188 books match the query 'Middle Eastern' and 10 start with d

cover of Decentralization, Local Governance, and Inequality in the Middle East and North Africa

Decentralization, Local Governance, and Inequality in the Middle East and North Africa

Kristen Kao and Ellen M. Lust, Editors

University of Michigan Press, 2025

While many scholars, policymakers, and development practitioners view decentralization as a way to increase participation, strengthen political representation, and improve social welfare, little is known about the experiences of communities in the context of decentralization – particularly in the Middle East and North Africa. This volume directs our attention toward the ways in which decentralization is “lived locally” by citizens of the MENA region, underscoring the simultaneous influences of individual-level factors (e.g., gender, education) and local context (e.g., development levels, electoral institutions) on governance processes and outcomes. 

A group of international scholars brings together methodologically diverse, original research in Lebanon, Morocco, Syria, and Tunisia to expand the literature on decentralization. Following a preface by Hicham Alaoui, the empirical chapters are arranged into three thematic sections. These focus on subnational variations in the relationships between central and local actors, citizen engagement with state and non-state institutions, and the extent to which representatives reflect their local communities. Together, these chapters provide important insights into governance, participation, and representation in the MENA and open new questions for furthering the study of governance and local development. Only by unpacking perspectives and governance experiences at the micro-level can we understand how decentralization policies affect citizens’ everyday lives.
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cover of Decolonizing Memory: Algeria and the Politics of Testimony

Decolonizing Memory

Algeria and the Politics of Testimony

Jill Jarvis

Duke University Press, 2021

The magnitude of the legal violence exercised by the French to colonize and occupy Algeria (1830–1962) is such that only aesthetic works have been able to register its enduring effects. In Decolonizing Memory Jill Jarvis examines the power of literature to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for this destruction. Taking up the unfinished work of decolonization since 1962, Algerian writers have played a crucial role in forging historical memory and nurturing political resistance—their work helps to make possible what state violence has rendered almost unthinkable. Drawing together readings of multilingual texts by Yamina Mechakra, Waciny Laredj, Zahia Rahmani, Fadhma Aïth Mansour Amrouche, Assia Djebar, and Samira Negrouche alongside theoretical, juridical, visual, and activist texts from both Algeria’s national liberation war (1954–1962) and war on civilians (1988–1999), this book challenges temporal and geographical frameworks that have implicitly organized studies of cultural memory around Euro-American reference points. Jarvis shows how this literature rewrites history, disputes state authority to arbitrate justice, and cultivates a multilingual archive for imagining decolonized futures.
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cover of Democracy is the Answer: Egypt's Years of Revolution

Democracy is the Answer

Egypt's Years of Revolution

Alaa Al Aswany

Gingko, 2014

As the Egyptian revolution unfolded throughout 2011 and the ensuing years, no one was better positioned to comment on it—and try to push it in productive directions—than best-selling novelist and political commentator Alaa Al-Aswany. For years a leading critic of the Mubarak regime, Al-Aswany used his weekly newspaper column for Al-Masry Al-Youm to propound the revolution’s ideals and to confront the increasingly troubled politics of its aftermath.

This book presents, for the first time in English, all of Al-Aswany’s columns from the period, a comprehensive account of the turmoil of the post-revolutionary years, and a portrait of a country and a people in flux. Each column is presented along with a context-setting introduction, as well as notes and a glossary, all designed to give non-Egyptian readers the background they need to understand the events and figures that Al-Aswany chronicles. The result is a definitive portrait of Egypt today—how it got here, and where it might be headed.
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cover of Desert Sorrows: Poems by Tayseer al-Sboul

Desert Sorrows

Poems by Tayseer al-Sboul

Tayseer Al-Sboul

Michigan State University Press, 2015

No poet of the twentieth century has captured the experience of Arabic-speaking people in the modern world better than Tayseer al-Sboul. One of Jordan’s most celebrated writers, educated in that country, as well as in Lebanon and Syria, he faced the dilemmas and contradictions of the Arab world during the Cold War years. Caught between tradition and modernity, he dreamed of a great Arab nation. With unflinching courage and brutal honesty, he revealed his life in poems: his family, his connection with his homeland, his rejection of tradition, his flirtation with leftist ideology, his love affairs, his politics, his experience of war and defeat, his inner struggle, his quest for truth. Through al-Sboul’s poems, we understand the struggle of one Arab man to make sense of a world gone mad. Caught between the restrictions of traditional life, the cruelty of war, and the political oppression of the modern Middle East, he was determined to find his own peace, though it proved impossible. After the 1973 Arab-Israeli conflict, he lost all hope and took his own life. Featuring facing-page Arabic-English translations, this volume brings al-Sboul’s poetry into English for the first time.
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cover of Dictators and the Higher Education Dilemma: State Power and the University in Modern Iran

