Andreas Glaeser
University of Chicago Press, 1999
H. L. Goodall, Jr.
Southern Illinois University Press, 1996
Divine Signs is the concluding volume of the ethnographic trilogy about the communicative tensions in everyday American cultural life H. L. Goodall, Jr., began with Casing a Promised Land and continued with Living in the Rock n Roll Mystery.
In this final work, the terms for understanding these tensions are found in a historical and mythological drama featuring Power (as the embodiment of the modern), Other (as the embodiment of the postmodern), and Spirit (as the unifying power capable of connecting disparate selves to dangerously fragmented communities). For this study, the localized site of interpretation is in and around Pickens and Oconee Counties, South Carolina, where every day street signs, business advertisements on billboards, signs that announce church themes, Internet postings, and other forms of public communication that invite private meanings are read as rhetorical invitations to participate in these myths and mysteries.
Using themes discoverable in such public forms of communication, Goodall deconstructs a variety of communal experiences—from annual community celebrations to weekly therapy sessions in local beauty salons to the fall audience rituals of Clemson University football games—to gain a deeper appreciation of the unifying symbolic orders that enrich the interpretive possibilities of our lives and that serve as signs of our deeply spiritual connections to each other and to the planet.
In the last sections of the book, the interplays of Power, Other, and Spirit are read into and against a wide variety of everyday interpretive contexts, from Rush Limbaugh and talk radio to narratives about angels and stories about the transformative powers of spiritual practices in organizations. Goodall then asks the important question: Where are the themes of this mythological drama leading us? In the stunning conclusion, Goodall creates communicative, cultural, and spiritual challenges for us all.
Shalini Grover
Rutgers University Press, 2027
Across Asia and its global diasporas, marriage remains a dominant and public institution, and divorce generates widespread comment and concern. Breaking new ground, Divorce Portals reveals divorce to be generative of transformations in individual intimate lives and wider societies. Through compelling, sensitive ethnographic accounts inviting readers into the lives of people undergoing separation and divorce, chapters capture the antecedent-lives of uncoupling – the imaginary, anticipatory, and cautionary – and the afterlives of divorce, in the immediate aftermath and across life courses and generations. Chapters explore the vivid and bold new selves that divorcees are fashioning for themselves and highlight the intersecting inequalities that shape postdivorce predicaments, sometimes belying the hoped-for freedoms of divorce and remarriage. Together, chapters chart nascent and haltering accommodations of the single, repartnered, and queer. Across cases drawn from diverse geographic contexts, this book unlocks new, expansive, and accessible ways to think about divorce and its aftermath.
Mason, Mary Ann
Rutgers University Press, 2013
Jim Shames
Oregon State University Press, 2027
In 1973 Jim Shames, a young doctor questioning life in a country divided by the Vietnam War, learned of a counterculture community in Southern Oregon interested in establishing its own medical clinic. A recent graduate from medical school, with limited hands-on experience as a doctor, Jim found the promise and opportunity of a community in the woods, far from the turmoil of the times, appealing. In a leap of faith, he joined the back-to-the-earth movement and became a country doctor.
In the impoverished Illinois River Valley of Southern Oregon, Shames moved to Takilma and the Mystic Mountain commune. There Shames found a home, family, and fulfilling work at the Takilma People’s Clinic. It was a different world, offering an alternative journey and self-reflection. Surrounded by uninhibited friendliness, joy, and music, Doctor Jim cared for the patients of the community. Collectively the clinic treated rattlesnake bites, gunshot wounds, obstetrical complications, meningitis, cancer, and more for the residents of Southern Oregon.
Doctor Jim offers a window into communal life and the challenges of healthcare in rural Oregon. Shames highlights the struggles and rewards to be found in simple daily activities with like-minded souls sharing emotional and physical work. In reflecting on his unique medical career, Shames teaches that healing is about the intimate interaction between the patient and the doctor rather than medications or procedures. What started as an experiment evolved into a medical practice caring for a broader community beyond its counterculture brethren.
Drew Halfmann
University of Chicago Press, 2011
Natalia Deeb-Sossa
University of Arizona Press, 2013
Megan Comfort
University of Chicago Press, 2008
Donald Braman
University of Michigan Press, 2004
Sarah LeVine; In Collaboration with Clara Sunderland Correa
University of Wisconsin Press, 1993

Elizabeth De Wolfe
University of Massachusetts Press, 2010
Sokoloff, Natalie J.
