David Delfs Erbo Andersen
University of Wisconsin Press, 2024
Jana Vobecká
Central European University Press, 2013
Walter Stephens
University of Chicago Press, 2002
Stephen W. Sawyer
University of Chicago Press, 2018
Stephen W. Sawyer
University of Chicago Press, 2025
Leigh Ann Craig
University of Michigan Press, 2026
Daniel Wakelin
Bodleian Library Publishing, 2017
Lucia Allais
University of Chicago Press, 2018
How architectural monuments survived and historical preservation was reinvented during the destructions of the twentieth century.
The twentieth century was highly destructive, but from its landscapes of ruins was born a new architectural type: the cultural monument. In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts but also to make them worthy of protection from more quotidian forms of destruction. An evolving group—including architects, intellectuals, art historians, archaeologists, curators, and lawyers—grew out of the new diplomacy of the League of Nations. During and after World War II, it became affiliated with the Allied Military Government and was eventually absorbed by the UN as UNESCO. By the 1970s, this organization had begun granting World Heritage status to a global register of significant sites—from buildings to bridges, shrines to city centers, ruins to colossi.
Examining key episodes in the history of this preservation effort—including projects for the Parthenon, the Cathedral of St-Lô, the temples of Abu Simbel, and the Bamyian Buddahs —Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture. Designs of Destruction emphasizes how the technical project of ensuring various buildings’ longevity jolted preservation into establishing a transnational set of codes, values, and practices. At the same time, this paradoxically helped integrate technologies of destruction—from bombs to bulldozers—into cultural governance. Designs of Destruction not only offers a fascinating narrative of cultural diplomacy, based on extensive archival findings; it also contributes an important new chapter in the intellectual history of modernity by showing the manifold ways architectural form is charged with concretizing abstract ideas and ideals, even in its destruction.
John Van Oudenaren
Duke University Press, 1991
By Archibald R. Lewis
University of Texas Press, 1965
Early in the eighth century, the current of the Muslim movement that inundated northern Spain crept over the Pyrenees to spread across a portion of the French Midi. From the north the tide of Carolingian conquest forced the Muslims back and took in these same southern French and northern Spanish provinces. During the same era the Vikings raided intermittently and with varying degrees of intensity along the seacoasts and up the inland waterways, sometimes controlling considerable areas for extended periods.
These raids and conquests inevitably affected the way of life of the people of southern France and Catalonia. Contemporary travelers and later scholars have noted that the feudal traditions and obligations that were so strong in the north seemed very weak or nonexistent in the south. They found that the land seemed to be held largely as allods, not as feudal fiefs; they saw that women held positions of surprising power, that throughout the area there was great emphasis on money, and that the traditions of Roman and Visigothic law still survived.
Although scholars have noted these differences, no one has made a comprehensive study of southern French and Catalan society as a whole. It is to fill this void that Archibald Lewis provides this volume. In a detailed and scholarly study, based largely upon original records and chronicles, he examines the familial, social, economic, governmental, military, and religious life of the area from 718 to 1050 A.D.
Lewis gives as comprehensive a picture as the records will permit of the society that existed in the early eighth century, describes and discusses the major changes which took place during the next three centuries, and analyzes their causes and effects. This study, which includes careful and detailed notes and an extensive bibliography, provides a reliable and long-needed reference tool.

Stephen Padgett, William E. Paterson, and Gordon Smith, eds.
Duke University Press, 0
Contributors. David P. Conradt, Russell J. Dalton, Kenneth Dyson, Klaus H. Goetz, Simon Green, Adrian Hyde-Price, Charlie Jeffery, Stephen Padgett, William E. Paterson, Wolfgang Rüdig, Martin Seeleib-Kaiser, Gordon Smith, Roland Sturm

Stephen Padgett, William E. Paterson, and Gordon Smith, eds.
Duke University Press, 0
Contributors. David P. Conradt, Russell J. Dalton, Kenneth Dyson, Klaus H. Goetz, Simon Green, Adrian Hyde-Price, Charlie Jeffery, Stephen Padgett, William E. Paterson, Wolfgang Rüdig, Martin Seeleib-Kaiser, Gordon Smith, Roland Sturm
Jeffrey F. Hamburger
University of Chicago Press, 2020
Tullia d'Aragona
University of Chicago Press, 1997
Arthur Koestler
University of Chicago Press, 2011
In 1937 during the Spanish Civil War, Arthur Koestler, a German exile writing for a British newspaper, was arrested by Nationalist forces in Málaga. He was then sentenced to execution and spent every day awaiting death—only to be released three months later under pressure from the British government. Out of this experience, Koestler wrote Darkness at Noon, his most acclaimed work in the United States, about a man arrested and executed in a Communist prison.
Dialogue with Death is Koestler’s riveting account of the fall of Málaga to rebel forces, his surreal arrest, and his three months facing death from a prison cell. Despite the harrowing circumstances, Koestler manages to convey the stress of uncertainty, fear, and deprivation of human contact with the keen eye of a reporter.
Justyna Olko
University Press of Colorado, 2018
Madame de Maintenon
University of Chicago Press, 2004

