Edited by Gregg Mitman and Kelley Wilder
University of Chicago Press, 2016
Edited by Peter F. Nardulli
University of Illinois Press, 2007
In looking at the remarkable proliferation of democracies since 1974, this volume offers important insight into the challenges and opportunities that democracy faces in the twenty-first century. Distinguished contributors detail difficulties that democracies face from within and how they deal with them. Among the contemporary threats to democracy emanating from internal sources are tensions arising over technology and its uses; ethnic, religious, and racial distinctions; and disparate access to resources, education, and employment. A democratically elected government can behave more or less democratically, even when controlling access to information, using legal authority to aid or intimidate, and applying resources to shape the conditions for the next election. With elections recently disputed in the United States, Mexico, Lebanon, and the Ukraine, debates about the future of democracy are inescapably debates about what kind of democracy is desired.
Contributors are W. Lance Bennett, Bruce Bimber, Jon Fraenkel, Brian J. Gaines, Bernard Grofman, Wayne V. McIntosh, Peter F. Nardulli, Mark Q. Sawyer, Stephen Simon, Paul M. Sniderman, and Jack Snyder.
Susan Helen Ellison
Duke University Press, 2018
Lisa Björkman
University of Minnesota Press, 2025
The performative arts of political communication and representation in Mumbai
In an era of global political passions, many have wondered whether some sort of natural affinity exists between political style and substance. Does liberal democracy speak the language of rationality and sincerity while political emotion, imagery, and embodiment properly belong to authoritarianism? Taking an ethnographic approach to the relationship between political form and political content, Drama of Democracy explores the material substance of representations (things like heady crowds and rousing images) together with language-based forms of political communication, such as public oration and community meetings.
Drawing on a decade of research in the city of Mumbai, Lisa Björkman shows that embodied performance is the very site and substance of representation and demonstrates how Mumbaikars evaluate performative bids to represent. The ethnographic accounts demonstrate the extraordinary fluency in this evaluative work in Mumbai, where people from all walks of life are remarkably astute at navigating and assessing political signs and representations, endlessly discussing and debating possible meanings of the city’s dense material-semiotic ecologies—whether words or images, cash or crowds, flyers or flowers.
In Mumbai, Björkman argues, the evaluative criterion of representation is not whether something is sign or substance, or even whether people are deemed to utter truths or falsehoods. Rather, what matters is whether and how a performance activates and actuates the social relations and political subjectivities that it professes to display. Drama of Democracy highlights Mumbaikars’ communicative fluency and theatrical acumen to offer a conceptual toolbox through which contemporary political churnings around the globe might be understood.