85 books match the query 'Television broadcasting' and 2 start with d

cover of Demon in the Box: Jews, Arabs, Politics, and Culture in the Making of Israeli Television

Demon in the Box

Jews, Arabs, Politics, and Culture in the Making of Israeli Television

Oren, Tasha G

Rutgers University Press, 2004

What does a country's television programming say about its deep character, beliefs, dreams, and fears? In Demon in the Box, Tasha G. Oren recounts the volatile history of Israeli television and thereby reveals the history of the nation itself.

Initially rejected as a corrupting influence on "the people of the book," television became the object of fantasies and anxieties that went to the heart of Israel's most pressing concerns: Arab-Israeli relations, immigration, and the forging of a modern Israeli culture. Television broadcasting was aimed toward external relations-the flow of messages across borders, Arab-Israeli conflict, and the shaping of public opinion worldwide-as much as it was toward internal needs and interests. Through archival research and analysis of public scandals and early programs, Oren traces Israeli television's transformation from a feared agent of decadence to a powerful national communication tool, and eventually, to a vastly popular entertainment medium.

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cover of Dramas of Nationhood: The Politics of Television in Egypt

Dramas of Nationhood

The Politics of Television in Egypt

Lila Abu-Lughod

University of Chicago Press, 2004

How do people come to think of themselves as part of a nation? Dramas of Nationhood identifies a fantastic cultural form that binds together the Egyptian nation—television serials. These melodramatic programs—like soap operas but more closely tied to political and social issues than their Western counterparts—have been shown on television in Egypt for more than thirty years. In this book, Lila Abu-Lughod examines the shifting politics of these serials and the way their contents both reflect and seek to direct the changing course of Islam, gender relations, and everyday life in this Middle Eastern nation.

Representing a decade's worth of research, Dramas of Nationhood makes a case for the importance of studying television to answer larger questions about culture, power, and modern self-fashionings. Abu-Lughod explores the elements of developmentalist ideology and the visions of national progress that once dominated Egyptian television—now experiencing a crisis. She discusses the broadcasts in rich detail, from the generic emotional qualities of TV serials and the depictions of authentic national culture, to the debates inflamed by their deliberate strategies for combating religious extremism.
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