206 books match the query 'Study & Teaching' and 5 start with d

cover of Democratising History: Modern British History Inside and Out

Democratising History

Modern British History Inside and Out

Edited by Laura Carter, Freddy Foks, and Philip Harling

University of London Press, 2025

An exploration of the intersections of politics and public engagement, Democratising History reveals how history itself has been shaped by democratic forces.

Democratising History inspects how democracy has reshaped modern Britain and how its history is taught, providing a new perspective on the evolving relationship between historical scholarship and education. Collectively, this volume responds to the scholarly and professional contributions of Peter Mandler, whose sensitive readings of cultural discourses and their social reach have inspired a generation of modern British historians. Through nine research-led chapters, the book explores the development of democratic ideals from the early nineteenth century to the present, addressing themes such as empire and culture. These historical investigations are interwoven with six stimulating interludes that critically assess the state of UK higher education and the professional field of modern British history, elucidating the shifting forces shaping historical research and policy today.

The authors examine in detail how democratic ideals have shaped British society in both expected and surprising ways—whether through museum collections, the art world, mass observation, or the study of race relations. Integrating historical analysis with reflections on contemporary academic practice, this work subverts traditional narratives and opens new avenues for understanding Britain’s past and its implications for the present.
 
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cover of Digital Visual Culture: Theory and Practice

Digital Visual Culture

Theory and Practice

Edited by Anna Bentkowska-Kafel, Trish Cashen, Hazel Gardiner

Intellect Books, 2009

Digital Visual Culture presents the latest research into the relationship between theory and practice across digital media and technology in the visual arts and investigates the challenges of contemporary research and art curation, particularly in regard to new media artworks. The contributors to this volume discuss the impact of technological advances on visual art and the new art practices that are developing as a result. Many aspects of new interdisciplinary and collaborative practices are considered, such as net art and global locative environments, , and installations that are themselves performance, or games that often take place simultaneously online and in reality. Digital Visual Culture is an important addition to the ongoing discussion surrounding postmodern art practice in art and digital media.

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cover of Discipline Of Architecture

Discipline Of Architecture

Andrzej Piotrowski

University of Minnesota Press, 2001

In the vast literature on architectural theory and practice, the ways in which architectural knowledge is actually taught, debated, and understood are too often ignored. The essays collected in this groundbreaking volume address the current state of architecture as an academic and professional discipline. The issues considered range from the form and content of architectural education to the architect’s social and environmental obligations and the emergence of a new generation of architects. Often critical of the current paradigm, these essays offer a provocative challenge to accepted assumptions about the production, dissemination, and reception of architectural knowledge. 

Contributors: Sherry Ahrentzen, U of Wisconsin-Milwaukee; Stanford Anderson, MIT; Carol Burns, Harvard U; Russell Ellis, UC Berkeley; Thomas Fisher, U of Minnesota; Linda Groat, U of Michigan; Kay Bea Jones, Ohio State U; David Leatherbarrow, U of Pennsylvania; A. G. Krishna Menon, TVB School of Habitat Studies, India; Garth Rockcastle, U of Minnesota; Michael Stanton, American U, Beirut; Sharon E. Sutton, U of Washington; David J. T. Vanderburgh, Université Catholique de Louvain, Belgium; and Donald Watson, Rensselaer Polytechnic Institute.

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cover of documenta 12 education 2: Between Critical Practice and Visitor Services Results of a Research Project

documenta 12 education 2

Between Critical Practice and Visitor Services Results of a Research Project

Edited by Carmen Mörsch

Diaphanes, 2009

»Cultural Education« is much debated. It is pivotal in sustaining a sense of community in a society that is constantly shifting. A space where differences can be explored, art exhibitions act as a superb medium for cultural and aesthetic education. They don‘t aspire to peace and harmony but to stage controversy. They enable multiple models of communication, open to dissent and rupture.

Education is situated in tension between public sphere and institution, amateur and professional, artist and audience. Its development needs felicitous examples as well as rigor in discussing problems towards identifying practical solutions.

»documenta 12 education« presents in two illustrated volumes the education formats with concomitant research, providing a basis for developing theory and praxis of gallery education.

These volumes are an ideal resource for people working in the fields of curating exhibitions, gallery education, youth work and cultural policy. People less familiar with cultural work will find in these books a valuable introduction to the field of gallery education.

Volume 2 focuses on a theory of gallery education, its methods and contexts, and reflects theoretically on examples presented in Volume 1. It is addressed to professionals from the field of gallery education, cultural education and formal education.
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cover of documenta 12 education I: Engaging audiences, opening institutions Methods and strategies in education at documenta 12

documenta 12 education I

Engaging audiences, opening institutions Methods and strategies in education at documenta 12

Edited by Ayse Güleç, Claudia Hummel, Ulrich Schötker, and Wanda Wieczorek

Diaphanes, 2009

»Cultural Education« is much debated. It is pivotal in sustaining a sense of community in a society that is constantly shifting. A space where differences can be explored, art exhibitions act as a superb medium for cultural and aesthetic education. They don‘t aspire to peace and harmony but to stage controversy. They enable multiple models of communication, open to dissent and rupture.

Education is situated in tension between public sphere and institution, amateur and professional, artist and audience. Its development needs felicitous examples as well as rigor in discussing problems towards identifying practical solutions.

»documenta 12 education« presents in two illustrated volumes the education formats with concomitant research, providing a basis for developing theory and praxis of gallery education.

These volumes are an ideal resource for people working in the fields of curating exhibitions, gallery education, youth work and cultural policy. People less familiar with cultural work will find in these books a valuable introduction to the field of gallery education.

Volume 1 gives a comprehensive and richly illustrated survey of formats and models of education and collaboration with the public at documenta 12.
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