Rutgers University Press, 2005
"An exciting and powerful collection that eloquently critiques some of the current thinking in domestic violence and raises key concerns for advocates and scholars working in the area."—Sujata Warrier, president, board of directors, Manavi: An organization for South Asian women
"Sokoloff has assembled an impressive array of authors who challenge us to ‘think outside of our contemporary domestic violence box.’"—Angela M. Moore Parmley, chief, violence and victimization research division, National Institute of Justice
This groundbreaking anthology reorients the field of domestic violence research by bringing long-overdue attention to the structural forms of oppression in communities marginalized by race, ethnicity, religion, sexuality, or social class.
Reprints of the most influential recent work in the field as well as more than a dozen newly commissioned essays explore theoretical issues, current research, service provision, and activism among Latinos, African Americans, Asian Americans, Jewish Americans, and lesbians. The volume rejects simplistic analyses of the role of culture in domestic violence by elucidating the support systems available to battered women within different cultures, while at the same time addressing the distinct problems generated by that culture. Together, the essays pose a compelling challenge to stereotypical images of battered women that are racist, homophobic, and xenophobic.
The most up-to-date and comprehensive picture of domestic violence available, this anthology is an essential text for courses in sociology, criminology, social work, and women’s studies. Beyond the classroom, it provides critical information and resources for professionals working in domestic violence services, advocacy, social work, and law enforcement.
Danielle J. Lindemann
University of Chicago Press, 2012
Peter Bearman
University of Chicago Press, 2005

Peter Bearman
University of Chicago Press, 2005
This is an auto-narrated audiobook edition of this book.
Peter H. Rossi
University of Chicago Press, 1990
Jurgen von Mahs
Temple University Press, 2015
Ilana Gershon
University of Chicago Press, 2017
Forrest Stuart
University of Chicago Press, 2016
Alison Isenberg
University of Chicago Press, 2005
By Jacqueline Loss
University of Texas Press, 2013
The specter of the Soviet Union lingers in Cuba, yet until now there has been no book-length work on the ways Cubans process their country’s relationship with the Soviet bloc. Dreaming in Russian at last brings into the light the reality that for nearly three decades, the Soviet Union subsidized the island economically, intervened in military matters, and exported distinct pedagogical and cultural models to Cuba. Drawing on interviews with Cuban artists and intellectuals, as well as treasures from cinematographic and bibliographic archives, Jacqueline Loss delivers the first book to show that Cuba remembers and retains many aspects of the Soviet era, far from shedding those cultural facets as relics of the Cold War.
Weaving together intriguing, seldom-seen images, Dreaming in Russian showcases the ways in which Cuba’s relationship to its Soviet benefactors lingered after the disintegration of the U.S.S.R. in 1991. Analyzing numerous literary texts and works of visual art, Loss also incorporates aspects of architecture, popular culture, the space race, and other strands to create a captivating new perspective on Cuban society. Among the luminaries featured are poet Reina María Rodríguez, writer Antonio José Ponte, visual artist Tonel, and novelist Wendy Guerra. A departure from traditional cultural history, Loss’s approach instead presents a kaleidoscopic series of facets, reflecting the hybrid nature of the self-images that emerged in the aftermath of the Soviet aegis. As speculations about Cuba’s future under Fidel Castro’s heir apparent continue, the portrait that emerges in Dreaming in Russian is both timely and mesmerizing.
Ericka Johnson
Duke University Press, 2007
Each chapter presents one woman’s story and then links it to a discussion of gender roles, the mail-order bride industry, and the severe economic and social constraints of life in Russia. The transitional economy has often left people, after a month’s work, either unpaid or paid unexpectedly with a supply of sunflower oil or toilet paper. Women over twenty-three are considered virtually unmarriageable in Russian society. Russia has a large population of women who are single, divorced, or widowed, who would like to be married yet feel that they have no chance finding a Russian husband. Grim realities such as these motivate women to seek better lives abroad. For many of those seeking a mail-order husband, children or parents play significant roles in the search for better lives, and they play a role in Johnson’s account as well. In addition to her research in the former Soviet Union, Johnson conducted interviews in the United States, and she shares the insights—about dating, marriage, and cross-cultural communication—of a Russian-American married couple who met via the Internet.
