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Bronka Schneider and her husband, Joseph, were two of the thirty thousand Austrian Jews admitted as refugees to Great Britain between March 1938 and 2 September 1939. It was not until 1960, however, that Schneider wrote her memoir about the year she spent as a housekeeper, with Joseph as a butler, in a Scottish castle.

Schneider tells of daily encounters—with her employers, the English lady and her husband, a retired British civil servant who had spent many years in India; the village locals; other refugees; and a family of evacuees from the slums of Glasgow.

The editors have divided this memoir into chapters, adding headlines from the London Times as epigraphs. These headlines, reporting the escalating events of World War II, are in stark contrast to daily activities of the residents of this isolated region of Scotland. A commentary by Erika Bourguignon provides historical, political, and cultural background of this period.

Examines the political history of a 20th-century Communist part leader in the US
 
Earl Browder, the preeminent 20th-century Communist party leader in the United States, steered the CPUSA through the critical years of the Great Depression and World War II. A Kansas native and veteran of numerous radical movements, he was peculiarly fitted by circumstance and temperament to head the cause during its heyday.
 
Serving as a bridge between American Communism’s secret and public worlds, Browder did more than anyone to attempt to explain the Soviet Union’s shifting policies to the American people in a way that would serve the interests of the CPUSA. A proud and loyal follower of Joseph Stalin, Browder nevertheless sought to move the party into the U.S. political mainstream. He used his knowledge of domestic politics to persuade the Communist International to modify Popular Front (1935-1939) tactics for the United States.
 
Despite his rise in the hierarchy, he possessed an independent streak that ultimately proved his undoing. Imprisonment as he neared age 50 left permanent psychological damage. After being released with the approval of President Franklin D. Roosevelt, Browder lost his perspective and began entertaining delusions of grandeur about his status in American politics and in the world Communist movement. Still, he could never quite bring legitimacy to the CPUSA because he lacked the vision and moral courage to separate himself totally from the Soviet Union. Ryan concludes that Browder was not so much insincere as deluded. His failure contributed to the demise of the popularity of the Communist party in the United States.
 
In preparation for this book, the author consulted the Browder Papers at Syracuse University and U.S. Government documents, particularly the F.B.I. files. In addition, he traveled to Russia for research in the Soviet Archives when recently opened to Western scholars, including the records of the former Communist International and a collection of American Communist party files, 1919-1944, shipped secretly to Moscow long ago. Indeed, until 1992, the existence of the CPUSA collection was only rumored.
 

Winner of the 2016 Living Blues Award for Blues Book of the Year

The complete history of early blues guitar, with portraits of its first stars—now in paperback

Since the early 1900s, blues and the guitar have traveled side by side. This book tells the story of their pairing from the first reported sightings of blues musicians, to the rise of nationally known stars, to the onset of the Great Depression, when blues recording virtually came to a halt.

Like the best music documentaries, Early Blues: The First Stars of Blues Guitar interweaves musical history, quotes from celebrated musicians (B.B. King, John Lee Hooker, Ry Cooder, and Johnny Winter, to name a few), and a spellbinding array of life stories to illustrate the early days of blues guitar in rich and resounding detail. In these chapters, you’ll meet Sylvester Weaver, who recorded the world’s first guitar solos, and Paramount Records artists Papa Charlie Jackson, Blind Lemon Jefferson, and Blind Blake, the “King of Ragtime Blues Guitar.” Blind Willie McTell, the Southeast’s superlative twelve-string guitar player, and Blind Willie Johnson, street-corner evangelist of sublime gospel blues, also get their due, as do Lonnie Johnson, the era’s most influential blues guitarist; Mississippi John Hurt, with his gentle, guileless voice and syncopated fingerpicking style; and slide guitarist Tampa Red, “the Guitar Wizard.”

Drawing on a deep archive of documents, photographs, record company ads, complete discographies, and up-to-date findings of leading researchers, this is the most comprehensive and complete account ever written of the early stars of blues guitar—an essential chapter in the history of American music.

Articulates the significance of early Middle Eastern civilization in the construction of American modernity.