Dictators and the Higher Education Dilemma

State Power and the University in Modern Iran

Saeid Golkar

Rutgers University Press, 0

Dictators and the Higher Education Dilemma explores a powerful contradiction at the heart of modern authoritarian regimes: While universities are essential for producing skilled labor and projecting national progress, they also cultivate critical thinkers who can challenge state power. Drawing on Iran’s modern history, from the Pahlavi monarchy to the Islamic Republic, Saeid Golkar shows how dictators use universities not only to train technocrats and showcase development but also as tools for shaping ideology, suppressing dissent, and co-opting academics. In authoritarian systems, education becomes a double-edged sword, essential for growth yet dangerous when it empowers independent thought. Golkar reveals how regimes manipulate admissions, censor curricula, and reward loyalty to create compliant intellectuals and loyal elites. Blending personal experience with rich historical and political analysis, this book exposes the tactics used to turn universities into instruments of social control. It speaks to a growing trend worldwide, offering vital insights into the clash between authoritarian power and academic freedom from Iran to China, Russia, and beyond.

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cover of Disbound: Poems

Disbound

Poems

Hajar Hussaini

University of Iowa Press, 2022

Hajar Hussaini’s poems in Disbound scrutinize the social, political, and historical traces inherited from one’s language. The traces she finds—the flow of international commodities implied in a plosive consonant, an image of the world’s nations convening to reject the full stop—retrieve a personal history between countries (Afghanistan and the United States) and languages (Persian and English) that has been constantly disrupted and distorted by war, governments, and media. Hussaini sees the subjectivity emerging out of these traces as mirroring the governments to whom she has been subject, blurring the line between her identity and her legal identification. The poems of Disbound seek beauty and understanding in sadness and confusion, and find the chance for love in displacement, even as the space for reconciliation in politics and thought seems to get narrower.
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cover of Dispatches from Pakistan

Dispatches from Pakistan

Madiha R. Tahir

University of Minnesota Press, 2014


Since 9/11, Pakistan has loomed large in the geopolitical imagination of the West. A key ally in the global war on terror, it is also the country in which Osama bin Laden was finally found and killed—and the one that has borne the brunt of much of the ongoing conflict’s collateral damage. Despite its prominence on the front lines and on the front pages, Pakistan has been depicted by Western observers simplistically in terms of its corruption, its fundamentalist Islamic beliefs, and its propensity for violence. Dispatches from Pakistan, in contrast, reveals the complexities, the challenges, and the joys of daily life in the country, from the poetry of Gilgit to the graffiti of Gwadar, from an army barrack in Punjab to the urban politics of Karachi.

This timely book brings together journalists, activists, academics, and artists to provide a rich, in-depth, and intriguing portrait of contemporary Pakistani society. Straddling a variety of boundaries—geographic, linguistic, and narrative—Dispatches from Pakistan is a vital attempt to speak for the multitude of Pakistanis who, in the face of seemingly unimaginable hardships, from drone strikes to crushing poverty, remain defiantly optimistic about their future. While engaging in conversations on issues that make the headlines in the West, the contributors also introduce less familiar dimensions of Pakistani life, highlighting the voices of urban poets, rural laborers, industrial workers, and religious-feminist activists—and recovering Pakistani society’s inquilabi (revolutionary) undercurrents and its hopeful overtones.

Contributors: Mahvish Ahmad; Nosheen Ali, U of California, Berkeley; Shafqat Hussain, Trinity College; Humeira Iqtidar, King’s College London; Amina Jamal, Ryerson U; Hafeez Jamali, U of Texas at Austin; Iqbak Khattak; Zahra Malkani; Raza Mir; Hammad Nasar; Junaid Rana, U of Illinois at Urbana–Champaign; Maliha Safri, Drew U; Aasim Sajjad Akhtar, Lahore U of Management Sciences; Ayesha Siddiqa; Sultan-i-Rome, Government Jahanzeb Postgraduate College, Swat, Pakistan; Saadia Toor, Staten Island College.

