168 books match the query 'Social Theory' and 6 start with d

cover of Dance Cadaverous: Antiblackness of the Social World and Social Theory

Dance Cadaverous

Antiblackness of the Social World and Social Theory

Moon-Kie Jung and João H. Costa Vargas

Duke University Press, 2027

In Dance Cadaverous, Moon-Kie Jung and João H. Costa Vargas argue that the modern social world and modern social theory are foundationally antiblack. Antiblackness, the ontological exclusion inaugurated by racial slavery, persists while social theorists reproduce the exclusion, missing and misrecognizing this profoundly antisocial predicament at the heart of modernity. Across three historical moments—antebellum, Jim Crow, and contemporary—Jung and Vargas offer fundamental critiques of antiblackness, putting under scrutiny humanist and posthumanist social theories, science and technology studies, agency, genocide, racism, people-of-color intersectionality, and environmental justice. Drawing on radical Black study, freedom struggles, and jazz improvisation, they propose antisociology and abolitionist antipolitics as paths forward to provincialize and leave behind the modern social world.
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cover of Dark Governance: Illegal Organizations and State Power

Dark Governance

Illegal Organizations and State Power

Javier Auyero

University of Chicago Press, 2027

A revelatory account of the ways covert, nefarious relationships between state officials and criminal groups shape daily life for all. 

Far too often, the line between legal and illegal action is crossed by actors and organizations on both sides of the law. From the old Chicago Machine getting rich off criminal activity to Mexican drug cartels placing politicians in office, these relationships between criminals and the government coordinate forms of power in ways that affect where people live, what opportunities they can pursue, how they spend money, and how they treat one another. In Dark Governance, sociologist Javier Auyero describes how this kind of governance works and what it means for civic life. 

Auyero analyzes instances of dark governance, including gangs in Ecuador and paramilitaries in Colombia who exert territorial control through violent specialists and government actors. He then turns to the less-studied case of the “colectivos” in Venezuela to show the scope of political work clandestine connections can achieve by thwarting grassroots organizations. In El Salvador and Honduras, the ties between gang members on the one hand, and politicians and elected officials on the other, serve to illustrate the impact dark governance has on urban spatial arrangements and on electoral campaigns. Dark Governance also offers an in-depth study of police-trafficker collusion in Argentina, which allows Auyero to identify the ways covert connections between state actors and drug traffickers operate in marginalized communities, affecting interpersonal violence. In addition to these examples in Latin America, Auyero also shares case studies in the United States and China. Dark governance can be seen in US organizations that patrol the borders and assert their control over migrants through their illicit connections with state authorities. In China, land expropriation and development projects are sometimes delayed when some households refuse to leave their properties. Enter the thugs-for-hire frequently contracted by local governments across the country to coerce residents into complying with government orders. 

Demonstrating the very real effects of dark governance, Auyero argues that though the organizations involved in these dark arrangements differ, their collaboration results in a singular effect: the ability to control populations. But when these relationships come out of the shadows, collective action can bring them down.

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cover of Deadly Biocultures: The Ethics of Life-making

Deadly Biocultures

The Ethics of Life-making

Nadine Ehlers

University of Minnesota Press, 2019

A trenchant analysis of the dark side of regulatory life-making today


In their seemingly relentless pursuit of life, do contemporary U.S. “biocultures”—where biomedicine extends beyond the formal institutions of the clinic, hospital, and lab to everyday cultural practices—also engage in a deadly endeavor? Challenging us to question their implications, Deadly Biocultures shows that efforts to “make live” are accompanied by the twin operation of “let die”: they validate and enhance lives seen as economically viable, self-sustaining, productive, and oriented toward the future and optimism while reinforcing inequitable distributions of life based on race, class, gender, and dis/ability. Affirming life can obscure death, create deadly conditions, and even kill.

Deadly Biocultures examines the affirmation to hope, target, thrive, secure, and green in the respective biocultures of cancer, race-based health, fatness, aging, and the afterlife. Its chapters focus on specific practices, technologies, or techniques that ostensibly affirm life and suggest life’s inextricable links to capital but that also engender a politics of death and erasure. The authors ultimately ask: what alternative social forms and individual practices might be mapped onto or intersect with biomedicine for more equitable biofutures?

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cover of Digital Objects, Digital Subjects: Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data

Digital Objects, Digital Subjects

Interdisciplinary Perspectives on Capitalism, Labour and Politics in the Age of Big Data

David Chandler and Christian Fuchs

University of Westminster Press, 2019

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cover of Digital Platforms and Algorithmic Subjectivities

Digital Platforms and Algorithmic Subjectivities

Emiliana Armano, Marco Briziarelli and Elisabetta Risi

University of Westminster Press, 2022

Algorithms are a form of productive power – so how may we conceptualise the newly merged terrains of social life, economy and self in a world of digital platforms? How do multiple self-quantifying practices interact with questions of class, race and gender? This edited collection considers algorithms at work – for what purposes encoded data about behaviour, attitudes, dispositions, relationships and preferences are deployed – and black box control, platform society theory and the formation of subjectivities. It details technological structures and lived experience of algorithms and the operation of platforms in areas such as crypto-finance, production, surveillance, welfare, activism in pandemic times. Finally, it asks if platform cooperativism, collaborative design and neomutualism offer new visions. Even as problems with labour and in society mount, subjectivities and counter subjectivities here produced appear as conscious participants of change and not so much the servants of algorithmic control and dominant platforms.
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cover of Disconnect: Facebook's Affective Bonds

Disconnect

Facebook's Affective Bonds

Tero Karppi

University of Minnesota Press, 2018

An urgent examination of the threat posed to social media by user disconnection, and the measures websites will take to prevent it


No matter how pervasive and powerful social media websites become, users always have the option of disconnecting—right? Not exactly, as Tero Karppi reveals in this disquieting book. Pointing out that platforms like Facebook see disconnection as an existential threat—and have undertaken wide-ranging efforts to eliminate it—Karppi argues that users’ ability to control their digital lives is gradually dissipating. 

Taking a nonhumancentric approach, Karppi explores how modern social media platforms produce and position users within a system of coded relations and mechanisms of power. For Facebook, disconnection is an intense affective force. It is a problem of how to keep users engaged with the platform, but also one of keeping value, attention, and desires within the system. Karppi uses Facebook’s financial documents as a map to navigate how the platform sees its users. Facebook’s plans to connect the entire globe through satellites and drones illustrates the material webs woven to keep us connected. Karppi analyzes how Facebook’s interface limits the opportunity to opt-out—even continuing to engage users after their physical death. Showing how users have fought to take back their digital lives, Karppi chronicles responses like Web2.0 Suicide Machine, an art project dedicated to committing digital suicide. 

For Karppi, understanding social media connectivity comes from unbinding the bonds that stop people from leaving these platforms. Disconnection brings us to the limit of user policies, algorithmic control, and platform politics. Ultimately, Karppi’s focus on the difficulty of disconnection, rather than the ease of connection, reveals how social media has come to dominate human relations.

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