Early Civilization and the American Modern explores how the teleological narrative that civilization and its benefits—science, law, writing, art, and architecture—began in Egypt and Mesopotamia addressed anxieties about the United States’ unique role in the long march of progress. To tackle this phenomenon, author Eva Miller highlights central collaborators of the creation of progressive visual narratives in key institutions, world’s fairs, and popular media such as Orientalist James Henry Breasted, astronomer George Ellery Hale, architect Bertram Grosvenor Goodhue, and decorative artists Lee Lawrie and Hildreth Meière.

Early Stories by Tennessee Williams is an edited collection of thirty-one previously unpublished short stories written in the 1930s, when Tennessee Williams was living in the Midwest during a tumultuous period for the nation and himself. The stories highlight aspects of the writer’s biography relative to his young adult years in St. Louis, Columbia, and the Missouri Ozarks, offering insight into the relationships between the author, his family, and close friends. The influence of proletarian fiction and leftist ideas are evident in Williams’s stories of the Great Depression, as are themes of sexual turmoil and inner passions inspired by authors like D. H. Lawrence.
                 In notes for each story, additional context is provided regarding locations, occupations, and individuals. All of this enriches a critical understanding of Tennessee Williams’s major works such as The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof, Night of the Iguana, and Suddenly Last Summer.
 

In Earth Diplomacy, Jessica L. Horton reveals how Native American art in the mid-twentieth century mobilized Indigenous cultures of diplomacy to place the earth itself at the center of international relations. She focuses on a group of artists, including Pablita Velarde, Darryl Blackman, and Oscar Howe, who participated in exhibitions and lectures abroad as part of the United States’s Cold War cultural propaganda. Horton emphasizes how their art modeled a radical alternative to dominant forms of statecraft, a practice she calls “earth diplomacy”: a response to extractive colonial capitalism grounded in Native ideas of deep reciprocal relationships between humans and other beings that govern the world. Horton draws on extensive archival research and oral histories as well as analyses of Indigenous creative work, including paintings, textiles, tipis, adornment, and artistic demonstrations. By interweaving diplomacy, ecology, and art history, Horton advances Indigenous frameworks of reciprocity with all beings in the cosmos as a path to transforming our broken system of global politics.

How did Americans come to believe that working at home is feasible, productive, and desirable? Easy Living examines how the idea of working within the home was constructed and disseminated in popular culture and mass media during the twentieth century. Through the analysis of national magazines and newspapers, television and film, and marketing and advertising materials from the housing, telecommunications, and office technology industries, Easy Living traces changing concepts about what it meant to work in the home. These ideas reflected larger social, political-economic, and technological trends of the times. Elizabeth A. Patton reveals that the notion of the home as a space that exists solely in the private sphere is a myth, as the social meaning of the home and its market value in relation to the public sphere are intricately linked.

A sweeping exploration of survival, resilience, and the fate of one family amid Europe’s most turbulent century.

Echoes of Exile reveals the seismic disruptions of twentieth-century European history through the intimate lens of one family’s struggle to survive. Setting out to record the life of her mother, Ruth, Daniela Spenser unearthed personal facts and stories that additionally illuminate the shared traumas and experiences of millions of Czech, Polish, and German Jews who died in the Holocaust, as well as the stories of those who survived and lived under Communism and the Cold War. Her resulting work is a fascinating hybrid that combines family letters and interviews with deeply researched political history spanning from the collapse of the Austro-Hungarian Empire to the fall of the Berlin Wall.

Spenser’s fascinating work reveals the difficult choices her mother and family faced, the tests to their loves and loyalties, and the lingering scars of exile. More than a family history, it weaves personal and historical narratives with mundane and momentous threads to create a fresh, distinctive fabric. Spenser recovers fragments of the past that contribute to a map of the present and possibilities for the future. An engrossing account of survival, resilience, and the enduring human spirit amid the maelstrom of Europe’s savage twentieth century, Echoes of Exile will interest readers who value firsthand accounts of significant events and who seek to understand the complexities of survival, identity, and political change through intimate, lived experiences.

