community.

In tracing how this shift occurred, Driven from New Orleans reveals the true nature, and the true cost, of reforms promoted by an alliance of a neoliberal government, nonprofits, community activists, and powerful real estate interests.

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