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Deconstructive Variations was first published in 1995. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Unique in its focus and its interdisciplinary reach, Rose Rosengard Subotnik's work is among the most original and challenging being done in American musicology. Her concerns are both formal and sociological, firmly linking music to social and cultural context and breaking down the barriers between music and life.

Deconstructive Variations is a sequel to Subotnik's previous collection, Developing Variations. It expands and continues her achievement-the promotion of humanistic criticism as a significant activity in music scholarship and the portrayal of Western art music in relation to the social structures and cultural values of the society that created it.

Bringing to her subject a vast range of philosophical, artistic, and historical knowledge, Subotnik applies the insights of Kant, Adorno, Bakhtin, and Derrida to major works of Mozart and Chopin. Each of these essays functions as an argument between two views: for and against the ideal of structural listening; Enlightenment and Romantic readings of The Magic Flute; high-modernist and postmodernist readings of Chopin's A-Major Prelude; and conceptions of reason put forward by Allan Bloom and Spike Lee.

Rose Rosengard Subotnik is professor emerita in the department of music at Brown University, and is the author of Developing Variations: Style and Ideology in Western Music (Minnesota, 1991).

This book introduces a new approach to the issue of radical scientific revolutions, or "paradigm-shifts," given prominence in the work of Thomas Kuhn. The book articulates a dynamical and historicized version of the conception of scientific a priori principles first developed by the philosopher Immanuel Kant. This approach defends the Enlightenment ideal of scientific objectivity and universality while simultaneously doing justice to the revolutionary changes within the sciences that have since undermined Kant's original defense of this ideal.

Through a modified Kantian approach to epistemology and philosophy of science, this book opposes both Quinean naturalistic holism and the post-Kuhnian conceptual relativism that has dominated recent literature in science studies. Focussing on the development of "scientific philosophy" from Kant to Rudolf Carnap, along with the parallel developments taking place in the sciences during the same period, the author articulates a new dynamical conception of relativized a priori principles. This idea applied within the physical sciences aims to show that rational intersubjective consensus is intricately preserved across radical scientific revolutions or "paradigm-shifts and how this is achieved.