Runner-up, Violet Crown Award, Writer's League of Texas, 2008

Renowned for his "brilliant legislative mind" and political oratory—as well as for bicycling to Congress in a rumpled white linen suit and bow tie—U.S. Congressman Bob Eckhardt was a force to reckon with in Texas and national politics from the 1940s until 1980. A liberal Democrat who successfully championed progressive causes, from workers' rights to consumer protection to environmental preservation and energy conservation, Eckhardt won the respect of opponents as well as allies. Columnist Jack Anderson praised him as one of the most effective members of Congress, where Eckhardt was a national leader and mentor to younger congressmen such as Al Gore.

In this biography of Robert Christian Eckhardt (1913-2001), Gary A. Keith tells the story of Eckhardt's colorful life and career within the context of the changing political landscape of Texas and the rise of the New Right and the two-party state. He begins with Eckhardt's German-American family heritage and then traces his progression from labor lawyer, political organizer, and cofounder of the progressive Texas Observer magazine to Texas state legislator and U.S. congressman. Keith describes many of Eckhardt's legislative battles and victories, including the passage of the Open Beaches Act and the creation of the Big Thicket National Preserve, the struggle to limit presidential war-making ability through the War Powers Act, and the hard fight to shape President Carter's energy policy, as well as Eckhardt's work in Texas to tax the oil and gas industry.

The only thorough recounting of the life of a memorable, important, and flamboyant man, Eckhardt also recalls the last great era of progressive politics in the twentieth century and the key players who strove to make Texas and the United States a more just, inclusive society.

This cross-disciplinary special issue focuses on economic knowledge in social countries during the second half of the twentieth century. Through a series of historical case studies, the issue embraces a wide variety of perspectives on the ways economy and society were conceptualized behind the Iron Curtain. Contributors explored the entanglement of ideology and economic discourse, the political dimensions of cybernetic technocracy, and the various faces of Cold War rationality of socialism.

Contributors. Oleg Ananyin, Johanna Bockman, Ivan Boldyrev, Till Düppe, Richard Ericson, Yakov Feygin, Olessia Kirtchik, Martha Lampland, Adam Leeds, Denis Melnik, Chris Miller, György Peteri, Eglė Rindzevičiūtė, Vítězslav Sommer, Joachim Zweynert

Ecospatiality explores modern and contemporary American prose literature through the lens of place, showing how authors like William Least Heat-Moon, Willa Cather, Richard Wright, and Leslie Marmon Silko represent and reimagine real places in the world and the human-environment relationships therein. Building on the work of scholars in geography, sociology, ecocriticism, and geocriticism, this book articulates the theory of ecospatiality: an understanding of place as simultaneously spatial, ecological, and historical.

In our current historical moment, which is characterized by ongoing ecological collapse and a not-unrelated increase in social disorder, few issues are more urgent than the human relationship with our environments. Whether we characterize this new epoch as the climate change era or the Anthropocene, we can no longer ignore the fact that the places we live are rapidly changing in response to economic and environmental pressures. Rather than thinking of place as a neutral site for social interaction, we should recognize how it underpins and intertwines with human experience.

Fortunately, literature can help us think through how place operates. Lowell Wyse shows that texts can be understood as works of literary cartography. Focusing on works of nonfiction and fiction whose primary settings are on the North American continent, Ecospatiality demonstrates how these narratives rely on realistic literary geography to invoke, and sometimes retell, important aspects of environmental history within particular communities and bioregions.

Through analysis of Ed Ruscha’s visionary Streets of Los Angeles Archive, this volume provides new understandings of his artistic practice, the history of L.A., and the innovative role of technology in the archive.

In 1966, Ed Ruscha drove a car rigged with a motorized camera to capture Los Angeles’ most iconic street: Sunset Boulevard. He created a time capsule of its famed facades, beginning a sixty-year-long commitment to documenting the changing urban landscape of postwar Los Angeles. The Streets of Los Angeles project that comprises these photographs is likely the most comprehensive artistic record of any city, with over 900,000 images of major thoroughfares. Ruscha’s photographs constitute an unparalleled visual chronicle of both iconic and everyday sites in L.A., including popular music venues, neighborhood restaurants, and billboards promoting Hollywood’s latest blockbusters.
 
