94 books match the query 'Techniques' and 5 start with d

cover of DJing in New York: Learning Processes of Underground Club DJs

DJing in New York

Learning Processes of Underground Club DJs

Eva J. Egolf

Intellect Books, 2025

DJing isn’t just about mixing tracks; it’s a social process, an urban history, and a radical form of community learning in the heart of New York’s club scene.

DJing in New York offers a rare, behind-the-scenes look at how underground Electronic Dance Music DJs in New York learn their craft, build careers, and navigate the ever-shifting world of nightlife.

Through immersive research, Eva J. Egolf reveals how DJing is more than a technical skill—it’s a deeply social process, rooted in friendships, enculturation, and access to professional networks. From honing beatmatching techniques to navigating the politics of club culture, these DJs rely on community as much as individual talent. Situating DJ learning within broader conversations on race, gender, and LGBTQ+ identities, this book expands our understanding of popular music education and the role of electronic music in shaping urban cultural history. It will be an illuminating resource for music educators, scholars of EDM and club culture, and those fascinated by the intersection of music, identity, and underground nightlife.
 
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cover of Dear Dirt Doctor: Questions Answered the Natural Way

Dear Dirt Doctor

Questions Answered the Natural Way

By Howard Garrett

University of Texas Press, 2003

Howard Garrett has converted gardeners throughout Texas and beyond to gardening the natural way without chemical fertilizers and toxic pesticides. In this revised and updated edition of The Dirt Doctor's Guide to Organic Gardening, he uses a question-and-answer format to present a wealth of new information on organic gardening, landscaping, pest control, and natural living. The book also incorporates valuable feedback and suggestions from gardeners who've successfully used Howard's methods.

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cover of Differences in Medicine: Unraveling Practices, Techniques, and Bodies

Differences in Medicine

Unraveling Practices, Techniques, and Bodies

Marc Berg and Annemarie Mol, eds.

Duke University Press, 1998

Western medicine—especially in contrast with non-Western traditions of medical practice—is widely thought of as a coherent and unified field in which beliefs, definitions, and judgments are shared. Marc Berg and Annemarie Mol debunk this myth with an interdisciplinary and intercultural collection of essays that reveals the significantly varied ways practitioners of “conventional” Western medicine handle bodies, study test results, configure statistics, and converse with patients .
Combining theoretical work with interviews and direct observation of the activities and interactions of doctors, nurses, technicians, and patients, the contributors to this volume provide comparative studies of specific cases. Individual chapters explore topics such as the contested domain of fetal surgery in a California hospital, the construction of gender identity before transsexual surgery in Germany, and differences in the treatment and definition of pain by two clinics in France. Differences in Medicine advances earlier studies on medicine’s social diversity and regional variations to expose significant differences in the presumptions and decisions that affect patients’ lives, and marks a dramatic development in both the study of medicine and in science studies generally.
Revealing the ways in which the bodies and lives of people are constructed as medical objects by practitioners, technologies, and textbooks, this collection calls for and initiates new, more textured investigations and theories of the body in medicine and the practice of science. It will open new discussions among medical and healthcare professionals as well as scholars in medical anthropology, science studies, sociology, philosophy, and the history of medicine.

Contributors.
Isabelle Baszanger, Marc Berg, Geoffrey C. Bowker, Monica J. Casper, Charis M. Cussins, Nicolas Dodier, Stefan Hirschauer, Annemarie Mol, Vicky Singleton, Susan Leigh Star, Stefan Timmermans, Dick Willems


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cover of Drawing on Blue: European Drawings on Blue Paper, 1400s–1700s

Drawing on Blue

European Drawings on Blue Paper, 1400s–1700s

Edina Adam

J. Paul Getty Trust, The, 2024

This engaging book highlights the role of blue paper in the history of drawing.

The rich history of blue paper, from the late fifteenth to the mid-eighteenth centuries, illuminates themes of transcultural interchange, international trade, and global reach. Through the examination of significant works, this volume investigates considerations of supply, use, economics, and innovative creative practice. How did the materials necessary for the production of blue paper reach artistic centers? How were these materials produced and used in various regions? Why did they appeal to artists, and how did they impact artistic practice and come to be associated with regional artistic identities? How did commercial, political, and cultural relations, and the mobility of artists, enable the dispersion of these materials and related techniques? Bringing together the work of the world’s leading specialists, this striking publication is destined to become essential reading on the history, materials, and techniques of drawings executed on blue paper.
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cover of Dyeing with the Earth: Textiles, Tradition, and Sustainability in Contemporary Japan

Dyeing with the Earth

Textiles, Tradition, and Sustainability in Contemporary Japan

Charlotte Linton

Duke University Press, 2025

In Dyeing with the Earth, Charlotte Linton explores the intersection of small-scale traditional craft production with contemporary sustainability practices. Focusing on natural textile dyeing on the southern Japanese island of Amami Ōshima, Linton details the complex relationship between preservation practices, resource extraction, and land access in the production of Oshima tsumugi kimono cloth, which uses the indigenous technique of dorozome (or mud-dyeing). As global interest in sustainable fashion grows, textile manufacturers on Amami have expanded from kimono production to dyeing garments and textiles for high-profile designers. While traditional craft may appear at odds with the large-scale global textile industry, Linton reveals how Amamian and global producers face similar social, economic, and environmental pressures. Ethical production in fashion, Linton contends, should focus on understanding local everyday practices that sustain direct relationships between people, place, and environment rather than rely on short-term solutions via new processes or materials. Weaving together ethnography, photography, and illustration, Linton underscores the continued relevance of traditional craft and material cultures amid ongoing climate change and biodiversity loss.
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