Robert Courtney Smith
Russell Sage Foundation, 2024
Edited by Sheila Jasanoff and Sang-Hyun Kim
University of Chicago Press, 2015
Allen Shelton
University of Minnesota Press, 2007
“I speak in what others often hear as a strange accent. My past can’t be located. I live in Buffalo, New York, an exile from the South. But these aren’t Yankee dreams, even though my past seems like a fabrication, a dreamworld in which I’m a paper character and not a historical participant, with scars from barbed wire ripping under the pressure and flying through the air like a swarm of bees, or a horse rearing up and banging its head into mine from within, exploding my forehead.” —from the Preface
Wisteria draped on a soldier’s coffin, sent home to Alabama from a Virginia battlefield. The oldest standing house in the county, painted gray and flanked by a pecan orchard. A black steel fence tool, now perched atop a pile of books like a prehistoric bird of prey. In Dreamworlds of Alabama, Allen Shelton explores physical, historical, and social landscapes of northeastern Alabama. His homeplace near the Appalachian foothills provides the setting for a rich examination of cultural practices, a place where the language of place and things resonates with as much vitality and emotional urgency as the language of humans.
Throughout the book, Shelton demonstrates how deeply culture is inscribed in the land and in the most intimate spaces of the person—places of belonging and loss, insight and memory.
Born and raised in Jacksonville, Alabama, Allen Shelton is associate professor of sociology at Buffalo State College.
John Arena
University of Minnesota Press, 2012
In the early 1980s the tenant leaders of the New Orleans St. Thomas public housing development and their activist allies were militant, uncompromising defenders of the city’s public housing communities. Yet ten years later these same leaders became actively involved in a planning effort to privatize and downsize their community—an effort that would drastically reduce the number of affordable apartments. What happened? John Arena—a longtime community and labor activist in New Orleans—explores this drastic change in Driven from New Orleans, exposing the social disaster visited on the city’s black urban poor long before the natural disaster of Katrina magnified their plight.
Arena argues that the key to understanding New Orleans’s public housing transformation from public to private is the co-optation of grassroots activists into a government and foundation-funded nonprofit complex. He shows how the nonprofit model created new political allegiances and financial benefits for activists, moving them into a strategy of insider negotiations that put the profit-making agenda of real estate interests above the material needs of black public housing residents. In their turn, white developers and the city’s black political elite embraced this newfound political “realism” because it legitimized the regressive policies of removing poor people and massively downsizing public housing, all in the guise of creating a new racially integrated, “mixed-income” community.
In tracing how this shift occurred, Driven from New Orleans reveals the true nature, and the true cost, of reforms promoted by an alliance of a neoliberal government, nonprofits, community activists, and powerful real estate interests.
John H. Mollenkopf
Russell Sage Foundation, 1991
Ahmed Kanna
University of Minnesota Press, 2010
Dick Steward
University of Missouri Press, 2000
In early-nineteenth-century Missouri, the duel was a rite of passage for many young gentlemen seeking prestige and power. In time, however, other social groups, influenced by the ruling class, engaged in a variety of violent acts and symbolic challenges under the rubric of the code duello. In Duels and the Roots of Violence in Missouri, Dick Steward takes an in-depth look at the evolution of dueling, tracing the origins, course, consequences, and ultimate demise of one of the most deadly art forms in Missouri history. By focusing on the history of dueling in Missouri, Steward details an important part of our culture and the long-reaching impact this form of violence has had on our society.
Drawing upon accounts of at least a hundred duels—from little-known encounters to those involving celebrated figures such as Senator Thomas Hart Benton, Charles Lucas, Thomas Biddle, Spencer Pettis, and John Smith T—Steward shows how the roots of violence have penetrated our modern culture. He traces the social and cultural changes in the nature of the duel from its earliest form as a defense of honor to its use as a means of revenge. By the latter part of the nineteenth century, the formal southern duel had for the most part given way to the improvised western duel, better known as the gunfight. Involving such gunslingers as Wild Bill Hickok and Jesse James, these violent acts captivated people not only in the state but also across the nation. Although the violence entailed different methods of killing, its allure remained as strong as ever.
Steward re-creates the human drama and tragedy in many of these hostile encounters, revealing how different groups operating under the code duello justified family and clan feuds, vigilante justice, and revenge killings. This often-glamorized violence, Steward argues, was viewed as a symbol of honor and courage throughout the century and greatly influenced behavior and attitudes toward violence well into the twentieth century.
While this work centers mainly on Missouri and the history of dueling in the state, its inferences extend well past the region itself. Well-written and thoroughly researched, Duels and the Roots of Violence in Missouri provides valuable insight into the violent social climate of yesterday.

Kieran Allen and Brian O'Boyle
Pluto Press, 2017
Schelly, Chelsea
Rutgers University Press, 2017
Irina Tomescu-Dubrow
Central European University Press, 2018