In this volume, scholars from disciplines such as urban planning, cultural geography, architecture, art history, and musicology explore the Streets of Los Angeles Archive as a rich repository for analyzing Ruscha’s practice and the city’s visual culture. Using his photographs and new data visualizations, the authors consider what it means to interpret an archive mostly accessible through digital technologies, and they demonstrate how histories of art have been indelibly reshaped since the advent of the information age in the 1960s.
 
This publication was created using Quire™, a multiformat publishing tool from Getty. The free online edition of this open-access publication is available at www.getty.edu/publications/ruscha/ and includes video, data visualizations, and zoomable illustrations. Free PDF and EPUB downloads of the book are also available.

The definitive biography of a visionary reformer who sought to guide the South into the modern age.

Edgar Gardner Murphy: Gentle Progressive by Hugh C. Bailey is the definitive biography of one of the most influential reform-minded leaders of the New South. Focusing on the life and public career of Edgar Gardner Murphy, an Episcopal clergyman, author, and social reform advocate, the book explores his efforts to promote education, civic responsibility, racial moderation, child welfare reform, and economic modernization during the Progressive Era. Bailey presents a nuanced portrait of a man whose ideas helped shape public discourse in the South at a time of profound social and political change.

Drawing on extensive research, Bailey examines Murphy's leadership in regional reform movements and his attempts to reconcile traditional Southern values with the demands of a modernizing society. The biography places Murphy within the broader context of Progressive Era America, illuminating the challenges reformers faced as they sought to address issues of poverty, education, labor, and governance while navigating the complex realities of race relations in the post-Reconstruction South.

Both scholarly and accessible, this volume highlights Murphy's achievements, limitations, and enduring legacy as a public intellectual and advocate for change. It offers valuable insight into the development of Southern Progressivism and remains an important resource for understanding the social, religious, and political evolution of the modern South.

A firsthand look at the lives of those who reside in no man’s land—the violence they endure and their immense resilience.
 
“No man’s land” invokes stretches of barren landscape, twisted barbed wire, desolation, and the devastation of war. But this is not always the reality. According to Noam Leshem in Edges of Care, the term also reveals radical abandonment by the state. From the Northern Sahara to the Amazon rainforests, people around the world find themselves in places that have been stripped of sovereign care. Leshem is committed to defining these spaces and providing a more intimate understanding of this urgent political reality.
 
Based on nearly a decade of research in some of the world’s most challenging conflict zones, Edges of Care offers a profound account of abandoned lives and lands, and how they endure and sometimes thrive once left to fend for themselves. Leshem interrogates no man’s land as a site of radical uncaring: abandoned by a sovereign power in a relinquishment of responsibility for the space or anyone inside it. To understand the ramifications of such uncaring, Leshem takes readers through a diverse series of abandoned places, including areas in Palestine, Syria, Colombia, Sudan, and Cyprus. He shows that no man’s land is not empty of life, but almost always inhabited and, in fact, often generative of new modes of being. Beautifully written and evocative, Edges of Care reveals the unexamined complexities and political dynamics hidden within and around places governed by callous indifference.
 

When Edith Wharton became friends with Henry James, she joined a group of men who became her "inner circle." This group included both well-known figures, such as James, Percy Lubbock, and Bernard Berenson, and several now forgotten, including John Hugh Smith, Walter Berry, Gaillard Lapsley, Robert Norton, and Howard Sturgis.

Drawing on unpublished archival material by and about members of the circle, Susan Goodman here presents an intimate view of this American expatriate community, as well as the larger transatlantic culture it mirrored. She explores how the group, which began forming around 1904 and lasted until Wharton's death in 1937, defined itself against the society its founders had left in the United States, while simultaneously criticizing and accommodating the one it found in Europe. Tracing Wharton's individual relationships with these men and their relationships with one another, she examines literary kinships and movements in the biographical and feminist context of gender, exile, and aesthetics. She also relates the group to other literary circles, such as the Bloomsbury group and Gertrude Stein's salon.

WINNER, 2021 Chicago Writers Association Book of the Year in Traditional Nonfiction!

Chicago’s quirky patron saint

This thrilling story of a daughter of America’s foremost industrialist, John D. Rockefeller, is complete with sex, money, mental illness, and opera divas—and a woman who strove for the independence to make her own choices. Rejecting the limited gender role carved out for her by her father and society, Edith Rockefeller McCormick forged her own path, despite pushback from her family and ultimate financial ruin.