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cover of Dispatches from the Arab Spring: Understanding the New Middle East

Dispatches from the Arab Spring

Understanding the New Middle East

Paul Amar

University of Minnesota Press, 2013

The Arab Spring unleashed forces of liberation and social justice that swept across North Africa and the Middle East with unprecedented speed, ferocity, and excitement. Although the future of the democratic uprisings against oppressive authoritarian regimes remains uncertain in many places, the revolutionary wave that started in Tunisia in December 2010 has transformed how the world sees Arab peoples and politics. Bringing together the knowledge of activists, scholars, journalists, and policy experts uniquely attuned to the pulse of the region, Dispatches from the Arab Spring offers an urgent and engaged analysis of a remarkable ongoing world-historical event that is widely misinterpreted in the West.

Tracing the flows of protest, resistance, and counterrevolution in every one of the countries affected by this epochal change—from Morocco to Iraq and Syria to Sudan—the contributors provide ground-level reports and new ways of teaching about and understanding the Middle East in general, and contextualizing the social upheavals and political transitions that defined the Arab Spring in particular. Rejecting outdated and invalid (yet highly influential) paradigms to analyze the region—from depictions of the “Arab street” as a mindless, reactive mob to the belief that Arab culture was “unfit” for democratic politics—this book offers fresh insights into the region’s dynamics, drawing from social history, political geography, cultural creativity, and global power politics. Dispatches from the Arab Spring is an unparalleled introduction to the changing Middle East and offers the most comprehensive and accurate account to date of the uprisings that profoundly reshaped North Africa and the Middle East.

Contributors: Sheila Carapico, U of Richmond; Nouri Gana, UCLA; Toufic Haddad; Adam Hanieh, SOAS/U of London; Toby C. Jones, Rutgers U; Anjali Kamat; Khalid Medani, McGill U; Merouan Mekouar; Maya Mikdashi, NYU; Paulo Gabriel Hilu Pinto, U Federal Fluminense, Brazil; Jillian Schwedler, Hunter College, CUNY; Ahmad Shokr; Susan Slyomovics, UCLA; Haifa Zangana.

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cover of Domestications: American Empire, Literary Culture, and the Postcolonial Lens

Domestications

American Empire, Literary Culture, and the Postcolonial Lens

Hosam Aboul-Ela

Northwestern University Press, 2018

Domestications traces a genealogy of American global engagement with the Global South since World War II. Hosam Aboul-Ela reads American writers contrapuntally against intellectuals from the Global South in their common—yet ideologically divergent—concerns with hegemony, world domination, and uneven development. Using Edward Said’s Culture and Imperialism as a model, Aboul-Ela explores the nature of U.S. imperialism’s relationship to literary culture through an exploration of five key terms from the postcolonial bibliography: novel, idea, perspective, gender, and space.

Within this framework the book examines juxtapositions including that of Paul Bowles’s Morocco with North African intellectuals’ critique of Orientalism, the global treatment of Vietnamese liberation movements with the American narrative of personal trauma in the novels of Tim O’Brien and Hollywood film, and the war on terror’s philosophical idealism with Korean and post-Arab nationalist materialist archival fiction.

Domestications departs from other recent studies of world literature in its emphases not only on U.S. imperialism but also on intellectuals working in the Global South and writing in languages other than English and French. Although rooted in comparative literature, its readings address issues of key concern to scholars in American studies, postcolonial studies, literary theory, and Middle Eastern studies.

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cover of Dying in a Mother Tongue

Dying in a Mother Tongue

By Roja Chamankar, Translated by Blake Atwood

University of Texas Press, 2018

This collection of poetry by the celebrated southern Iranian poet and filmmaker Roja Chamankar (b. 1981) introduces English-speaking readers to one of the most accomplished and well-loved poets of her generation. Chamankar’s work blends surrealism and the southern coastal landscape of the poet’s upbringing with everyday experiences in rapidly urbanizing Tehran. While locating herself in the modernist tradition of Iranian poets like Forugh Farrokhzad and Ahmad Shamlu through form and imagery, Chamankar infuses this tradition with concerns unique to a generation that grew up in post-revolutionary Iran and endured the effects of the Iran-Iraq war. Seascapes, love and eroticism, the disconnection of modern life, and myths and fairytales figure prominently in these vivid, lyrical poems.

In the rich miniature worlds of Chamankar’s poetry, readers become privy to a range of experiences, from desire and pain to rage and humor. Sometimes abstract, other times surreal—Chamankar’s unique poetic voice, like the sea she returns to again and again, combines and sweeps these experiences to shore with assurance, strength, and beauty.

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