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117 books match the query 'Philippines' and 5 start with d

cover of Dean Worcester's Fantasy Islands: Photography, Film, and the Colonial Philippines

Dean Worcester's Fantasy Islands

Photography, Film, and the Colonial Philippines

Mark Rice

University of Michigan Press, 2014

Dean Worcester’s Fantasy Islands brings to life one of the most significant (but under examined) figures in the history of U.S. colonialism in the Philippines. Upon the outbreak of the Spanish-American War, Worcester, a scientist who had traveled twice to the Philippines on zoological expeditions, established himself as one of America’s leading experts on the Philippines. Over a fourteen-year career as a member of the U.S. colonial regime, Worcester devoted much of his time and energy to traveling among and photographing non-Christian minority groups in the Philippines. He amassed an archive of several thousand photographs taken by him or by government photographers. Worcester deployed those photographs in books, magazine articles, and lectures to promote his belief that the United States should maintain control of the Philippines for decades to come. While many historians have examined American colonial photography in the Philippines, this book is the first lengthy treatment of Worcester’s role in shaping American perceptions of the Philippines in the early twentieth century.

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cover of Deeper Ground, Darker Shadows: The Making of a Mindanao Rebel

Deeper Ground, Darker Shadows

The Making of a Mindanao Rebel

Eddie L. Quitoriano

University of Wisconsin Press, 2025

Deeper Ground, Darker Shadows is the memoir of Eddie L. Quitoriano, who grew up in a rural part of the Philippine island of Mindanao and eventually became one of the top organizers of the Communist Party of the Philippines (CPP) and commander of the party’s New People’s Army (NPA). Coming to political consciousness as a university student, Quitoriano chooses revolution over the priesthood and embarks on a life of unforeseen danger. Sent abroad as an envoy to seek military assistance from sympathetic governments and other radical factions, he travels from the Sandinistas in Nicaragua to Syria, Libya, North Korea, Peru, Brazil, and Yugoslavia.

Quitoriano finds revolutionary life thrilling but dangerous, with secretly arranged meetings and drops, doctored passports, and hastily planned plastic surgery. He wrestles with the global implications of his work, experiences daily struggles to survive in always-changing political circumstances, and is profoundly human in his love and concern for the family he has left behind in the Philippines. What emerges is a view of international revolutionary movements that only an insider could write. Quitoriano provides an essential and unique missing piece of twentieth-century Philippine and leftist history.
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cover of Deforestation in the Postwar Philippines

Deforestation in the Postwar Philippines

David M. Kummer

University of Chicago Press, 1992

The only quantitative deforestation study to focus on one country, this case analysis of the Philippines since 1946 yields more concrete data than previous cross-national studies. David Kummer's close examination of the interactions among political, economic, and cultural factors and their environmental consequences sheds light on similar situations in other countries.
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cover of Discrepant Histories

Discrepant Histories

Vincente Rafael

Temple University Press, 1995

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cover of Dream Factories of a Former Colony: American Fantasies, Philippine Cinema

Dream Factories of a Former Colony

American Fantasies, Philippine Cinema

José B. Capino

University of Minnesota Press, 2010

Philippine cinema, the dream factory of the former U.S. colony, teems with American figures and plots. Local movies feature GIs seeking Filipina brides, cold war spies hunting down native warlords, and American-born Filipinos wandering in the parental homeland. The American landscape furnishes the settings for the triumphs and tragedies of Filipino nurses, GI babies, and migrant workers.

By tracking American fantasies in Philippine movies from the postindependence period to the present, José B. Capino offers an innovative account of cinema's cultural work in decolonization and globalization. Capino examines how a third world nation's daydreams both articulate empire and mobilize against it, provide imaginary maps and fables of identity for its migrant workers and diasporan subjects, pose challenges to the alibis of patriarchy and nationalism, and open up paths for participating in the cultures of globality.

Through close readings of more than twenty Philippine movies, Capino demonstrates the postcolonial imagination's vital role in generating pragmatic and utopian visions of living with empire. Illuminating an important but understudied cinema, he creates a model for understanding the U.S. image in the third world.
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