Young Edith and her siblings had access to the best educators in the world, but the girls were not taught how to handle the family money; that responsibility was reserved for their younger brother. A parsimonious upbringing did little to prepare Edith for life after marriage to Harold McCormick, son of the Reaper King Cyrus McCormick. The rich young couple spent lavishly. They purchased treasures like the jewels of Catherine the Great, entertained in grand style in a Chicago mansion, and contributed to the city’s cultural uplift, founding the Chicago Grand Opera. They supported free health care for the poor, founding and supporting the John R. McCormick Memorial Institute for Infectious Diseases. Later, Edith donated land for what would become Brookfield Zoo.

Though she lived a seemingly enviable life, Edith’s disposition was ill-suited for the mores of the time. Societal and personal issues—not least of which were the deaths of two of her five children—caused Edith to experience phobias and panic attacks. Dissatisfied with rest cures, she ignored her father’s expectations, moved her family to Zurich, and embarked on a journey of education and self-examination. Edith pursued analysis with then-unknown Carl Jung. Her generosity of spirit led Edith to become Jung’s leading patron. She also supported up-and-coming musicians, artists, and writers, including James Joyce as he wrote Ulysses.

While Edith became a Jungian analyst, her husband, Harold, pursued an affair with an opera star. After returning to Chicago and divorcing Harold, Edith continued to deplete her fortune. She hoped to create something of lasting value, such as a utopian community and affordable homes for the middle class. Edith’s goals caused further difficulties in her relationship with her father and are why he and her brother cut her off from the family funds even after the 1929 stock market crash ruined her. Edith’s death from breast cancer three years later was mourned by thousands of Chicagoans.

Respectful and truthful, Andrea Friederici Ross presents the full arc of this amazing woman’s life and expertly helps readers understand Edith’s generosity, intelligence, and fierce determination to change the world

Edna Ferber's Hollywood reveals one of the most influential artistic relationships of the twentieth century—the four-decade partnership between historical novelist Edna Ferber and the Hollywood studios. Ferber was one of America's most controversial popular historians, a writer whose uniquely feminist, multiracial view of the national past deliberately clashed with traditional narratives of white masculine power. Hollywood paid premium sums to adapt her novels, creating some of the most memorable films of the studio era—among them Show Boat, Cimarron, and Giant. Her historical fiction resonated with Hollywood's interest in prestigious historical filmmaking aimed principally, but not exclusively, at female audiences.

In Edna Ferber's Hollywood, J. E. Smyth explores the research, writing, marketing, reception, and production histories of Hollywood's Ferber franchise. Smyth tracks Ferber's working relationships with Samuel Goldwyn, Leland Hayward, George Stevens, and James Dean; her landmark contract negotiations with Warner Bros.; and the controversies surrounding Giant's critique of Jim-Crow Texas. But Edna Ferber's Hollywood is also the study of the historical vision of an American outsider—a woman, a Jew, a novelist with few literary pretensions, an unashamed middlebrow who challenged the prescribed boundaries among gender, race, history, and fiction. In a masterful film and literary history, Smyth explores how Ferber's work helped shape Hollywood's attitude toward the American past.

Since the appearance of her first novel, The Country Girls, in 1960—a book that undermined the nation’s ideal of innocent and pious Irish girlhood­—Edna O’Brien has provoked controversy in her native Ireland and abroad. Indeed, several of her early novels were condemned by church authorities and banned by the Irish government for their frank portrayals of sexual matters and the inner lives of women. Now an internationally acclaimed writer, O’Brien must be critically reassessed for a twenty-first century audience. Edna O’Brien and the Art of Fiction provides an urgent retrospective consideration of one of the English-speaking world’s best-selling and most prolific contemporary authors. Drawing on O’Brien’s fiction as well as archival material, and applying new theoretical approaches—including ecocritical and feminist new materialist readings—this study considers the pioneering and enduring ways O’Brien represents women’s experience, family relationships, the natural world, sex, creativity, and death, and her work’s long anticipation of contemporary movements such as #metoo.