Gergely Kunt
Central European University Press, 2027

Gergely Kunt
Central European University Press, 2027
Peter Clark
Haus Publishing, 2024
Peter Clark
Haus Publishing, 2012
Chris Otter
University of Chicago Press, 2020
Edited by Eugenia Afinoguénova, Lara Anderson, and Rebecca Ingram
Vanderbilt University Press, 2024
Jason Dittmer
Duke University Press, 2017
Natalia Pamula
University of Illinois Press, 2026
Carol Poore
University of Michigan Press, 2010
"Comprehensively researched, abundantly illustrated and written in accessible and engaging prose . . . With great skill, Poore weaves diverse types of evidence, including historical sources, art, literature, journalism, film, philosophy, and personal narratives into a tapestry which illuminates the cultural, political, and economic processes responsible for the marginalization, stigmatization, even elimination, of disabled people---as well as their recent emancipation."
---Disability Studies Quarterly
"A major, long-awaited book. The chapter on Nazi images is brilliant---certainly the best that has been written in this arena by any scholar."
---Sander L. Gilman, Emory University
"An important and pathbreaking book . . . immensely interesting, it will appeal not only to students of twentieth-century Germany but to all those interested in the growing field of disability studies."
---Robert C. Holub, University of Tennessee
Disability in Twentieth-Century German Culture covers the entire scope of Germany's most tragic and tumultuous century---from the Weimar Republic to the current administration---revealing how central the notion of disability is to modern German cultural history. By examining a wide range of literary and visual depictions of disability, Carol Poore explores the contradictions of a nation renowned for its social services programs yet notorious for its history of compulsory sterilization and eugenic dogma. This comprehensive volume focuses particular attention on the horrors of the Nazi era, when those with disabilities were considered "unworthy of life," but also investigates other previously overlooked topics including the exile community's response to disability, socialism and disability in East Germany, current bioethical debates, and the rise and gains of Germany's disability rights movement.
Richly illustrated, wide-ranging, and accessible, Disability in Twentieth-Century German Culture gives all those interested in disability studies, German studies, visual culture, Nazi history, and bioethics the opportunity to explore controversial questions of individuality, normalcy, citizenship, and morality. The book concludes with a memoir of the author's experiences in Germany as a person with a disability.
Carol Poore is Professor of German Studies at Brown University.
Illustration: "Monument to the Unknown Prostheses" by Heinrich Hoerle © 2007 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
A volume in the series Corporealities: Discourses of Disability
"Insightful and meticulously researched . . . Using disability as a concept, symbol, and lived experience, the author offers valuable new insights into Germany's political, economic, social, and cultural character . . . Demonstrating the significant ‘cultural phenomena' of disability prior to and long after Hitler's reign achieves several important theoretical and practical aims . . . Highly recommended."
---Choice
Camille Robcis
University of Chicago Press, 2021
Peter Dear
University of Chicago Press, 1995
Edited by Jane Fenoulhet, Gerdi Quist, and Ulrich Tiedau
University College London, 2016
Cheryl R. Jorgensen-Earp
Michigan State University Press, 2013
Captured by German forces shortly after Dunkirk, and not relinquished until May of 1945, nearly a year after the Normandy invasion, the British Channel Islands (Guernsey, Jersey, Alderney, Sark, and Herm) were characterized during their occupation by severe deprivation and powerlessness. The Islanders, with few resources to stage an armed resistance, constructed a rhetorical resistance based upon the manipulation of discourse, construction of new symbols, and defiance of German restrictions on information. Though much of modern history has focused on the possibility that Islanders may have collaborated with the Germans, this eye-opening history turns to secret war diaries kept in Guernsey. A close reading of these private accounts, written at great risk to the diarists, allows those who actually experienced the Occupation to reclaim their voice and reveals new understandings of Island resistance. What emerges is a stirring account of the unquenchable spirit and deft improvisation of otherwise ordinary people in extraordinary circumstances. Under the most dangerous of conditions, Guernsey civilians used imaginative methods in reacting to their position as a subjugated population, devising a covert resistance of nuance and sustainability. Violence, this book and the people of Guernsey demonstrate, is not at all the only means with which to confront evil.
Rodica Bo?oman
The Ohio State University Press, 1995
Tibor Frank
Central European University Press, 2003
Erica Charters
University of Chicago Press, 2014
Daniel Foliard
University of Chicago Press, 2017

Joanna Bourke
University of Chicago Press, 1996
Arlette Farge
University of Minnesota Press, 2021
The first English translation of letters of arrest from eighteenth century France held in the archives of the Bastille
Drunken and debauched husbands; libertine wives; vagabonding children. These and many more are the subjects of requests for confinement written to the king of France in the eighteenth century. These letters of arrest (lettres de cachet) from France’s Ancien Régime were often associated with excessive royal power and seen as a way for the king to imprison political opponents. In Disorderly Families, first published in French in 1982, Arlette Farge and Michel Foucault collect ninety-four letters from ordinary families who, with the help of hired scribes, submitted complaints to the king to intervene and resolve their family disputes.
Gathered together, these letters show something other than the exercise of arbitrary royal power, and offer unusual insight into the infamies of daily life. From these letters come stories of divorce and marital conflict, sexual waywardness, reckless extravagance, and abandonment. The letters evoke a fluid social space in which life in the home and on the street was regulated by the rhythms of relations between husbands and wives, or parents and children. Most impressively, these letters outline how ordinary people seized the mechanisms of power to address the king and make demands in the name of an emerging civil order.
Arlette Farge and Michel Foucault were fascinated by the letters’ explosive qualities and by how they both illustrated and intervened in the workings of power and governmentality. Disorderly Families sheds light on Foucault’s conception of political agency and his commitment to theorizing how ordinary lives come to be touched by power. This first English translation is complete with an introduction from the book’s editor, Nancy Luxon, as well as notes that contextualize the original 1982 publication and eighteenth-century policing practices.
Christoph Kreutzmüller and Jonathan R. Zatlin, Editors
University of Michigan Press, 2020
Mary Louise Roberts
University of Chicago Press, 2002
Julia M. Walker, ed.
Duke University Press, 1998
Maria Paola Pasini
Central European University Press, 2026
By Nancy Nichols Barker
University of Texas Press, 1967
The Empress Eugénie, wife of Napoleon III and one of the most beautiful women ever to grace a throne, was the victim of her own inconstant mind. A daughter of an aristocratic Spanish family, she had a natural reverence for legitimate monarchy; yet her high-spirited temperament and chivalric outlook made her admire instinctively the boldness and aura of glory that she associated with the Napoleonic empire. The incongruous principles of Legitimism and Bonapartism battling within the Empress produced in her a double-mindedness that had tragic consequences.
The Empress has always been a controversial figure. Her enemies have blamed her the fall of the Second Empire and the defeat of France; her admirers have disclaimed for her any part in the mistakes that led to the disastrous Franco-Prussian War of 1870. To determine the actual role that Eugénie played, Barker, using material from public and private European archives and a wide range of published works, examines in Distaff Diplomacy the development of the Empress' views on foreign affairs and ascertains their effect on the formation of the policies of the Second Empire.
Eugénie's influence fluctuated widely over the years. As a bride she was neither interested in nor knowledgable about foreign matters; as a middle-aged woman, in the late years of the Empire, she was discredited by her past errors, but she continued to pull strings outside of normal diplomatic channels. Her most sustained and effective work, from 1861 to 1863, was largely the inspiration for a grand design to remake the map to assure French hegemony in Europe and to establish an empire in Mexico. The success of this design rested on an Austro-French alliance; but the design itself, reflecting the Empress' incoherent thinking, contained the fatal inconsistencies that made Austrian rejection of it inevitable. Since the Mexican expedition and the diplomatic muddle of 1863 were the watershed from which the subsequent troubles of the Empire flowed, the Empress must be held responsible for seriously undermining the foreign policy of the Empire. Despite Eugénie's many fine qualities—her generosity of spirit, her splendid courage, and her moral integrity—her diplomatic efforts, affected as they were by her background, temperament, state of health, and changing moods, did not amount to statesmanship. This first systematic examination of the Empress' influence on foreign policy delves deeply and carefully into the subject.
Laura Doan
University of Chicago Press, 2013
Craig A. Monson
University of Chicago Press, 2012
Susan Zimmermann
Central European University Press, 2011
Andreas Glaeser
University of Chicago Press, 1999
Frederic Clark
University of Chicago Press, 2027
A bold reconstruction of the origins of the “ancient, medieval, modern” trope used to define historical eras and the transitions between them.
We are used to dividing time, indicating the beginning or end of an era based on a year, a month, or even a specific day, after which (supposedly) “nothing was the same.” In this book, historian and classicist Frederic Clark looks at a particularly enduring form of dividing time—the tripartite distinction between antiquity, the Middle Ages, and modernity—in order to analyze the history of this division, how it has been constructed and deployed, and what its past and present implications are.
Clark argues that the study of the past has always depended on subdividing it into multiple parts, which tend to underpin any attempt to articulate a system of culture or value. After all, certain eras, ages, and epochs are celebrated as having ushered in a new, better time, whereas others are depicted as extended periods of decay and darkness. Clark provides an ingenious critique of the foundational assumptions underlying our narratives of periodization and the complex and messy process by which historical schemas develop, from the Renaissance through the early modern period to the Enlightenment and beyond. The result is an engaging and erudite tour through time and its many contested divisions, imagined and reimagined across history.
William A. Christian Jr.
Central European University Press, 2012
Siv B. Lie
University of Chicago Press, 2021
Douglas Biow
University of Chicago Press, 2002
John Thorley
University of Michigan Press, 1998